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Museum Cerralbo
The Cerralbo Museum () is an art museum in Madrid, Spain. It houses the art and historical object collections of Enrique de Aguilera y Gamboa, Marquis of Cerralbo, who died in 1922. It is one of the National Museums of Spain and it is attached to the Ministry of Culture. History Enrique de Aguilera y Gamboa, the Marquis of Cerralbo, opened the place as private gallery in 1893. After the Spanish State accepted to inherit the collection in 1924, the building opened to students and researchers. The Marquis' collection was split, with a part moved to the National Archaeological Museum and the rest remaining at the building, which was constituted as a proper museum in 1944. The building was built in the 19th century, according to Italian taste, and it was luxuriously decorated with baroque furniture, wall paintings and expensive chandeliers. It retains to a large extent its original aesthetics. The building was protected as '' historical-artistic monument'' in 1962. Collecti ...
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Fine Art
In European academic traditions, fine art (or, fine arts) is made primarily for aesthetics or creative expression, distinguishing it from popular art, decorative art or applied art, which also either serve some practical function (such as pottery or most metalwork) or is generally of limited artistic quality in order to appeal to the masses. In the aesthetic theories developed in the Italian Renaissance, the highest art was that which allowed the full expression and display of the artist's imagination, unrestricted by any of the practical considerations involved in, say, making and decorating a teapot. It was also considered important that making the artwork did not involve dividing the work between different individuals with specialized skills, as might be necessary with a piece of furniture, for example. Even within the fine arts, there was a hierarchy of genres based on the amount of creative imagination required, with history painting placed higher than still life. ...
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El Greco
Doménikos Theotokópoulos (, ; 1 October 1541 7 April 1614), most widely known as El Greco (; "The Greek"), was a Greek painter, sculptor and architect of the Spanish Renaissance, regarded as one of the greatest artists of all time. ''El Greco'' was a nickname, and the artist normally signed his paintings with his full birth name in Greek letters often adding the word (), which means " Cretan" in Ancient Greek. El Greco was born in the Kingdom of Candia (modern Crete), which was at that time part of the Republic of Venice, Italy, and the center of Post-Byzantine art. He trained and became a master within that tradition before traveling at age 26 to Venice, as other Greek artists had done.J. Brown, ''El Greco of Toledo'', 75–77 In 1570, he moved to Rome, where he opened a workshop and executed a series of works. During his stay in Italy, El Greco enriched his style with elements of Mannerism and of the Venetian Renaissance taken from a number of great artist ...
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Ministry Of Education (Spain)
The Ministry of Education, Vocational Training and Sports (MEFPD) is the Spanish government departments, department of the Government of Spain responsible for proposing and carrying out the government policy on Education in Spain, education and Vocational education, vocational training. This covers all the teachings of the Spanish education system, education system —except List of universities in Spain, university education—, including physical education, through the Consejo Superior de Deportes, National Sports Council. Likewise, it is also the responsibility of this Department the promotion of cooperation actions and, in coordination with the Ministry of Foreign Affairs (Spain), Ministry of Foreign Affairs, the promotion of international relations in the field of non-university education. Education in Spain is established as a decentralized system in which the Spanish regions, regions have powers over the Basic education, basic and secondary education while the central gove ...
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Clocks
A clock or chronometer is a device that measures and displays time. The clock is one of the oldest human inventions, meeting the need to measure intervals of time shorter than the natural units such as the day, the lunar month, and the year. Devices operating on several physical processes have been used over the millennia. Some predecessors to the modern clock may be considered "clocks" that are based on movement in nature: A sundial shows the time by displaying the position of a shadow on a flat surface. There is a range of duration timers, a well-known example being the hourglass. Water clocks, along with sundials, are possibly the oldest time-measuring instruments. A major advance occurred with the invention of the verge escapement, which made possible the first mechanical clocks around 1300 in Europe, which kept time with oscillating timekeepers like balance wheels., pp. 103–104., p. 31. Traditionally, in horology (the study of timekeeping), the term ''clock'' was us ...
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Tapestry
Tapestry is a form of Textile arts, textile art which was traditionally Weaving, woven by hand on a loom. Normally it is used to create images rather than patterns. Tapestry is relatively fragile, and difficult to make, so most historical pieces are intended to hang vertically on a wall (or sometimes in tents), or sometimes horizontally over a piece of furniture such as a table or bed. Some periods made smaller pieces, often long and narrow and used as borders for other textiles. Most weavers use a natural warp thread, such as wool, linen, or cotton. The warp and weft, weft threads are usually wool or cotton but may include silk, gold, silver, or other alternatives. In Late Middle Ages, late medieval Europe, tapestry was the grandest and most expensive medium for figurative images in two dimensions, and despite the rapid rise in importance of painting it retained this position in the eyes of many Renaissance patrons until at least the end of the 16th century, if not beyond. Th ...
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Pottery
Pottery is the process and the products of forming vessels and other objects with clay and other raw materials, which are fired at high temperatures to give them a hard and durable form. The place where such wares are made by a ''potter'' is also called a ''pottery'' (plural ''potteries''). The definition of ''pottery'', used by the ASTM International, is "all fired ceramic wares that contain clay when formed, except technical, structural, and refractory products". End applications include tableware, ceramic art, decorative ware, toilet, sanitary ware, and in technology and industry such as Insulator (electricity), electrical insulators and laboratory ware. In art history and archaeology, especially of ancient and prehistoric periods, pottery often means only vessels, and sculpture, sculpted figurines of the same material are called terracottas. Pottery is one of the Timeline of historic inventions, oldest human inventions, originating before the Neolithic, Neolithic period, w ...
