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Nina Bertini-Humphreys
Nina Bertini-Humphreys was an Irish-born operatic soprano, active in the United States in the 1890s, and in Britain and Ireland after 1900. Early life and education Nina Humphreys (or Humphrys) was born in Ireland. She studied voice in Italy with Francesco Lamperti and Teresa Brambilla, and made her debut there as Amina in ''La sonnambula''. She used the name "Nina Bertini" early in her career on the stage, then added her family name to the stage name. Career Bertini-Humphreys was a ''prima donna'' operatic soprano. She toured in the United States as a member of Emma Abbott's Company in the 1880s, and of the Marie Tavary Grand English Opera Company, the Metropolitan Grand English Opera Company, and the Hinrichs Grand Opera Company in the 1890s. Her roles included Michaela in ''Carmen'', Gilda in ''Rigoletto'', Marguerite in ''Faust'', the title role in ''Mignon'', and Juliette in ''Roméo et Juliette ''Roméo et Juliette'' (, ''Romeo and Juliet'') is an opera in five acts by Ch ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nina Humphreys
Nina Humphreys is a British composer of music for film and television. Humphries was educated at Brighton College from 1989 to 1991 and has a bachelor's degree in Music from the University of Exeter and an MA in Film Music from Bournemouth University Bournemouth University is a public university in Bournemouth, England, with its main campus situated in neighbouring Poole. The university was founded in 1992; however, the origins of its predecessor date back to the early 1900s. The universi .... Works Humphreys has composed music for: References External linksOfficial website {{DEFAULTSORT:Humphreys, Nina Year of birth missing (living people) [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francesco Lamperti
Francesco Lamperti (11 March 1811 or 1813 – 1 May 1892) was an Italian singing teacher and the father of the famed singing teacher, Giovanni Battista Lamperti, the author of ''The Technics of Bel Canto''. Biography A native of Savona, Lamperti attended the Milan Conservatory where, beginning in 1850, he taught for a quarter of a century. He was director at the Teatro Filodrammatico in Lodi. In 1875, he left the school and began to teach as a private tutor. Among his pupils were Sophie Cruvelli, Emma Albani, Gottardo Aldighieri, Désirée Artôt, Sona Aslanova, Lillie Berg, David Bispham, Italo Campanini, Virgilio Collini, Samuel Silas Curry, Franz Ferenczy, Friederike Grün, Teresa Stolz, Marie van Zandt, Maria Waldmann, Herbert Witherspoon, Tecla Vigna, Lizzie Graham, and Nina Bertini-Humphreys. His methods were very similar to older Italian methods, and he wrote a number of treatise A treatise is a Formality, formal and systematic written discourse ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Teresa Brambilla
Teresa Brambilla (23 October 1813 – 15 July 1895) was an Italian soprano best known for having first interpreted the role of Gilda in Giuseppe Verdi's opera ''Rigoletto''. During a career that spanned 20 years, she sang throughout Italy and in other European cities, including Paris, Barcelona and Odessa. Life and career Teresa Brambilla was born in Cassano d'Adda to a musical family. Her parents were Gerolamo and Angela (''née'' Columbo) Brambilla. Teresa was one of five sisters who all became opera singers.Somerset-Ward (2004) p. 206 Her elder sister, Marietta Brambilla, Marietta (1807–1875) was a contralto who specialised in ''en travesti, travesti'' roles and sang in the premieres of several of Donizetti's operas. Her younger sister, Giuseppina Brambilla, Giuseppina (1819–1903) was a mezzo-soprano who appeared in major opera houses in Italy, Spain, and England. Her other two sisters, Annetta and Lauretta, were sopranos who had lesser careers, appearing primarily in Ital ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Sonnambula
