Neo-Rationalism
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Neo-Rationalism
In architecture, Rationalism () is an architectural current which mostly developed from Italy in the 1920s and 1930s. Vitruvius had claimed in his work that architecture is a science that can be comprehended rationally. The formulation was taken up and further developed in the architectural treatises of the Renaissance. Eighteenth-century progressive art theory opposed the Baroque use of illusionism with the classic beauty of truth and reason. Twentieth-century Rationalism derived less from a special, unified theoretical work than from a common belief that the most varied problems posed by the real world could be resolved by reason. In that respect, it represented a reaction to Historicism and a contrast to Art Nouveau and Expressionism. The term ''Rationalism'' is commonly used to refer to the wider International Style. Enlightenment rationalism The name Rationalism is retroactively applied to a movement in architecture that came about during the Age of Enlightenment (more s ...
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Architecture
Architecture is the art and technique of designing and building, as distinguished from the skills associated with construction. It is both the process and the product of sketching, conceiving, planning, designing, and construction, constructing buildings or other Structure#Load-bearing, structures. The term comes ; ; . Architectural works, in the material form of buildings, are often perceived as cultural symbols and as work of art, works of art. Historical civilizations are often identified with their surviving architectural achievements. The practice, which began in the Prehistory, prehistoric era, has been used as a way of expressing culture by civilizations on all seven continents. For this reason, architecture is considered to be a form of art. Texts on architecture have been written since ancient times. The earliest surviving text on architectural theory, architectural theories is the 1st century AD treatise by the Roman architect Vitruvius, according to whom a good bui ...
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Jean-Nicolas-Louis Durand
Jean-Nicolas-Louis Durand (; Paris, 18 September 1760 – Thiais, 31 December 1834) was a French author, teacher and architect. He was an important figure in Neoclassicism, and his system of design using simple modular elements anticipated modern industrialized building components. Having spent periods working for the architect Étienne-Louis Boullée and the civil engineer Jean-Rodolphe Perronet, he became a Professor of Architecture at the École Polytechnique in 1795. See also * Étienne-Louis Boullée * Leo von Klenze Leo von Klenze (born Franz Karl Leopold von Klenze; 29 February 1784 – 26 January 1864) was a German architect and painter. He was the court architect of Ludwig I of Bavaria. Von Klenze was a devotee of Neoclassicism and one of the mo ... * Gustav Vorherr * Friedrich Weinbrenner Bibliography * ''Nouveau précis des leçons d'architecture : données a l'Ecole impériale polytechnique'' by J.N.L. Durand pub. Fantin; (1813) * ''Précis des ...
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Como - Casa Del Fascio - 27-09-2017
Como (, ; , or ; ) is a city and (municipality) in Lombardy, Italy. It is the administrative capital of the Province of Como. Nestled at the southwestern branch of the picturesque Lake Como, the city is a renowned tourist destination, celebrated for its stunning landscapes, artistic heritage, and cultural significance. Its prime location on the shores of Lake Como and its proximity to the majestic Alps has made Como a popular destination for tourists. The city boasts a rich collection of art, religious sites, verdant gardens, museums, theatres, public parks, and opulent palaces, including the iconic ''Duomo'', seat of the Diocese of Como; the Basilica of Sant'Abbondio; Villa Olmo; the public gardens with the Tempio Voltiano; the Teatro Sociale; the ''Broletto'', the city's medieval town hall; and the 20th-century Casa del Fascio, a landmark of modernist architecture. Como has been the birthplace of numerous notable historical figures, including the Roman poet Caeciliu ...
