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Nishimuraya Yohachi
Nishimuraya Yohachi (dates unknown) was one of the leading publishers of woodblock prints in late 18th Japan. He founded the Nishimuraya Yohachi publishing house, also known as Nishiyo (西与), which operated in Nihonbashi's Bakurochō Nichōme under the shop name Eijudō. The firm's exact dates are unclear, but many art historians date its activity to between . According to Andreas Marks, Nishimuraya is "one of the most important publishers in the history of prints and may be the publisher with the biggest output over time," attributing his success to "engaging the best artists and providing a broad range of prints to satisfy the public's interest." One of the press' most significant products was Hokusai's famous '' Thirty-six Views of Mount Fuji'', which appeared between and the first two volumes of his exquisite ''100 Views of Mount Fuji'' ehon in 1834 and 1835. Nishimuraya Yohachi also published prints by Eishi, Kuniyasu, Toyokuni I and Kunisada. Nishimuraya is immortalize ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Utagawa Toyokuni I
Utagawa Toyokuni ( ja, 歌川豊国; 1769 in Edo – 24 February 1825 in Edo), also often referred to as Toyokuni I, to distinguish him from the members of his school who took over his ''gō'' ( art-name) after he died, was a great master of ukiyo-e, known in particular for his kabuki actor prints. He was the second head of the renowned Utagawa school of Japanese woodblock artists, and was the artist who elevated it to the position of great fame and power it occupied for the rest of the nineteenth century. Biography He was born in Edo, the son of Kurahashi Gorobei, a carver of dolls and puppets, including replicas of kabuki actors. At around 14, Toyokuni was apprenticed to the first head of the Utagawa house, Utagawa Toyoharu, whom his father knew well and who lived nearby. One of his fellow pupils under Toyoharu was Toyohiro, whose pupil was the great landscape artist Hiroshige. In recognition of his artistic ability, Toyokuni later took the name Utagawa Toyokun ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edo Period
The or is the period between 1603 and 1867 in the history of Japan, when Japan was under the rule of the Tokugawa shogunate and the country's 300 regional ''daimyo''. Emerging from the chaos of the Sengoku period, the Edo period was characterized by economic growth, strict social order, isolationist foreign policies, a stable population, perpetual peace, and popular enjoyment of arts and culture. The period derives its name from Edo (now Tokyo), where on March 24, 1603, the shogunate was officially established by Tokugawa Ieyasu. The period came to an end with the Meiji Restoration and the Boshin War, which restored imperial rule to Japan. Consolidation of the shogunate The Edo period or Tokugawa period is the period between 1603 and 1867 in the history of Japan, when Japan was under the rule of the Tokugawa shogunate and the country's regional ''daimyo''. A revolution took place from the time of the Kamakura shogunate, which existed with the Tennō's court, to th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ukiyo-e
Ukiyo-e is a genre of Japanese art which flourished from the 17th through 19th centuries. Its artists produced woodblock prints and paintings of such subjects as female beauties; kabuki actors and sumo wrestlers; scenes from history and folk tales; travel scenes and landscapes; flora and fauna; and erotica. The term translates as "picture of the floating world". In 1603, the city of Edo (Tokyo) became the seat of the ruling Tokugawa shogunate. The '' chōnin'' class (merchants, craftsmen and workers), positioned at the bottom of the social order, benefited the most from the city's rapid economic growth, and began to indulge in and patronise the entertainment of kabuki theatre, geisha, and courtesans of the pleasure districts; the term ("floating world") came to describe this hedonistic lifestyle. Printed or painted ukiyo-e works were popular with the ''chōnin'' class, who had become wealthy enough to afford to decorate their homes with them. The earliest ukiyo-e work ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shintō
Shinto () is a religion from Japan. Classified as an East Asian religion by scholars of religion, its practitioners often regard it as Japan's indigenous religion and as a nature religion. Scholars sometimes call its practitioners ''Shintoists'', although adherents rarely use that term themselves. There is no central authority in control of Shinto, with much diversity of belief and practice evident among practitioners. A polytheistic and animistic religion, Shinto revolves around supernatural entities called the . The are believed to inhabit all things, including forces of nature and prominent landscape locations. The are worshiped at household shrines, family shrines, and ''jinja'' public shrines. The latter are staffed by priests, known as , who oversee offerings of food and drink to the specific enshrined at that location. This is done to cultivate harmony between humans and and to solicit the latter's blessing. Other common rituals include the dances, rites of passa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Meiji Period
