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Monte Cristo Jr.
''Monte Cristo Jr.'' was a Victorian burlesque with a libretto written by Richard Henry, a pseudonym for the writers Richard Butler and Henry Chance Newton. The score was composed by Meyer Lutz, Ivan Caryll, Hamilton Clarke, Tito Mattei, G. W. Hunt and Henry J. Leslie. The ballet and incidental dances were arranged by John D'Auban, and the theatre's musical director, Meyer Lutz, conducted. The play's doggerel verse was loosely based on ''The Count of Monte Cristo'' by Alexandre Dumas. Bordman, Gerald and Richard Norton''American Musical Theatre: A Chronicle'' Oxford University Press (4th edition, 2011), p. 110 The piece was first performed under the management of George Edwardes, premiering at the Gaiety Theatre in London on 23 December 1886. Nellie Farren, E. J. Lonnen, Fred Leslie, Marion Hood and Jenny Lind appeared in the cast during the run, which ended in early October 1887. It was then toured in Britain, and the following year it was mounted in New York and toured ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Monte Cristo Jr
Monte may refer to: Places Argentina * Argentine Monte, an ecoregion * Monte Desert * Monte Partido, a ''partido'' in Buenos Aires Province Italy * Monte Bregagno * Monte Cassino * Montecorvino (other) * Montefalcione Portugal * Monte (Funchal), a civil parish in the municipality of Funchal * Monte, a civil parish in the municipality of Fafe * Monte, a civil parish in the municipality of Murtosa * Monte, a civil parish in the municipality of Terras de Bouro Elsewhere * Monte, Haute-Corse, a commune in Corsica, France * Monte, Switzerland, a village in the municipality Castel San Pietro, Ticino, Switzerland * Monte, U.S. Virgin Islands, a neighborhood * Monte Lake, British Columbia, Canada Arts, entertainment, and media * ''Monte'' (film), a 2016 drama film by Amir Naderi * Three-card Monte * Monte Bank or Monte, a card game Other uses * Monte (dessert) a milk cream dessert produced by the German dairy company Zott * Monte (mascot), the mascot of the University ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Edwardes
George Joseph Edwardes (né Edwards; 8 October 1855 – 4 October 1915) was an English theatre manager and producer of Irish ancestry who brought a new era in musical theatre to the British stage and beyond. Edwardes started out in theatre management, soon working at a number of West End theatres. By the age of 20, he was managing theatres for Richard D'Oyly Carte. In 1885, Edwardes became a manager at the Gaiety Theatre, London, Gaiety Theatre with John Hollingshead, who soon retired. For the next three decades, Edwardes ruled a theatrical empire including the Gaiety, Daly's Theatre, the Adelphi Theatre and others, and sent touring companies around Britain and abroad. In the early 1890s, Edwardes recognised the changing tastes of musical theatre audiences and led the movement away from Victorian burlesque, burlesque and comic opera to Edwardian musical comedy. Life and career Edwardes was born at Great Grimsby, Lincolnshire, England. He was the eldest of four sons and three ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carmen Up To Data
''Carmen up to Data'' is a musical burlesque with a score written by Meyer Lutz. The piece was a spoof of Bizet's 1875 opera ''Carmen''. The libretto was written by G. R. Sims and Henry Pettitt. After a tryout in Liverpool in September 1890, the piece premiered at the Gaiety Theatre, London, on 4 October 1890, produced by George Edwardes. It starred Florence St. John in the title role, Letty Lind as Mercedes, Jenny Dawson as Escamillo, Maria Jones as Michaela, Blanche Massey as Morales, Horace Mills as Remendado, E. J. Lonnen as José and Arthur Williams as Captain Zuniga.Programme for ''Carmen up to Data'' The piece was a success and toured throughout the English-speaking world, reaching Australia by 1892. Background Bizet's ''Carmen'' had first been produced in Engli ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ruy Blas And The Blasé Roué
