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Naples Cathedral
The Naples Cathedral (; ), or the Cathedral of the Assumption of Mary (), is a Roman Catholic cathedral, the main church of Naples, southern Italy, and the seat of the Archbishop of Naples. It is widely known as the Cathedral of Saint Januarius (), in honour of Saint Januarius, the city's patron saint. History The present cathedral in Capetian House of Anjou, Angevin Gothic style () was commissioned by King Charles I of Anjou. Construction continued during the reign of his successor, Charles II of Naples, Charles II (1285–1309) and was completed in the early 14th century under Robert of Anjou. It was built on the foundations of two palaeo-Christian basilicas, whose traces can still be clearly seen. Underneath the building excavations have revealed Greek and Roman artifacts. The Archbishop's Palace (Naples), Archbishop's Palace adjoins the cathedral. Interior and artwork The cathedral gives access to the archaeological remains in the crypt of the neighbouring original palaeoch ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Catholic Church
The Catholic Church (), also known as the Roman Catholic Church, is the List of Christian denominations by number of members, largest Christian church, with 1.27 to 1.41 billion baptized Catholics Catholic Church by country, worldwide as of 2025. It is among the world's oldest and largest international institutions and has played a prominent role in the history and development of Western civilization.Gerald O'Collins, O'Collins, p. v (preface). The church consists of 24 Catholic particular churches and liturgical rites#Churches, ''sui iuris'' (autonomous) churches, including the Latin Church and 23 Eastern Catholic Churches, which comprise almost 3,500 dioceses and Eparchy, eparchies List of Catholic dioceses (structured view), around the world, each overseen by one or more Bishops in the Catholic Church, bishops. The pope, who is the bishop of Rome, is the Papal supremacy, chief pastor of the church. The core beliefs of Catholicism are found in the Nicene Creed. The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles II Of Naples
Charles II, also known as Charles the Lame (; ; 1254 – 5 May 1309), was King of Naples, Count of Provence and Forcalquier (1285–1309), Prince of Achaea (1285–1289), and Count of Anjou and Maine (1285–1290); he also was King of Albania (1285–1294), and claimed the Kingdom of Jerusalem from 1285. He was the son of Charles I of Anjouone of the most powerful European monarchs in the second half of the 13th centuryand Beatrice of Provence. His father granted Charles the Principality of Salerno in the Kingdom of Sicily (or ''Regno'') in 1272 and made him regent in Provence and Forcalquier in 1279. After the uprising known as the Sicilian Vespers against Charles's father, the island of Sicily became an independent kingdom under the rule of Peter III of Aragon in 1282. A year later, his father made Charles regent in the mainland territories of the ''Regno'' (or the Kingdom of Naples). Charles held a general assembly where unpopular taxes were abolished and the liberties of t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jusepe Ribera
Jusepe de Ribera (; baptised 17 February 1591 – 3 November 1652) was a Spanish painter and printmaker. Ribera, Francisco de Zurbarán, Bartolomé Esteban Murillo, and the singular Diego Velázquez, are regarded as the major artists of Spanish Baroque painting. Referring to a series of Ribera exhibitions held in the late 20th century, Philippe de Montebello wrote "If Ribera's status as the undisputed protagonist of Neapolitan painting had ever been in doubt, it was no longer. Indeed, to many it seemed that Ribera emerged from these exhibitions as not simply the greatest Neapolitan artist of his age but one of the outstanding European masters of the seventeenth century."Pérez-Sánchez, Alfonso E., and Nicola Spinosa. 1992. Jusepe de Ribera 1519–1652'. The Metropolitan Museum of Art/Harry N. Abrams, Inc. New York. 290 pp, Jusepe de Ribera has also been referred to as José de Ribera (usual in Spanish and French), Josep de Ribera (in Catalan), and was called Lo Spagnoletto (Ital ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Massimo Stanzione
