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Monteverdi-Chor
The Monteverdi-Chor Hamburg is a mixed choir in Hamburg, the chamber choir of the University of Hamburg since 1961. Founded in 1955 by Jürgen Jürgens and directed by him until 1994, it is one of Germany's most famous concert choirs. The choir is well known for its interpretations of Baroque and Renaissance music, but covers choral music from the Renaissance to contemporary music. Since 1994, the conductor has been Gothart Stier. History The choir was founded in 1955 as the "Chor am Italienischen Kulturinstitut" (Choir at the Italian Cultural Institute), but renamed the same year after Claudio Monteverdi, then a largely unknown composer. Since 1961 it has been the chamber choir of the University of Hamburg, where Jürgens worked as a director of music from 1961 to 1993. After four years of intensive preparation, the Monteverdi-Chor won first prize at the international choral competition ''Concorso Polifonico Internazionale "Guido d'Arezzo"'' in Arezzo, Italy, in 1959. In 1962, it ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jürgen Jürgens
Jürgen Jürgens (5 October 1925 – 4 August 1994) was a German choral conductor and academic teacher. He founded and directed the Monteverdi-Chor Hamburg, a pioneering ensemble for Monteverdi's music. Biography Born in Frankfurt am Main, Jürgens received his musical training at the Musisches Gymnasium Frankfurt with Kurt Thomas. Jürgens studied singing and choir direction with at the Musikhochschule Freiburg. In 1955, he founded the award-winning Monteverdi-Chor Hamburg. They recorded for Archiv Produktion, focussing on works of Claudio Monteverdi. Later the choir became involved in the Telefunken/Teldec Bach cantatas project with the Leonhardt-Consort. From 1961 to 1993, Jürgens was University Music Director of the Choir and Orchestra at the University of Hamburg. and was appointed professor at the University of Hamburg in 1973. He died in Hamburg and was buried at the Ohlsdorf Cemetery. Awards * 1985 Biermann Ratjen Medal * 1991 Johannes Brahms Medal Discograph ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Monteverdi-Chor Februar2012
The Monteverdi-Chor Hamburg is a mixed choir in Hamburg, the chamber choir of the University of Hamburg since 1961. Founded in 1955 by Jürgen Jürgens and directed by him until 1994, it is one of Germany's most famous concert choirs. The choir is well known for its interpretations of Baroque and Renaissance music, but covers choral music from the Renaissance to contemporary music. Since 1994, the conductor has been Gothart Stier. History The choir was founded in 1955 as the "Chor am Italienischen Kulturinstitut" (Choir at the Italian Cultural Institute), but renamed the same year after Claudio Monteverdi, then a largely unknown composer. Since 1961 it has been the chamber choir of the University of Hamburg, where Jürgens worked as a director of music from 1961 to 1993. After four years of intensive preparation, the Monteverdi-Chor won first prize at the international choral competition ''Concorso Polifonico Internazionale "Guido d'Arezzo"'' in Arezzo, Italy, in 1959. In 1962 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Requiem (Reger)
Max Reger's 1915 ''Requiem'' (or the ''Hebbel Requiem''), , is a late Romantic setting of Friedrich Hebbel's poem "Requiem" for alto or baritone solo, chorus and orchestra. It is Reger's last completed work for chorus and orchestra, dedicated in the autograph as ' (To the memory of the German heroes who fell in the 1914/15 War). Reger had composed ''Requiem'' settings before: his 1912 motet for male chorus, published as the final part of his , uses the same poem, and in 1914 he set out to compose a choral work in memory of the victims of the Great War. The setting is of the Latin Requiem, the Catholic service for the dead, but the work remained a fragment and was eventually designated the ' ( Latin Requiem), . The ''Hebbel Requiem'' was published by N. Simrock in 1916, after the composer's death, with another choral composition, ' (''The Hermit''), , to a poem by Joseph von Eichendorff. That publication was titled ' (Two songs for mixed chorus with orchestra), . Reg ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Archiv Produktion
