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Natalia Troitskaya
Natalia Leonidovna Troitskaya (russian: Наталья Леонидовна Троицкая; 1951 – 9 April 2006) was a Russian operatic soprano who had a major international career during the 1980s and early 1990s. She particularly excelled in the operas of Giacomo Puccini and Giuseppe Verdi. Among her signature roles were Tatyana in Pyotr Ilyich Tchaikovsky's ''Eugene Onegin'' and the title heroines in Verdi's ''Aida'', Puccini's ''Manon Lescaut'', and Puccini's ''Tosca''. She was a frequent partner of Plácido Domingo during the 1980s and also sang opposite other great artists like Montserrat Caballé, Dmitri Hvorostovsky, and Luciano Pavarotti. Biography Born in Belgrade, Troitskaya's father was a professional violinist and her mother was a concert pianist. She studied voice for six years in Moscow and Belgrade and won singing competitions in Toulouse, Vercelli, and Barcelona. She made her professional opera debut in 1981 as Elisabetta di Valois at the Liceu, in ''Don Car ...
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Opera
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, singers employ two styles o ...
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Toulouse
Toulouse ( , ; oc, Tolosa ) is the Prefectures in France, prefecture of the Departments of France, French department of Haute-Garonne and of the larger Regions of France, region of Occitania (administrative region), Occitania. The city is on the banks of the Garonne, River Garonne, from the Mediterranean Sea, from the Atlantic Ocean and from Paris. It is the List of communes in France with over 20,000 inhabitants, fourth-largest city in France after Paris, Marseille and Lyon, with 493,465 inhabitants within its municipal boundaries (2019 census); its Functional area (France), metropolitan area has a population of 1,454,158 inhabitants (2019 census). Toulouse is the central city of one of the 20 Métropole, French Métropoles, with one of the three strongest Population growth, demographic growth (2013-2019). Toulouse is the centre of the European aerospace industry, with the headquarters of Airbus, the SPOT (satellites), SPOT satellite system, ATR (aircraft manufacturer), ATR ...
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Don Carlos
''Don Carlos'' is a five-act grand opera composed by Giuseppe Verdi to a French-language libretto by Joseph Méry and Camille du Locle, based on the dramatic play '' Don Carlos, Infant von Spanien'' (''Don Carlos, Infante of Spain'') by Friedrich Schiller. In addition, several incidents, of which the Forest of Fontainebleau scene and '' auto-da-fé'' were the most substantial, were borrowed from Eugène Cormon's 1846 play ''Philippe II, Roi d'Espagne''. The opera is most often performed in Italian translation, usually under the title ''Don Carlo''. The opera's story is based on conflicts in the life of Carlos, Prince of Asturias (1545–1568). Though he was betrothed to Elisabeth of Valois, part of the peace treaty ending the Italian War of 1551–59 between the Houses of Habsburg and Valois demanded that she be married instead to his father Philip II of Spain. It was commissioned and produced by the Théâtre Impérial de l'Opéra (Paris Opera) and given its premiere a ...
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Staatsoper Stuttgart
The Staatsoper Stuttgart (Stuttgart State Opera) is a German opera company based in Stuttgart, the capital of Baden-Württemberg, Germany. The Staatsorchester Stuttgart serves as its resident orchestra. History Performances of operas, ballet and plays in Stuttgart took place from the 17th century at the hall of . The probably first opera production was in 1660 the singspiel ''Der Raub der Proserpina'' by Hofkapellmeister Samuel Capricornus. Four years later, a permanent stage was established. In 1750, the building was remodeled as Stuttgart's opera house, named ''Königliches Hoftheater'' (Royal Court Theatre) in 1811. It burnt down in 1902, and opera was performed in a provisional ''Interimstheater''. Today's opera house was built from 1909 to 1912 by architect Max Littmann from Munich, with two halls, ''Großes Haus'' and ''Kleines Haus''. After the end of the monarchy in 1918, the theatres were named ''Württembergische Landestheater''. The ''Kleines Haus'', site of the world ...
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Un Ballo In Maschera
''Un ballo in maschera'' ''(A Masked Ball)'' is an 1859 opera in three acts by Giuseppe Verdi. The text, by Antonio Somma, was based on Eugène Scribe's libretto for Daniel Auber's 1833 five act opera, '' Gustave III, ou Le bal masqué''. The plot concerns the assassination in 1792 of King Gustav III of Sweden who was shot, as the result of a political conspiracy, while attending a masked ball, dying of his wounds thirteen days later. It was to take over two years between the commission from Naples, planned for a production there, and its premiere performance at the Teatro Apollo in Rome on 17 February 1859. In becoming the ''Un ballo in maschera'' which we know today, Verdi's opera (and his libretto) underwent a significant series of transformations and title changes, caused by a combination of censorship regulations in both Naples and Rome, as well as by the political situation in France in January 1858. Based on the Scribe libretto and begun as ''Gustavo III'' set in Sto ...
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Opéra National De Paris
The Paris Opera (, ) is the primary opera and ballet company of France. It was founded in 1669 by Louis XIV as the , and shortly thereafter was placed under the leadership of Jean-Baptiste Lully and officially renamed the , but continued to be known more simply as the . Classical ballet as it is known today arose within the Paris Opera as the Paris Opera Ballet and has remained an integral and important part of the company. Currently called the , it mainly produces operas at its modern 2,723-seat theatre Opéra Bastille which opened in 1989, and ballets and some classical operas at the older 1,979-seat Palais Garnier which opened in 1875. Small scale and contemporary works are also staged in the 500-seat Amphitheatre under the Opéra Bastille. The company's annual budget is in the order of 200 million euros, of which €100M come from the French state and €70M from box office receipts. With this money, the company runs the two houses and supports a large permanent staff, ...
