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Montrouge (actor)
Montrouge (15 March 1825 – 22 December 1903), born Louis (Émile) Hesnard, was a comic actor in French musical theatre in the second half of the nineteenth century, as well as a theatre manager in Paris. Life and career He studied architecture at the École des Beaux-Arts in Paris but then became involved in amateur theatre work.Martin J., ''Nos artistes des théâtres et concerts'' (Paris: Paul Ollendorff, 1895. Montrouge's career began in earnest in 1855 at the Théâtre Batignolles, where he also acted as manager.Gänzl K.: "Marguerite Macé-Montrouge", in: ''The Encyclopaedia of the Musical Theatre'' (Oxford: Blackwell, 1994. In addition he variously managed the Théâtre Folies-Marigny from 1864-69 (where he met his wife, and on leaving received a benefit of 500,000 francs), the Théâtre des Bouffes-Parisiens, the Théâtre du Châtelet and the Athénée-Comique. He performed together with his wife in Cairo from 1873–75. At the Théâtre des Délassements-Comiques h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Montrouge Photographie Atelier Nadar Btv1b531073001
Montrouge () is a commune in the southern Parisian suburbs, located from the centre of Paris. It is one of the most densely populated municipalities in Europe. After a long period of decline, the population has increased again in recent years. History The name "Montrouge" means Red Mountain - from ''mont'' (mountain) and ''rouge'' (red) - because of the reddish colour of the earth in this area. The name of the community was first mentioned in monastery documents in 1194. Throughout the Middle Ages, the hamlet was home to monasteries and a number of religious orders, while in the 15th century it became the site of quarries used for the reconstruction of Paris. The late sixteenth century saw the plain of Montrouge named "reserve for royal hunts", and during the seventeenth and eighteenth centuries it was known for its windmills, which have all now disappeared. On 1 January 1860, the city of Paris was enlarged by annexing neighbouring communes. On that occasion, most of the commu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Le Mari De La Reine
''Le mari de la reine'' is an opérette in three acts of 1889, with music by André Messager and a French libretto by E Grenet-Dancourt and Octave Pradels.Wagstaff J. André Messager. In: ''The New Grove Dictionary of Opera.'' Macmillan, London and New York, 1997. It was first performed at the Bouffes-Parisiens on 18 December 1889, with a vocal score being published in the following year. Messager described it as "the best of my failures". Roles Synopsis Florestan, a young artist, has asked for the hand of Justine Patouillard. The Patouillards, who have a restaurant at 18 rue Rambuteau, have refused him flat. Rejected and disheartened, Florestan goes to seek his fortune in 'Kokistan', supposedly on a mission for Geoffroy Saint-Hilaire. After a couple of minutes of conversation, Tomba-Kopo, the prime minister, explains the strange situation to the visitor. The local law means that the queen is obliged to get divorced every year, and take as a new husband (old ones can also re ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
19th-century French Male Actors
The 19th (nineteenth) century began on 1 January 1801 ( MDCCCI), and ended on 31 December 1900 ( MCM). The 19th century was the ninth century of the 2nd millennium. The 19th century was characterized by vast social upheaval. Slavery was abolished in much of Europe and the Americas. The First Industrial Revolution, though it began in the late 18th century, expanding beyond its British homeland for the first time during this century, particularly remaking the economies and societies of the Low Countries, the Rhineland, Northern Italy, and the Northeastern United States. A few decades later, the Second Industrial Revolution led to ever more massive urbanization and much higher levels of productivity, profit, and prosperity, a pattern that continued into the 20th century. The Islamic gunpowder empires fell into decline and European imperialism brought much of South Asia, Southeast Asia, and almost all of Africa under colonial rule. It was also marked by the collapse of the lar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1903 Deaths
