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Muscle Cuirass
In classical antiquity, the muscle cuirass (), anatomical cuirass, or heroic cuirass is a type of cuirass made to fit the wearer's torso and designed to mimic an idealized male human physique. It first appears in late Archaic Greece and became widespread throughout the 5th and 4th centuries BC. Originally made from hammered bronze plate, boiled leather also came to be used. It is commonly depicted in ancient Greek art, Greek and ancient Roman art, Roman art, where it is worn by generals, emperors, and deities during periods when soldiers used other types. In Roman sculpture, the muscle cuirass is often highly ornamented with Greek mythology, mythological scenes. Archaeological finds of relatively unadorned cuirasses, as well as their depiction by artists in military scenes, indicate that simpler versions were worn in combat situations. The anatomy of muscle cuirasses intended for use might be either Realism (art), realistic or reduced to an abstract design; the fantastically illu ...
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Greek Bronze Panoply In RMO AvL
Greek may refer to: Anything of, from, or related to Greece, a country in Southern Europe: *Greeks, an ethnic group *Greek language, a branch of the Indo-European language family **Proto-Greek language, the assumed last common ancestor of all known varieties of Greek **Mycenaean Greek, most ancient attested form of the language (16th to 11th centuries BC) **Ancient Greek, forms of the language used c. 1000–330 BC **Koine Greek, common form of Greek spoken and written during Classical antiquity **Medieval Greek or Byzantine Language, language used between the Middle Ages and the Ottoman conquest of Constantinople **Modern Greek, varieties spoken in the modern era (from 1453 AD) *Greek alphabet, script used to write the Greek language *Greek Orthodox Church, several Churches of the Eastern Orthodox Church *Ancient Greece, the ancient civilization before the end of Antiquity * Old Greek, the language as spoken from Late Antiquity to around 1500 AD *Greek mythology, a body of myths o ...
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Realism (art)
Realism in the arts is generally the attempt to represent subject-matter truthfully, without artificiality, exaggeration, or speculative or supernatural elements. The term is often used interchangeably with naturalism, although these terms are not necessarily synonymous. Naturalism, as an idea relating to visual representation in Western art, seeks to depict objects with the least possible amount of distortion and is tied to the development of linear perspective and illusionism in Renaissance Europe. Realism, while predicated upon naturalistic representation and a departure from the idealization of earlier academic art, often refers to a specific art historical movement that originated in France in the aftermath of the French Revolution of 1848. With artists like Gustave Courbet capitalizing on the mundane, ugly or sordid, realism was motivated by the renewed interest in the commoner and the rise of leftist politics. The realist painters rejected Romanticism, which had come ...
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Campania
Campania is an administrative Regions of Italy, region of Italy located in Southern Italy; most of it is in the south-western portion of the Italian Peninsula (with the Tyrrhenian Sea to its west), but it also includes the small Phlegraean Islands and the island of Capri. The capital of the region is Naples. Campania has a population of 5,575,025 as of 2025, making it Italy's third most populous region, and, with an area of , its most densely populated region. Based on its Gross domestic product, GDP, Campania is also the most economically productive region in Southern Italy List of Italian regions by GDP, and the 7th most productive in the whole country. Naples' urban area, which is in Campania, is the List of urban areas in the European Union, eighth most populous in the European Union. The region is home to 10 of the 58 List of World Heritage Sites in Italy, UNESCO sites in Italy, including Pompeii and Herculaneum, the Royal Palace of Caserta, the Amalfi Coast, the Longobardian ...
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Oscans
The Osci (also called Oscans, Opici, Opsci, Obsci, Opicans) were an Italic people of Campania and Latium adiectum before and during Roman times. They spoke the Oscan language, also spoken by the Samnites of Southern Italy. Although the language of the Samnites was called Oscan, the Samnites were never referred to as Osci, nor were the Osci called Samnites. Traditions of the Opici fall into the legendary period of History of Italy, Italian history, roughly from the beginning of the first millennium BC until the foundation of the Roman Republic. No consensus can be reached concerning their location and language. By the end of this period, the Oscan language had evolved and was spoken by a number of sovereign tribal states. By far the most important of these in terms of military prowess and wealth was the Samnites, who rivalled Rome for about 50 years in the second half of the 4th century BC, sometimes being allies, and sometimes at war with the city, until they were finally subdue ...
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Samnites
The Samnites () were an ancient Italic peoples, Italic people who lived in Samnium, which is located in modern inland Abruzzo, Molise, and Campania in south-central Italy. An Oscan language, Oscan-speaking Osci, people, who originated as an offshoot of the Sabines, they formed a confederation consisting of four tribes: the Hirpini, Caudini, Caraceni (tribe), Caraceni, and Pentri. Ancient Greek historians considered the Umbri as the ancestors of the Samnites. Their migration was in a southward direction, according to the rite of ver sacrum. Although allied together against the Gauls in 354 BC, they later became enemies of the Roman Republic, Romans and fought them in a series of Samnite Wars, three wars. Despite an overwhelming victory at the Battle of the Caudine Forks (321 BC), the Samnites were subjugated in 290 BC. Although severely weakened, the Samnites would still side against the Romans, first in the Pyrrhic War and then with Hannibal in the Second Punic War. They also foug ...
