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My Boy
"My Boy" is a popular song from the early 1970s. The music was composed by Jean-Pierre Bourtayre and Claude François, and the lyrics were translated from the original version "Parce que je t'aime, mon enfant" (Because I Love You My Child) into English by Phil Coulter and Bill Martin. Song meaning A sentimental ballad, the song is sung in a first-person narrative from the point of view of a father to his young son under the presumption that the child is asleep and can’t hear what his father is trying to tell him. The father tells his son the truth of the strained relationship between the child's parents, and that all the father has left is the love of his son. Rather than risk losing that through a painful divorce, the father makes the decision to stay in a loveless marriage for the sake of his child. Richard Harris version Actor Richard Harris performed the song "My Boy" at a music contest sponsored by Radio Luxembourg in 1971. Despite not winning the contest, Harris rec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean-Pierre Bourtayre
Jean-Pierre Bourtayre (31 January 1942 – 4 March 2024) was a French composer. He worked for numerous performers, such as Jacques Dutronc, Michel Sardou, and Claude François. Biography Born in Paris on 31 January 1942, Bourtayre was the son of Henri Bourtayre, noted composer for Tino Rossi and Luis Mariano. He began his composing career in the 1960s, notably for the group Les Chats Sauvages, as well as Dick Rivers. In the late 1960s, he collaborated with , , and Hugues Aufray, the last two of whom he composed the song " Adieu monsieur le professeur" for. In 1971, his song "Un banc, un arbre, une rue" was performed by Séverine at that year's Eurovision Song Contest, winning for Monaco. That year, he became artistic director for Claude François, for whom he wrote the songs " Le Téléphone Pleure", "", and " Alexandrie Alexandra". His song "Parce que je t'aime, mon enfant" later became a re-lyricised 1974 UK hit single for Elvis Presley under the title "My Boy". In 1974 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soft Rock
Soft rock (also known as light rock or mellow rock) is a form of rock music that originated in the late 1960s in the United States and the United Kingdom which smoothed over the edges of singer-songwriter and pop rock, relying on simple, melodic songs with big, lush productions. Soft rock was prevalent on the radio throughout the 1970s and eventually metamorphosed into a form of the synthesized music of adult contemporary music, adult contemporary in the 1980s. History Mid- to late 1960s Softer sounds in rock music could be heard in mid-1960s songs, such as "A Summer Song" by Chad & Jeremy (1964) and "Here, There and Everywhere" by the Beatles and "I Love My Dog" by Cat Stevens, both from 1966. By 1968, hard rock had been established as a mainstream genre. From the end of the 1960s, it became common to divide mainstream rock music into soft and hard rock, with both emerging as major radio formats in the US. The Bee Gees were considered soft rock in the late 1960s. Early 19 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cash Box (magazine)
''Cashbox'', also known as ''Cash Box'', is an American music industry trade magazine, originally published weekly from July 1942 to November 1996. Ten years after its dissolution, it was revived and continues as ''Cashbox Magazine'', an online magazine with weekly charts and occasional special print issues. In addition to the music industry, the magazine covered the amusement arcade industry, including jukebox machines and arcade games. History Print edition charts (1942–1996) ''Cashbox'' was one of several magazines that published record charts in the United States. Its most prominent competitors were ''Billboard'' and ''Record World'' (known as ''Music Vendor'' prior to April 1964). Unlike ''Billboard'', ''Cashbox'' combined all currently available recordings of a song into one chart position with artist and label information shown for each version, alphabetized by label. Originally, no indication of which version was the biggest seller was given, but from October 25, 1952, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
RIANZ
Recorded Music NZ (formerly the Recording Industry Association of New Zealand (RIANZ)) is a non-profit trade association of record producers, distributors and recording artists who sell recorded music in New Zealand. Membership of Recorded Music NZ is open to any owner of recorded music rights operating in New Zealand, inclusive of major labels (such as Sony, Universal and Warner Music Group), independent labels and self-released artist An artist is a person engaged in an activity related to creating art, practicing the arts, or demonstrating the work of art. The most common usage (in both everyday speech and academic discourse) refers to a practitioner in the visual arts o ...s. Recorded Music NZ has over 2000 rights-holders. Prior to June 2013 the association called itself the "Recording Industry Association of New Zealand" (RIANZ). RIANZ and PPNZ Music Licensing merged and renamed themselves "Recorded Music NZ". Recorded Music NZ functions in three areas: * ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
RPM (magazine)
''RPM'' ( and later ) was a Canadian music-industry publication that featured song and album charts for Canada. The publication was founded by Walt Grealis in February 1964, supported through its existence by record label owner Stan Klees. ''RPM'' ceased publication in November 2000. ''RPM'' stood for "Records, Promotion, Music". The magazine's title varied over the years, including ''RPM Weekly'' and ''RPM Magazine''. Background In 1964, Harriett Wasser came on board as the magazine's New York correspondent. She was no stranger to the music industry and she had been associated with many prominent figures in the industry that included Bobby Darin and Bob Crewe. The address at the time for correspondence was Harriet Wasser, 161 West 54th Street, Suite 1202, New York, N.Y. 10019. An example of her work can be seen in page 5 of the October 9, 1964 edition of ''R. P. M.'', in DATELINE NEW YORK by Harriet Wasser. Discontination In the fall of 2000, faced with changing advertisin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kent Music Report
