Mr. B. (Mark Braun)
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Mr. B. (Mark Braun)
Mr. B. (born Mark Lincoln Braun, 1957), is an American boogie-woogie pianist. Early life Born in Flint, Michigan, United States, Mark Lincoln Braun was the youngest of the three children of Phil and Sally Braun. He became interested in the piano through recordings that his father had played and began studying under the likes of Boogie Woogie Red and other famous area musicians. Between listening to records as well as the local musicians, and receiving one-on-one instructions from the local musicians, Braun's music career had begun. Mark began playing by listening and watching the local musicians perform at local venues and private lessons. Whilst immersing himself in the blues and boogie traditions and culture, Braun graduated from Flint Southwestern High School and was accepted into the prestigious University of Michigan. After completing three years towards a Bachelor of Arts in History degree, Braun decided to drop out and pursue a career in blues and boogie woogie style p ...
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Flint, Michigan
Flint is the largest city in Genesee County, Michigan, United States, and its county seat. Located along the Flint River (Michigan), Flint River northwest of Detroit, it is a principal city within the Central Michigan, Mid Michigan region. Flint had a population of 81,252 at the 2020 United States census, 2020 census, making it the List of municipalities in Michigan, 12th-most populous city in Michigan. The Flint metropolitan area is located entirely within Genesee County and is the Michigan statistical areas, third-largest metro area in Michigan, with a population of 406,892 in 2020. The city was Incorporated town, incorporated in 1855. Flint was founded as a Administrative divisions of Michigan#Villages, village by fur trader Jacob Smith (fur trader), Jacob Smith in 1819 and became a major lumbering area on the historic Saginaw Trail during the 19th century. From the late 19th century to the mid-20th century, the city was a leading manufacturer of carriages and later Car, auto ...
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Professor Longhair
Henry Roeland Byrd (December 19, 1918 – January 30, 1980), better known as Professor Longhair or "Fess" for short, was an American singer and pianist who performed New Orleans blues. He was active in two distinct periods, first in the heyday of early rhythm and blues and later in the resurgence of interest in traditional jazz after the founding of the New Orleans Jazz and Heritage Festival in 1970. His piano style has been described as "instantly recognizable, combining rhumba, rumba, mambo (music), mambo, and calypso music, calypso". Music journalist Tony Russell (in his book ''The Blues: From Robert Johnson to Robert Cray'') wrote that "The vivacious rhumba-rhythmed piano blues and choked singing typical of Fess were too weird to sell millions of records; he had to be content with siring musical offspring who were simple enough to manage that, like Fats Domino or Huey "Piano" Smith. But he is also acknowledged as a father figure by subtler players like Allen Toussaint and Dr ...
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My Babe
"My Babe" is a Chicago blues song and a List of blues standards, blues standard written by Willie Dixon for Little Walter. Released in 1955 on Checker Records, a subsidiary of Chess Records, the song was the only Dixon composition ever to become a number one Hot R&B/Hip-Hop Songs, R&B single and it was one of the biggest hits of either of their careers.Dirks, Scott; & Komara, Edward M. [ed.] (2006). ''Encyclopedia of the Blues''. Routledge. p. 982. Background Willie Dixon based "My Babe" on the traditional gospel music, gospel song "This Train (Is Bound For Glory)", recorded by Sister Rosetta Tharpe as "This Train". He reworked the arrangement and lyrics from the sacred (the procession of saints into Heaven) into the secular (a story about a woman that won't stand for her man's cheating): "My baby, she don't stand no cheating, my babe, she don't stand none of that midnight creeping." Recording In his autobiography, Dixon recalled: Little Walter recorded the song on January ...