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Vienna State Opera
The Vienna State Opera (, ) is an opera house and opera company based in Vienna, Austria. The 1,709-seat Renaissance Revival venue was the first major building on the Vienna Ring Road. It was built from 1861 to 1869 following plans by August Sicard von Sicardsburg and Eduard van der Nüll, and designs by Josef Hlávka. The opera house was inaugurated as the "Vienna Court Opera" (''Wiener Hofoper'') in the presence of Emperor Franz Joseph I and Empress Elisabeth of Austria. It became known by its current name after the establishment of the First Austrian Republic in 1921. The Vienna State Opera is the successor of the old Vienna Court Opera (built in 1636 inside the Hofburg). The new site was chosen and the construction paid by Emperor Franz Joseph in 1861. The members of the Vienna Philharmonic are recruited from the Vienna State Opera's orchestra. The building is also the home of the Vienna State Ballet, and it hosts the annual Vienna Opera Ball during the carnival ...
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Sferisterio Opera Festival
The Macerata Opera is the name given to the coordinating bodies of the provincial and local government in Macerata, the provincial capital of the Marche region of Italy, which puts on performances of three or four operas each July and August under the name Macerata Opera Festival. From 1992 the Opera Association was founded by the municipality and the Province Association of Macerata to oversee the operations of the Festival. In addition to the main summer activities, the Association organizes many other musical events, ranging from the New Music Festival to the performances of baroque music in a number of historical sites and buildings. The Association also organizes international conferences. Overview While the Macerata Opera has organized the Macerata Opera Festival as a summer opera festival, it actually began in 1921 with a performance of Verdi's ''Aida'' in the 3,000 seat (plus 6,000 standing places) Arena Sferisterio, a huge neoclassical arena erected in the 1820s as a st ...
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Opéra Royal De Wallonie
The Opéra royal de Wallonie is a Belgian Opera house located on the Place de l'Opéra, in Liège, Belgium. Together with La Monnaie and the Vlaamse Opera, the ''Opéra royal'', as it is colloquially known, is one of the three major opera houses in Belgium. From the beginning, the institution occupied the Théâtre royal in Liège, a building loaned by the city (inaugurated on 4 November 1820). History In 1816, King William I of the Netherlands transferred the land and materials of the former Dominican convent to the city of Liège, on condition that a theatre be built there. The first stone was laid on July 1, 1818 by Mademoiselle Mars. Built according to the plan of the architect Auguste Dukers, the theatre in the neoclassical style has a massive parallelepipedic shape. Its main façade is decorated with a marble colonnadeThis colonnade comes from the former ''Chartreuse de Liège''. limited by a balustrade and overlooking the arcades on the ground floor. The Theatre Roya ...
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Juan Pons
Joan Pons Álvarez (Ciutadella, Spain, 8 August 1946) is a Spanish operatic baritone, known internationally as Juan Pons. Career Pons made his international début in 1980 at the Teatro alla Scala of Milan with ''Falstaff'', staged by Giorgio Strehler and conducted by Lorin Maazel. Since then, he has been a guest of the most important theatres all over the world, including the Metropolitan Opera House of New York, the Vienna Staatsoper, Covent Garden in London, the Opéra of Paris, Zürich, the Liceo in Barcelona and the Arena of Verona. His repertoire includes all the main baritone roles. Besides Falstaff, a role he played in 1993 at the La Scala under Riccardo Muti on the occasion of the centennial anniversary of its first performance, he has interpreted many of Verdi's most important baritone roles in ''Il trovatore'', Aida, ''Ernani'', ''Un ballo in maschera'', ''Rigoletto'', ''La forza del destino'', ''La traviata'', ''Simon Boccanegra'' and ''Macbeth''. He has performed in ...
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Jaume Aragall
Jaume Aragall i Garriga (; born 6 June 1939), better known as Giacomo Aragall, is a Spanish operatic tenor. He became known for his role singing Rodolfo in Puccini's ''La bohème'' in the late 1960s, and it would become one of the most frequently performed of his career. In 1994 he founded the Giacomo Aragall International Singing Competition. Early life and education Aragall was born on 6 June 1939 in Barcelona. He became a member of the Choir of the Basilica of Santa Maria del Mar at the age of nine, and at the age of 19 he began his singing studies. He made his debut at the Gran Teatre del Liceu in the 1961-1962 season in the roles of Arlecchino in ''Pagliacci'' by Ruggero Leoncavallo and Arturo in ''Lucia di Lammermoor'' by Gaetano Donizetti. Career Aragall’s professional debut was at the Gran Teatro La Fenice, Venice, on 24 September 1963, in Verdi's opera ''Gerusalemme''. The same year, he appeared at the Teatro alla Scala in Milan in ''L'amico Fritz'' by Pietro Mascagni, ...
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Don Carlo
''Don Carlos'' is a five-act grand opera composed by Giuseppe Verdi to a French-language libretto by Joseph Méry and Camille du Locle, based on the dramatic play '' Don Carlos, Infant von Spanien'' (''Don Carlos, Infante of Spain'') by Friedrich Schiller. In addition, several incidents, of which the Forest of Fontainebleau scene and '' auto-da-fé'' were the most substantial, were borrowed from Eugène Cormon's 1846 play ''Philippe II, Roi d'Espagne''. The opera is most often performed in Italian translation, usually under the title ''Don Carlo''. The opera's story is based on conflicts in the life of Carlos, Prince of Asturias (1545–1568). Though he was betrothed to Elisabeth of Valois, part of the peace treaty ending the Italian War of 1551–59 between the Houses of Habsburg and Valois demanded that she be married instead to his father Philip II of Spain. It was commissioned and produced by the Théâtre Impérial de l'Opéra (Paris Opera) and given its premiere at t ...
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