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Mutio Scevola
''Mutio Scevola'' or ''Muzio Scevola'' (''Mucius Scaevola'') is an opera in three acts and a prologue by the Italian composer Francesco Cavalli, with a libretto by Giovanni Faustini. It was based on the story of the Roman hero, Gaius Mucius Scaevola. The opera was first performed at the Teatro San Samuele, Venice on 26 January 1665 and revived in Bologna Bologna (, , ; egl, label=Emilian language, Emilian, Bulåggna ; lat, Bononia) is the capital and largest city of the Emilia-Romagna region in Northern Italy. It is the seventh most populous city in Italy with about 400,000 inhabitants and 1 ... in 1667. Roles References ;SourcesBrenac, Jean-Claude, ''Le magazine de l'opéra baroque''online at perso.orange.fr. Retrieved 4 April 2022. 1665 operas Operas Operas by Francesco Cavalli {{Italian-opera-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francesco Cavalli
Francesco Cavalli (born Pietro Francesco Caletti-Bruni; 14 February 1602 – 14 January 1676) was a Venetian composer, organist and singer of the early Baroque period. He succeeded his teacher Claudio Monteverdi as the dominant and leading opera composer of the mid 17th-century. A central figure of Venetian musical life, Cavalli wrote more than forty operas, almost all of which premiered in the city's theaters. His best known works include ''Ormindo'' (1644), ''Giasone'' (1649) and ''La Calisto'' (1651). Life Cavalli was born at Crema, then an inland province of the Venetian Republic. He became a singer (boy soprano) at St Mark's Basilica in Venice in 1616, where he had the opportunity to work under the tutorship of Claudio Monteverdi. He became second organist in 1639, first organist in 1665, and in 1668 ''maestro di cappella''. He took the name "Cavalli" from his patron, Venetian nobleman Federico Cavalli. Though he wrote prolifically for the church, he is chiefly remembered ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Libretto
A libretto (Italian for "booklet") is the text used in, or intended for, an extended musical work such as an opera, operetta, masque, oratorio, cantata or musical. The term ''libretto'' is also sometimes used to refer to the text of major liturgical works, such as the Mass, requiem and sacred cantata, or the story line of a ballet. ''Libretto'' (; plural ''libretti'' ), from Italian, is the diminutive of the word ''libro'' ("book"). Sometimes other-language equivalents are used for libretti in that language, ''livret'' for French works, ''Textbuch'' for German and ''libreto'' for Spanish. A libretto is distinct from a synopsis or scenario of the plot, in that the libretto contains all the words and stage directions, while a synopsis summarizes the plot. Some ballet historians also use the word ''libretto'' to refer to the 15 to 40 page books which were on sale to 19th century ballet audiences in Paris and contained a very detailed description of the ballet's story, scene by sce ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Faustini
Giovanni Faustini (1615 – 19 December 1651) was an Italian librettist and opera impresario of the 17th century. He is best remembered for his collaborations with the composer Francesco Cavalli. Life and career Faustini was born in Venice. Impresario at the Teatro San Cassiano, Teatro San Moisè and Teatro Sant 'Apollinare, his 14 libretti were mostly set by Cavalli, with a few being used by other composers. The libretti Faustini left incomplete at his death were later finished by his brother Marco Faustini, who continued his brother's career as impresario at multiple theatres. Three of his librettos are based on mythological themes, but these are exceptions rather than the rule. A typical Faustini plot relies not on myth or classical history but upon his own imagination. He based his creative thinking upon a fundamental pattern of two pair of aristocratic lovers from exotic nations, who undergo a lengthy process of separation and reconciliation, assisted by a good number of clo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gaius Mucius Scaevola
Gaius Mucius Cordus, better known with his later cognomen Scaevola ( , ), was an ancient Roman youth, possibly mythical, famous for his bravery. In 508 BC, during the war between Rome and Clusium, the Clusian king Lars Porsena laid siege to Rome. Gaius Mucius Cordus, with the approval of the Roman Senate, sneaked into the Etruscan camp with the intent of murdering Porsena. Since it was the soldiers' pay day, there were two similarly dressed people, one of whom was the king, on a raised platform speaking to the troops. This caused Mucius to misidentify his target, and he killed Porsena's scribe by mistake. After being captured, he famously declared to Porsena: "I am Gaius Mucius, a citizen of Rome. I came here as an enemy to kill my enemy, and I am as ready to die as I am to kill. We Romans act bravely and, when adversity strikes, we suffer bravely." He also declared that he was the first of three hundred Roman youths to volunteer for the task of assassinating Porsena at the r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Teatro San Samuele
Teatro San Samuele was an opera house and theatre located at the Rio del Duca, between Campo San Samuele and Campo Santo Stefano, in Venice. One of several important theatres built in that city by the Grimani family, the theatre opened in 1656 and operated continuously until a fire destroyed the theatre in 1747. A new structure was built and opened in 1748, but financial difficulties forced the theatre to close and be sold in 1770. The theatre remained active until 1807 when it was shut down by Napoleonic decree. It reopened in 1815 and was later acquired by impresario Giuseppe Camploy in 1819. In 1853 the theatre was renamed the Teatro Camploy. Upon Camploy's death in 1889, the theatre was bequeathed to the City of Verona. The Venice City Council in turn bought the theatre and demolished it in 1894. History One of the most important Venetian theatres of the 17th and 18th centuries, the Teatro San Samuele was constructed in 1656 through a commission made by the Grimani family a y ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bologna