Archiv Produktion is a classical music record label of German origin. It originated in 1949 as a classical label for the Deutsche Grammophon Gesellschaft (DGG), and in 1958 Archiv was established as a subsidiary of DGG, specialising in recordings of Early and Baroque music. It has since developed a particular focus on "historically informed performance" and the work of artists of the Early music revival movement of the 20th and 21st centuries. The first head of Archiv Produktion, serving in the position from 1948 to 1957, was Fred Hamel, a musicologist who set out the early Archiv Produktion releases according to 12 research periods, from Gregorian Chant to Mannheim and Vienna. Hamel's successor 1958-1968 Hans Hickmann was a professor at the University of Hamburg who focused on Bach and Handel. The next director was Andreas Holschneider (1931–2019) from 1970-1991. In December 1991 Holschneider gave an interview to ''Gramophone'' where he defended the entry of Archiv Produktion ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gothart Stier
Gothart Stier (27 June 1938 – 2 March 2023) was a German Lied and oratorio singer and church musician. Life Born in Magdeburg, Stier received his first musical training in the , which he belonged to until his Abitur. He studied conducting and church music at the University of Music and Theatre Leipzig and completed his studies with the A exam. He also trained as a concert singer through private singing lessons. From 1963 to 1991, Stier was cantor and organist at the Friedenskirche in Gohlis. At the same time, he worked as a concert and oratorio singer at home and abroad. Radio, television and recordings with works from Schütz to Schönberg and Theodorakis document his versatile repertoire. After the death of Karl Richter, Stier conducted the Münchener Bach-Chor and the Munich Bach Orchestra from 1983 to 1984. He was also a guest conductor with numerous German . In 1991, Stier was appointed to Dresden as the 27th Kreuzkantor. In this post, he directed the Dresdner ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
A Cappella
''A cappella'' (, also , ; ) music is a performance by a singer or a singing group without instrumental accompaniment, or a piece intended to be performed in this way. The term ''a cappella'' was originally intended to differentiate between Renaissance polyphony and Baroque concertato musical styles. In the 19th century, a renewed interest in Renaissance polyphony, coupled with an ignorance of the fact that vocal parts were often doubled by instrumentalists, led to the term coming to mean unaccompanied vocal music. The term is also used, rarely, as a synonym for '' alla breve''. Early history A cappella could be as old as humanity itself. Research suggests that singing and vocables may have been what early humans used to communicate before the invention of language. The earliest piece of sheet music is thought to have originated from times as early as 2000 B.C. while the earliest that has survived in its entirety is from the first century A.D.: a piece from Greece called t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dietrich Fischer-Dieskau
Dietrich Fischer-Dieskau (28 May 1925 – 18 May 2012) was a German lyric baritone and conductor of classical music, one of the most famous Lieder (art song) performers of the post-war period, best known as a singer of Franz Schubert's Lieder, particularly ''"Winterreise"'' of which his recordings with accompanists Gerald Moore and Jörg Demus are still critically acclaimed half a century after their release. Recording an array of repertoire (spanning centuries) as musicologist Alan Blyth asserted, "No singer in our time, or probably any other has managed the range and versatility of repertory achieved by Dietrich Fischer-Dieskau. Opera, Lieder and oratorio in German, Italian or English came alike to him, yet he brought to each a precision and individuality that bespoke his perceptive insights into the idiom at hand." In addition, he recorded in French, Russian, Hebrew, Latin and Hungarian. He was described as "one of the supreme vocal artists of the 20th century" and "the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Philharmonisches Staatsorchester Hamburg
The Philharmonisches Staatsorchester Hamburg (Hamburg Philharmonic State Orchestra) is an internationally renowned symphony orchestra based in Hamburg. As of 2015, Kent Nagano has been General Music Director (''Generalmusikdirektor'') and chief conductor ''(Chefdirigent).'' The Philharmoniker Hamburg also serves as the orchestra of the Hamburg State Opera. The Hamburg Philharmonic is one of three major orchestras in Hamburg, the others being the Hamburger Symphoniker and the NDR Elbphilharmonie Orchestra. History The forerunner organization, die Philharmonische Gesellschaft (The Philharmonic Society), was founded on November 9, 1828, and was led by Friedrich Wilhelm Grund. In 1934 it merged with the Stadttheater-Orchester to become the Philharmonisches Staatsorchester Hamburg (the name under which it recorded a celebrated Eighth Symphony of Anton Bruckner under Eugen Jochum in 1949). The present name was adopted in 2005. Chief conductors ; Die Philharmonische Gesellschaft ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gerd Albrecht