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Porcelain
Porcelain (), also called china, is a ceramic material made by heating Industrial mineral, raw materials, generally including kaolinite, in a kiln to temperatures between . The greater strength and translucence of porcelain, relative to other types of pottery, arise mainly from Vitrification#Ceramics, vitrification and the formation of the mineral mullite within the body at these high temperatures. End applications include tableware, ceramic art, decorative ware such as figurines, and products in technology and industry such as Insulator (electricity), electrical insulators and laboratory ware. The manufacturing process used for porcelain is similar to that used for earthenware and stoneware, the two other main types of pottery, although it can be more challenging to produce. It has usually been regarded as the most prestigious type of pottery due to its delicacy, strength, and high degree of whiteness. It is frequently both glazed and decorated. Though definitions vary, po ...
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Anton Van Dyck
Sir Anthony van Dyck (; ; 22 March 1599 – 9 December 1641) was a Flemish Baroque artist who became the leading court painter in England after success in the Spanish Netherlands and Italy. The seventh child of Frans van Dyck, a wealthy silk merchant in Antwerp, Anthony painted from an early age. He was successful as an independent painter in his late teens and became a master in the Antwerp Guild on 18 October 1617.Davies, Justin. 'A new date for Anthony van Dyck's free mastership'. ''The Burlington Magazine'' 165 (February 2023), pp. 162–165. By this time, he was working in the studio of the leading northern painter of the day, Peter Paul Rubens, who became a major influence on his work. Van Dyck worked in London for some months in 1621, then returned to Flanders for a brief time, before travelling to Italy, where he stayed until 1627, mostly in Genoa. In the late 1620s he completed his greatly admired ''Iconography'' series of portrait etchings of mainly other art ...
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Francisco De Zurbarán
Francisco de Zurbarán ( , ; baptized 7 November 1598 – 27 August 1664) was a Spanish painter. He is known primarily for his religious paintings depicting monks, nuns, and martyrs, and for his still-lifes. Zurbarán gained the nickname "Spanish Caravaggio", owing to the forceful use of chiaroscuro in which he excelled. He was the father of the painter Juan de Zurbarán. Biography Zurbarán was born in 1598 in Fuente de Cantos, Extremadura; he was baptized on 7 November of that year. His parents were Luis de Zurbarán, a haberdasher, and his wife, Isabel Márquez. In childhood he set about imitating objects with charcoal. In 1614 his father sent him to Seville to apprentice for three years with Pedro Díaz de Villanueva, an artist of whom very little is known. Zurbarán's first marriage, in 1617, was to María Paet who was nine years older. María died in 1624 after the birth of their third child. In 1625 he married again to wealthy widow Beatriz de Morales. On 17 January 1 ...
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Juan De Espinosa
Juan de Espinosa, (active 1628 and 1659), Spanish Baroque painter specializing in still life painting. There is a great deal of confusion in the documentation of de Espinosa's life and works because there are a number of artists using the same name who also painted still lifes around the same time. Early life Juan de Espinosa, gilder of altarpieces, was documented in Madrid between 1608 and 1613, married Maria de Aranda in the parish of San Sebastián. The second son of this marriage, born in 1610 and also named Juan, might be the better known of the two still-life painters of this name. The greatest of still-life painters Espinosa was signing his works ''Joanes Bapta. Despinosa faciebat Anno D’1624''. A still life of silver pieces, using the same formula he used in 1612, was submitted to join the brotherhood of the Sacrament of the parish of San Sebastian in Madrid. In uncertain date valued the altarpiece of the parish of Alcaudete de la Jara. Little else is known about him ...
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Frans Snyders
Frans Snyders or Frans Snijders (11November 157919August 1657) was a Flemish painter of animals, hunting scenes, market scenes, and still lifes. A versatile artist, his works depict all sorts of foods, utensils, and tableware and wide assortment of animals. He was one of the earliest specialist animaliers and he is credited with initiating a wide variety of new still-life and animal subjects in Antwerp. His hunting scenes and still lifes engage the viewer with their dramatic and dynamic effects. He was a regular collaborator with leading Antwerp painters such as Peter Paul Rubens, Anthony van Dyck, Jacob Jordaens, and Abraham Janssens.Matthias Depoorter, ''Frans Snijders''
at barokinvlaanderen


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Luis Paret
Luis is a given name. It is the Spanish form of the originally Germanic name or . Other Iberian Romance languages have comparable forms: (with an accent mark on the i) in Portuguese and Galician, in Aragonese and Catalan, while is archaic in Portugal, but common in Brazil. Origins The Germanic name (and its variants) is usually said to be composed of the words for "fame" () and "warrior" () and hence may be translated to ''famous warrior'' or "famous in battle". According to Dutch onomatologists however, it is more likely that the first stem was , meaning fame, which would give the meaning 'warrior for the gods' (or: 'warrior who captured stability') for the full name.J. van der Schaar, ''Woordenboek van voornamen'' (Prisma Voornamenboek), 4e druk 1990; see also thLodewijs in the Dutch given names database Modern forms of the name are the German name Ludwig and the Dutch form Lodewijk. and the other Iberian forms more closely resemble the French name Louis, a derivat ...
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