|
Natya Sangeet
''Sangeet Natak'' ( Marathi for 'musical drama') is a form of drama which combines prose and poetry in the form of songs to convey the story, similar to musicals. They have played a vital role in the development of Marathi theater and cinema, as well as the Indian film industry. ''Sangeet Nataks'' start with the praise of Lord Natraja, which is called ''Naandi'', ''Mangalaacharan'' or ''Suchakpad'' – usually the famous "Panchatunda Nararundamaldhar" from ''Sangeet Shakuntal''. They are popular for the use of Indian classical music. The "Dramatic Music" is called ''Natya Sangeet'', one of the two popular forms of vocal arts in Maharashtra and surrounding states. The other is '' Bhavageet''. History The beginning Vishnudas Bhave is considered the founder of Marathi theater. In 1843, his group staged the first public performance of Marathi play ''Seeta Swayamvar'' (सीता स्वयंवर). The integration of music in the dramas took place quite late in 1879 w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bhopal
Bhopal (; ISO 15919, ISO: Bhōpāl, ) is the capital (political), capital city of the Indian state of Madhya Pradesh and the administrative headquarters of both Bhopal district and Bhopal division. It is known as the ''City of Lakes,'' due to presence of various natural and artificial lakes near the city boundary. It is also one of the greenest cities in India. It is the List of cities in India by population#1 to 50, 16th largest city in India and 131st in the world. After the formation of Madhya Pradesh, Bhopal was part of the Sehore district. It was bifurcated in 1972 and a new district, Bhopal, was formed. Flourishing around 1707, the city was the capital of the former Bhopal State, a princely state of the British ruled by the Nawabs of Bhopal until India's independence in 1947. India achieved independence on 15 August 1947. Bhopal was one of the last states to sign the ‘Instrument of Accession’. The ruler of Bhopal acceded to the Indian government, and Bhopal became an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Annasaheb Kirloskar
Balwant Pandurang Kirloskar (31 March 1843 − 2 November 1885), popularly known as Annasaheb Kirloskar, was a Marathi playwright from the Bombay Presidency in British India. Kirloskar was born on March 31, 1843, at Gurlhosur in Belgaum district to a Karhade Brahmin family. After completing schooling in his native place, at the age of twenty, Annasaheb moved to Pune to pursue further education. His overwhelming interest, however, lay in theatre and he faced parental pressure for his continued disinterest in formal education. His father pressurised him to return to his native Belgaum. To support himself, Kirloskar then worked for eight years as a school teacher in Belgaum; he subsequently worked for a few years in the police department and then as a clerk in the revenue commissioner's office. Despite his lack of much formal education, Kirloskar was well-versed in Sanskrit literature. Marathi theater history In 1843, the same year in which Kirloskar's was born, Vishnudas Bhave ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
British Rule In India
The British Raj ( ; from Hindustani language, Hindustani , 'reign', 'rule' or 'government') was the colonial rule of the British The Crown, Crown on the Indian subcontinent, * * lasting from 1858 to 1947. * * It is also called Crown rule in India, * * * * or direct rule in India. * Quote: "Mill, who was himself employed by the British East India company from the age of seventeen until the British government assumed direct rule over India in 1858." * * The region under British control was commonly called India in contemporaneous usage and included areas directly administered by the United Kingdom of Great Britain and Ireland, United Kingdom, which were collectively called ''Presidencies and provinces of British India, British India'', and areas ruled by indigenous rulers, but under British British paramountcy, paramountcy, called the princely states. The region was sometimes called the Indian Empire, though not officially. As ''India'', it was a founding member of th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sangeet Sharada
''Sangeet Sharada'' is an 1899 Marathi Sangeet Natak (Musical play), written and directed by playwright Govind Ballal Deval. The play is considered as the first play in Marathi to showcase the social problems and broke the norms by dealing with the subject of child marriage when dramatic literature in India mainly focused on historical-mythological narrations. Over the period of time, various stage actors like Bal Gandharva, Vishnupant Pagnis, Bhalchandra Pendharkar have performed the lead role of Sharada. Going with the format of Sangeet Natak, play had more than 50 songs, penned and composed by Govind Ballal Deval himself and music attained a cult status over the period of time. The play "is considered to be a pioneer in social drama in India" and gained the popularity in such a way that when the Child Marriage Restraint Act, proposed by Haribilas Sarda, also known "Sarda Act", was passed in 1929; it was mistaken to be named after the play as "Sharada Act". Plot Bhujangana ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ramayana
The ''Ramayana'' (; ), also known as ''Valmiki Ramayana'', as traditionally attributed to Valmiki, is a smriti text (also described as a Sanskrit literature, Sanskrit Indian epic poetry, epic) from ancient India, one of the two important epics of Hinduism known as the ''Itihasas'', the other being the ''Mahabharata''. The epic narrates the life of Rama, the seventh ''avatar'' of the Hindu deity Vishnu, who is a prince of Ayodhya (Ramayana), Ayodhya in the kingdom of Kosala. The epic follows Exile of Lord Rama, his fourteen-year exile to the forest urged by his father King Dasharatha, on the request of Rama's stepmother Kaikeyi; his travels across the forests in the Indian subcontinent with his wife Sita and brother Lakshmana; the kidnapping of Sita by Ravana, the king of Lanka, that resulted in bloodbath; and Rama's eventual return to Ayodhya (Ramayana), Ayodhya along with Sita to be crowned as a king amidst jubilation and celebration. Scholarly estimates for the earliest stage ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mahabharata