Massimo Stanzione (also called Stanzioni; Frattamaggiore 1585 – Naples 1656) was an Italian Baroque painter, mainly active in Naples, where he and his rival Jusepe de Ribera dominated the painting scene for several decades. He was primarily a painter of altarpieces, working in both oils and fresco (these usually for ceilings). His main subject matter was biblical scenes. He also painted portraits and mythological subjects. He had many pupils and followers as his rich color and idealized naturalism had a large influence on other local artists, such as Francesco Solimena.Thomas Willette, ''Stanzione (Stanzioni), Massimo, Cavaliere, (b ?Orta di Atella, nr Caserta, ?1585; d ?Naples, ?1656)'' Oxford Art Online, published online: 200 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Lanfranco
Giovanni Lanfranco (26 January 1582 – 30 November 1647) was an Italian Baroque painter. Biography Giovanni Gaspare Lanfranco was born in Parma, the third son of Stefano and Cornelia Lanfranchi, and was placed as a page in the household of Count Orazio Scotti. His talent for drawing allowed him to begin an apprenticeship with the Bolognese artist Agostino Carracci, brother of Annibale Carracci, working alongside fellow Parmese Sisto Badalocchio in the local Farnese palaces. When Agostino died in 1602, both young artists moved to Annibale's large and prominent Roman workshop, which was then involved in working on the Galleria Farnese in the Palazzo Farnese gallery ceiling.Williamson, George. "Giovanni Lanfranco." The Catholic Encyclopedia Vol. 8. New York: Robert Appleton Company, 1910. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Domenichino
Domenico Zampieri (, ; October 21, 1581 – April 6, 1641), known by the diminutive Domenichino (, ) after his shortness, was an Italian Baroque painter of the Bolognese School of painters. Life Domenichino was born in Bologna, son of a shoemaker, and there initially studied under Denis Calvaert. After quarreling with Calvaert, he left to work in the Accademia degli Incamminati of the Carracci where, because of his small stature, he was nicknamed Domenichino, meaning "little Domenico" in Italian. He left Bologna for Rome in 1602 and became one of the most talented apprentices to emerge from Annibale Carracci's supervision. As a young artist in Rome he lived with his slightly older Bolognese colleagues Albani and Guido Reni, and worked alongside Lanfranco, who later would become a chief rival. In addition to assisting Annibale with completion of his frescoes in the Galleria Farnese, including '' A Virgin with a Unicorn'' (–05), he painted three of his own frescoes in th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fresco
Fresco ( or frescoes) is a technique of mural painting executed upon freshly laid ("wet") lime plaster. Water is used as the vehicle for the dry-powder pigment to merge with the plaster, and with the setting of the plaster, the painting becomes an integral part of the wall. The word ''fresco'' () is derived from the Italian adjective ''fresco'' meaning "fresh", and may thus be contrasted with fresco-secco or secco mural painting techniques, which are applied to dried plaster, to supplement painting in fresco. The fresco technique has been employed since antiquity and is closely associated with Italian Renaissance painting. The word ''fresco'' is commonly and inaccurately used in English to refer to any wall painting regardless of the plaster technology or binding medium. This, in part, contributes to a misconception that the most geographically and temporally common wall painting technology was the painting into wet lime plaster. Even in apparently '' buon fresco'' technology ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Royal Chapel Of The Treasure Of San Gennaro
The Royal Chapel of the Treasure of St. Januarius, or the ''Reale cappella del Tesoro di San Gennaro'', is a chapel located in the Naples Cathedral, Cathedral of Naples, Italy, and dedicated to Januarius, St. Januarius, patron saint of the city. This is the most lavishly decorated chapel in the cathedral, and contains contributions by the premier Baroque artists in Naples. History In the years 1526 to 1527, Naples endured a siege by the French, a resurgence of the plague, and a volcanic eruption by Vesuvius with its accompanying earthquakes. The surviving Neapolitans pledged to erect a chapel to their patron saint, Januarius, St. Januarius. In 1527, the population of the ''elected city'' in a notarized document pledged a thousand ducats for the tabernacle, and 10,000 ducats to build the new chapel. On February 5, 1601, the "elect of the city" appointed a committee of twelve lay members, called on the "Deputation" to build of the new chapel. Work began in 1608, ended in 1646. T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Domus
