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Nathan Jones (song)
"Nathan Jones" is a song by American girl group the Supremes from their twenty-third studio album, ''Touch'' (1971). It was released on April 15, 1971, as the album's lead single. Produced by Frank Wilson and written by Kathy Wakefield and Leonard Caston, "Nathan Jones" was one of eight top-40 entries the Supremes recorded after its original frontwoman, Diana Ross, left the group for a solo career. Background The song centers around a woman's longing for her former lover, a man named Nathan Jones, who left her nearly a year ago "to ease ismind." Suffering through the long separation (''"Winter's past, spring, and fall"'') without any contact or communication between herself and Jones, the narrator is no longer in love with Jones, remarking that "Nathan Jones/you've been gone too long". Supremes version "Nathan Jones" is an unusual entry among the Supremes' singles repertoire for several reasons: all three members of the group (Jean Terrell, Mary Wilson, and Cindy Birdsong) si ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Supremes
The Supremes were an American girl group formed in Detroit, Michigan, in 1959 as the Primettes. A premier act of Motown Records during the 1960s, the Supremes were the most commercially successful of Motown's acts and the most successful American vocal group, vocal band, with List of Billboard Hot 100 chart achievements and milestones#Most number-one songs, 12 number-one singles on the Billboard Hot 100, ''Billboard'' Hot 100. Most of these hits were written and produced by Motown's main songwriting and production team, Holland–Dozier–Holland. Their breakthrough is considered to have made it possible for future African-American Rhythm and blues, R&B and Soul music, soul musicians to find mainstream success. ''Billboard'' ranked the Supremes as the 16th greatest Hot 100 artist of all time. Florence Ballard, Mary Wilson (singer), Mary Wilson, Diana Ross, and Betty McGlown, the original members, were all from the Brewster-Douglass Housing Projects, Brewster-Douglass public ho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Clydie King
Clydie Mae King (August 21, 1943 – January 7, 2019) was an American singer, best known for her session work as a backing vocalist. King also recorded solo under her name. In the 1970s, she recorded as Brown Sugar, and her single "Loneliness (Will Bring Us Together Again)" reached No. 44 on the ''Billboard'' R&B charts in 1973. Early life and career King was born in Dallas, Texas on August 21, 1943. At the time of King's death, the media related that her alleged parents, Lula Mae King and Curtis Crittendon, had raised her after her mother's 1945 death. According to a 1950 census record, it is proven that King was the child of Tom and Genevieve King, as she is listed as Curtis's sister-in-law, and as Lula was born to the same parents. After starting to sing in the local church, King moved with her family to Los Angeles when she was young, where she graduated from Fremont High School in 1961. Discovered by songwriter Richard Berry, King began her recording career in 1956 with ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Record World
''Record World'' magazine was one of three major weekly music industry trade magazines in the United States, with ''Billboard'' and '' Cashbox''. It was founded in 1946 as ''Music Vendor''. In 1964, it was changed to ''Record World'' under the ownership of Sid Parnes and Bob Austin. It ceased publication on April 10, 1982. History Growth ''Music Vendor'' published its first music chart for the week ending October 4, 1954. ''Record World'' was housed in New York City at 1700 Broadway, at 53rd Street, across the street from the Ed Sullivan Theater. Its West Coast editorial offices were located in Los Angeles on Sunset and Vine. Peak ''Record World'' showed musical diversity by printing a "Non-Rock" survey, comparable to ''Billboard's'' "Easy Listening" / "Adult Contemporary" chart. This chart began in the February 4, 1967, issue, and ended on April 1, 1972, having morphed to the name "The MOR Chart" by 1971. Several titles of interest appeared on this 40-position list without ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cashbox (magazine)
''Cashbox'', also known as ''Cash Box'', is an American music industry trade magazine, originally published weekly from July 1942 to November 1996. Ten years after its dissolution, it was revived and continues as ''Cashbox Magazine'', an online magazine with weekly charts and occasional special print issues. In addition to the music industry, the magazine covered the amusement arcade industry, including jukebox machines and arcade games. History Print edition charts (1942–1996) ''Cashbox'' was one of several magazines that published record charts in the United States. Its most prominent competitors were '' Billboard'' and '' Record World'' (known as ''Music Vendor'' prior to April 1964). Unlike ''Billboard'', ''Cashbox'' combined all currently available recordings of a song into one chart position with artist and label information shown for each version, alphabetized by label. Originally, no indication of which version was the biggest seller was given, but from October 25, 1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
David Van De Pitte
David J. Van De Pitte (October 28, 1941 – August 9, 2009) was an American music arranger and bass player. He is best known for his work at Motown Records during the 1960s and early 1970s, when he was responsible for arranging many of the best known and most successful of the company's records, including those by Marvin Gaye, the Temptations, the Four Tops, the Jackson 5, Stevie Wonder, Gladys Knight and many others. Life and career He was born in Detroit, Michigan, and studied music at the Westlake College of Music in Los Angeles, becoming proficient in classical, jazz and pop music. His main instrument was the bass, but he also played trombone and other instruments. In the early 1960s he began playing in Johnny Trudell's orchestra, and came to know many of the musicians who, then and later, worked at Motown, including bass player James Jamerson who sometimes substituted for him in Trudell's band. He began working for Motown in 1968, and was responsible for arranging ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Funk Brothers
