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More (Giuseppi Logan Album)
''More'' is the second album by American jazz saxophonist Giuseppi Logan, recorded in May 1965 and released in 1966 by the ESP-Disk label. The album features Logan on alto saxophone, bass clarinet, flute, and piano along with pianist Don Pullen, bassists Eddie Gómez and Reggie Johnson, and drummer Milford Graves. Two of the tracks were recorded live on May 1, 1965 at the same Town Hall concert that yielded the Albert Ayler album '' Bells'', and that also featured saxophonist Byron Allen as well as the last public performance of Bud Powell. The remaining two tracks were recorded at Bell Sound Studios in New York City later that month. In 2013, ESP issued a 50th Anniversary Remaster which included previously unissued music from Logan's set. Reception In a review for AllMusic, Scott Yanow wrote: "This set matches his reeds with the young pianist Don Pullen, either Reggie Johnson or Eddie Gomez on bass and drummer Milford Graves. Despite his best efforts on the four blowouts (playin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giuseppi Logan
Giuseppi Logan (May 22, 1935 – April 17, 2020) was a jazz musician, originally from Philadelphia, Pennsylvania, who taught himself to play piano and drums before switching to reeds at the age of 12. At the age of 15 he began playing with Earl Bostic and later studied at the New England Conservatory. In 1964 he relocated to New York and became active in the free jazz scene. Biography Logan played alto and tenor saxophone, bass clarinet, flute, piano and oboe. He collaborated with Archie Shepp, Pharoah Sanders and Bill Dixon before forming his own quartet made up of pianist Don Pullen, bassist Eddie Gómez and percussionist Milford Graves. After Pullen's departure, pianist Dave Burrell joined the group. Logan was a member of Byard Lancaster's band and toured with and appeared on records by Patty Waters. He recorded two albums for the ESP-Disk record label and later appeared on an album by Roswell Rudd on the Impulse! label. A 1965 press release from ESP-Disk indicates that a thir ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Town Hall (New York City)
The Town Hall (also Town Hall) is a performance space at 123 West 43rd Street, between Broadway and Sixth Avenue near Times Square, in the Theater District of Midtown Manhattan in New York City. It was built from 1919 to 1921 and designed by architects McKim, Mead & White for the League for Political Education. The auditorium has 1,500 seats across two levels and has historically been used for various types of events such as speeches, musical recitals, and film screenings. Both the exterior and interior of the building are New York City landmarks, and the building is on the National Register of Historic Places as a National Historic Landmark. Town Hall was designed in the Georgian Revival style and has a brick facade with limestone trim. The base contains seven arched doorways that serve as the venue's entrance. The facade of the upper stories contains a large limestone plaque, niches, and windows. Inside the ground story, a rectangular lobby leads to the auditorium. The up ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bell Sound Studios
Bell Sound Studios was an independent recording studio in New York City from 1950 to 1976. At its height, the studio was the largest independent recording studio in the United States, and the site of recording sessions that produced seminal hits by Frankie Lymon & The Teenagers, the McGuire Sisters, The Flamingos, Dion and the Belmonts, Paul Anka, Frankie Avalon, the Drifters and Ben E. King, The Four Seasons, Lesley Gore, the Dixie Cups, The Everly Brothers, Buddy Holly, and Kiss. History Early years Co-founders Allen Weintraub and Dan Cronin were classmates at Brooklyn Technical High School and aspiring radio engineers. In June 1950 with an initial investment of $600 Weintraub and Cronin established the recording studio as Bell Recording Co. in a storefront at 73 Mott Street in New York's Chinatown. The studios were initially used for recording radio airchecks and weddings and bar mitzvahs. Within a year the studio had outgrown its initial location and was moved to B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jazz
Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana in the late 19th and early 20th centuries, with its roots in blues and ragtime. Since the 1920s Jazz Age, it has been recognized as a major form of musical expression in traditional and popular music. Jazz is characterized by swing and blue notes, complex chords, call and response vocals, polyrhythms and improvisation. Jazz has roots in European harmony and African rhythmic rituals. As jazz spread around the world, it drew on national, regional, and local musical cultures, which gave rise to different styles. New Orleans jazz began in the early 1910s, combining earlier brass band marches, French quadrilles, biguine, ragtime and blues with collective polyphonic improvisation. But jazz did not begin as a single musical tradition in New Orleans or elsewhere. In the 1930s, arranged dance-oriented swing big bands, Kansas City jazz (a hard-swinging, bluesy, improvisationa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
ESP-Disk
ESP-Disk is a New York-based record company and label founded in 1963 by lawyer Bernard Stollman. History Though it originally existed to release Esperanto-based music, beginning with its second release (Albert Ayler's '' Spiritual Unity''), ESP became the most important exponent of what is commonly referred to as free jazz. Early releases included albums by Paul Bley, Pharoah Sanders and Sun Ra. ESP also released recordings by uncommercial underground rock acts including the Fugs, The Godz and Pearls Before Swine. The label's motto is "The artists alone decide what you will hear." Bernard Stollman faced allegations of not paying royalties to the artists that were signed to ESP-Disk. Tom Rapp of the band Pearls Before Swine claimed that: "We never got any money from ESP. Never, not even like a hundred dollars or something. My real sense is that he tollmanwas abducted by aliens, and when he was probed it erased his memory of where all the money was". Peter Stampfel of the b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Don Pullen
