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Nelda Garrone
Nelda (or Nella) Garrone (born c. 1880) was an Italian mezzo-soprano, best known for her interpretations of comprimaria roles in some of the earliest complete opera recordings. There is no information on Garrone's place of birth, her early years and her vocal studies. She probably made her debut in 1907 at the Teatro Lirico in Milan as Suzuki in Giacomo Puccini's ''Madama Butterfly''.La Voce Antica"Garrone, Nelda"/ref> From that point she had a notable career as a comprimaria mezzo-soprano, performing parts like Maddalena in Giuseppe Verdi's ''Rigoletto'', Afra in Alfredo Catalani's ''La Wally'', Contessa di Coigny and Madelon in Umberto Giordano's ''Andrea Chénier'', Marta and Pantalis in Arrigo Boito's ''Mefistofele'', Wockle in Puccini's '' La fanciulla del West'' and others. In 1908 she was heard as Suzuki at the Teatro Colón in Buenos Aires in the local premiere of ''Madama Butterfly'' opposite Maria Farneti as Cio-Cio-San and Amedeo Bassi as Pinkerton. The next year she ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mezzo-soprano
A mezzo-soprano (, ), or mezzo ( ), is a type of classical music, classical female singing human voice, voice whose vocal range lies between the soprano and the contralto voice types. The mezzo-soprano's vocal range usually extends from the A below middle C to the A two octaves above (i.e. A3–A5 in scientific pitch notation, where middle C = C4; 220–880 Hz). In the lower and upper extremes, some mezzo-sopranos may extend down to the F below middle C (F3, 175 Hz) and as high as "high C" (C6, 1047 Hz). The mezzo-soprano voice type is generally divided into the coloratura, lyric, and dramatic. History While mezzo-sopranos typically sing secondary roles in operas, notable exceptions include the title role in Georges Bizet, Bizet's ''Carmen'', Angelina (Cinderella) in Gioachino Rossini, Rossini's ''La Cenerentola'', and Rosina in Rossini's ''The Barber of Seville, Barber of Seville'' (all of which are also sung by sopranos and contraltos). Many 19th-century French- ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Teatro La Fenice
Teatro La Fenice (; "The Phoenix (mythology), Phoenix Theatre") is a historic opera house in Venice, Italy. It is one of "the most famous and renowned landmarks in the history of Italian theatre" and in the history of opera as a whole. Especially in the 19th century, La Fenice became the site of many famous operatic premieres at which several works by the four major bel canto era composers—Gioachino Rossini, Rossini, Vincenzo Bellini, Bellini, Gaetano Donizetti, Donizetti, and Giuseppe Verdi, Verdi—were performed. Its name reflects its role in permitting an opera company to "rise from the ashes" despite losing the use of three theatres to fire, the first in 1774 after the city's leading house was destroyed and rebuilt but not opened until 1792; the second fire came in 1836, but rebuilding was completed within a year. The third fire was the result of arson, and destroyed the house in 1996 leaving only the exterior walls; it was rebuilt and re-opened in November 2004. In order ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carlo Sabajno
Carlo Sabajno (1874 in Rosasco, Italy – 1938 in Milan) was an Italian conductor. From 1904 to 1932, he was the Gramophone Company's chief conductor and artistic director in Italy, responsible for some of the earliest full-length opera recordings, most of them with the orchestra of La Scala, Milan and prominent singers there. Particularly outstanding among these are his stately, authoritative late-1920s and early-1930s electrical recordings of Don Pasquale (with Tito Schipa in his only complete opera recording as Ernesto), Traviata (sadly limited by more than the usual cuts, but with silvery-voiced Alessandro Ziliani as Alfredo), Aida (with Irene Minghini-Cattaneo's Amneris and Aureliano Pertile's Radamès), Otello (with Apollo Granforte as a formidable Iago) and Bohème (a superb understated, but highly distinguished, collaboration with excellent, if lesser-known, singers). Discography 1907 *1907 Leoncavallo: ''Pagliacci'' – Antonio Paoli, Giuseppina Huguet, Ernesto ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
His Master's Voice (British Record Label)
