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More Dirty Dancing
''More Dirty Dancing'' (full title: ''More Dirty Dancing: More Original Music from the Hit Motion Picture'') is a follow-up album to the soundtrack to the 1987 film ''Dirty Dancing''. It was released on March 4, 1988, by RCA Records, and made it to number three on both the US and the UK albums charts. "Do You Love Me", a 1963 Contours hit that features prominently in the film and appears on ''More Dirty Dancing'', was re-issued as a single and became a hit for a second time, peaking at number eleven on the ''Billboard'' Hot 100 in August 1988. David Handelman of ''Rolling Stone'' gave the album one star out of five, calling some of the tracks "instrumental idiocies". Stephen Thomas Erlewine of AllMusic gave it two out of five stars saying that the follow-up contained "nothing more than a pleasant collection of oldies and faceless MOR adult contemporary pop". Track listing # "(I've Had) The Time of My Life" (instrumental) ( The John Morris Orchestra) – 0:37 # "Big Girls Do ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
RCA Records
RCA Records is an American record label currently owned by Sony Music Entertainment, a subsidiary of Sony Corporation of America. It is one of Sony Music's four flagship labels, alongside RCA's former long-time rival Columbia Records; also Arista Records, and Epic Records. The label has released multiple genres of music, including pop, classical, rock, hip hop, afrobeat, electronic, R&B, blues, jazz, and country. Its name is derived from the initials of its defunct parent company, the Radio Corporation of America (RCA). RCA Records was fully acquired by Bertelsmann in 1987, making it a part of Bertelsmann Music Group (BMG) and became a part of Sony BMG Music Entertainment after the 2004 merger of BMG and Sony; it was acquired by the latter in 2008, after the dissolution of Sony/BMG and the restructuring of Sony Music. RCA Records is the corporate successor of the Victor Talking Machine Company, founded in 1901, making it the second-oldest record label in American his ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Big Girls Don't Cry (Four Seasons Song)
"Big Girls Don't Cry" is a song written by Bob Crewe and Bob Gaudio and originally recorded by the Four Seasons. It hit number one on the ''Billboard'' Hot 100 on November 17, 1962, and, like its predecessor "Sherry", spent five weeks in the top position but never ranked in the ''Billboard'' year-end charts of 1962 or 1963. The song also made it to number one, for three weeks, on ''Billboard'''s Rhythm and Blues survey. It was also the quartet's second single to make it to number one on the US R&B charts. Background According to Gaudio, he was dozing off while watching the John Payne/Rhonda Fleming/ Ronald Reagan movie '' Tennessee's Partner'' when he heard Payne's character slap Fleming in the face. After the slap, Fleming's character replied, "Big girls don't cry." Gaudio wrote the line on a scrap of paper, fell asleep, and wrote the song the next morning. However, the line does not appear in that film. According to Bob Crewe, he was dozing off in his Manhattan home with th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
European Top 100 Albums
The European Top 100 Albums chart was the European adaptation of the ''Billboard'' 200 albums chart. It ran from March 1984 until December 2010. Also commonly referred to as Eurochart Top 100 Albums, the chart showcased the sales of an act in 19 European countries based on IFPI data. The European Top 100 combined album sales (both retail and digital) of new and older albums. The methodology was different from the US ''Billboard'' 200, where albums would only be allowed to chart if they weren't 18 months old. If an album older than 18 months had enough sales to enter the 200 chart after having already dropped out of the 100th position, it would chart on The ''U.S. Billboard'' Catalog Albums. Later ''Billboard'' reviewed the criteria and decided the older albums would also be allowed to chart in the 200, as it should show what's being sold. The chart update and issue dating followed the rules of the ''Billboard'' 200: sales tracking week began on Monday and ended on Sunday. A new ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kent Music Report