The is an era of Japanese history that extended from October 23, 1868 to July 30, 1912. The Meiji era was the first half of the Empire of Japan, when the Japanese people moved from being an isolated feudal society at risk of colonization by Western powers to the new paradigm of a modern, industrialized nation state and emergent great power, influenced by Western scientific, technological, philosophical, political, legal, and aesthetic ideas. As a result of such wholesale adoption of radically different ideas, the changes to Japan were profound, and affected its social structure, internal politics, economy, military, and foreign relations. The period corresponded to the reign of Emperor Meiji. It was preceded by the Keiō era and was succeeded by the Taishō era, upon the accession of Emperor Taishō. The rapid modernization during the Meiji era was not without its opponents, as the rapid changes to society caused many disaffected traditionalists from the former samu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hasegawa Kakugyō
Hasegawa (written: 長谷川 literally "long valley river") is a Japanese surname. Hasegawa may refer to: People A * Akiko Hasegawa, Japanese voice actress and singer * Ariajasuru Hasegawa (born 1988), Japanese-Iranian footballer B * Bob Hasegawa (born 1952), American-born labor union leader and Washington State congressperson C * Chiyono Hasegawa (1896–2011), Japanese supercentenarian D * Daigo Hasegawa (born 1990), Japanese athlete specialising in the triple jump E * Emi Hasegawa (born 1986), Japanese alpine ski racer H * Haruhisa Hasegawa (born 1957), Japanese football player * Hasegawa Katsutoshi (born 1944), Japanese sumo wrestler * Hasegawa Nyozekan (1875–1969), author * Hasegawa Tōhaku (1539–1610), Edo period painter * Hasegawa Yoshimichi (1850–1924), Chief of the Army General Staff * Hatsunori Hasegawa (born 1955), Japanese actor * Hirokazu Hasegawa (born 1986), former Japanese football player * Hiroki Hasegawa (長谷川 博己, born 1977 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mount Fuji
, or Fugaku, located on the island of Honshū, is the highest mountain in Japan, with a summit elevation of . It is the second-highest volcano located on an island in Asia (after Mount Kerinci on the island of Sumatra), and seventh-highest peak of an island on Earth. Mount Fuji is an active stratovolcano that last erupted from 1707 to 1708. The mountain is located about southwest of Tokyo and is visible from there on clear days. Mount Fuji's exceptionally symmetrical cone, which is covered in snow for about five months of the year, is commonly used as a cultural icon of Japan and it is frequently depicted in art and photography, as well as visited by sightseers and climbers. Mount Fuji is one of Japan's along with Mount Tate and Mount Haku. It is a Special Place of Scenic Beauty and one of Japan's Historic Sites. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Freer Gallery
The Freer Gallery of Art is an art museum of the Smithsonian Institution in Washington, D.C. focusing on Asian art. The Freer and the Arthur M. Sackler Gallery together form the National Museum of Asian Art in the United States. The Freer and Sackler galleries house the largest Asian art research library in the country and contain art from East Asia, South Asia, Southeast Asia, the Islamic world, the ancient Near East, and ancient Egypt, as well as a significant collection of American art. The gallery is located on the south side of the National Mall in Washington, D.C., contiguous with the Sackler Gallery. The museum is open 364 days a year (being closed on Christmas), and is administered by a single staff with the Sackler Gallery. The galleries were among the most visited art museums in the world. The Freer houses over 26,000 objects spanning 6,000 years of history from the Neolithic to modern eras. The collections include ancient Egyptian stone sculpture and wooden obj ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eijudō Hibino At Seventy-one (Toyokuni I)
''Eijūdō Hibino at Seventy-one'' is an ''ukiyo-e'' woodblock print dating to around 1799 by Edo period artist Utagawa Toyokuni I. According to its inscription, the print was produced in commemoration of the featured subject, print publisher Nishimuraya Yohachi I's, seventy-first year. The print is part of the permanent collection of the Royal Ontario Museum, Toronto, Canada. Utagawa Toyokuni I Utagawa Toyokuni (歌川豐國), also known as Toyokuni I, was the second head of the Utagawa school, and one of the most influential and prolific print-makers of the Edo period. From early adolescence, he apprenticed with Utagawa Toyoharu, studying the style of his mentor, as well as those of Chōbunsai Eishi, Utamaro and Eishōsai Chōki. He achieved his greatest commercial success within the genres of ''bijinga'' (prints of beautiful women) and, more significantly, ''kabuki-e'' and ''yakusha-e'' (kabuki and kabuki actor prints). The latter constitute the "overwhelming majority" of his ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