Don Gabriel Pullen (December 25, 1941 – April 22, 1995) was an American jazz pianist and organist. Pullen developed a strikingly individual style throughout his career. He composed pieces ranging from blues to bebop and modern jazz. The great variety of his body of work makes it difficult to pigeonhole his musical style. Biography Early life Pullen was and raised in Roanoke, Virginia, United States. Growing up in a musical family, he learned the piano at an early age. A graduate of Lucy Addison High School, Pullen played in the school's band. He played with the choir in his local church and was heavily influenced by his cousin, Clyde "Fats" Wright, who was a professional jazz pianist. He took some lessons in classical piano and knew little of jazz. At this time, he was mainly aware of church music and the blues.Interview with Vernon Frazer, ''Coda'', October, 1976 (Canada); Free Blues, ''Jazz Hot'' 331, October 1976 (France); Piano Inside And Out, ''Down Beat'', June 1985 ( ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eddie Gómez
Edgar Gómez (born October 4, 1944) is a Puerto Rican jazz double bassist, known for his work with the Bill Evans Trio from 1966 to 1977. Biography Gómez moved with his family from Puerto Rico at a young age to New York, where he was raised. Yanow, Scott. Allmusic biography of Eddie Gómez. Retrieved January 26, 2014. He started on double bass in the New York City school system at the age of eleven and at age thirteen went to the New York City High School of Music & Art. He played in the Newport Festival Youth Band (led by Marshall Brown) from 1959 to 1961, and graduated from Juilliard in 1963. He played with musicians such as Gerry Mulligan, Marian McPartland, Paul Bley, Steps Ahead, and Chick Corea. He spent a total of eleven years with the Bill Evans Trio, which included performances in the United States, Europe and Asia, as well as dozens of recordings. His career mainly consists of working as an accompanist, a position suited for his quick reflexes and flexibility. In a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Reggie Johnson (musician)
Reginald Volney Johnson (December 13, 1940 – September 11, 2020) was an American jazz double-bassist. Johnson was born in Owensboro, Kentucky. After playing trombone with school orchestras and army bands, he switched to double bass, and started working with musicians such as Bill Barron and recording with Archie Shepp in the mid–1960s, before joining Art Blakey's band for a month-long residency at the Five Spot Café in December 1965, and then going on to The Lighthouse nightclub in Hermosa Beach, California, where they recorded the live album, ''Buttercorn Lady'', at the beginning of 1966, with a line-up, comprising Blakey, Frank Mitchell, Chuck Mangione, Keith Jarrett, and Johnson. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Milford Graves
Milford Graves (August 20, 1941 – February 12, 2021) was an American jazz drummer, percussionist, Professor Emeritus of Music, researcher/inventor, visual artist/sculptor, gardener/herbalist, and martial artist. Graves was noteworthy for his early avant-garde contributions in the 1960s with Paul Bley, Albert Ayler, and the New York Art Quartet, and is considered to be a free jazz pioneer, liberating percussion from its timekeeping role. The composer and saxophonist John Zorn referred to Graves as "basically a 20th-century shaman." Early life Graves was born in Jamaica, Queens, New York City, on August 20, 1941. He began playing drums when he was three years old, and was introduced to the congas at age eight. He also studied timbales and African hand drumming at an early age. By the early 1960s, he was leading dance bands and playing in Latin/Afro Cuban ensembles in New York on bills alongside Cal Tjader and Herbie Mann. His group, the Milford Graves Latino Quintet, include ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Albert Ayler
Albert Ayler (; July 13, 1936 – November 25, 1970) was an American avant-garde jazz saxophonist, singer and composer. After early experience playing R&B and bebop, Ayler began recording music during the free jazz era of the 1960s. However, some critics argue that while Ayler's style is undeniably original and unorthodox, it does not adhere to the generally accepted critical understanding of free jazz. In fact, Ayler's style is difficult to categorize in any way, and it evoked incredibly strong and disparate reactions from critics and fans alike.Claghorn, 1982. His innovations have inspired subsequent jazz musicians. His trio and quartet records of 1964, such as '' Spiritual Unity'' and '' The Hilversum Session'', show him advancing the improvisational notions of John Coltrane and Ornette Coleman into abstract realms where whole timbre, and not just mainly harmony with melody, is the music's backbone. His ecstatic music of 1965 and 1966, such as "Spirits Rejoice" and "Tru ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bells (album)
''Bells'' is a live album by American free jazz saxophonist Albert Ayler recorded at The Town Hall in New York City in 1965 and first released as a single sided LP on the ESP-Disk label.Albert Ayler discography accessed October 29, 2014 The album was released in many variations including clear and coloured vinyl and with a variety of colored covers and most recently on CD combined with ''''. Reception The review by Michael G. Nastos states: "As Albert Ayler recorded several definiti ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bud Powell
Earl Rudolph "Bud" Powell (September 27, 1924 – July 31, 1966) was an American jazz pianist and composer. Along with Charlie Parker, Thelonious Monk, Kenny Clarke and Dizzy Gillespie, Powell was a leading figure in the development of modern jazz. His virtuosity led many to call him the Charlie Parker of the piano. Powell was also a composer, and many jazz critics credit his works and his playing as having "greatly extended the range of jazz harmony".Grove Life and career Early life He was born in Harlem, New York, United States. Powell's father was a stride pianist.Gitler, p. 112. Powell started classical piano lessons at the age of five. His teacher, hired by his father, was a West Indian man named Rawlins. At 10 years of age, Powell showed interest in the swing music that could be heard all over the neighborhood. He first appeared in public at a rent party,Crawford, p. 12. where he mimicked Fats Waller's playing style. The first jazz composition that he mastered was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