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Lycée Voltaire (Paris)
The Lycée Voltaire is a secondary school in Paris, France, established in 1890. History The Lycée Voltaire was the first ''lycée'' in the east of Paris, and was intended to supplement classical humanities with practical and scientific knowledge suitable for the needs of the neighborhood. The building was officially inaugurated on 13 July 1891 in a ceremony attended by Marie François Sadi Carnot, president of the Republic. For a long time it was the only lycée in the northeast of Paris. There were 152 students in the first year, 544 in 1904 and 792 in 1912. A major renovation was undertaken from 1992 to 2002. The lycée today is a public secondary school for general education and technology. Building Eugène Train (1832–1903) was architect of the Lycée Voltaire, which was located on the Avenue de la République. Construction began in 1885. The school was designed to accommodate 1,200 pupils, of whom 500 were boarders. Construction was completed in September 1890. The co ...
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Collège Chaptal
In France, secondary education is in two stages: * ''Collèges'' () cater for the first four years of secondary education from the ages of 11 to 14. * ''Lycées'' () provide a three-year course of further secondary education for students between the ages of 15 and 19. Pupils are prepared for the '' baccalauréat'' (; baccalaureate, colloquially known as ''bac'', previously ''bachot''), which can lead to higher education studies or directly to professional life. There are three main types of ''baccalauréat'': the ''baccalauréat général'', ''baccalauréat technologique'' and ''baccalauréat professionnel''. School year The school year starts in early September and ends in early July. Metropolitan French school holidays are scheduled by the Ministry of Education by dividing the country into three zones (A, B, and C) to prevent overcrowding by family holidaymakers of tourist destinations, such as the Mediterranean coast and ski resorts. Lyon, for example, is in zone A, Marseill ...
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Eugène Train
Eugène Train (1832–1903) was a French architect who taught for many years at the École des Arts Décoratifs. He is known as an advocate of rationalist architecture, which he applied with large schools such as the Lycée Chaptal and Lycée Voltaire (Paris), Lycée Voltaire. Early years Eugène Train was born in 1832 in Toul, Meurthe-et-Moselle. He was admitted to the École des Arts Décoratifs in 1850, and studied under Adolphe-Marie-François Jaÿ. In 1852 he moved to the École nationale supérieure des Beaux-Arts, École des Beaux-Arts, where he studied under Charles-Auguste Questel. Eugène Train received the second Prix de Rome in 1859. He became one of the leaders of the Rationalism (architecture), rationalist school of French architecture, particularly with his educational buildings. Teacher Train became a tutor at the École des Arts Décoratifs in 1855, and taught there until 1899. He was a director of the school between 1870 and 1899. Train was a demanding teacher ...
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Auguste Choisy
Auguste Choisy (7 February 1841 – 18 September 1909) was a French architectural historian and author of ''Histoire de l'Architecture''. Biography Choisy was born in Vitry-le-François. He studied architecture in Paris at the École Polytechnique the École des Ponts et Chaussées from 1861 to 1863. As part of his studies, he traveled to Rome and Athens where his interest was in the structures of ancient monuments rather than their decorative detail. He was professor of architecture at the École Nationale des Ponts et Chaussées from 1877 to 1901. In 1899, he published his two-volume book, ''Histoire de l'architecture''. In it, he developed isometric drawings that combined plan, elevation, section, perspective into a single drawing. He then used this visual approach to describe buildings in social and material terms along with historical determinism. In 1904, he won the RIBA's Royal Gold Medal. Very important for the study of Greek architecture was his contribution "Le p ...
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Eugène Viollet-le-Duc
Eugène Emmanuel Viollet-le-Duc (; 27 January 181417 September 1879) was a French architect and author, famous for his restoration of the most prominent medieval landmarks in France. His major restoration projects included Notre-Dame de Paris, the Basilica of Saint Denis, Mont Saint-Michel, Sainte-Chapelle, the medieval walls of the city of Carcassonne, and Roquetaillade castle in the Bordeaux region. His writings on decoration and on the relationship between form and function in architecture had a fundamental influence on a whole new generation of architects, including all the major Art Nouveau artists: Antoni Gaudí, Victor Horta, Hector Guimard, Henry van de Velde, Henri Sauvage and the École de Nancy, Paul Hankar, Otto Wagner, Eugène Grasset, Émile Gallé, and Hendrik Petrus Berlage. He also influenced the first modern architects, Frank Lloyd Wright, Ludwig Mies van der Rohe, Mies van der Rohe, Auguste Perret, Louis Sullivan, and Le Corbusier, who considered Viollet-le ...