Nineteen or 19 may refer to: * 19 (number), the natural number following 18 and preceding 20 * one of the years 19 BC, AD 19, 1919, 2019 Films * ''19'' (film), a 2001 Japanese film * ''Nineteen'' (film), a 1987 science fiction film Music * 19 (band), a Japanese pop music duo Albums * ''19'' (Adele album), 2008 * ''19'', a 2003 album by Alsou * ''19'', a 2006 album by Evan Yo * ''19'', a 2018 album by MHD * ''19'', one half of the double album '' 63/19'' by Kool A.D. * '' Number Nineteen'', a 1971 album by American jazz pianist Mal Waldron * ''XIX'' (EP), a 2019 EP by 1the9 Songs * "19" (song), a 1985 song by British musician Paul Hardcastle. * "Nineteen", a song by Bad4Good from the 1992 album ''Refugee'' * "Nineteen", a song by Karma to Burn from the 2001 album ''Almost Heathen''. * "Nineteen" (song), a 2007 song by American singer Billy Ray Cyrus. * "Nineteen", a song by Tegan and Sara from the 2007 album '' The Con''. * "XIX" (song), a 2014 song by S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1825 Births
Eighteen or 18 may refer to: * 18 (number), the natural number following 17 and preceding 19 * one of the years 18 BC, AD 18, 1918, 2018 Film, television and entertainment * ''18'' (film), a 1993 Taiwanese experimental film based on the short story ''God's Dice'' * ''Eighteen'' (film), a 2005 Canadian dramatic feature film * 18 (British Board of Film Classification), a film rating in the United Kingdom, also used in Ireland by the Irish Film Classification Office * 18 (''Dragon Ball''), a character in the ''Dragon Ball'' franchise * "Eighteen", a 2006 episode of the animated television series '' 12 oz. Mouse'' Music Albums * ''18'' (Moby album), 2002 * ''18'' (Nana Kitade album), 2005 * '' 18...'', 2009 debut album by G.E.M. Songs * "18" (5 Seconds of Summer song), from their 2014 eponymous debut album * "18" (One Direction song), from their 2014 studio album ''Four'' * "18", by Anarbor from their 2013 studio album ''Burnout'' * "I'm Eighteen", by Alice Cooper commo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marguerite Macé-Montrouge
Marguerite Macé-Montrouge (born Victoire Macé on 24 March 1836, died 26 November 1898 in Paris), became a professional actress at the age of 14,Gänzl K. ''The Encyclopaedia of the Musical Theatre.'' Blackwell, Oxford, 1994. and was an early member of Offenbach's troupe, before enjoying a long stage career in Paris and elsewhere.In Martin J. ''Nos artistes des théâtres et concerts'', her birth name is also given as Marguerite-Elisa Macé. Life and career Brought up by her grandmother in the Batignolles she studied at the Paris Conservatoire under Provost from 1848 to 50. She appeared at the École lyrique in ''La Fille terrible'' and ''La Veuve de quinze ans'' Du Temps des cerises aux Feuilles mortes Accessed 27 May 2011. making her debut at the [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Mascotte
''La mascotte'' (''The Mascot'') is a three-act opéra comique with music by Edmond Audran and words by Alfred Duru and Henri Chivot. The story concerns a farm girl who is a "mascotte": someone with the mystic power to bring good luck to all around her, so long as she remains a virgin. The opera opened at the Théâtre des Bouffes Parisiens, Paris, on 28 December 1880, and had an initial run of 301 performances. Productions followed in other continental European countries, the Americas, Britain and Australia. The title of the piece introduced the word "mascotte" into standard French usage, "mascot" into English, and other variants of it into several more languages. Background and first performance In 1880 "mascotte" was a fairly new French slang word derived from the Provençal term ''mascoto'', meaning "spell" or "bewitchment". At the time it was as unknown to standard French dictionaries as to English. According to Audran's son, the inspiration for ''La mascotte'' came from a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Les Annales Du Théâtre Et De La Musique