Gerd Albrecht (19 July 1935 – 2 February 2014) was a German conductor. Biography Albrecht was born in Essen, the son of the musicologist Hans Albrecht (1902–1961). He studied music in Kiel and in Hamburg, where his teachers included Wilhelm Brückner-Rüggeberg. He was a first-prize winner at the International Besançon Competition for Young Conductors at age 22. His first post was as a repetiteur at the Stuttgart State Opera. Later, he became Senior Kapellmeister at the Staatstheater Mainz, and ''Generalmusikdirektor'' in Lübeck. He also held posts at the Deutsche Oper Berlin, the Tonhalle-Orchester Zürich and the Hamburg State Opera. His work in contemporary opera included conducting Aribert Reimann's '' Lear'' in both its world premiere and its United States premiere, as well as making the first commercial recording of the opera. His other commercial recordings include Robert Schumann's '' Genoveva'' and ''Manfred'', and the first commercial recording of Hans Wer ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Romantic Music
Romantic music is a stylistic movement in Western Classical music associated with the period of the 19th century commonly referred to as the Romantic era (or Romantic period). It is closely related to the broader concept of Romanticism—the intellectual, artistic and literary movement that became prominent in Western culture from approximately 1798 until 1837. Romantic composers sought to create music that was individualistic, emotional, dramatic and often programmatic; reflecting broader trends within the movements of Romantic literature, poetry, art, and philosophy. Romantic music was often ostensibly inspired by (or else sought to evoke) non-musical stimuli, such as nature, literature, poetry, super-natural elements or the fine arts. It included features such as increased chromaticism and moved away from traditional forms. Background The Romantic movement was an artistic, literary, and intellectual movement that originated in the second half of the 18th century ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Classical Period (music)
The Classical period was an era of classical music between roughly 1750 and 1820. The Classical period falls between the Baroque and the Romantic periods. Classical music has a lighter, clearer texture than Baroque music, but a more sophisticated use of form. It is mainly homophonic, using a clear melody line over a subordinate chordal accompaniment, Blume, Friedrich. ''Classic and Romantic Music: A Comprehensive Survey''. New York: W. W. Norton, 1970 but counterpoint was by no means forgotten, especially in liturgical vocal music and, later in the period, secular instrumental music. It also makes use of '' style galant'' which emphasized light elegance in place of the Baroque's dignified seriousness and impressive grandeur. Variety and contrast within a piece became more pronounced than before and the orchestra increased in size, range, and power. The harpsichord was replaced as the main keyboard instrument by the piano (or fortepiano). Unlike the harpsichord, which plucks ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jaap Schröder
Jaap Schröder or Jaap Schroeder (31 December 1925 – 1 January 2020) was a Dutch violinist, conductor, and pedagogue. He studied at the Amsterdam Conservatory and at the Sorbonne in France. In the 1960s he was a member of the Dutch early music group Concerto Amsterdam and made recordings with Gustav Leonhardt, Anner Bylsma, Frans Brüggen and others. Since 1981 he served as the director and concertmaster of the Academy of Ancient Music, and in 1982 he was appointed the visiting music director of the Smithsonian Chamber Players. He served as a faculty member at the Schola Cantorum Basiliensis, Yale School of Music and the Luxembourg Conservatory The Conservatoire de Luxembourg is a conservatoire in Luxembourg City, in southern Luxembourg. The conservatoire was founded in 1906, after a private donation made possible its establishment, which had been mandated under a Grand Ducal decree is .... Works * References External links Jaap Schröder Discographyindexed by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