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On The Sunny Side Of The Street
"On the Sunny Side of the Street" is a 1930 song composed by Jimmy McHugh with lyrics by Dorothy Fields. Some authors say that Fats Waller was the composer, but he sold the rights to the song. It was introduced in the Broadway musical '' Lew Leslie's International Revue'' starring Harry Richman and Gertrude Lawrence. Ted Lewis did the first recording of the song in 1930 (Catalog #2144-D), followed by Harry Richman (Catalog # 4747) and both enjoyed hit records with the song. Other notable recordings Having become a jazz standard, it was played by Louis Armstrong, the Nat King Cole Trio, Dave Brubeck, Earl Hines, Benny Goodman, Lionel Hampton, Erroll Garner, Dizzy Gillespie, Art Tatum, James Booker, Count Basie, and Lester Young. The Louis Armstrong version was recorded in the key of C major, but it has been recorded in a range of keys; Ted Lewis recorded it in D major and Ella Fitzgerald in G major. Cover versions date as far back as 1930, when Layton & Johnstone released the ...
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Meade Lux Lewis
Anderson Meade "Lux" Lewis (September 4, 1905 – June 7, 1964) was an American pianist and composer, remembered for his playing in the boogie-woogie style. His best-known work, " Honky Tonk Train Blues", has been recorded by many artists. Biography Lewis was born in Chicago, though some sources state Louisville, Kentucky, on September 4, 1905 (September 3 and 13 have also been cited as his date of birth in sources). In his youth he was influenced by the pianist Jimmy Yancey. His father, a guitarist who made two recordings of his own, introduced Meade to music and arranged for him to have violin lessons. He gave up the violin at age 16, shortly after his father's death, and switched to the piano. The nickname "Lux" was given to him by his boyhood friends. He would imitate a couple of characters from a popular comic strip in Chicago, '' Alphonse and Gaston'', and stroke an imaginary beard as part of the routine. His friends started calling him the Duke of Luxembourg because of t ...
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Cow-Cow Boogie
"Cow Cow Boogie (Cuma-Ti-Yi-Yi-Ay)" is a "country-boogie"-style blues song, with music was written by Don Raye, and lyrics were written by Benny Carter and Gene De Paul. The song was written for the 1942 Abbott & Costello film '' Ride 'Em Cowboy'', which included Ella Fitzgerald as a cast member, but was cut from the movie. Background The song utilizes the folklore of the singing cowboy in the American West. In the lyrics, the cowboy is from the city and tells his "dogies" (motherless calves) to "get hip." First recording The first recording was by Freddie Slack & his Orchestra, featuring vocalist Ella Mae Morse in 1942. The record was the second release by Capitol Records and their first million-seller/ number one on the charts record. Morse learned the song from hearing Fitzgerald on a soundtrack she had acquired, even though the song had been cut from the movie. Morse also recalled recording the song in a single take, which she had thought was only a rehearsal. Other rec ...
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After Hours (Avery Parrish Song)
"After Hours" is a blues piano composition composed by pianist Avery Parrish. It is usually played in G. The first recording of the song was by Parrish with the Erskine Hawkins Orchestra, on June 10, 1940, and was released on the Bluebird record label. It was an instant hit, and subsequently became a jazz standard. The song has been recorded many times by such diverse artists as Benny Goodman, Dizzy Gillespie with Sonny Rollins and Sonny Stitt, Woody Herman, Hazel Scott, Phineas Newborn, Hank Crawford, Buck Clayton, Ellis Marsalis, Roy Buchanan, Ryo Fukui, Muddy Waters and numerous others. The version used since 1984 as the theme song for the ''Jazz After Hours'' program on Public Radio International is a solo piano performance by Ray Bryant, recorded at the 1972 Montreux Jazz Festival."After Hours Theme Song"
. jazzafterhours.org Retrieved August 10 ...
