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Neo-expressionism
Neo-expressionism is a style of Late modernism, late modernist or early-Postmodern art, postmodern painting and sculpture that emerged in the late 1970s. Neo-expressionists were sometimes called ''Transavantgarde'', ''Junge Wilde'' or ''Neue Wilden'' ('The new wild ones'; 'New Fauves' would better meet the meaning of the term). It is characterized by intense subjectivity and rough handling of materials. Neo-expressionism developed as a reaction against conceptual art and minimal art of the 1970s. Neo-expressionists returned to portraying recognizable objects, such as the human body (although sometimes in an abstract art, abstract manner), in a rough and violently emotional way, often using vivid colors. It was overtly inspired by German Expressionist painters, such as Emil Nolde, Max Beckmann, George Grosz, Ernst Ludwig Kirchner, James Ensor and Edvard Munch. It is also related to American lyrical abstraction painting of the 1960s and 1970s, the Hairy Who movement in Chicago, the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Abstract Expressionism
Abstract expressionism in the United States emerged as a distinct art movement in the aftermath of World War II and gained mainstream acceptance in the 1950s, a shift from the American social realism of the 1930s influenced by the Great Depression and Mexican muralism, Mexican muralists. The term was first applied to American art in 1946 by the art critic Robert Coates (critic), Robert Coates. Key figures in the New York School (art), New York School, which was the center of this movement, included such artists as Arshile Gorky, Jackson Pollock, Franz Kline, Mark Rothko, Norman Lewis (artist), Norman Lewis, Willem de Kooning, Adolph Gottlieb, Clyfford Still, Robert Motherwell, Theodoros Stamos, and Lee Krasner among others. The movement was not limited to painting but included influential collagists and sculptors, such as David Smith (sculptor), David Smith, Louise Nevelson, and others. Abstract expressionism was notably influenced by the spontaneous and subconscious creation met ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Postmodern Art
Postmodern art is a body of art movements that sought to contradict some aspects of modernism or some aspects that emerged or developed in its aftermath. In general, movements such as intermedia, installation art, conceptual art and multimedia, particularly involving video are described as postmodern. There are several characteristics which lend art to being postmodern; these include the recycling of past styles and themes in a modern-day context, bricolage, the use of text prominently as the central artistic element, collage, simplification, appropriation, performance art, as well as the break-up of the barrier between fine and high arts and low art and popular culture. Use of the term The predominant term for art produced since the 1950s is "contemporary art". Not all art labeled as contemporary art is postmodern, and the broader term encompasses both artists who continue to work in modernist and late modernist traditions, as well as artists who reject postmodernism for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lyrical Abstraction
Lyrical abstraction arose from either of two related but distinct art movement, trends in Post-war Modernist painting: * European ''Abstraction Lyrique'': a movement that emerged in Paris, with the French art critic Jean José Marchand being credited with coining its name in 1947; considered a component of Tachisme when the name of this movement was coined in 1951 by Pierre Guéguen and Charles Estienne (author of ''L'Art à Paris 1945–1966''); and * American ''Lyrical Abstraction'': a movement described by Larry Aldrich (founder of the Aldrich Contemporary Art Museum in Ridgefield, Connecticut) in 1969.Aldrich, Larry. Young Lyrical Painters, Art in America, v.57, n6, November–December 1969, pp.104–113. A second definition is the usage as a descriptive term. It is a descriptive term characterizing a type of abstract painting related to Abstract Expressionism; in use since the 1940s. Many well known abstract expressionist painters such as Arshile Gorky seen in context have ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
German Expressionist
Expressionism is a modernist movement, initially in poetry and painting, originating in Northern Europe around the beginning of the 20th century. Its typical trait is to present the world solely from a subjective perspective, distorting it radically for emotional effect in order to evoke moods or ideas. Expressionist artists have sought to express the meaningVictorino Tejera, 1966, pages 85,140, Art and Human Intelligence, Vision Press Limited, London of emotional experience rather than physical reality. Expressionism developed as an avant-garde style before the First World War. It remained popular during the Weimar Republic,Bruce Thompson, University of California, Santa Cruzlecture on Weimar culture/Kafka'a Prague particularly in Berlin. The style extended to a wide range of the arts, including expressionist architecture, painting, literature, theatre, dance, film and music. Paris became a gathering place for a group of Expressionist artists, many of Jewish origin, dubbed th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Transavantgarde
Transavantgarde or Transavanguardia is the Italian version of Neo-expressionism, an art movement that swept through Italy and the rest of Western Europe in the late 1970s and 1980s. The term ''transavanguardia'' was coined by Italian art critic Achille Bonito Oliva, originating in the "Aperto '80" at the Venice Biennale, and literally means ''beyond the avant-garde''. This art movement responded to the explosion of conceptual art, which found many mediums of expression, by reviving painting and reintroducing emotion – especially joy – back into drawing, painting and sculpture. Transavantgarde marked a return to figurative art, as well as mythic imagery, which was rediscovered during the height of the movement. The artists revived figurative art and symbolism, which were less frequently used in movements after World War II like minimalism. The principal transavantgarde artists were Sandro Chia, Francesco Clemente, Enzo Cucchi, Mimmo Germanà, Nino Longobardi, Nicola De ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Modern Art