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Neo-Attic
Neo-Attic or Atticizing is a sculptural style, beginning in Hellenistic sculpture and vase-painting of the 2nd century BC and climaxing in Roman art of the 2nd century AD, copying, adapting or closely following the style shown in reliefs and statues of the Classical (5th–4th centuries BC) and Archaic (6th century BC) periods. It was first produced by a number of Neo-Attic workshops at Athens, which began to specialize in it, producing works for purchase by Roman connoisseurs, and was taken up in Rome, probably by Greek artisans. The Neo-Attic mode, a reaction against the baroque extravagances of Hellenistic art, was an early manifestation of Neoclassicism, which demonstrates how self-conscious the later Hellenistic art world had become. Neo-Attic style emphasises grace and charm, serenity and animation, Gisela Richter praised the serenity and animation of a neo-Attic marble vase, ca. first century BC-first century AD, purchased for the Metropolitan Museum of Art (Richter, "A ...
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Chiton (costume)
A chiton (; ) is a form of tunic that fastens at the shoulder, worn by men and women of ancient Greece and Rome. There are two forms of chiton: the Doric and the later Ionic. According to Herodotus, popular legend was that Athenian women began to wear the chiton as opposed to the peplos after several women stabbed a messenger to death with the bronze pins characteristic of the peplos. Etymology The word ''chiton'' is derived from a Central Semitic language *''kittān'' (e.g. Hebrew ), ultimately from a word for 'flax'. Different forms and wearing styles A shorter version of the chiton was called the chitoniskos. Doric chiton The Doric chiton is a single rectangle of woolen or linen fabric. It can be worn plain or with an overfold called an ''apoptygma'' (ἀπόπτυγμα), which is more common to women. It can be draped and fastened at the shoulder by pins (Greek: peronai; Latin: fibulae) or sewing, or by buttons. Ionic chiton The Ionic chiton could also be m ...
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Attic Red-figure Pottery
Red-figure pottery () is a style of ancient Greek pottery in which the background of the pottery is painted black while the figures and details are left in the natural red or orange color of the clay. It developed in Athens around 520 BC and remained in use until the late 3rd century AD. It replaced the previously dominant style of black-figure pottery within a few decades. Its modern name is based on the figural depictions in red color on a black background, in contrast to the preceding black-figure style with black figures on a red background. The most important areas of production, apart from Attica, were in Southern Italy. The style was also adopted in other parts of Greece. Etruria became an important center of production outside the Greek World. Attic red-figure vases were exported throughout Greece and beyond. For a long time, they dominated the market for fine ceramics. Few centers of pottery production could compete with Athens in terms of innovation, quality and produc ...
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Acropolis Of Athens
The Acropolis of Athens (; ) is an ancient citadel located on a rocky outcrop above the city of Athens, Greece, and contains the remains of several Ancient Greek architecture, ancient buildings of great architectural and historical significance, the most famous being the Parthenon. The word ''Acropolis'' is . The term acropolis is generic and there are many other acropoleis in Greece. During ancient times the Acropolis of Athens was also more properly known as Cecropia, after the legendary serpent-man Cecrops I, Cecrops, the supposed first Athenian king. While there is evidence that the hill was inhabited as early as the 4th millennium BC, it was Pericles (–429 BC) in the fifth century BC who coordinated the construction of the buildings whose present remains are the site's most important ones, including the Parthenon, the Propylaia_(Acropolis_of_Athens), Propylaea, the Erechtheion and the Temple of Athena Nike. The Parthenon and the other buildings were seriously damaged during ...
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Ancient Greek Sculpture
The sculpture of ancient Greece is the main surviving type of fine ancient Greek art as, with the exception of painted ancient Greek pottery, almost no ancient Greek painting survives. Modern scholarship identifies three major stages in monumental sculpture in bronze and stone: Archaic Greek sculpture (from about 650 to 480 BC), Classical Greek sculpture, Classical (480–323 BC) and Hellenistic sculpture, Hellenistic thereafter. At all periods there were great numbers of Greek terracotta figurines and small sculptures in metal and other materials. The Greeks decided very early on that the human form was the most important subject for artistic endeavour. Since they pictured their gods as having human form, there was little distinction between the sacred and the secular in art—the human body was both secular and sacred. A male Heroic nudity, nude of Apollo or Heracles shows only slight differences in treatment from a sculpture of that year's Olympic boxing champion. The statue ( ...
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Thracian Cavalry
The Thracians (; ; ) were an Indo-European speaking people who inhabited large parts of Southeast Europe in ancient history.. "The Thracians were an Indo-European people who occupied the area that today is shared between north-eastern Greece, Romania, and north-western Turkey. They shared the same language and culture. There may have been as many as a million Thracians, divided among up to 40 tribes." Thracians resided mainly in Southeast Europe in modern-day Bulgaria, Romania, North Macedonia, northern Greece and European Turkey, but also in north-western Anatolia (Asia Minor) in Turkey. The exact origin of the Thracians is uncertain, but it is believed that Thracians like other Indo-European speaking groups in Europe descended from a mixture of Proto-Indo-Europeans and Early European Farmers. Around the 5th millennium BC, the inhabitants of the eastern region of the Balkans became organized in different groups of indigenous people that were later named by the ancient Gre ...
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Thracians
The Thracians (; ; ) were an Indo-European languages, Indo-European speaking people who inhabited large parts of Southeast Europe in ancient history.. "The Thracians were an Indo-European people who occupied the area that today is shared between Thrace, north-eastern Greece, Romania, and north-western Turkey. They shared the same language and culture. There may have been as many as a million Thracians, divided among up to 40 tribes." Thracians resided mainly in Southeast Europe in Present (time), modern-day Bulgaria, Romania, North Macedonia, northern Greece and European Turkey, but also in north-western Anatolia, Anatolia (Asia Minor) in Turkey. The exact origin of the Thracians is uncertain, but it is believed that Thracians like other Indo-European speaking groups in Europe descended from a mixture of Proto-Indo-Europeans and Early European Farmers. Around the 5th millennium BC, the inhabitants of the eastern region of the Balkans became organized in different groups of Indi ...
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