The Kent Music Report was a weekly record chart of Australian music singles and albums which was compiled by music enthusiast David Kent from May 1974 through to January 1999. The chart was re-branded the Australian Music Report (AMR) in July 1987. From June 1988, the Australian Recording Industry Association, which had been using the top 50 portion of the report under licence since mid-1983, chose to produce their own listing as the ARIA Charts. Before the Kent Report, '' Go-Set'' magazine published weekly Top-40 Singles from 1966, and Album charts from 1970 until the magazine's demise in August 1974. David Kent later published Australian charts from 1940 to 1973 in a retrospective fashion, using state by state chart data obtained from various Australian radio stations. Background Kent had spent a number of years previously working in the music industry at both EMI and Phonogram records and had developed the report initially as a hobby. The Kent Music Report was first re ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Shirelles
The Shirelles were an American girl group formed in Passaic, New Jersey in 1957. They consisted of schoolmates Shirley Owens (later Shirley Alston Reeves), Doris Coley (later Doris Kenner-Jackson), Addie "Micki" Harris (later Addie Harris McFadden), and Beverly Lee. Founded in 1957 for a talent show at their high school, they were signed by Florence Greenberg of Tiara Records. Their first single, "I Met Him on a Sunday", was released by Tiara and licensed by Decca Records in 1958. After a brief and unsuccessful period with Decca, they went with Greenberg to her newly formed company, Scepter Records. Working with Luther Dixon, the group rose to fame with "Tonight's the Night". After a successful period of collaboration with Dixon and promotion by Scepter, with seven top 20 hits, the Shirelles left Scepter in 1966. Afterwards, they were unable to maintain their previous popularity. The Shirelles have been described as having a "naive schoolgirl sound" that contrasted with the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Will You Love Me Tomorrow
"Will You Love Me Tomorrow", sometimes known as "Will You Still Love Me Tomorrow", is a song with words by Gerry Goffin and music composed by Carole King. It was recorded in 1960 by the Shirelles at Bell Sound Studios in New York City, and hit number one on the ''Billboard'' Hot 100 chart. The song was the first by a black all-girl group to reach number one in the United States. It has since been recorded by many other artists including a 1971 version by co-writer Carole King. The Shirelles' version Background In 1960, the American girl group the Shirelles released the first version of the song as Scepter single 1211, with " Boys" on the B-side. The single's first pressing was labeled simply "Tomorrow", then lengthened later. When first presented with the song, lead singer Shirley Owens (later known as Shirley Alston-Reeves) did not want to record it, because she thought it was "too country". She relented after a string arrangement was added. However, Owens recalled on Jim Par ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Solomon Burke
Solomon Vincent McDonald Burke (born James Solomon McDonald, March 21, 1936 or 1940 – October 10, 2010) was an American singer who shaped the sound of rhythm and blues as one of the founding fathers of soul music in the 1960s. He has been called "a key transitional figure bridging R&B and soul", and was known for his "prodigious output". He had a string of hits including " Cry to Me", " If You Need Me", " Got to Get You Off My Mind", " Down in the Valley", and " Everybody Needs Somebody to Love". Burke was referred to honorifically as "King Solomon", the "King of Rock 'n' Soul", "Bishop of Soul", and the "Muhammad Ali of soul". Due to his minimal chart success in comparison to other soul music greats such as James Brown, Wilson Pickett, and Otis Redding, Burke has been described as the genre's "most unfairly overlooked singer" of its golden age. Atlantic Records executive Jerry Wexler referred to Burke as "the greatest male soul singer of all time". Burke's most famous ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cry To Me
"Cry to Me" is a song written by Bert Berns (listed as "Bert Russell") and first recorded by American soul singer Solomon Burke in 1961. Released in 1962, it was Burke's second single to appear in both ''Billboard'' magazine's Hot R&B Sides and Hot 100 singles charts. Several other artists recorded the song, including Betty Harris (1963), the Pretty Things (1965), the Rolling Stones (1965), Freddie Scott (1967) and others. Background On December 6, 1961 Burke recorded one of his best known songs, "Cry to Me", "an ode to loneliness and desire" "one of the first songs to unify country, gospel and R&B in one package", that is considered "the paradigm for Southern soul ballads." "Cry to Me" was written by Bert Berns (as Bert Russell), conducted and arranged by Klaus Ogermann, and produced by Bert Berns, "a roly-poly white New Yorker with a deep love and empathy for black music despite a formal music education at the Juilliard School of Music and a music background far removed from ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
