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New Peasant Poets
New Peasant Poets (russian: Новокрестьянские поэты) was the conditional collective name of a group of Silver Age of Russian Poetry, Russian poets of the Silver Age of peasant origin. Nikolai Klyuev, Sergei Yesenin, Sergei Klychkov, Alexander Shiryaevets, Pyotr Oreshin, Pavel Radimov, Alexei Ganin and Pimen Karpov are traditionally referred to as "new peasant" poets. The beginning of their creative path was in the 1900s-1910s. These poets did not call themselves "New peasant" and did not form a literary union or direction with a uniform theoretical platform. However, all "new peasant" poets in one way or another were featured by appeals to the theme of rural Russia contrary to Industrial Revolution, Industrial one, a connection with the world of nature and Russian folklore. At the same time, the stylistic aspirations of "Russian Literary modernism, modernism" were also intelligible to them. The term "new peasant poets" appeared in Russian literary criticism at t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Russian Folklore
Folklore of Russia is folklore of Russians and other ethnic groups of Russia. Russian folklore takes its roots in the pagan beliefs of ancient Slavs and now is represented in the Russian fairy tales. Epic Russian bylinas are also an important part of Slavic paganism. The oldest bylinas of Kievan cycle were recorded in the Russian North, especially in Karelia, where most of the Finnish national epic Kalevala was recorded as well. In the late 19th-century Russian fairy tales began being translated into English, with ''Russian Folk Tales'' (1873) by William Ralston, and ''Tales and Legends from the Land of the Tzar'' (1890) by Edith Hodgetts. Many Russian fairy tales and bylinas have been adapted for animation films, or for feature movies by prominent directors such as Aleksandr Ptushko (''Ilya Muromets'', '' Sadko'') and Aleksandr Rou ('' Morozko'', '' Vasilisa the Beautiful''). Some Russian poets, including Pyotr Yershov and Leonid Filatov, made a number of well-known ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Writing Circles
A writing circle is a group of like-minded writers needing support for their work, either through writing peer critiques, workshops or classes, or just encouragement. There are many different types of writing circles or writing groups based on location, style of writing, or format. Normally, the goal of a writing circle is to improve one's own craft by listening to the works and suggestions of others in the group. It also builds a sense of community, and allows new writers to become accustomed to sharing their work. Writing circles can be helpful inside and outside of the classroom. Function A writing circle brings writers from different walks of life together in one place to discuss their work in a workshop style setting. Writers will be able to give feedback and hear suggestions from fellow writers. It can build community in a classroom and help students gain public speaking cleans. This workshop method could be used for any genre of writing (creative prose, poetry, etc.) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ivan Surikov
Ivan Zakharovich Surikov (russian: Ива́н Заха́рович Су́риков, April 6, 1841, Novosyolovo, Uglich, Yaroslavl, Russian Empire– May 6, 1880, Moscow) was a Russian self-taught peasant poet, best known for his folklore-influenced ballads, some of which were put to music by well-known composers ( Tchaikovsky, Cui, Rimsky-Korsakov, Gretchaninov among them), while some ("Rowan", "Steppe" and others) became real folk songs. Biography Ivan Surikov was born in Novosyolovo village near Uglich, son of Zakhar Adrianovich Surikov, a rent-paying peasant who worked for Count Sheremetyev. Ivan spent the first eight years of his life in the village with his mother and grandmother, then in 1849 moved to Moscow where his father had started a small grocery shop at Ordynka. Neighbouring nuns taught the boy reading and writing; soon he became acquainted with Russian poetry and started to write himself, Aleksey Merzlyakov and Nikolay Tsyganov's songs providing the prim ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ivan Nikitin (poet)
Ivan Savvich Nikitin (russian: Ива́н Са́ввич Ники́тин) (, Voronezh – , Voronezh) was a Russian poet. Born in Voronezh into a merchant family, Nikitin was educated in a seminary until 1843. His father's violence and alcoholism brought the family to ruin and forced young Ivan to provide for the household by becoming an innkeeper. After his first publications, he joined a circle of local intelligentsia that included his future biographer (and the editor of his collected works) Mikhail De-Poulet. He taught himself French and German and read widely in world literature, and in 1859 he opened a bookstore and library that became an important center of literary and social life in Voronezh. His first poems appeared in 1849 and his first collection in 1856; his 1858 poem "Kulak" was his most successful with both critics and the public. A second collection came out in 1859, and a prose "Seminarist's Diary" was published in 1861. Some of his poems became the basis for pop ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alexey Koltsov
Aleksey Vasilievich Koltsov (russian: link=no, Алексе́й Васи́льевич Кольцо́в; October 15, 1809 – October 29, 1842) was a Russian poet who has been called a Russian Burns. His poems, frequently placed in the mouth of women, stylize peasant-life songs and idealize agricultural labour. Koltsov earnestly collected Russian folklore which strongly influenced his poetry. He celebrated simple peasants, their work and their lives. Many of his poems were put to music by such composers as Dargomyzhsky, Mussorgsky, and Rimsky-Korsakov. Biography He was born in Voronezh as a son of a cattle merchant. Having studied for less than two years at a local school (1818-1820), Aleksey quit at the insistence of his father who wanted his help with his business. Koltsov moved, bought and sold cattle; and in the meantime, wrote poems secretly from his father. The first serious introduction of his poetry occurred in 1831, when Nikolai Stankevich, a poet and philosopher from Mo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ivan Rozanov
