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Musiri Subramania Iyer
Musiri Subramania Iyer (9 April 1899 – 25 March 1975) was a Carnatic vocalist whose stage performing career spanned the 1920s to the 1940s. After retirement from the stage, he remained an iconic figure in Carnatic music as a dedicated teacher and leader in the Carnatic community. His bhava-laden renditions of Carnatic songs have become the measuring stick for generations of Carnatic vocalists. Musiri Subramania Iyer is considered one of the giants of Carnatic music in the twentieth century. Early life and career Musiri Subramania Iyer was born in Bommalapalayam in the Trichy district of Tamil Nadu. His father, Sankara Sastry was a Sanskrit pandit. One of three siblings, he lost his mother, Seethalakshmi, as a boy and his sister Rajathi passed when she was but a child. His family was poor—in later life Musiri seldom spoke about those early years. He married Nagalakshmi when he was 14 years old. Musiri Subramania Iyer learned to fluently speak, read and write in Englis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carnatic Music
Carnatic music, known as or in the South Indian languages, is a system of music commonly associated with South India, including the modern Indian states of Karnataka, Andhra Pradesh, Telangana, Kerala and Tamil Nadu, and Sri Lanka. It is one of two main subgenres of Indian classical music that evolved from ancient Hindu Texts and traditions, particularly the Samaveda. The other subgenre being Hindustani music, which emerged as a distinct form because of Persian or Islamic influences from Northern India. The main emphasis in Carnatic music is on vocal music; most compositions are written to be sung, and even when played on instruments, they are meant to be performed in ''gāyaki'' (singing) style. Although there are stylistic differences, the basic elements of (the relative musical pitch), (the musical sound of a single note), (the mode or melodic formulæ), and (the rhythmic cycles) form the foundation of improvisation and composition in both Carnatic and Hindustani ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Purasawalkam
Purasawakkam, also known as Purasaiwakkam or Purasai / Purasawalkam, is a residential shopping area in the district of Chennai in the state of Tamil Nadu, India. It is close to the Chennai Central Chennai Central (station code: MAS, short for ''Madras''), officially known as Puratchi Thalaivar Dr. M.G. Ramachandran Central Railway Station, is the main railway terminus in the city of Chennai, Tamil Nadu, India. It is the busiest railwa ... and Chennai Egmore railway stations. Etymology The name "Purasai" came from the name of a tree called 'purasai maram' in Tamil language, Tamil. In olden days this area was abundant with these trees. Also, there were a lot of stables at once in an age which was referred as (horse) "puravi" in Tamil, puravivakkam later termed as purasaiwakkam. The Gangadeeshwarar temple near the Purasawalkam tank speaks about this history. The tank belongs to this temple. The Gangadeeshwarar temple is very famous temple for ages. Here the Shiva Linga ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Saraswathi Manohari
Saraswati ( sa, सरस्वती, ) is the Hindu goddess of knowledge, music, art, speech, wisdom, and learning. She is one of the Tridevi, along with the goddesses Lakshmi and Parvati. The earliest known mention of Saraswati as a goddess is in the Rigveda. She has remained significant as a goddess from the Vedic period through the modern period of Hindu traditions. She is generally shown to have four arms, holding a book, a rosary, a water pot, and a musical instrument called the veena. Each of these items have a symbolic meaning in Hinduism. Some Hindus celebrate the festival of Vasant Panchami (the fifth day of spring, and also known as Saraswati Puja and Saraswati Jayanti in many regions of India) in her honour, and mark the day by helping young children learn how to write the letters of the alphabet on that day. The goddess is also revered by believers of the Jain religion of west and central India, as well as some Buddhist sects. Etymology Saraswati, is a Sansk ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bhanumathi Ramakrishna