''Ruy Blas and the Blasé Roué'' is a burlesque written by A. C. Torr and Herbert F. Clark with music by Meyer Lutz. It is based on the Victor Hugo drama ''Ruy Blas''. The piece was produced by George Edwardes. As with many of the Gaiety burlesques, the title is a pun. After a tryout in Birmingham beginning on 3 September 1889, ''Ruy Blas and the Blasé Roué'' opened in London on 21 September 1889 at the Gaiety Theatre and ran for 289 performances. The cast included Nellie Farren, Fred Leslie, Marion Hood, Letty Lind, Sylvia Grey, Linda Verner, Blanche Massie, Alice Young, Charles Danby, Fred Storey and Ben Nathan.Hollingshead, p. 57 The piece toured in the British provinces and internationally, and was revised at least once during its run. It originally included a caricature of Henry Irving, in a scene in which some of the actors wore ballet girl costumes. Irving, never having seen the show, objected, and the Lord Chamberlain (Britain's theatrical censor, who also ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Faust Up To Date
''Faust up to Date'' is a musical Victorian burlesque, burlesque with a score written by Meyer Lutz (a few songs by others were interpolated into the show). The libretto was written by G. R. Sims and Henry Pettitt. It is a spoof of Gounod's opera, ''Faust (opera), Faust'', which had first been performed in London in 1864, and followed on from an earlier Lutz musical, ''Faust and Marguerite (opera), Mephistopheles, or Faust and Marguerite''. The piece was first performed at the Gaiety Theatre, London on 30 October 1888, produced by George Edwardes, and ran until August 1889. It starred Florence St. John as Margaret, E. J. Lonnen as Mephistopheles and Mabel Love as Totchen. It was revived in July 1892, with Florence St. John again playing the role of Margaret, Edmund Payne as Mephistopheles and Arthur Williams (actor), Arthur Williams as Valentine. The piece enjoyed subsequent productions in New York, Australia (with Robert Courtneidge as Valentine) and elsewhere. Background Thi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frankenstein, Or The Vampire's Victim
''Frankenstein, or The Vampire's Victim'' (sometimes called ''Frankenstein, or The Model Man'') is a musical burlesque written by Richard Henry (a pseudonym of Richard Butler and Henry Chance Newton). The music was composed by Meyer Lutz. The piece is a burlesque of the 1818 Mary Shelley novel '' Frankenstein; or, The Modern Prometheus '' and the Adelphi Theatre drama based on the novel. Opening at the Gaiety Theatre, London on 24 December 1887, the production was a flop, closing after a week. It starred Nellie Farren as Dr. Frankenstein and Fred Leslie as a monster who is in touch with his feminine side. The Victorian audiences found the piece too feminist in tone. In addition, the public was annoyed at George Edwardes, who had reduced the size of the inexpensive "pit" in favour of more "stalls". The piece also featured Marion Hood as the doctor's love interest Tartina; E. J. Lonnen as the vampire Visconti; Emily Cross as Mary Ann; Sylvia Grey as Tamburina, goddess of th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Miss Esmeralda
''Miss Esmeralda'' is a Victorian burlesque, in two acts, with music by Meyer Lutz and Robert Martin and a libretto by Fred Leslie, under his pseudonym "A. C. Torr", and Horace Mills. It is based on Victor Hugo's ''Notre Dame de Paris''. The piece premiered in 1887 at the Gaiety Theatre in London, starring Marion Hood in the title role, with Frank Thornton as Quasimodo and featuring E. J. Lonnen and Letty Lind. Background and production John Hollingshead had managed the Gaiety Theatre from 1868 to 1886 as a venue for variety, continental operetta, light comedy, and musical burlesques. In 1886, Hollingshead ceded the management of the theatre to George Edwardes, whom he had hired in 1885. Fred Leslie wrote many of the theatre's pieces under his pseudonym, "A. C. Torr". Beginning with ''Little Jack Sheppard'' (1885), Edwardes expanded the format of the burlesques to full-length pieces with original music by Meyer Lutz, instead of scores compiled from popular tunes. These inc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Little Jack Sheppard
''Little Jack Sheppard'' is a burlesque melodrama written by Henry Pottinger Stephens and William Yardley, with music by Meyer Lutz, with songs contributed by Florian Pascal,Florian Pascal was a pseudonym for Joseph Williams, Jr. (1847-1923), a music publisher and composer. SeFlorian Pascal profile at the Gilbert and Sullivan Archiveand ttp://catalogue.nla.gov.au/Search/Home?lookfor=author:%22Pascal,%20Florian,%201847-1923%22&iknowwhatimean=1 Songs by Florian Pascal/ref> Corney Grain, Arthur Cecil, Michael Watson, Henry J. Leslie, Alfred Cellier and Hamilton Clarke. The comedy lampooned the serious plays based on the life of Jack Sheppard, especially the popular 1839 play by John Buckstone, which was in turn based on the novel of that year by William Harrison Ainsworth. The piece opened at the Gaiety Theatre in London on 26 December 1885 and initially ran for 155 performances. It featured Nellie Farren as Jack Sheppard, Fred Leslie as Jonathan Wild, David James as Blueskin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Galatea, Or Pygmalion Reversed