Bologna (, , ; egl, label=Emilian language, Emilian, Bulåggna ; lat, Bononia) is the capital and largest city of the Emilia-Romagna region in Northern Italy. It is the seventh most populous city in Italy with about 400,000 inhabitants and 150 different nationalities. Its Metropolitan City of Bologna, metropolitan area is home to more than 1,000,000 people. It is known as the Fat City for its rich cuisine, and the Red City for its Spanish-style red tiled rooftops and, more recently, its leftist politics. It is also called the Learned City because it is home to the oldest University of Bologna, university in the world. Originally Etruscan, the city has been an important urban center for centuries, first under the Etruscans (who called it ''Felsina''), then under the Celts as ''Bona'', later under the Romans (''Bonōnia''), then again in the Middle Ages, as a free municipality and later ''signoria'', when it was among the List of largest European cities in history, largest Euro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor
A tenor is a type of classical male singing voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The low extreme for tenors is widely defined to be B2, though some roles include an A2 (two As below middle C). At the highest extreme, some tenors can sing up to the second F above middle C (F5). The tenor voice type is generally divided into the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word '' tenere'', which means "to hold". As Fallows, Jander, Forbes, Steane, Harris and Waldman note in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the enor was thestructurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that sang such parts. All other voices were ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soprano
A soprano () is a type of classical female singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261 Hz to "high A" (A5) = 880 Hz in choral music, or to "soprano C" (C6, two octaves above middle C) = 1046 Hz or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which often encompasses the melody. The soprano voice type is generally divided into the coloratura, soubrette, lyric, spinto, and dramatic soprano. Etymology The word "soprano" comes from the Italian word '' sopra'' (above, over, on top of),"Soprano" '' |
Porsenna
Lars Porsena (or Porsenna; Etruscan: ) was an Etruscan king (lar) known for his war against the city of Rome. He ruled over the city of Clusium ( Etruscan: ; modern Chiusi). There are no established dates for his rule, but Roman sources often place the war at around 508 BC. War against Rome Lars Porsena came into conflict with Rome after the revolution that overthrew the monarchy there in 509 BC, resulting in the exile of the semi-legendary last king of Rome, Lucius Tarquinius Superbus. The deposed monarch, whose family was of Etruscan origin, tried and failed to retake the throne a number of times before appealing to Porsena for assistance, since at that time Clusium was said to be a very powerful Etruscan city.Livy, ''Ab urbe condita'', 2.9 At this point, however, the histories diverge. According to most mainstream Roman accounts, including Livy, Porsena attacked and besieged Rome, but was sufficiently impressed by particular acts of Roman bravery in defending the city that h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bass (vocal Range)
A bass is a type of classical male singing voice and has the lowest vocal range of all voice types. According to '' The New Grove Dictionary of Opera'', a bass is typically classified as having a vocal range extending from around the second E below middle C to the E above middle C (i.e., E2–E4).; ''The Oxford Dictionary of Music'' gives E2–E4/F4 Its tessitura, or comfortable range, is normally defined by the outermost lines of the bass clef. Categories of bass voices vary according to national style and classification system. Italians favour subdividing basses into the ''basso cantante'' (singing bass), ''basso buffo'' ("funny" bass), or the dramatic ''basso profondo'' (low bass). The American system identifies the bass-baritone, comic bass, lyric bass, and dramatic bass. The German '' Fach'' system offers further distinctions: Spielbass (Bassbuffo), Schwerer Spielbass (Schwerer Bassbuffo), Charakterbass (Bassbariton), and Seriöser Bass. These classification system ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Contralto
A contralto () is a type of classical female singing voice whose vocal range is the lowest female voice type. The contralto's vocal range is fairly rare; similar to the mezzo-soprano, and almost identical to that of a countertenor, typically between the F below middle C (F3 in scientific pitch notation) to the second F above middle C (F5), although, at the extremes, some voices can reach the D below middle C (D3) or the second B above middle C (B5). The contralto voice type is generally divided into the coloratura, lyric, and dramatic contralto. History "Contralto" is primarily meaningful only in reference to classical and operatic singing, as other traditions lack a comparable system of vocal categorization. The term "contralto" is only applied to female singers; men singing in a similar range are called " countertenors". The Italian terms "contralto" and " alto" are not synonymous, "alto" technically denoting a specific vocal range in choral singing without regard to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vestal Virgins
In ancient Rome, the Vestal Virgins or Vestals ( la, Vestālēs, singular ) were priestesses of Vesta, virgin goddess of Rome's sacred hearth and its flame. The Vestals were unlike any other public priesthood. They were chosen before puberty from a number of suitable candidates, freed from any legal ties and obligations to their birth family, and enrolled in Vesta's priestly college of six priestesses. They were supervised by a senior vestal but chosen and governed by Rome's leading male priest, the ; in the Imperial era, this meant the emperor. Successful acolytes vowed to serve Vesta for at least thirty years, to study and practise her rites in service of the Roman State, and to maintain their chastity throughout. As well as their obligations on behalf of Rome, Vestals had extraordinary rights and privileges, some of which were granted to no others, male or female. The Vestals took it in turns to supervise Vesta's hearth, so that at least one Vestal was stationed there at al ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