The Funk Brothers were a group of Detroit-based session musicians who performed the backing to most Motown recordings from 1959 until the company moved to Los Angeles in 1972. Its members are considered among the most successful groups of studio musicians in music history. Among their hits are " My Girl", " I Heard It Through the Grapevine", " Baby Love", " I Was Made to Love Her", " Papa Was a Rollin' Stone", " The Tears of a Clown", " Ain't No Mountain High Enough", and "Heat Wave". Some combination of the members played on each of Motown's 100-plus U.S. R&B number one singles and 50-plus U.S. Pop number ones released from 1961 to 1972. There is no undisputed list of the members of the group. Some writers have claimed that virtually every musician who ever played on a Motown track was a "Funk Brother". There are 13 Funk Brothers identified in Paul Justman's 2002 documentary film '' Standing in the Shadows of Motown'', based on Allan Slutsky's book of the same name. These 1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hot R&B/Hip-Hop Songs
The Hot R&B/Hip-Hop Songs chart ranks the most popular R&B and hip hop songs in the United States and is published weekly by '' Billboard''. Rankings are based on a measure of radio airplay, sales data, and streaming activity. The chart had 100 positions but was shortened to 50 positions in October 2012. The chart is used to track the success of popular music songs in urban, or primarily African-American, venues. Dominated over the years at various times by jazz, rhythm and blues, doo-wop, rock and roll, soul, and funk, it is today dominated by contemporary R&B and hip hop. Since its inception, the chart has changed its name many times in order to accurately reflect the industry at the time. History Beginning in 1942, ''Billboard'' published a chart of bestselling African-American music, first as the Harlem Hit Parade, then as Race Records. Then in 1949, ''Billboard'' began publishing a Rhythm and Blues chart, which entered "R&B" into mainstream lexicon. These three ch ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Billboard Hot 100
The ''Billboard'' Hot 100, also known as simply the Hot 100, is the music industry standard record chart in the United States for songs, published weekly by '' Billboard'' magazine. Chart rankings are based on sales (physical and digital), online streaming, and radio airplay in the U.S. A new chart is compiled and released online to the public by ''Billboard''s website on Tuesdays but post-dated to the following Saturday, when the printed magazine first reaches newsstands. The weekly tracking period for sales is currently Friday–Thursday, after being changed in July 2015. It was initially Monday–Sunday when Nielsen started tracking sales in 1991. This tracking period also applies to compiling online streaming data. Radio airplay is readily available on a real-time basis, unlike sales figures and streaming, but is also tracked on the same Friday–Thursday cycle, effective with the chart dated July 17, 2021. Previously, radio was tracked Monday–Sunday and, before Ju ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
B-side
The A-side and B-side are the two sides of phonograph record, vinyl records and Compact cassette, cassettes, and the terms have often been printed on the labels of two-sided music recordings. The A-side of a Single (music), single usually features a recording that its artist, producer, or record company intends to be the initial focus of promotional efforts and radio airplay, with the aim of it becoming a hit record. The B-side (or "flip-side") is a secondary recording that typically receives less attention, although some B-sides have been as successful as, or more so than, their A-sides. Use of this language has largely declined in the 21st century as the music industry has transitioned away from analog recordings towards Digital audio, digital formats without physical sides, such as music download, downloads and Music streaming, streaming. Nevertheless, some artists and labels continue to employ the terms ''A-side'' and ''B-side'' metaphorically to describe the type of co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Flanger
Flanging is an audio effect produced by mixing two identical signals together, one signal delayed by a small and (usually) gradually changing period, usually smaller than 20 milliseconds. This produces a swept comb filter effect: peaks and notches are produced in the resulting frequency spectrum, related to each other in a linear harmonic series. Varying the time delay causes these to sweep up and down the frequency spectrum. A flanger is an effects unit that creates this effect. Part of the output signal is usually fed back to the input (a re-circulating delay line), producing a resonance effect that further enhances the intensity of the peaks and troughs. The phase of the fed-back signal is sometimes inverted, producing another variation on the flanger sound. Origin As an audio effect, a listener hears a ''drainpipe'' or ''swoosh'' or ''jet plane'' sweeping effect as shifting sum-and-difference harmonics are created analogous to use of a variable notch filter. The term ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Phaser (effect)
A phaser is an electronic sound processor used to filter a signal by creating a series of peaks and troughs in the frequency spectrum. The position of the peaks and troughs of the waveform being affected is typically modulated by an internal low-frequency oscillator so that they vary over time, creating a sweeping effect. Phasers are often used to give a "synthesized" or electronic effect to natural sounds, such as human speech. Process The electronic phasing effect is created by splitting an audio signal into two paths. One path treats the signal with an all-pass filter, which preserves the amplitude of the original signal and alters the phase. The amount of change in phase depends on the frequency. When signals from the two paths are mixed, the frequencies that are out of phase will cancel each other out, creating the phaser's characteristic notches. Changing the mix ratio changes the depth of the notches; the deepest notches occur when the mix ratio is 50%. The def ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