''Les Annales du Théâtre et de la Musique'' ("The Annals of Theatre and Music") was an annual French periodical which covered French dramatic and lyric theatre for 42 years, from 1875 to 1916. The volumes also covered concert series and necrology. It was co-edited by Édouard Noël (1848–1926) and Edmond Stoullig (1845–1918) and was published in Paris by Charpentier from 1876 to 1895 and Berger-Levrault in 1896. Beginning in 1897 it was published annually by Paul Ollendorff (with Stoullig as the sole editor) up to 1914 with the penultimate volume published in 1916 (covering the years 1914–1915) and the final volume in 1918 (covering the year 1916). A total of 41 volumes were published. at |
Miss Helyett (opera)
''Miss Helyett'' is an opérette in three acts with music by Edmond Audran and words by Maxime Boucheron. It depicts the complications ensuing when the excessively puritanical heroine believes herself duty-bound to marry an unknown man who, in rescuing her from a serious fall in the Pyrenees, has been unable to avoid seeing the exposed lower half of her body. The piece was first performed at the Théâtre des Bouffes-Parisiens on 12 November 1890. Productions followed in continental Europe, Britain, the US and Australia. The most recent revival in Paris was in 1921, and the piece remained popular in the French provinces during the next two decades, but fell out of the repertoire after that. Background and first production By 1890 Audran was a well-established composer of opérette and opéra comique, with 18 full-length pieces to his credit, including the very popular '' La mascotte'' (1880). Boucheron was also experienced, having written librettos for Paul Burani, Georges G ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
François Les Bas-bleus
''François les bas-bleus'' is an opéra comique in three acts of 1883, with a French language, French libretto by Ernest Dubreuil, Eugène Humbert, Paul Burani, and music by Firmin Bernicat, completed by André Messager. Background Bernicat had worked for some time in café-concert; he began work setting a libretto based on an old vaudeville ''Les beignets à la cour'', which became an opéra-comique in three acts ''Les beignets du roi'' and was mounted at the Théâtre des Fantaisies-Parisiennes in Brussels in February 1882, with some success.Noel E & Stoullig E. ''Les Annales du Théâtre et de la Musique, 9eme edition, 1883.'' G Charpentier et Cie, Paris, 1884. ''François les bas-bleus'' was first performed at the Théâtre des Folies-Dramatiques on 8 November 1883, and continued to play there until the following March. From 17 December 1887 it was revived at the Théâtre des Menus-Plaisirs for 50 performances, with Jane Pierny as Fanchon, Jacquin as François, Bartel as Pon ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
École Des Beaux-Arts
École des Beaux-Arts (; ) refers to a number of influential art schools in France. The term is associated with the Beaux-Arts style in architecture and city planning that thrived in France and other countries during the late nineteenth century and the first quarter of the twentieth century. The most famous and oldest École des Beaux-Arts is the École nationale supérieure des Beaux-Arts in Paris, now located on the city's left bank across from the Louvre, at 14 rue Bonaparte (in the 6th arrondissement). The school has a history spanning more than 350 years, training many of the great artists in Europe. Beaux-Arts style was modeled on classical "antiquities", preserving these idealized forms and passing the style on to future generations. History The origins of the Paris school go back to 1648, when the Académie des Beaux-Arts was founded by Cardinal Mazarin to educate the most talented students in drawing, painting, sculpture, engraving, architecture and other medi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Théâtre De La Porte Saint-Martin
The Théâtre de la Porte Saint-Martin is a venerable theatre and opera house at 18, Boulevard Saint-Martin in the 10th arrondissement of Paris. History It was first built very rapidly in 1781 under the direction of (1726–1810) to house the Paris Opéra, whose previous home, the second Salle du Palais-Royal, had burned down on 8 June 1781. The new theatre had a capacity of about 2,000 spectators and included a parterre with the lowest-priced tickets sold only to males who stood throughout the performances, an amphitheatre, and four rows of boxes. The Opéra used the theatre from 27 October 1781 until August 1794."Atlantes et cariatides des grands boulevards - Paris.fr" . The the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