His Master's Voice was a British record label established in 1909. Whilst mainly releasing in the United Kingdom, the label also released in select European and African territories. Sister labels were also created, such as an Indian version, that lasted until 2003. "His Master's Voice" was a trademark of the Gramophone Company Limited (later part of EMI). In 1909, the Gramophone Company replaced the "Recording Angel" trademark with the image of Nipper the dog, listening to "His Master's Voice" on their record labels; thereafter, the records were commonly referred to as "His Master's Voice" (or HMV) records, due to the prominence of that phrase along the upper rim of the labels. The "His Master's Voice" trademark was used worldwide by The Gramophone Company/EMI and affiliated labels, except for most of the Western Hemisphere and Japan, where the rights to the trademark were owned by the Victor Talking Machine Company/RCA Victor and the Victor Company of Japan/ JVC, respectivel ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Teatro Dal Verme
The Teatro Dal Verme is a theatre in Milan, Italy located on the Via San Giovanni sul Muro, on the site of the former private theatre the ''Politeama Ciniselli''. It was designed by Giuseppe Pestagalli to a commission from Count Francesco Dal Verme, and was used primarily for plays and opera performances throughout the 19th and early 20th centuries. Today, the theatre is no longer used for opera, but is a venue for concerts, plays and dance performances, as well as exhibitions and conferences. The original 3,000-seat theatre, surmounted by a large cupola, was constructed in the traditional horseshoe shape, with two tiers of boxes and a large gallery (or ''loggione'') which alone contained more than 1000 seats. It opened on 14 September 1872 with a production of Meyerbeer's ''Les Huguenots'' and soon established itself as one of Italy's most important opera houses. During its "golden years", the theatre saw the world premieres of Puccini's ''Le Villi'' (31 May 1884), Leoncavallo's ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Teatro Regio Di Torino
The Teatro Regio (Royal Theatre) is a prominent opera house and opera company in Turin, Piedmont, Italy. Its season runs from October to June with the presentation of eight or nine operas given from five to twelve performances of each. Several buildings provided venues for operatic productions in Turin from the mid-16th century, but it was not until 1713 that a proper opera house was considered, and under the architect Filippo Juvarra planning began. However, the cornerstone was not laid until the reign of Charles Emmanuel III in 1738 after Juvarra's death. The work was supervised by Benedetto Alfieri until the theatre was completed and decorated by Bernardino Galliari. Puccini premiered his ''La Bohème'' in 1896 in the Teatro Regio. Teatro Regio, 1740 to 1936 The Teatro Regio (Royal Theatre) was inaugurated on 26 December 1740 with Francesco Feo's ''Arsace''. It was a sumptuously built facility, seating 1,500 and with 139 boxes located on five tiers plus a gallery. Howe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Cenerentola
("Cinderella, or Goodness Triumphant") is an operatic in two acts by Gioachino Rossini. The libretto was written by Jacopo Ferretti, based on the libretti written by Charles-Guillaume Étienne for the opera '' Cendrillon'' with music by Nicolas Isouard (first performed Paris, 1810) and by Francesco Fiorini for with music by Stefano Pavesi (first performed Milan, 1814). All these operas are versions of the fairy tale '' Cendrillon'' by Charles Perrault. Rossini's opera was first performed in Rome's Teatro Valle on 25 January 1817. In this variation of the fairy tale, the wicked stepmother is replaced by a stepfather, Don Magnifico. The Fairy Godmother is replaced by Alidoro, a philosopher and tutor to the Prince. Cinderella is identified not by a glass slipper but by her silver ring. The supernatural elements that traditionally characterize the Cinderella story were removed from the libretto simply for ease of staging. Rossini composed when he was 25 years old, following t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gioachino Rossini
Gioachino Antonio Rossini (29 February 1792 – 13 November 1868) was an Italian composer of the late Classical period (music), Classical and early Romantic music, Romantic eras. He gained fame for his 39 operas, although he also wrote many songs, some chamber music and piano pieces and some Church music, sacred music. He set new standards for both comic and serious opera before retiring from large-scale composition while still in his thirties, at the height of his popularity. Born in Pesaro to parents who were both musicians (his father a trumpeter, his mother a singer), Rossini began to compose by the age of twelve and was educated at music school in Bologna. His first opera was performed in Venice in 1810 when he was 18 years old. In 1815 he was engaged to write operas and manage theatres in Naples. In the period 1810–1823, he wrote 34 operas for the Italian stage that were performed in Venice, Milan, Ferrara, Naples and elsewhere; this productivity necessitated an alm ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arturo Toscanini