P. Bhanumathi Ramakrishna (7 September 1925 – 24 December 2005) was an Indian actress, singer, film producer, director, music composer, and novelist. She is regarded as the first female super star of Telugu cinema. She is also considered the first female director of Telugu cinema with her debut directorial '' Chandirani'' (1953). Bhanumathi appeared in over 100 films predominantly in Telugu and Tamil languages. She was awarded the Padma Bhushan in 2001 for her contribution to the Indian cinema. She was honored among "women in cinema" at the 30th International Film Festival of India. Early life Bhanumathi was born on 7 September 1925 in Doddavaram village of Prakasam district, near Ongole, Andhra Pradesh. She is the third child to Saraswatamma and Bommaraju Venkata Subbaiah. She grew up watching her father perform in various stage shows. Her father, Venkata Subbayya, was a lover of classical music and trained her in music from an early age. Career Bhanumathi entered the f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bangalore Nagarathnamma
Bangalore Nagarathnamma ( kn, ಬೆಂಗಳೂರು ನಾಗರತ್ನಮ್ಮ, te, బెంగుళూరు నాగరత్నమ్మ, ta, பெங்களூரு நாகரத்தினம்மா, sa, बेंगलुरु नागरत्नम्मा; 3 November 1878 – 19 May 1952) was an Indian carnatic singer, cultural activist, scholar, and courtesan. A descendant of courtesans, she was also a patron of the arts and a historian. Nagarathnamma built a temple over the samadhi of the Carnatic singer Tyagaraja at Thiruvaiyaru and helped establish the Tyagaraja Aradhana festival in his memory. Within a male dominated festival, she was the feminist aggressive enough to ensure that women artists were given equality to participate in it. She "was among the last practitioners of the devadasi tradition in India," and the first president of the Association of the Devadasis of Madras Presidency. She also edited and published books on poetry a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Devagandhari
Devagandhari (pronounced devagāndhāri) is a raga (musical scale) in Indian classical music. In carnatic classical music, Devagandhari is a '' janya'' raga (derived scale), whose '' melakarta'' raga (parent scale, also known as ''janaka'') is '' Shankarabharanam'', 29th in the 72 ''Melakarta'' raga system. This is not to be confused with Karnataka Devagandhari, which is a janya of Kharaharapriya similar to Abheri. It is also present in the Sikh tradition of northern India and is part of the Guru Granth Sahib. In Carnatic music Structure and lakshana Its structure (ascending and descending scale) is as follows (see '' swaras in Carnatic music'' for details on below notation and terms): * : * : Devagandhari ragam is an ''audava-vakra-sampurna'' raga meaning, in ''arohana'' 5 '' swaras'' come (so it is called ''audava'') and in '' avarohana'' all ''swaras'' come (so ''sampurna''), and there is a "zigzag" pattern of notes (so ''vakra''). The notes used in this rag ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tyagaraja
Thyagaraja (Telugu: త్యాగరాజ) (4 May 1767 – 6 January 1847), also known as Thyāgayya and in full as Kakarla Thyagabrahmam, was a composer and vocalist of Carnatic music, a form of Indian classical music. Tyagaraja and his contemporaries, Shyama Shastri and Muthuswami Dikshitar, are regarded as the Trinity of Carnatic music. Thyagaraja composed thousands of devotional compositions, most in Telugu and in praise of Lord Rama, many of which remain popular today, the most popular being "Nagumomu". Of special mention are five of his compositions called the '' Pancharatna Kritis'' ( "five gems"), which are often sung in programs in his honour, and ''Utsava Sampradaya Krithis'' ( Festive ritual compositions), which are often sung to accompany temple rituals. Tyagaraja lived through the reigns of four kings of the Maratha dynasty — Tulaja II (1763–1787), Amarasimha (1787–1798), Serfoji II (1798–1832) and Sivaji II (1832–1855), although he served none ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trinity Of Carnatic Music
The Trinity of Carnatic music, also known as The Three Jewels of Carnatic music, refer to the outstanding trio of composer-musicians of Carnatic music in the 18th century, being Tyagaraja, Muthuswami Dikshitar and Syama Sastri. Prolific in composition, the Trinity of Carnatic music are known for creating a new era in the history of Carnatic music by bringing about a noticeable change in what was the existing Carnatic music tradition. Panikkar (2002), p44 Compositions of the Trinity of Carnatic music are recognized as being distinct in style, and original in handling ragas. All three composers were born in Thiruvarur, formerly part of Thanjavur District in Tamilnadu. M. S. Subbalakshmi, D. K. Pattammal, and M. L. Vasanthakumari, who are Carnatic musicians of the 20th century, are popularly referred to as the female Trinity of Carnatic music. Compositions Muthuswami Dikshitar mainly composed in Sanskrit and Manipravalam (Tamil and Sanskrit), while Tyagaraja and Syama Sa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Abheri
