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Neo Tokyo (film)
, also titled ''Manie-Manie'' on its title card, is a 1987 Japanese adult animated science fiction anthology film produced by Project Team Argos and Madhouse. The film was conceived and produced by Madhouse founders Masao Maruyama and Rintaro, the latter of whom served as composition organizer alongside Katsuhiro Ōtomo on the project. The 50 minute-long film has three segments, each under a different screenwriter and film director: Rintaro's "Labyrinth Labyrinthos," an exploration into the maze of a little girl's mind, Yoshiaki Kawajiri's "Running Man," focusing on a deadly auto race, and Katsuhiro Ōtomo's "Construction Cancellation Order," a cautionary tale about man's dependency on technology. In addition to original music by Godiego's Mickie Yoshino, two prominently feature famous pieces of Western classical music: the first of Erik Satie's '' Gymnopédies'' and the "Toreador Song" of Georges Bizet's ''Carmen'' in "Labyrinth" and "Morning Mood" from Edvard Grieg's ''Peer ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rintaro
is the pseudonym of , a well-known director of anime. He works frequently with the animation studio Madhouse (company), Madhouse (which he co-founded), though he is a freelance director not employed directly by any one studio. He began working in the animation industry—at age 17—as an in-between animator on the 1958 film ''Hakujaden''. His works have won and been nominated for multiple awards, including a nomination for Best Film (''Metropolis (2001 film), Metropolis'') at the 2001 Festival de Cine de Sitges. Rintaro is a fan of Science fiction film, science fiction, and has been influenced by American Western (genre), westerns, gangster films, film noir, and French films. Additionally, he was influenced by Osamu Tezuka, and worked with him on ''Kimba the White Lion'' and ''Astro Boy''. He said that when he was making ''Metropolis (2001 film), Metropolis'', which was based on Tezuka's manga of the same name, he "wanted to communicate Tezuka's spirit". Rintaro personally intr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Film Director
A film director or filmmaker is a person who controls a film's artistic and dramatic aspects and visualizes the screenplay (or script) while guiding the film crew and actors in the fulfillment of that Goal, vision. The director has a key role in choosing the Casting (performing arts), cast members, production design and all the creative aspects of filmmaking in cooperation with the Film producer, producer. The film director gives direction to the cast and crew and creates an overall vision through which a film eventually becomes realized or noticed. Directors need to be able to mediate differences in creative visions and stay within the budget. There are many pathways to becoming a film director. Some film directors started as screenwriters, cinematographers, Film producer, producers, Film editing, film editors or actors. Other film directors have attended film school. Directors use different approaches. Some Outline (list), outline a general plotline and let the actors impro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dubbing (filmmaking)
Dubbing (also known as re-recording and mixing) is a post-production process used in filmmaking and the video production process where supplementary recordings (known as doubles) are lip-synced and "mixed" with original production audio to create the final product. Often this process is performed on films by replacing the original language to offer voiced-over translations. After sound editors edit and prepare all the necessary tracks—dialogue, automated dialogue replacement (ADR), effects, Foley (filmmaking), foley, and music—the dubbing mixers proceed to balance all of the elements and record the finished soundtrack. While dubbing and ADR are similar processes that focus on enhancing and replacing dialogue audio, ADR is a process in which the original actors re-record and synchronize audio segments. This allows filmmakers to replace unclear dialogue if there are issues with the script, background noise, or the original recording. The term "dubbing" also commonly refers ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Direct-to-video
Direct-to-video or straight-to-video refers to the release of a film, television series, short or special to the public immediately on home video formats rather than an initial theatrical release or television premiere. This distribution strategy was prevalent before streaming platforms came to dominate the TV and movie distribution markets. Because sequels or prequels of larger-budget films may be released direct-to-video, review references to direct-to-video releases are often pejorative. Direct-to-video release has also become profitable for independent filmmakers and smaller companies. Some direct-to-video genre films (with a high-profile star) can generate well in excess of $50 million revenue worldwide. Reasons for releasing direct to video A production studio may decide not to generally release a TV show or film for several possible reasons: a low budget, a lack of support from a TV network, negative reviews, its controversial nature, that it may appeal to a small ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Peer Gynt (Grieg)
''Peer Gynt'', Op. 23, is the incidental music to Henrik Ibsen's 1867 play ''Peer Gynt'', written by the Norwegian composer Edvard Grieg in 1875. It premiered along with the play on 24 February 1876 in Christiania (now Oslo). Grieg later created two suites from his ''Peer Gynt'' music. Some of the music from these suites has received coverage in popular culture. Background Edvard Grieg (1843–1907) was one of the definitive leaders of Scandinavian music. Although he composed many short piano pieces and chamber works, the work Grieg did for this play by Ibsen stood out. Originally composing 90 minutes of orchestral music for the play, he later went back and extracted certain sections for the suites. Peer Gynt's travels around the world and distant lands are represented by the instruments Grieg chooses to use. When Ibsen asked Grieg to write music for the play in 1874, he reluctantly agreed. However, it was much more difficult for Grieg than he imagined, as he wrote to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edvard Grieg