These Arms Of Mine (Otis Redding Song)
"These Arms of Mine" is a song written by soul musician Otis Redding. Redding was at that time a member of Pat Teacake's Band, consisting of lead guitarist Johnny Jenkins, bassist Pat Teacake and vocalist/songwriter Redding, who also served as driver for Jenkins, who did not have a driver's license. Atlantic Records artist representative Joe Galkin showed interest in Jenkins and proposed to send him to a studio. On the way to a gig, Redding had the opportunity to perform the songs "Hey Hey Baby" and "These Arms of Mine" as Jenkins and house band Booker T. & the M.G.'s ended their sets earlier than scheduled. The performance of the latter song was highly praised; Jim Stewart was so impressed that he offered Redding a contract to record for Stax Records of Memphis, Tennessee, which Redding signed soon afterward. "These Arms of Mine" became Redding's first-released Stax Records single, with "Hey Hey Baby" on its B-side. After a series of unnoticed numbers, the song "These Arms of M ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Surfaris
The Surfaris are an American surf rock band formed in Glendora, California, United States, in 1962. They are best known for two songs that hit the charts in the Los Angeles area, and nationally by May 1963: "Surfer Joe" and " Wipe Out", which were the A-side and B-side of the same 45 rpm single. The Surfaris were inducted into the Musicians Hall of Fame and Museum in 2019 for their hit instrumental song, "Wipe Out". Career The original band members were Ron Wilson (drums, vocals), Jim Fuller (lead guitar), Bob Berryhill (rhythm guitar), and Pat Connolly (bass). In the fall of 1962, Southern California high school students Jim Fuller and Pat Connolly called friend and guitarist Berryhill for a practice session at Berryhill's house. The trio practiced for about four hours and met drummer Wilson at a high school dance later that evening, whereupon the band was born. "Wipe Out" was written and recorded by the quartet later that winter, with the song reaching #2 nationally in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wipe Out (song)
"Wipe Out" is a surf rock instrumental composed by Bob Berryhill, Pat Connolly, Jim Fuller and Ron Wilson. Composed in the form of twelve-bar blues, the tune was first performed and recorded by the Surfaris, who became famous with the single in 1963. The single was first issued on the independent labels DFS (#11/12) in January 1963 and Princess (#50) in February and finally picked up for national distribution on Dot as 45-16479 in April. Dot reissued the single in April 1965 as 45-144. The song—both the Surfaris' version as well as cover versions—has been featured in over 20 films and television series since 1964, appearing at least once a decade. A " wipe out" is a fall from a surfboard, especially one that looks painful. Background Bob Berryhill, Pat Connolly, Jim Fuller and Ron Wilson wrote "Wipe Out" almost on the spot while at Pal Recording Studio in Cucamonga, California, in late 1962, when they realized they needed a suitable B-side for the intended "Surfer ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Otis Redding
Otis Ray Redding Jr. (September 9, 1941 – December 10, 1967) was an American singer and songwriter. He is considered one of the greatest singers in the history of American popular music and a seminal artist in soul music and rhythm and blues. Nicknamed the " King of Soul", Redding's style of singing gained inspiration from the gospel music that preceded the genre. His singing style influenced many other soul artists of the 1960s. Redding was born in Dawson, Georgia, and at age two, moved to Macon. Redding quit school at age 15 to support his family, working with Little Richard's backing band, the Upsetters, and by performing in talent shows at the historic Douglass Theatre in Macon. In 1958, he joined Johnny Jenkins's band, the Pinetoppers, with whom he toured the Southern states as a singer and driver. An unscheduled appearance on a Stax recording session led to a contract and his first hit single, " These Arms of Mine", in 1962. Stax released Redding's debut album, '' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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