''La sonnambula'' (; ''The Sleepwalker'') is an opera semiseria in two acts, with music in the ''bel canto'' tradition by Vincenzo Bellini set to an Italian libretto by Felice Romani, based on a scenario for a ''ballet-pantomime'' written by Eugène Scribe and choreographed by Jean-Pierre Aumer called ''La somnambule, ou L'arrivée d'un nouveau seigneur''. The ballet had premiered in Paris in September 1827 at the height of a fashion for stage works incorporating somnambulism. The role of Amina was originally written for the soprano sfogato Giuditta Pasta and the tenor Giovanni Battista Rubini, but during Bellini's lifetime another soprano sfogato, Maria Malibran, was a notable exponent of the role. The first performance took place at the Teatro Carcano in Milan on 6 March 1831. The majority of twentieth-century recordings have been made with a soprano cast as Amina, usually with added top-notes and other changes according to tradition, although it was released in soprano ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Prima Donna
In opera or ''commedia dell'arte'', a prima donna (; Italian for 'first lady'; : ''prime donne'') is the leading female singer in the company, the person to whom the ''prime'' roles would be given. ''Prime donne'' often had grand off-stage personalities and were seen as demanding of their colleagues. Because of this, the term has spread in contemporary usage, from its original usage in opera to referring to anyone behaving in a demanding or temperamental fashion or having an inflated view of oneself. The prima donna in opera was normally, but not necessarily, a soprano. The corresponding term for the male lead (usually a castrato in the 17th and 18th centuries, later a tenor) is ''primo uomo''.H. Rosenthal, H. and J. Warrack, ''The Concise Oxford Dictionary of Opera'', 2nd Edition, Oxford University Press, 1979. p. 398. Opera In 19th century Italy, the leading woman in an opera or ''commedia dell'arte'' company was known as the prima donna, literally the "first lady". This ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Emma Abbott
Emma Abbott (December 9, 1850 – January 5, 1891) was an American operatic soprano and impresario known for her pure, clear voice of great flexibility and volume. Early life Emma Abbott was born in 1850 in Chicago, Illinois, the daughter of the struggling Chicago musician Seth Abbott and his wife, Almira (née Palmer). As a child, she and her brother George studied singing, piano, guitar and violin with their father. The family moved to Peoria, Illinois, Emma was eight years of age when, she made her first appearance on the stage, singing at a concert given in her father's office in Peoria. In 1854, Professor Abbott was unable to find a sufficient number of music students to make ends meet and the family suffered from financial problems. To help out, she and George began performing professionally when Emma was nine years old. She made her debut as a guitar player and singer in Peoria, Illinois in 1859, with George on the violin, and was teaching guitar by age thirteen. Career ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carmen
''Carmen'' () is an opera in four acts by the French composer Georges Bizet. The libretto was written by Henri Meilhac and Ludovic Halévy, based on the novella of the same title by Prosper Mérimée. The opera was first performed by the Opéra-Comique in Paris on 3 March 1875, where its breaking of conventions shocked and scandalised its first audiences. Bizet died suddenly after the 33rd performance, unaware that the work would achieve international acclaim within the following ten years. ''Carmen'' has since become one of the most popular and frequently performed operas in the classical canon; the " Habanera" and "Seguidilla" from act 1 and the " Toreador Song" from act 2 are among the best known of all operatic arias. The opera is written in the genre of ''opéra comique'' with musical numbers separated by dialogue. It is set in southern Spain and tells the story of the downfall of Don José, a naïve soldier who is seduced by the wiles of the fiery gypsy Carmen. Jos ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rigoletto
''Rigoletto'' is an opera in three acts by Giuseppe Verdi. The Italian libretto was written by Francesco Maria Piave based on the 1832 play '' Le roi s'amuse'' by Victor Hugo. Despite serious initial problems with the Austrian censors who had control over northern Italian theatres at the time, the opera had a triumphant premiere at La Fenice in Venice on 11 March 1851. The work, Verdi's sixteenth in the genre, is widely considered to be the first of the operatic masterpieces of Verdi's middle-to-late career. Its tragic story revolves around the licentious Duke of Mantua, his hunch-backed court jester Rigoletto, and Rigoletto's daughter Gilda. The opera's original title, ''La maledizione'' (The Curse), refers to a curse placed on both the Duke and Rigoletto by the Count Monterone, whose daughter the Duke has seduced with Rigoletto's encouragement. The curse comes to fruition when Gilda falls in love with the Duke and sacrifices her life to save him from the assassin hired by he ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Faust (opera)