Edvard Hagerup Grieg ( , ; 15 June 18434 September 1907) was a Norwegian composer and pianist. He is widely considered one of the leading Romantic music, Romantic era composers, and his music is part of the standard classical repertoire worldwide. His use of Music of Norway, Norwegian folk music in his own compositions brought the music of Norway to fame, as well as helping to develop a Norwegian romantic nationalism, national identity, much as Jean Sibelius did in Finland and Bedřich Smetana in Bohemia. Grieg is the most celebrated person from the city of Bergen, with numerous statues that depict his image and many cultural entities named after him: the city's largest concert building (Grieg Hall), its most advanced music school (Grieg Academy) and its professional choir (Edvard Grieg Kor). The Edvard Grieg Museum at Grieg's former home, Troldhaugen, is dedicated to his legacy. Background Edvard Hagerup Grieg was born in Bergen, Norway. His parents were Alexander Grieg (1806 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Morning Mood
"Morning Mood" () is part of Edvard Grieg's ''Peer Gynt'', Op. 23, written in 1875 as incidental music to Henrik Ibsen's play of the same name, and was also included as the first of four movements in ''Peer Gynt Suite No. 1'', Op. 46. Music Written in E major, the melody uses the pentatonic scale and alternates between flute and oboe. Unusually, the climax occurs early in the piece at the first ''forte'' which signifies the sun breaking through. The time signature is and the tempo instruction is ''Allegretto pastorale''. It is orchestrated for flutes, oboes, clarinets, bassoons, horns, trumpets, timpani, and string section. A performance takes about four minutes. Setting The piece depicts the rising of the sun during Act 4, scene 4, of Ibsen's play, which finds Peer Gynt stranded in the Moroccan desert after his companions took his yacht and abandoned him there while he slept. The scene begins with the following description: "Dawn. Acacias and palm trees. Peer yntis sit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carmen
''Carmen'' () is an opera in four acts by the French composer Georges Bizet. The libretto was written by Henri Meilhac and Ludovic Halévy, based on the novella of the same title by Prosper Mérimée. The opera was first performed by the Opéra-Comique in Paris on 3 March 1875, where its breaking of conventions shocked and scandalised its first audiences. Bizet died suddenly after the 33rd performance, unaware that the work would achieve international acclaim within the following ten years. ''Carmen'' has since become one of the most popular and frequently performed operas in the classical canon; the " Habanera" and "Seguidilla" from act 1 and the " Toreador Song" from act 2 are among the best known of all operatic arias. The opera is written in the genre of ''opéra comique'' with musical numbers separated by dialogue. It is set in southern Spain and tells the story of the downfall of Don José, a naïve soldier who is seduced by the wiles of the fiery gypsy Carmen. Jos� ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Georges Bizet
Georges Bizet (; 25 October 18383 June 1875) was a French composer of the Romantic music, Romantic era. Best known for his operas in a career cut short by his early death, Bizet achieved few successes before his final work, ''Carmen'', which has become one of the most popular and frequently performed works in the entire opera repertoire. During a brilliant student career at the Conservatoire de Paris, Bizet won many prizes, including the prestigious Prix de Rome in 1857. He was recognised as an outstanding pianist, though he chose not to capitalise on this skill and rarely performed in public. Returning to Paris after almost three years in Italy, he found that the main Parisian opera theatres preferred the established classical repertoire to the works of newcomers. His keyboard and orchestral compositions were likewise largely ignored; as a result, his career stalled, and he earned his living mainly by arranging and transcribing the music of others. Restless for success, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Toreador Song
The Toreador Song, also known as the Toreador March or March of the Toreadors, is the popular name for the aria "" ("I return your toast to you"), from the French opera ''Carmen'', composed by Georges Bizet to a libretto by Henri Meilhac and Ludovic Halévy. It is sung by the bullfighter (French: '' toréador'') Escamillo as he enters in act 2 and describes various situations in the bullring, the cheering of the crowds and the fame that comes with victory. The refrain, "", forms the middle part of the prelude to act 1 of ''Carmen''. Music The bass-baritone couplet has a vocal range from B2 to F4 and a tessitura from C3 to E4. Its time signature is common time (4/4), its key is F minor with the refrain in F major. The tempo indication is ''allegro molto moderato'', =108. The orchestra introduces the first melodic section, which is jaunty and flashy. Like Carmen's Habanera, it is built on a descending chromatic scale as Escamillo describes his experiences in the bullfight ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gymnopédies (Satie)
The ''Gymnopédies'' (), or ''Trois Gymnopédies'' ('Three Nude Dances"), are three piano compositions written by French composer and pianist Erik Satie. He completed the whole set by 2 April 1898, but they were at first published individually: the first and the third in 1888, the second in 1895. History The work's unusual title comes from the French form of gymnopaedia, the ancient Greek word for an annual festival where young men danced either naked or, perhaps figuratively, simply unarmed. The source of the title has been a subject of debate. Satie and his friend Alexis Roland-Manuel maintained that he adopted it after having read Gustave Flaubert's novel ''Salammbô'', while others see a poem by J. P. Contamine de Latour as the source of Satie's inspiration, since the first ''Gymnopédie'' was published in the magazine ''La Musique des familles'' in the summer of 1888 together with an excerpt of Latour's poem ''Les Antiques'', where the term appears. It remains un ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Erik Satie
Eric Alfred Leslie Satie (born 17 May 18661 July 1925), better known as Erik Satie, was a French composer and pianist. The son of a French father and a British mother, he studied at the Conservatoire de Paris, Paris Conservatoire but was an undistinguished student and did not obtain a diploma. In the 1880s he worked as a pianist in café-cabarets in Montmartre, Paris, and began composing works, mostly for solo piano, such as his ''Gymnopédies'' and ''Gnossiennes''. He also wrote music for a Rosicrucian sect to which he was briefly attached. After a period in which he composed little, Satie entered Paris's second music academy, the Schola Cantorum de Paris, Schola Cantorum, as a mature student. His studies there were more successful than those at the Conservatoire. From about 1910 he became the focus of successive groups of young composers attracted by his unconventionality and originality. Among them were the group known as Les Six. A meeting with Jean Cocteau in 1915 led to the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
