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Nibbāna
Nirvana, in the Indian religions (Jainism, Hinduism, Buddhism, and Sikhism), is the concept of an individual's passions being extinguished as the ultimate state of salvation, release, or liberation from suffering ('' duḥkha'') and from the cycle of birth and rebirth (''saṃsāra''). In Indian religions, nirvana is synonymous with ''moksha'' and ''mukti''. All Indian religions assert it to be a state of perfect quietude, freedom, and highest happiness; liberation from attachment and worldly suffering; and the ending of ''samsara'', the cycle of existence.Gavin Flood, ''Nirvana''. In: John Bowker (ed.), '' Oxford Dictionary of World Religions'' However, non-Buddhist and Buddhist traditions describe these terms for liberation differently. In Hindu philosophy, it is the union of or the realization of the identity of Atman with Brahman, depending on the Hindu tradition. In Jainism, nirvana is also the soteriological goal, representing the release of a soul from karmic bondage ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nirvana (Buddhism)
Nirvana or nibbana (Sanskrit: निर्वाण; International Alphabet of Sanskrit Transliteration, IAST: '; Pali: ') is the extinguishing of the passions, the "blowing out" or "quenching" of the activity of the grasping mind and its related unease. Nirvana is the goal of many Buddhism, Buddhist paths, and leads to the soteriological release from dukkha ('suffering') and rebirths in ''Saṃsāra (Buddhism), saṃsāra''. Nirvana is part of the Third Truth on "cessation of ''dukkha''" in the Four Noble Truths, and the "''summum bonum'' of Buddhism and goal of the Noble Eightfold Path, Eightfold Path." In all forms of Buddhism, Nirvana is regarded as the highest or supreme religious goal. It is often described as the unconditioned or uncompounded (Skt.: asaṃskṛta, Pali: asankhata), meaning it is beyond all forms of conditionality — not subject to change, decay, or the limitations of time and space. Nirvana is typically seen as being outside the realm of dependent ari ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Three Poisons
The three poisons (Sanskrit: ''triviṣa''; Tibetan: ''dug gsum'') in the Mahayana tradition or the three unwholesome roots (Sanskrit: ''akuśala-mūla''; Pāli: ''akusala-mūla'') in the Theravada tradition are a Buddhist term that refers to the three root Kleshas (Buddhism), kleshas that lead to all negative states. These three states are Moha (Buddhism), delusion, also known as Avidyā (Buddhism), ignorance; Raga (Buddhism), greed or sensual attachment; and Dvesha (Buddhism), hatred or aversion. These three poisons are considered to be three afflictions or character flaws that are innate in beings and the root of ''Taṇhā, craving'', and so causing Dukkha, suffering and Rebirth (Buddhism), rebirth. The three poisons are symbolically shown at the center of the Buddhist ''Bhavachakra'' artwork, with the rooster, snake, and pig, representing greed, ill-will and delusion respectively. Brief description In the Buddhist teachings, the three poisons (of ignorance, attachment, and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ātman (Hinduism)
''Ātman'' (; ) is a Sanskrit word for the true or eternal Self or the self-existent essence or an impersonal (''it'') witness-consciousness within each individual. Atman is conceptually different from Jīvātman, which persists across multiple bodies and lifetimes. Some schools of Indian philosophy regard the ''Ātman'' as distinct from the material or mortal ego ('' Ahankara''), the emotional aspect of the mind ('' Citta''), and existence in an embodied form ('' Prakṛti''). The term is often translated as soul, but is better translated as "Self", as it solely refers to pure consciousness or witness-consciousness, beyond identification with phenomena. In order to attain moksha (liberation), a human being must acquire self-knowledge ('' Atma Gyaan or Brahmajnana''). ''Ātman'' is a central concept in the various schools of Indian philosophy, which have different views on the relation between ''Atman'', individual Self ('' Jīvātman''), supreme Self ('' Paramātmā'') a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bhagavad Gita
The Bhagavad Gita (; ), often referred to as the Gita (), is a Hindu texts, Hindu scripture, dated to the second or first century BCE, which forms part of the Hindu epic, epic poem Mahabharata. The Gita is a synthesis of various strands of Indian religious thought, including the Vedic concept of ''dharma'' (duty, rightful action); samkhya-based ''yoga'' and ''jnana'' (knowledge); and ''bhakti'' (devotion). Among the Hindu denominations, Hindu traditions, the text holds a unique pan-Hindu influence as the most prominent sacred text and is a central text in Vedanta and the Vaishnava, Vaishnava Hindu tradition. While traditionally attributed to the sage Veda Vyasa, the Gita is historiographically regarded as a composite work by multiple authors. Incorporating teachings from the Upanishads and the samkhya Yoga (philosophy), yoga philosophy, the Gita is set in a narrative framework of dialogue between the pandava prince Arjuna and his charioteer guide Krishna, an avatar of Vishnu, a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sādhanā