''Galatea, or Pygmalion Re-Versed'' is a musical burlesque that parodies the Pygmalion legend, and specifically W. S. Gilbert's 1871 play '' Pygmalion and Galatea''. The libretto was written by Henry Pottinger Stephens and W. Webster. The score was composed by Wilhelm Meyer Lutz. The work was premiered at the Gaiety Theatre, London on 26 December 1883. It starred Nellie Farren and Edward Terry. Background This type of work, Victorian burlesque, was popular in Britain in the late 19th century. Other examples include ''The Bohemian G-yurl and the Unapproachable Pole'' (1877), ''Blue Beard'' (1882), ''Ariel'' (1883, by F. C. Burnand), ''Little Jack Sheppard'' (1885), ''Monte Cristo Jr.'' (1886), '' Miss Esmeralda'' (1887), ''Frankenstein, or The Vampire's Victim'' (1887), ''Faust up to Date'' (1888), ''Ruy Blas and the Blasé Roué'' (1888), ''Carmen up to Data'' (1890), and ''Cinder Ellen up too Late'' (1891). Gilbert himself had written a series of burlesques of oper ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Bohemian G-yurl And The Unapproachable Pole
''The Bohemian G-yurl and the Unapproachable Pole'' is a musical burlesque in two acts, with a score by Meyer Lutz to a libretto by Henry James Byron, which played under the management of John Hollingshead at the Gaiety Theatre in London in 1877. It was a parody of the popular opera ''The Bohemian Girl'' composed by Michael William Balfe with a libretto by Alfred Bunn. Background Burlesque of opera or classical works was popular in Britain from the 1860s to the 1880s, and ''The Bohemian G-yurl and the Unapproachable Pole'' fell into this tradition. Other examples at the Gaiety included ''Blue Beard'' (1882), ''Ariel'' (1883, by F. C. Burnand), ''Galatea, or Pygmalion Reversed'' (1883), ''Little Jack Sheppard'' (1885), ''Monte Cristo Jr.'' (1886), ''Miss Esmeralda'' (1887), ''Frankenstein, or The Vampire's Victim'' (1887), ''Mazeppa'', ''Faust up to Date'' (1888), ''Ruy Blas and the Blasé Roué'' (1888), ''Carmen up to Data'' (1890), ''Cinder Ellen up too Late'' (1891) and ''Don ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sigmund Romberg
Sigmund Romberg (July 29, 1887 – November 9, 1951) was a Hungarian-born American composer. He is best known for his musicals and operettas, particularly '' The Student Prince'' (1924), '' The Desert Song'' (1926) and '' The New Moon'' (1928). Early in his career, Romberg was employed by the Shubert brothers to write music for their musicals and revues, including several vehicles for Al Jolson. For the Shuberts, he also adapted several European operettas for American audiences, including the successful '' Maytime'' (1917) and ''Blossom Time'' (1921). His three hit operettas of the mid-1920s, named above, are in the style of Viennese operetta, but his other works from that time mostly employ the style of American musicals of their eras. He also composed film scores. Biography Romberg was born in Hungary as Siegmund Rosenberg to a Jewish [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jenny Lind
Johanna Maria "Jenny" Lind (6 October 18202 November 1887) was a Swedish opera singer, often called the "Swedish Nightingale". One of the most highly regarded singers of the 19th century, she performed in soprano roles in opera in Sweden and across Europe, and undertook an extraordinarily popular Jenny Lind tour of America, 1850–52, concert tour of the United States beginning in 1850. She was a member of the Royal Swedish Academy of Music from 1840. Lind became famous after her performance in ''Der Freischütz'' in Sweden in 1838. Within a few years, she had suffered vocal damage, but the singing teacher Manuel García (baritone), Manuel García saved her voice. She was in great demand in opera roles throughout Sweden and northern Europe during the 1840s, and was closely associated with Felix Mendelssohn. After two acclaimed seasons in London, she announced her retirement from opera at the age of 29. In 1850, Lind went to America at the invitation of the showman P. T. Barnum ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