The Kent Music Report was a weekly record chart of Australian music singles and albums which was compiled by music historian David Kent from May 1974 through to January 1999. The chart was re-branded the Australian Music Report (AMR) in July 1987. From June 1988, the Australian Recording Industry Association, which had been using the top 50 portion of the report under licence since mid-1983, chose to produce their own listing as the ARIA Charts. Before the Kent Report, ''Go-Set'' magazine published weekly Top 40 Singles from 1966, and albums chart from 1970 until the magazine's demise in August 1974. David Kent later published Australian charts from 1940 to 1973 in a retrospective fashion, using state by state chart data obtained from various Australian radio stations. Background Kent had spent a number of years previously working in the music industry at both EMI and Phonogram records and had developed the report initially as a hobby. The Kent Music Report was first releas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hot Country Songs
Hot Country Songs is a chart published weekly by ''Billboard'' magazine in the United States. This 50-position chart lists the most popular country music songs, calculated weekly by collecting airplay data along with digital sales and streaming. The current number-one song on the chart as of May 31, 2025, is " What I Want" by Morgan Wallen featuring Tate McRae. History ''Billboard'' began compiling the popularity of country songs with its January 8, 1944, issue. Only the genre's most popular jukebox selections were tabulated, with the chart titled "Most Played Juke Box Folk Records". For approximately ten years, from 1948 to 1958, ''Billboard'' used three charts to measure the popularity of a given song. In addition to the jukebox chart, these charts included: * The "best sellers" chart – started 15 May 1948, as "Best Selling Retail Folk Records". * An airplay chart – started 10 December 1949, as "Country & Western Records Most Played By Folk Disk Jockeys". The juke b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Official Charts Company
The Official UK Charts Company Limited (formerly Music Industry Chart Services Limited), trading as the Official Charts Company (OCC) or the Official Charts (formerly the Chart Information Network), is a British inter-professional organisation that compiles various official record charts in the United Kingdom, Ireland and France. In the United Kingdom, its charts include ones for singles, albums and films, with the data compiled from a mixture of downloads, purchases (of physical media) and streaming. The OCC produces its charts by gathering and combining sales data from retailers through market researchers Kantar, and claims to cover 99% of the singles market and 95% of the album market, and aims to collect data from any retailer who sells more than 100 chart items per week. The OCC is operated jointly by the British Phonographic Industry and the Entertainment Retailers Association (ERA) (formerly the British Association of Record Dealers (BARD)) and is incorporated as a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joel Whitburn
Joel Carver Whitburn (November 29, 1939 – June 14, 2022) was an American author and music historian, responsible for setting up the Record Research, Inc. series of books on record chart placings. Early life Joel Carver Whitburn was born in Wauwatosa, Wisconsin, on November 29, 1939."Joel (Carver) Whitburn". '' Contemporary Authors''. Detroit: Gale. 2002. He started collecting records in his teens, first subscribed to '' Billboard'' in 1953, and when the Hot 100 was introduced in 1958 started recording the chart placings of records on index cards. After graduating from Menomonee Falls High School in 1957, he attended Elmhurst College and the University of Wisconsin–Milwaukee, but did not receive a degree from either institution. Career Whitburn worked on record distribution for RCA in the mid 1960s, using his chart statistics to inform radio stations, before founding his own company, Record Research, Inc., in Menomonee Falls, Wisconsin, in 1970. He put together a tea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cover Version
In popular music, a cover version, cover song, remake, revival, or simply cover is a new performance or recording by a musician other than the original performer or composer of the song. Originally, it referred to a version of a song released around the same time as the original in order to compete with it. Now, it refers to any subsequent version performed after the original. History The term "cover" goes back decades when cover version originally described a rival version of a tune recorded to compete with the recently released (original) version. Examples of records covered include Paul Williams' 1949 hit tune " The Hucklebuck" and Hank Williams' 1952 song " Jambalaya". Both crossed over to the popular hit parade and had numerous hit versions. Before the mid-20th century, the notion of an original version of a popular tune would have seemed slightly odd – the production of musical entertainment was seen as a live event, even if it was reproduced at home via a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
T-R-O-U-B-L-E (song)
"T-R-O-U-B-L-E" is a song written by Jerry Chesnut and recorded by Elvis Presley in March 1975. It was released as a single, as the A-side, with the B-side "Mr. Songman", through RCA Victor that was taken from his album Today. It is not to be confused with the Leiber and Stoller song " Trouble", that Presley first recorded in July 1958, and which was subsequently recorded by numerous other artists. Background and writing Jerry Chesnut wrote the song in 1975, taking inspiration from a singer and pianist named Little David Wilkins. He said that, when writing the title, he thought of a woman walking through the door and causing trouble; he added that he spelled out the word "trouble", then the words "alone" and "looking", and found that they rhymed when spelled out. Content The male narrator is a musician who performs at various nightclubs as his main source of income, especially during late-night hours. During a performance at one particular club, the narrator notices a rather at ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Promised Land (Chuck Berry Song)
"Promised Land" is a song lyric written by Chuck Berry to the melody of " Wabash Cannonball", an American folk song. The song was first recorded in this version by Berry in 1964 for his album '' St. Louis to Liverpool''. Released in December 1964, it was Berry's fourth single issued following his prison term for a Mann Act conviction. The record peaked at number 41 in the ''Billboard'' charts on January 16, 1965. Background Berry wrote the song while in prison, and borrowed an atlas from the prison library to plot the itinerary. In the lyrics, the singer (who refers to himself as "the poor boy") tells of his journey from Norfolk, Virginia, to the "Promised Land", Los Angeles, California, mentioning various cities in Southern states that he passes through on his journey. Describing himself as a "poor boy", the protagonist boards a Greyhound bus in Norfolk, Virginia, that passes Raleigh, N.C., stops in Charlotte, North Carolina, and bypasses Rock Hill, South Carolina. The bus r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