Ivan () is a Slavic male given name, connected with the variant of the Greek name (English: John) from Hebrew meaning 'God is gracious'. It is associated worldwide with Slavic countries. The earliest person known to bear the name was Bulgarian tsar Ivan Vladislav. It is very popular in Russia, Ukraine, Croatia, Serbia, Bosnia and Herzegovina, Slovenia, Bulgaria, Belarus, North Macedonia, and Montenegro and has also become more popular in Romance-speaking countries since the 20th century. Etymology Ivan is the common Slavic Latin spelling, while Cyrillic spelling is two-fold: in Bulgarian, Russian, Macedonian, Serbian and Montenegrin it is Иван, while in Belarusian and Ukrainian it is Іван. The Old Church Slavonic (or Old Cyrillic) spelling is . It is the Slavic relative of the Latin name , corresponding to English ''John''. This Slavic version of the name originates from New Testament Greek (''Iōánnēs'') rather than from the Latin . The Greek name is in turn ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Literary Criticism
Literary criticism (or literary studies) is the study, evaluation, and interpretation of literature. Modern literary criticism is often influenced by literary theory, which is the philosophical discussion of literature's goals and methods. Though the two activities are closely related, literary critics are not always, and have not always been, theorists. Whether or not literary criticism should be considered a separate field of inquiry from literary theory is a matter of some controversy. For example, the ''Johns Hopkins Guide to Literary Theory and Criticism'' draws no distinction between literary theory and literary criticism, and almost always uses the terms together to describe the same concept. Some critics consider literary criticism a practical application of literary theory, because criticism always deals directly with particular literary works, while theory may be more general or abstract. Literary criticism is often published in essay or book form. Academic literar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Literary Modernism
Literary modernism, or modernist literature, originated in the late 19th and early 20th centuries, and is characterized by a self-conscious break with traditional ways of writing, in both poetry and prose fiction writing. Modernism experimented with literary form and expression, as exemplified by Ezra Pound's maxim to "Make it new." This literary movement was driven by a conscious desire to overturn traditional modes of representation and express the new sensibilities of their time. The horrors of the First World War saw the prevailing assumptions about society reassessed, and much modernist writing engages with the technological advances and societal changes of modernity moving into the 20th century. Origins and precursors In the 1880s, increased attention was given to the idea that it was necessary to push aside previous norms entirely, instead of merely revising past knowledge in light of contemporary techniques. The theories of Sigmund Freud (1856–1939), and Ernst Mach (183 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Industrial Revolution
The Industrial Revolution was the transition to new manufacturing processes in Great Britain, continental Europe, and the United States, that occurred during the period from around 1760 to about 1820–1840. This transition included going from hand production methods to machines, new chemical manufacturing and iron production processes, the increasing use of steam power and water power, the development of machine tools and the rise of the mechanized factory system. Output greatly increased, and a result was an unprecedented rise in population and in the rate of population growth. Textiles were the dominant industry of the Industrial Revolution in terms of employment, value of output and capital invested. The textile industry was also the first to use modern production methods. The Industrial Revolution began in Great Britain, and many of the technological and architectural innovations were of British origin. By the mid-18th century, Britain was the world's leadin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Silver Age Of Russian Poetry
Silver Age (Сере́бряный век) is a term traditionally applied by Russian philologists to the last decade of the 19th century and first two or three decades of the 20th century. It was an exceptionally creative period in the history of Russian poetry, on par with the Golden Age a century earlier. The term ''Silver Age'' was first suggested by philosopher Nikolai Berdyaev, but it only became customary to refer thus to this era in literature in the 1960s. In the Western world other terms, including ''Fin de siècle'' and ''Belle Époque'', are somewhat more popular. In contrast to the Golden Age, female poets and writers influenced the movement considerably, and the Silver Age is considered to be the beginning of the formal academic and social acceptance of women writers into the Russian literary sphere. History Although the Silver Age may be said to have truly begun with the appearance of Alexander Blok's "Verses about the Beautiful Lady", many scholars have extended its ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pimen Karpov (1812 — 1865) was a Russian painter
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Pimen (Russian Пи́мен, Пими́н) ( gr , ποιμήν — shepherd) is a Greek male given name. Used by Russian Orthodox church monastics. It may refer to: * Pimen, Metropolitan of Moscow, aka Pimen the Greek, Metropolitan of Moscow from 1382-1384 * Patriarch Pimen I, (1910 – 1990), 14th Patriarch of Moscow and the head of the Russian Orthodox Church * Pimen Orlov Pimen Nikitich Orlov (Russian: Пи́мен Ники́тич Орлóв; 1812, near Malo-Foshchevaty, Ostrogozhsky Uyezd, Voronezh Governorate — 6 October 1865, Rome) was a Russian painter in the Classical style. He worked in a wide variety o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