Arturo Toscanini (; ; March 25, 1867January 16, 1957) was an Italian conductor. He was one of the most acclaimed and influential musicians of the late 19th and early 20th century, renowned for his intensity, his perfectionism, his ear for orchestral detail and sonority, and his eidetic memory. He was at various times the music director of La Scala in Milan and the New York Philharmonic. Later in his career, he was appointed the first music director of the NBC Symphony Orchestra (1937–1954), and this led to his becoming a household name, especially in the United States, through his radio and television broadcasts and many recordings of the operatic and symphonic repertoire. Biography Early years Toscanini was born in Parma, Emilia-Romagna, His father was a tailor. He won a scholarship to the Parma Conservatory, where he studied the cello. Living conditions at the conservatory were harsh and strict. For example, the menu at the conservatory consisted almost entirely of fish; in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Walter De Gruyter
Walter de Gruyter GmbH, known as De Gruyter (), is a German scholarly publishing house specializing in academic literature. History The roots of the company go back to 1749 when Frederick the Great granted the Königliche Realschule in Berlin the royal privilege to open a bookstore and "to publish good and useful books". In 1800, the store was taken over by Georg Reimer (1776–1842), operating as the ''Reimer'sche Buchhandlung'' from 1817, while the school's press eventually became the ''Georg Reimer Verlag''. From 1816, Reimer used a representative palace at Wilhelmstraße 73 in Berlin for his family and the publishing house, whereby the wings contained his print shop and press. The building later served as the Palace of the Reich President. Born in Ruhrort in 1862, Walter de Gruyter took a position with Reimer Verlag in 1894. By 1897, at the age of 35, he had become sole proprietor of the hundred-year-old company then known for publishing the works of German romantic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Großes Sängerlexikon
''Großes Sängerlexikon'' (''Biographical Dictionary of Singers'', literally: Large singers' lexicon) is a single-field dictionary of singers in classical music, edited by Karl-Josef Kutsch and Leo Riemens and first published in 1987. The first edition was in two volumes and contained the biographies of nearly 7000 singers from the 1590s through the 1980s. It grew out of ''Unvergängliche Stimmen. Kleines Sängerlexikon'' (Immortal voices. Small singers' lexicon), published in 1962, which covered only singers who had made recordings. A 1992 review in ''Neue Zeitschrift für Musik'' described the ''Großes Sängerlexikon'' as "indispensable in the search for concise background information about those persons who are undoubtedly the most important to the performance of opera."Arndt, Michael (1992). "Reviewed Work: ''Großes Sängerlexikon Ergänzungsband'' by Karl-Josef Kutsch, Leo Riemens". ''Neue Zeitschrift für Musik'', Vol. 153, No. 9, p. 50. , 26 March 2019 . The fourt ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Leo Riemens
Leonardus Antony Marinus Riemens (3 December 1910 – 3 April 1985) was a Dutch musicologist and cultural journalist. He wrote a book about Maria Callas, and together with Karl-Josef Kutsch began a reference book about opera singers in 1962, which grew to ''Großes Sängerlexikon'', the standard reference in the field. Background and career Born in Zevenbergen, Riemens grew up in a family of physicians in Amsterdam. He studied musicology in Amsterdam and worked from 1931 as a feature editor for the newspaper '. Later he was a member of the extreme-right NSB. During the Second World War he worked for the nazified ''Nederlandsche Omroep''. From 1954 to 1976 he was an opera and television critic for the newspaper ''De Telegraaf''. Riemens published numerous articles in the professional journals ''Opera'', ', ''Gramophone'' and ''Opera News''. He wrote an opera guide and a biography about Maria Callas. At Radio Hilversum he designed the series ''Uren der Zangkunst''. Riemens own ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
