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Māngere Arts Centre - Ngā Tohu O Uenuku
Māngere Arts Centre - Ngā Tohu o Uenuku is an Auckland Council-owned and operated arts venue in the suburb of Māngere, in Auckland, New Zealand. The purpose-built facility was opened in 2010, and is considered by Auckland Council to be the home of Māori and Pacific visual art and performing arts in Auckland. Facility The centre was purpose-built, and opened in September 2010 by Manukau City Council. It is now both owned and operated by Auckland Council. The venue includes two gallery spaces, totalling 217m2, and a 230-seat theatre. In addition to the 390m2 performance space, there are a 56m2 studio space, three dressing rooms and a Green Room. An enclosed courtyard is used for outside performances. The facility also has a community kitchen and a cafe. Attendance in 2018 and 2019 was more than 36,000 people annually. Since 2013, Alison Quigan has been the Performing Arts Manager at the centre. Programme The theatre produces an annual school holiday production in the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Māngere
Māngere () is a major suburb in South Auckland, New Zealand, located on mainly flat land on the northeastern shore of the Manukau Harbour, to the northwest of Manukau, Manukau City Centre and south of the Auckland CBD, Auckland city centre. It is the location of Auckland Airport, which lies close to the harbour's edge to the south of the suburb. The area has been inhabited by Tāmaki Māori since early periods of Māori history, including large-scale agricultural stonefields, such as Ihumātao, and Māngere Mountain, which was home to a fortified pā. Te Ākitai Waiohua communities in Māngere thrived in the 1840s and 1850s after the establishment of a English Wesleyan Mission, Wesleyan Mission and extensive wheat farms, until the Invasion of the Waikato in 1863. Māngere remained a rural community until the mid-20th Century, when Māngere became one of the largest state housing developments in Auckland. Etymology The name Māngere is a shortened form of the Māori languag ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ioane Ioane
Ioane Ioane (born 1962 in Christchurch) is a New Zealand artist of Samoan descent. His work is informed by his Samoan heritage and includes performance, film, painting, installation and sculpture. In conversation about his work ''Fale Sā'' with art historian Caroline Vercoe, Ioane states, ''Sacred places are not necessarily a church, but it's a place where one likes to be in, a place of affirmation.'' Curator Ron Brownson writes, ''Ioane's attitude to sculptural process is cosmological – his carvings bind present reality with a representation of the past.'' In 2005 Ioane won the Creative New Zealand Pacific Innovation and Excellence Art Award. In 2009 Whangarei Art Museum presented the first major survey of Ioane’s work, ''John Ioane – Journeyman Artist and the Pacific Paradox: A 25 Year Selective Survey Exhibition'', curated by Museum Director, Scott Pothan. His work is held in both private and public collections, including the Auckland Art Gallery; the Museum of New Zeal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Art Galleries In New Zealand
Art is a diverse range of cultural activity centered around ''works'' utilizing creative or imaginative talents, which are expected to evoke a worthwhile experience, generally through an expression of emotional power, conceptual ideas, technical proficiency, or beauty. There is no generally agreed definition of what constitutes ''art'', and its interpretation has varied greatly throughout history and across cultures. In the Western tradition, the three classical branches of visual art are painting, sculpture, and architecture. Theatre, dance, and other performing arts, as well as literature, music, film and other media such as interactive media, are included in a broader definition of "the arts". Until the 17th century, ''art'' referred to any skill or mastery and was not differentiated from crafts or sciences. In modern usage after the 17th century, where aesthetic considerations are paramount, the fine arts are separated and distinguished from acquired skills in general, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theatres In Auckland
Theatre or theater is a collaborative form of performing art that uses live performers, usually actors to present experiences of a real or imagined event before a live audience in a specific place, often a stage. The performers may communicate this experience to the audience through combinations of gesture, speech, song, music, and dance. It is the oldest form of drama, though live theatre has now been joined by modern recorded forms. Elements of art, such as painted scenery and stagecraft such as lighting are used to enhance the physicality, presence and immediacy of the experience. Places, normally buildings, where performances regularly take place are also called "theatres" (or "theaters"), as derived from the Ancient Greek θέατρον (théatron, "a place for viewing"), itself from θεάομαι (theáomai, "to see", "to watch", "to observe"). Modern Western theatre comes, in large measure, from the theatre of ancient Greece, from which it borrows technical terminolog ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bethany Edmunds