Abheri (pronounced ābhēri) is a raga in Carnatic music (musical scale of South Indian classical music). It is a '' Janya'' raga (derived scale), whose '' Melakarta'' raga (parent, also known as ''janaka'') is ''Kharaharapriya'', 22nd in the 72 ''Melakarta'' raga system. '' Bhimpalasi'' (or ''Bheempalas'') and '' Dhanashree'' of Hindustani music sounds close to ''Abheri''.''Ragas in Carnatic music'' by S. Bhagyalekshmy, Pub. 1990, CBH Publications''Raganidhi'' by P. Subba Rao, Pub. 1964, The Music Academy of Madras Structure and Lakshana Abheri is an ''audava-sampoorna'' raga. Its structure (ascending and descending scale) is as follows (see '' swaras in Carnatic music'' for details on below notation and terms): * : * : The '' swaras'' in this scale are ''Chathusruthi Rishabham, Sadharana Gandharam, Suddha Madhyamam, Chathusruthi Dhaivatham'' and ''Kaisiki Nishadham''. There are some differing views on swaras in the scale of Abheri. It is considered a ''Bhashang ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Phonograph
A phonograph, in its later forms also called a gramophone (as a trademark since 1887, as a generic name in the UK since 1910) or since the 1940s called a record player, or more recently a turntable, is a device for the mechanical and analogue recording and reproduction of sound. The sound vibration waveforms are recorded as corresponding physical deviations of a spiral groove engraved, etched, incised, or impressed into the surface of a rotating cylinder or disc, called a "record". To recreate the sound, the surface is similarly rotated while a playback stylus traces the groove and is therefore vibrated by it, very faintly reproducing the recorded sound. In early acoustic phonographs, the stylus vibrated a diaphragm which produced sound waves which were coupled to the open air through a flaring horn, or directly to the listener's ears through stethoscope-type earphones. The phonograph was invented in 1877 by Thomas Edison. Alexander Graham Bell's Volta Laboratory made ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chembai Vaidyanatha Bhagavatar
Chembai Vaidyanatha Bhagavatar a.k.a. Vaidyanatha Iyer (1 September 1896 – 16 October 1974) was a Carnatic music singer from Palakkad (state of Kerala, India). Known by his village name ''Chembai'', or simply as ''Bhagavatar'', he was born to Anantha Bhagavatar and Parvati Ammal in 1896, into a Tamil Brahmin family in Perakkool Madom (Parvati Ammal's birth home), adjacent to Lokanarkavu near Vatakara on Janmashtami day. He lived here until he was five years old. The family later shifted to Palakkad.L. R. Viswanatha Sarma (1954), ''Chembai Selvam'' (Biography of Chembai), 1954: Amudha Nilayam Ltd. Chembai was noted for his powerful voice and majestic styleN. Pattabhi Raman and K.S. Krishnamurthi, ''Sruti'', Issue 98, November 1992 of singing. His first public performance was in 1904, when he was nine. A recipient of several titles and honours (including the Madras Music Academy's Sangeetha Kalanidhi in 1951), he was known for his encouragement of upcoming musicians and abil ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musiri
Musiri is a municipality in the Tiruchirappalli district in the Indian state of Tamil Nadu. It has an average elevation of 82 metres (269 feet). Etymology The original name of this town was "Musukundapuri", named after a Chola king Musukundan. Demographics Population India census, Musiri had a population of 27,941. Males constitute 50% of the population and females 50%. Musiri has an average literacy rate of 75%, male literacy is 80%, and female literacy is 69%. In Musiri, 11% of the population is under 6 years of age. Government and politics Musiri (state assembly constituency) is a separate assembly constituency falling under Perambalur (Lok Sabha constituency). It is a Taluk and Revenue Division headquarters in Tiruchirappalli District of Tamil Nadu state in India. Economy Agriculture is the main occupation in this town situated on the northern bank of Kaveri river having a broad width of more than 1km. The crops include paddy, sugar can ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