''Sādhanā'' (; ; ) is an ego-transcending spiritual practice in Indian religions. It includes a variety of disciplines in Hindu, Buddhist and Jain traditions that are followed in order to achieve various spiritual or ritual objectives. Sadhana is done for attaining detachment from worldly things, which can be a goal of a sadhu. Karma yoga, bhakti yoga and jnana yoga can also be described as sadhana; constant efforts to achieve maximum level of perfection in all streams of day-to-day life can be described as Sadhana. ''Sādhanā'' can also refer to a tantric liturgy or liturgical manual, that is, the instructions to carry out a certain practice. Definitions The historian N. Bhattacharyya provides a working definition of the benefits of sādhanā as follows: B. K. S. Iyengar (1993: p. 22), in his English translation of and commentary to the ''Yoga Sutras of Patanjali'', defines sādhanā in relation to abhyāsa and kriyā: Paths The term sādhanā means "m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Retroflexion
A retroflex () or cacuminal () consonant is a coronal consonant where the tongue has a flat, concave, or even curled shape, and is articulated between the alveolar ridge and the hard palate. They are sometimes referred to as cerebral consonants—especially in Indology. The Latin-derived word ''retroflex'' means "bent back"; some retroflex consonants are pronounced with the tongue fully curled back so that articulation involves the underside of the tongue tip ( subapical). These sounds are sometimes described as "true" retroflex consonants. However, retroflexes are commonly taken to include other consonants having a similar place of articulation without such extreme curling of the tongue; these may be articulated with the tongue tip ( apical) or the tongue blade ( laminal). When apical, they have been called apico-domal consonants. Types Retroflex consonants, like other coronal consonants, come in several varieties, depending on the shape of the tongue. The tongue may be e ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sandhi
Sandhi ( ; , ) is any of a wide variety of sound changes that occur at morpheme or word boundaries. Examples include fusion of sounds across word boundaries and the alteration of one sound depending on nearby sounds or the grammatical function of the adjacent words. Sandhi belongs to morphophonology. Sandhi occurs in many languages, e.g. in the phonology of Indian languages (especially Sanskrit, Tamil, Sinhala, Telugu, Marathi, Hindi, Pali, Kannada, Bengali, Assamese and Malayalam). Many dialects of British English show linking and intrusive R. A subset of sandhi called tone sandhi more specifically refers to tone changes between words and syllables. This is a common feature of many tonal languages such as Burmese and Chinese. Types Internal and external sandhi Sandhi can be either: * internal, at morpheme boundaries within words, such as ''syn- + pathy'': ''sympathy'', or * external, at word boundaries, such as the pronunciation "''tem books''" for ''ten books' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Upanishad
The Upanishads (; , , ) are late Vedic and post-Vedic Sanskrit texts that "document the transition from the archaic ritualism of the Veda into new religious ideas and institutions" and the emergence of the central religious concepts of Hinduism. They are the most recent addition to the Vedas, the oldest scriptures of Hinduism, and deal with meditation, philosophy, consciousness, and ontological knowledge. Earlier parts of the Vedas dealt with mantras, benedictions, rituals, ceremonies, and sacrifices.A Bhattacharya (2006), ''Hindu Dharma: Introduction to Scriptures and Theology'', , pp. 8–14; George M. Williams (2003), Handbook of Hindu Mythology, Oxford University Press, , p. 285Jan Gonda (1975), ''Vedic Literature: (Saṃhitās and Brāhmaṇas)'', Otto Harrassowitz Verlag, While among the most important literature in the history of Indian religions and culture, the Upanishads document a wide variety of "rites, incantations, and esoteric knowledge" departing from Vedic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Veda
FIle:Atharva-Veda samhita page 471 illustration.png, upright=1.2, The Vedas are ancient Sanskrit texts of Hinduism. Above: A page from the ''Atharvaveda''. The Vedas ( or ; ), sometimes collectively called the Veda, are a large body of religious texts originating in ancient India. Composed in Vedic Sanskrit, the texts constitute the oldest layer of Sanskrit literature and the oldest Hindu texts, scriptures of Hinduism. There are four Vedas: the Rigveda, the Yajurveda, the Samaveda and the Atharvaveda. Each Veda has four subdivisions – the Samhitas (mantras and benedictions), the Brahmanas (commentaries on and explanation of rituals, ceremonies and sacrifices – Yajñas), the Aranyakas (text on rituals, ceremonies, sacrifices and symbolic-sacrifices), and the Upanishads (texts discussing meditation, philosophy and spiritual knowledge).Gavin Flood (1996), ''An Introduction to Hinduism'', Cambridge University Press, , pp. 35–39A Bhattacharya (2006), ''Hindu Dharma: Introduc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bhagavata Purana
The ''Bhagavata Purana'' (; ), also known as the ''Srimad Bhagavatam (Śrīmad Bhāgavatam)'', ''Srimad Bhagavata Mahapurana'' () or simply ''Bhagavata (Bhāgavata)'', is one of Hinduism's eighteen major Puranas (''Mahapuranas'') and one of the most popular in Vaishnavism. Composed in Sanskrit and traditionally attributed to Veda Vyasa, it promotes '' bhakti'' (devotion) towards Krishna, an avatar of Vishnu, integrating themes from the Advaita (monism) philosophy of Adi Shankara, the Vishishtadvaita (qualified monism) of Ramanujacharya and the Dvaita (dualism) of Madhvacharya. It is widely available in almost all Indian languages. The ''Bhagavata Purana'', like other puranas, discusses a wide range of topics including cosmology, astronomy, genealogy, geography, legend, music, dance, yoga and culture. As it begins, the forces of evil have won a war between the benevolent '' devas'' (deities) and evil '' asuras'' (demons) and now rule the universe. Truth re-emerges as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