The ''Mahābhārata'' ( ; , , ) is one of the two major Sanskrit Indian epic poetry, epics of ancient India revered as Smriti texts in Hinduism, the other being the ''Ramayana, Rāmāyaṇa''. It narrates the events and aftermath of the Kurukshetra War, a war of succession between two groups of princely cousins, the Kauravas and the Pandava, Pāṇḍavas. It also contains Hindu philosophy, philosophical and devotional material, such as a discussion of the four "goals of life" or ''puruṣārtha'' (12.161). Among the principal works and stories in the ''Mahābhārata'' are the ''Bhagavad Gita'', the story of Damayanti, the story of Shakuntala, the story of Pururava and Urvashi, the story of Savitri and Satyavan, the story of Kacha (sage), Kacha and Devayani, the story of Rishyasringa and an Ramopakhyana, abbreviated version of the ''Rāmāyaṇa'', often considered as works in their own right. Traditionally, the authorship of the ''Mahābhārata'' is attributed to Vyasa, Vy ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marathi People
The Marathi people (; Marathi language, Marathi: , ''Marāṭhī lōk'') or Marathis (Marathi: मराठी, ''Marāṭhī'') are an Indo-Aryan peoples, Indo-Aryan ethnolinguistic group who are native to Maharashtra in western India. They natively speak Marathi language, Marathi, an Indo-Aryan languages, Indo-Aryan language. Maharashtra was formed as a Marathi-speaking state of India on 1 May 1960, as part of a nationwide linguistic reorganisation of the States and union territories of India, Indian states. The term "Maratha" is generally used by historians to refer to all Marathi-speaking peoples, irrespective of their Caste system in India, caste; However, it may refer to a Maharashtrian caste known as the Maratha (caste), Maratha which also includes farmer sub castes like the Kunbis. The Marathi community came into political prominence in the 17th century, when the Maratha Empire was established by Shivaji in 1674. Etymology According to R. G. Bhandarkar, the term Mara ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opera
Opera is a form of History of theatre#European theatre, Western theatre in which music is a fundamental component and dramatic roles are taken by Singing, singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a libretto, librettist and incorporates a number of the performing arts, such as acting, Theatrical scenery, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conducting, conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of Western culture#Music, Western classical music, and Italian tradition in particular. Originally understood as an sung-through, entirely sung piece, in contrast to a play with songs, opera has come to include :Opera genres, numerous ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
British Raj
The British Raj ( ; from Hindustani language, Hindustani , 'reign', 'rule' or 'government') was the colonial rule of the British The Crown, Crown on the Indian subcontinent, * * lasting from 1858 to 1947. * * It is also called Crown rule in India, * * * * or direct rule in India. * Quote: "Mill, who was himself employed by the British East India company from the age of seventeen until the British government assumed direct rule over India in 1858." * * The region under British control was commonly called India in contemporaneous usage and included areas directly administered by the United Kingdom of Great Britain and Ireland, United Kingdom, which were collectively called ''Presidencies and provinces of British India, British India'', and areas ruled by indigenous rulers, but under British British paramountcy, paramountcy, called the princely states. The region was sometimes called the Indian Empire, though not officially. As ''India'', it was a founding member of th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Krushnaji Prabhakar Khadilkar
Krishnaji Prabhakar Khadilkar (25 November 1872 – 26 August 1948) was a Marathi writer from Bombay Presidency, British India. George calls him "a prominent lieutenant of Lokmanya Tilak". He was editor of Kesari, Lokmanya and Navakal. The subject of navakal is political, trade and market price Khadilkar in the beginning of his career wrote prose-plays, but achieved "even greater recognition" with plays like ''Svayamvara'' – which had songs which were based on Indian classical music. The notability of his dramatic technique, in his fifteen plays, was to "endow ancient Hindu legends and tales with contemporary political significance". The Encyclopaedia of Indian Literature (Volume Two) (Devraj To Jyoti), remarks that while Annasaheb Kirloskar "laid the foundation of popular sangit natak", it saw its great rise and gradual decline with the advent of Khadilkar. It considers Khadilkar along with Bal Gandharva as "the architect of what later on came to be called the golden age ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carnatic Classical Music
Carnatic music (known as or in the Dravidian languages) is a system of music commonly associated with South India, including the modern Indian states of Andhra Pradesh, Karnataka, Kerala, Tamil Nadu, Telangana and southern Odisha. It is one of three main subgenres of Indian classical music that evolved from ancient Hindu texts and traditions, particularly the Samaveda. (The other two are Hindustani music and Odissi music.) The main emphasis in Carnatic music is on vocal music; most compositions are written to be sung, and even when played on instruments, they are meant to be performed in ''gāyaki'' (singing) style. Although there are stylistic differences, the basic elements of (the relative musical pitch), (the musical sound of a single note), (the mode or melodic formulae), and (the rhythmic cycles) form the foundation of improvisation and composition in both Carnatic and Hindustani music. Although improvisation plays an important role, Carnatic music is mainly sung ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hindustani Classical Music
Hindustani classical music is the Indian classical music, classical music of the Indian subcontinent's northern regions. It may also be called North Indian classical music or ''Uttar Bhartiya shastriya sangeet''. The term ''shastriya sangeet'' literally means classical music, and is also used to refer to Indian classical music in general. It is played on instruments like the veena, sitar and sarod. It diverged in the 12th century Common Era, CE from Carnatic music, the classical tradition of Southern India. While Carnatic music largely uses compositions written in Sanskrit, Telugu language, Telugu, Kannada, Tamil language, Tamil, Malayalam, Hindustani music largely uses compositions written in Hindi, Urdu, Braj Bhasha, Braj, Awadhi language, Avadhi, Bhojpuri language, Bhojpuri, Bengali language, Bengali, Rajasthani languages, Rajasthani, Marathi language, Marathi and Punjabi language, Punjabi. Knowledge of Hindustani classical music is taught through a network of classical musi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