Bethany Matai Edmunds (born 1978) is a New Zealand Māori weaver, textile artist, museum professional and hip hop lyricist. She is affiliated with Ngāti Kurī iwi. Her works are held in the collection of the Auckland City Gallery. Biography Edmunds was born in 1978. She has a Bachelor of Applied Arts: Māori Design and Technology and while studying received tutoring from the renowned cloak weaver Nikki Lawrence. Edmunds went on to study at New York University where she gained a Master of Arts degree. She investigated the conservation, storage and display of Māori cloaks across four museums in the United States of America. While in America she was chosen to work as an intern at the National Museum of the American Indian. She has worked for the Auckland War Memorial Museum The Auckland War Memorial Museum (), also known as Auckland Museum, is one of New Zealand's most important museums and war memorials. Its neoclassical architecture, neoclassical building constructed i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gavin Hipkins
Gavin John Hipkins (born 1968 in Auckland) is a New Zealand photographer and filmmaker, and Associate Professor at Elam School of Fine Arts, at the University of Auckland. Education Hipkins completed a Bachelor of Fine Arts at the University of Auckland in 1992 and a Master of Fine Arts at the University of British Columbia in 2002. Photography Throughout his career, Hipkins has worked with both analogue and digital forms of photography. His work is often produced as either discrete multi-part works or, more rarely, in ongoing series. ''Falls'' (1992–present) Hipkins began working with the format he used for a number of works, collectively known as ''Falls'', while he was still at art school. These works are made up of 'vertical strip of machine prints, which present the content of a single roll of film—a session of almost identical shots of one subject from more or less the same angle, like a ‘shot' of film footage'. ''Zerfall Wellington 1 March 1996'' (1996) is made up ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charlotte Graham
Charlotte Graham (born 1972) is a contemporary Māori artist living in her tribal homelands of Auckland. She is a mandated artist for her iwi Ngāti Whanaunga. She sits on the Te Uru Contemporary Gallery board and is also part of the Te Atinga Committee. Her works are held at the Auckland Art Gallery, Toi o Tāmaki, the Chartwell collection, James Wallace Collection, many universities and private collections throughout the world. Of Māori and Scottish descent, Graham identifies with Ngāti Mahuta, Ngāi Tai ki Tāmaki, Ngāti Whanaunga, Ngāti Pāoa Ngāti Tamaoho Te Akitai Waiohua and Ngāti Kōtimana. Early life Charlotte Graham was born in 1972 in Perth, Western Australia, to Māori parents from New Zealand. The family moved back to Auckland, New Zealand six months after Graham was born. Graham has a number of relatives who have been practicing artists, including aunt Emily Karaka, uncle Mikaara Kirkwood, cousins Te Rongo Kirkwood and Reuben Kirkwood. Graham's two olde ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kolokesa Māhina-Tuai
Kolokesa Uafā Māhina-Tuai is a Tongan curator and writer, whose work explores the role of Culture of Tonga, craft in Tongan society. In the 2022 New Year Honours, Māhina-Tuai was appointed a Member of the New Zealand Order of Merit, for services to cultures and the arts. Career Māhina-Tuai's research focuses on the history of Tongan crafts, in particular textiles, and her research is based on the primary importance of Tongan indigenous knowledge. She is of Tongan heritage, from the villages of Muʻa (Tongatapu), Tatakamotonga, and Tefisi in Vavaʻu, Vava'u. She was Curator of Pacific Cultures at Museum of New Zealand Te Papa Tongarewa, Te Papa Tongarewa from 2004 to 2008. She also worked at Auckland War Memorial Museum, Tāmaki Paenga Hira Auckland War Memorial Museum and for the Vavaʻu Academy for Critical Inquiry and Research. Part of her curatorial practice at the museum was to encourage the museum to change to be more welcoming to Pacific people. She also worked as a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chris Charteris
Chris Charteris (born 1966) is a New Zealand sculptor, jeweller and carver. Early life and education Charteris was born in Auckland, adopted into a Pākehā family as a young child, and told he was Māori people, Māori, before discovering much later that he was of Kiribati, Fijians, Fijian and English people, English descent. He began his artistic training in Kaitaia in Māori carving and design. Between 1986 and 1996, he worked as a carving tutor at Otago Polytechnic, Otago and Southern Institute of Technology, Southland Polytechnics, and the Dunedin College of Education's Arai Te Uru Kokiri Youth Learning Centre. In 1995, he established Te Whare Whakairo Gallery and Workshop in Dunedin. Career He has exhibited at FhE Galleries in Auckland with ''Tuanako'' in 2011, ''To the Heart of the Matter'' in 2010, and ''Matau'' 2008. His work has been included in the group exhibition ''Wunderrūma: New Zealand Jewellery'', exhibited at The Dowse Art Museum in Lower Hutt and at Galerie ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pacific Sisters
Pacific Sisters is a collective of Pacific and Māori artists, performers, fashion designers, jewellers and musicians. Establishment and early years The collective was formed in 1992 by Selina Forsyth (Samoan) Niwhai Tupaea (Ngāti Katoa) and Suzanne Tamaki ( Tūhoe, Te Arawa, Ngāti Maniapoto). The sisterhood also includes Rosanna Raymond (Samoan), Feeonaa Wall (Samoan), Ani O'Neill (Cook Islands), Lisa Reihana ( Ngā Puhi), Jaunnie Ilolahia ( Tongan) and is inclusive of Pacific Soles: Henry Taripo (Cook Islands) and Karlos Quartez (Cook Islands) and Greg Semu (Samoan). Throughout the 1990s Pacific Sisters collaborated in the production of fashion shows, art performances and musical events. Karen Stevenson, author of ''The Frangipani is Dead: Contemporary Pacific Art in New Zealand'' writes, “Challenging the established art canon, The Pacific Sisters combined costume, tradition, dance and the catwalk with the energetic rhythms of hip hop”. The Sisters created a stage for ex ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