Modern art includes artistic work produced during the period extending roughly from the 1860s to the 1970s, and denotes the styles and philosophies of the art produced during that era. The term is usually associated with art in which the traditions of the past have been thrown aside in a spirit of experimentation. Modern artists experimented with new ways of seeing and with fresh ideas about the nature of materials and functions of art. A tendency away from the narrative, which was characteristic of the traditional arts, toward abstraction is characteristic of much modern art. More recent artistic production is often called contemporary art or Postmodern art. Modern art begins with the post-impressionist painters like Vincent van Gogh, Paul Cézanne, Paul Gauguin, Georges Seurat and Henri de Toulouse-Lautrec. These artists were essential to modern art's development. At the beginning of the 20th century Henri Matisse and several other young artists including the Proto-Cubism, pre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mira Schor
Mira Schor (born June 1, 1950) is an American artist, writer, editor, and educator, known for her contributions to critical discourse on the status of painting in contemporary art and culture as well as to feminist art history and criticism. Early life and education Mira Schor's parents Ilya and Resia Schor were Polish Jewish artists who came to the US in 1941. Mira Schor and her older sister Naomi Schor (1943–2001), a noted scholar of French Literature and Feminist theory, were both educated at the Lycée Français de New York. After receiving her Baccalauréat in 1967, Mira Schor studied art history at New York University (WSC B.A. 1970). During this time she worked as an assistant to Red Grooms and Mimi Gross. She attended the California Institute of the Arts (CalArts) from 1972-1973, receiving a Master of Fine Arts degree in Painting from in 1973. There she was a participant in the CalArts Feminist Art Program’s renowned project Womanhouse (1972). In the Feminist Art ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Craig Owens (critic)
Craig Owens (1950–1990) was an American post-modernist art critic, gay activist and feminist. Biography Craig Owens was a senior editor of '' Art in America'', a contributor to such scholarly journals as ''Skyline'' and ''October'', a graduate of Haverford College, and a professor of art history at Yale University and Barnard College. He wrote many essays on such diverse topics as photography, feminism, gay politics, art in the marketplace, serial art, and psychoanalysis, as well as a number of seminal essays on individual contemporary individual artists, including Allan McCollum, William Wegman, and Barbara Kruger. According to his colleague Douglas Crimp, Owens's great interest in ballet was important to his critical work. According to the critic Thomas Lawson, Owens was "on the one hand... this very high-minded, very abstract thinker, but he also had this mischievous, playful side that was a little cruel, maybe." One of Owens's most influential essays was ''The Allegorica ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hal Foster (art Critic)
Harold Foss "Hal" Foster : Foster, Harold. Retrieved 2011-11-04. (born August 13, 1955) is an American and . He was educated at , , and the |
Benjamin Buchloh
Benjamin Heinz-Dieter Buchloh (born November 15, 1941) is a German art historian. Between 2005 and 2021 he was the Andrew W. Mellon Professor of Modern Art in the History of Art and Architecture department at Harvard University. Education and career Born in Cologne, Germany on November 15, 1941, Buchloh received a M.Phil in German literature from the Freie Universität Berlin in 1969. He later obtained his Ph.D. in art history in 1994 from the Graduate Center at the City University of New York, where he studied with fellow art historian Rosalind Krauss. After time as an editor for German art journal ''Interfunktionen'' and teaching stints at the Kunstakademie Düsseldorf, NSCAD University, and CalArts, Buchloh began teaching art history at the State University of New York at Old Westbury and the University of Chicago. He later taught at the Massachusetts Institute of Technology as an associate professor from 1989 to 1994. From 1991 to 1993, he also served as the Director ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bay Area Figurative School
The Bay Area Figurative Movement (also known as the Bay Area Figurative School, Bay Area Figurative Art, Bay Area Figuration, and similar variations) was a mid-20th-century art movement made up of a group of artists in the San Francisco Bay Area who abandoned working in the prevailing style of Abstract Expressionism in favor of a return to figuration in painting during the 1950s and onward into the 1960s. The New York School of Abstract Expressionism was the first American style of art to have international importance. The San Francisco Bay Area was the center for an independent variant of Abstract Expressionism. The Bay Area Figurative movement was in response to both. Spanning two decades, this art movement is often broken down into three groups, or generations: the First Generation, the Bridge Generation, and the Second Generation. Many of the "First Generation" artists in this movement were avid fans of Abstract Expressionism, and worked in that manner, until several of them ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robert Hughes (critic)
Robert Studley Forrest Hughes AO (28 July 19386 August 2012) was one of the most notable Australian-born art critics, writer, and producer of television documentaries. He was described in 1997 by Robert Boynton of ''The New York Times'' as "the most famous art critic in the world." Hughes earned widespread recognition for his book and television series on modern art, '' The Shock of the New'', and for his longstanding position as art critic with ''TIME'' magazine. He is also known for his best seller '' The Fatal Shore'' (1986), a study of the British convict system in early Australian history. Known for his contentious critiques of art and artists, Hughes was generally conservative in his tastes, although he did not belong to a particular philosophical camp. His writing was noted for its power and elegance. Early life Hughes was born in Sydney, in 1938. His father and paternal grandfather were lawyers. Hughes's father, Geoffrey Forrest Hughes, was a pilot in the First W ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