In ancient Rome, the ''domus'' (: ''domūs'', genitive: ''domūs'' or ''domī'') was the type of town house occupied by the upper classes and some wealthy freedmen during the Republican and Imperial eras. It was found in almost all the major cities throughout the Roman territories. The modern English word '' domestic'' comes from Latin ''domesticus'', which is derived from the word ''domus''. Along with a ''domus'' in the city, many of the richest families of ancient Rome also owned a separate country house known as a villa. Many chose to live primarily, or even exclusively, in their villas; these homes were generally much grander in scale and on larger acres of land due to more space outside the walled and fortified city. The elite classes of Roman society constructed their residences with elaborate marble decorations, inlaid marble paneling, door jambs and columns as well as expensive paintings and frescoes. Many poor and lower-middle-class Romans lived in crowded, d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opus Reticulatum
''Opus reticulatum'' (also known as reticulate work) is a facing used for concrete walls in Ancient Roman architecture, Roman architecture from about the first century BCE to the early first century CE. Facings are a type of polygonal masonry used to apply a smooth finish to an opus caementicium’s core. They were built using small pyramid shaped tuff, a volcanic stone embedded into a concrete core.Vitr. ''De arch''. 2.8.1–4 Reticulate work was also combined with a multitude of other building materials to provide polychrome colouring and other facings to form new techniques. ''Opus reticulatum'' was generally used in central and southern Italy with the exception being its rare appearance in Africa (Roman province), Africa and Jericho. This was because of tuff's wider availability and ease of local transport in central Italy and Campania compared to other regions. Reticulate work developed in response to the advent of ''Roman concrete, opus caementicium'' and its predecessor, ' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Santa Restituta
Santa Restituta is a church in Naples, southern Italy, dedicated to Saint Restituta. The foundation of the basilica is attributed to the Emperor Constantine the Great in the 4th century and is mentioned in a passage from the life of Pope Sylvester I in the Liber pontificalis: " ..at that time, the emperor Constantine built a basilica in the city of Naples." The basilica is most likely located on the site previously occupied by an ancient temple of Apollo.Luciano Pedicini, Napoli, Electa Napoli, 1997, p. 127, ISBN 88-435-5633-9, OCLC 37879463 It is the original palaeo-Christian church on the site where the Cathedral of Naples The Naples Cathedral (; ), or the Cathedral of the Assumption of Mary (), is a Roman Catholic cathedral, the main church of Naples, southern Italy, and the seat of the Archbishop of Naples. It is widely known as the Cathedral of Saint Januarius ... now stands, and was rebuilt and incorporated into the cathedral when it built in the 13th century. I ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Archbishop's Palace (Naples)
The Archbishop's Palace () is a building in Naples, Italy. It is the official residence of the Archbishop of Naples. The building is located on the square ''largo Donna Regina'' one block north of the Cathedral of Naples directly across from the church of Santa Maria Donna Regina Nuova, Donna Regina Nuova. Together, the cathedral and the Archbishop's Palace form a vast, connected complex. The original structure was built in 1389 at the wishes of Cardinal Archbishop Enrico Capece Minutolo on the site of an old early Christian basilica. The building seen today, however, is largely the result of reconstruction and expansion of the premises under Cardinal Archbishop Ascanio Filomarino, completed in 1654. That reconstruction was most probably the work of architect Bonaventuri Presti. The expansion included the clearing of the area directly in front of the building to create a small open square between the Archbishop's Palace and the church of Donna Regina Nuova. The building has an elo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