''Faust'' is a grand opera in five acts by Charles Gounod to a French libretto by Jules Barbier and Michel Carré from Carré's play ''Faust et Marguerite'', in turn loosely based on Johann Wolfgang von Goethe's '' Faust, Part One''. It debuted at the Théâtre Lyrique on the Boulevard du Temple in Paris on 19 March 1859, with influential sets designed by Charles-Antoine Cambon and Joseph Thierry, Jean Émile Daran, Édouard Desplechin, and Philippe Chaperon. Performance history The original version of Faust employed spoken dialogue, and it was in this form that the work was first performed. The manager of the Théâtre Lyrique, Léon Carvalho cast his wife Caroline Miolan-Carvalho as Marguerite and there were various changes during production, including the removal and contraction of several numbers. The tenor Hector Gruyer was originally cast as Faust but was found to be inadequate during rehearsals, being eventually replaced by a principal of the Opéra-Comique, Jose ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mignon
''Mignon'' () is an 1866 ''opéra comique'' (or opera in its second version) in three acts by Ambroise Thomas. The original French libretto was by Jules Barbier and Michel Carré, based on Goethe's 1795-96 novel '' Wilhelm Meisters Lehrjahre''. The Italian version was translated by Giuseppe Zaffira. The opera is mentioned in James Joyce's " The Dead" (in ''Dubliners'') and Willa Cather's '' The Professor's House''. Thomas's goddaughter Mignon Nevada was named after the main character. The aria “I am Titania” was used repeatedly in the British feature film “The Life and Death of Colonel Blimp”. Performance history The first performance was at the Opéra-Comique in Paris on 17 November 1866. The piece proved popular: more than 100 performances took place by the following July, the 1,000th was given there on 13 May 1894, and the 1,500th on 25 May 1919. The opera was also adapted and translated into German for performance in Berlin with Madame Lucca as Mignon. Lucca was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roméo Et Juliette
''Roméo et Juliette'' (, ''Romeo and Juliet'') is an opera in five acts by Charles Gounod to a French libretto by Jules Barbier and Michel Carré, based on ''Romeo and Juliet'' by William Shakespeare. It was first performed at the Théâtre Lyrique (Théâtre-Lyrique Impérial du Châtelet), Paris on 27 April 1867. This opera is notable for the series of four duets for the main characters and the waltz song ''"Je veux vivre"'' for the soprano. Performance history Gounod's opera ''Faust'' had become popular at the Théâtre Lyrique since its premiere in 1859 (it was performed over 300 times between 1859 and 1868) and this led to a further commission from the director Léon Carvalho. Walsh, T. J. ''Second Empire Opera – The Théâtre-Lyrique Paris 1851–1870.'' John Calder, London, 1981. Behind the scenes there were difficulties in casting the lead tenor, and Gounod was said to have composed the last act twice, but after the public general rehearsal and first night it was hail ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
American Opera Singers
American(s) may refer to: * American, something of, from, or related to the United States of America, commonly known as the "United States" or "America" ** Americans, citizens and nationals of the United States of America ** American ancestry, people who self-identify their ancestry as "American" ** American English, the set of varieties of the English language native to the United States ** Native Americans in the United States, indigenous peoples of the United States * American, something of, from, or related to the Americas, also known as "America" ** Indigenous peoples of the Americas * American (word), for analysis and history of the meanings in various contexts Organizations * American Airlines, U.S.-based airline headquartered in Fort Worth, Texas * American Athletic Conference, an American college athletic conference * American Recordings (record label), a record label that was previously known as Def American * American University, in Washington, D.C. Sports teams S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