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Étienne-Louis Boullée
Étienne-Louis Boullée (; 12 February 17284 February 1799) was a visionary French neoclassical architect whose work greatly influenced contemporary architects. Life Born in Paris, he studied under Jacques-François Blondel, Germain Boffrand and Jean-Laurent Le Geay, from whom he learned the mainstream French Classical architecture in the 17th and 18th century and the Neoclassicism that evolved after the mid century. He was elected to the Académie Royale d'Architecture in 1762 and became chief architect to Frederick II of Prussia, a largely honorary title. He designed a number of private houses from 1762 to 1778, though most of these no longer exist; notable survivors into the modern era include the Hôtel de Brunoy (demolished in 1930) and the Hôtel Alexandre, both in Paris. His work for François Racine de Monville has apparently also vanished but his probable influence on Monville's own architectural works as seen at the Désert de Retz speaks for itself. To ...
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Claude Nicholas Ledoux
Claude-Nicolas Ledoux (; 21 March 1736 – 18 November 1806) was one of the earliest exponents of French Neoclassical architecture. He used his knowledge of architectural theory to design not only domestic architecture but also town planning; as a consequence of his visionary plan for the Ideal City of Chaux, he became known as a utopian. His greatest works were funded by the French monarchy and came to be perceived as symbols of the a''ncien régime'' rather than Utopia. The French Revolution hampered his career; much of his work was destroyed in the nineteenth century. In 1804, he published a collection of his designs under the title ''L'Architecture considérée sous le rapport de l'art, des mœurs et de la législation'' (Architecture considered in relation to art, morals, and legislation). In this book he took the opportunity of revising his earlier designs, making them more rigorously neoclassical and up to date. This revision has distorted an accurate assessment of his ...
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Quatremère De Quincy
Antoine-Chrysostome Quatremère de Quincy (21 October 1755 – 28 December 1849) was a French armchair archaeologist and architectural theorist, a Freemason, and an effective arts administrator and influential writer on art. Life Born in Paris, Quatremère de Quincy trained for the law, then followed courses in art and history at the Collège Louis-le-Grand and apprenticed for a time in the atelier of Guillaume Coustou the Younger and Pierre Julien, getting some practical experience in the art of sculpture. A trip to Naples in the company of Jacques-Louis David sparked his interest in Greek and Roman architecture. He was involved in the troubles of the French Revolution. He was a royalist in the National Legislative Assembly of 1791–1792, and his politics were monarchist and Catholic. As a member of the Revolutionary Committee of Public Instruction his set of three ''Considerations on the arts of design in France'' was offered before the Assemblée Nationale at a time (17 ...
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Marc-Antoine Laugier
Marc-Antoine Laugier (Manosque, Provence, January 22, 1713 – Paris, April 5, 1769) was a Jesuit priest until 1755, then a Benedictine monk. Overlooking Claude Perrault and numerous other figures, Summerson notes, Laugier is best known for his ''Essay on Architecture'' published in 1753. In 1755 he published the second edition with a famous, often reproduced illustration of a primitive hut. His approach is to discuss some familiar aspects of Renaissance and post-Renaissance architectural practice, which he describes as 'faults'. These 'faults' induce his commentary on columns, the entablature, and on pediments. Among faults he lists for columns are that of "being engaged in the wall", the use of pilasters, incorrect entasis (swelling of the column), and setting columns on pedestal A pedestal or plinth is a support at the bottom of a statue, vase, column, or certain altars. Smaller pedestals, especially if round in shape, may be called socles. In civil engine ...
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