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When The Saints Go Marching In
"When the Saints Go Marching In", often referred to as simply "The Saints", is a traditional black spiritual. It originated as a Christian hymn, but is often played by jazz bands. One of the most famous jazz recordings of "The Saints" was made on May 13, 1938, by Louis Armstrong and his orchestra. The song is sometimes confused with a similarly titled 1896 composition: "When the Saints Are Marching In", by Katharine Purvis (lyrics) and James Milton Black (music). Origins and usage The origins of this song are unclear. It apparently evolved in the early 1900s from a number of similarly titled gospel songs, including "When the Saints Are Marching In" (1896) and "When the Saints March In for Crowning" (1908). The first known recorded version was in 1923 by the Paramount Jubilee Singers on Paramount 12073. Although the title given on the label is "When All the Saints Come Marching In", the group sings the modern lyrics beginning with "When the saints go marching in". No author is ...
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Down The Road A Piece
"Down the Road a Piece" is a boogie-woogie song written by Don Raye. In 1940, it was recorded by the Will Bradley Trio and became a top 10 hit in the closing months of the year. Called "a neat little amalgam of bluesy rhythm and vivid, catchy lyrics", the song was subsequently recorded by a variety of jazz, blues, and rock artists. Recording and lyrics "Down the Road a Piece" was recorded in 1940 by members of the Will Bradley–Ray McKinley Orchestra as the "Will Bradley Trio" (a misnomer, as Bradley did not perform on the song, while a fourth, the song's writer, Don Raye, did, as well as an uncredited vibraphone player). Three musicians are mentioned in the lyrics: "Eight Beat Mack" refers to the drummer Ray McKinley, "Doc" refers to the bass player Doc Goldberg, and "Beat Me Daddy Slack" refers to the pianist Freddie Slack (a reference to "Beat Me Daddy, Eight to the Bar", a hit recorded earlier in 1940 by Slack with the Bradley–McKinley Orchestra). Vocals for "Down ...
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Roll 'Em Pete
"Roll 'Em Pete" is a boogie-woogie song, originally recorded in December 1938 by singer Big Joe Turner and pianist Pete Johnson. The recording is regarded as one of the most important precursors of what later became known as rock and roll. "Roll 'Em Pete" was inducted into the Blues Hall of Fame in 2018, as one of the five new entrants in the "Classic of Blues Recording (Song)" category. Original recording Johnson was a boogie-woogie pianist in Kansas City, who in the early 1930s had developed a partnership with Turner, who was working at the time as a club bartender. The two would regularly perform as a duo at the clubs where Turner worked, with Turner shouting blues rhymes over Johnson's piano playing. In 1938, the pair were invited by music promoter and producer John Hammond to the first ''From Spirituals to Swing'' concert at Carnegie Hall in New York City. While in New York, Turner and Johnson had a session with the Vocalion record company, recording the 12-bar blues ...
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Kerrytown Concert House
Kerrytown or Kerry Town may refer to: * Kerry Town Kerry Town is a village in the Rural District in the Western Area of Sierra Leone
, a village in Sierra Leone and location of an Ebola treatment center * Kerrytown, Ann Arbor, a historic district in Ann Arbor, Michigan * Kerrytown, New Zealand, a rural community in New Zealand {{geodis ...
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Detroit Metro Times
The ''Detroit Metro Times'' is a progressive alternative weekly newspaper located in Detroit, Michigan. It is the largest circulating weekly newspaper in the metro Detroit area. The ''Metro Times'' was an official sponsor of the now-defunct Detroit Festival of the Arts, where one of the stages is named after it. History and content Founded in 1980, the Metro Times since its inception has been supported entirely by advertising and distributed free of charge every Wednesday in newsstands, businesses, and libraries around the city of Detroit and its suburbs. Compared to the two dailies, the ''Detroit Free Press'' and the ''Detroit News'', the ''Metro Times'' has a liberal orientation, like its later competitor ''Real Detroit Weekly''. As of 2014, average circulation for the ''Metro Times'' was 50,000 weekly and it was available at more than 1,200 locations. Average readership is just over 700,000 weekly. Its annual "Best of Detroit" survey awards local businesses. The categories ...
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