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Mono-ha
Mono-ha (もの派) is the name given to an art movement led by Japanese and Korean artists of 20th-century. The Mono-ha artists explored the encounter between natural and industrial materials, such as stone, steel plates, glass, light bulbs, cotton, sponge, paper, wood, wire, rope, leather, oil, and water, arranging them in mostly unaltered, ephemeral states. The works focus as much on the interdependency of these various elements and the surrounding space as on the materials themselves. Origin of the Term “Mono-ha” and its Members “Mono-ha” is usually translated in a literal manner, as “School of Things.” The Mono-ha artists regularly assert that “Mono-ha” was a term disparagingly coined by critics (specifically Teruo Fujieda and Toshiaki Minemura in Bijutsu Techo' magazine in 1973) well after they had begun to exhibit their work, and they did not begin as an organized collective. The artists' writings and conversations were published before critics coined the ter ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nobuo Sekine
was a Japanese sculptor who resided in both Tokyo, Japan, and Los Angeles, California. A graduate of Tama Art University, he was one of the key members of Mono-ha, a group of artists who became prominent in the late 1960s and early 1970s. The Mono-ha artists explored the encounter between natural and industrial materials, arranging them or interacting with them in mostly unaltered, ephemeral states. Sekine’s signature materials included earth, water, stone, oilclay, sponge, steel plates, among others. His ''Phase—Mother Earth'', consisting of a hole dug into the ground, 2.7 meters deep and 2.2 meters in diameter, with the excavated earth compacted into a cylinder of exactly the same dimensions, is considered to have initiated the Mono-ha movement. Later credited as the "big bang" Groom, Simon. "Encountering Mono-ha", ''Mono-ha: School of Things''. Kettle’s Yard, 2001, p.8 of the movement, the work not only attracted the attention of fellow Tama students but also Lee Ufan, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kōji Enokura
was a Japanese painter and installation artist. He was one of the key members of Mono-ha, a group of artists who became prominent in the late 1960s and 1970s. The Mono-ha artists explored the encounter between natural and industrial materials, such as stone, steel plates, glass, light bulbs, cotton, sponge, paper, wood, wire, rope, leather, oil, and water, arranging them in mostly unaltered, ephemeral states. The works focus as much on the interdependency of these various elements and the surrounding space as on the materials themselves. Career Kōji Enokura was born in Tokyo. In 1966, he graduated from the painting department at the Tokyo National University of Fine Arts and Music. Enokura received an MFA in painting at the same university in 1968, and taught there from 1975 until his death in 1995. Site Specific Installations From the beginning of the 1970s, Enokura stained paper, cloth, felt, and leather with oil and grease. He also discolored the floors and walls of galleri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jiro Takamatsu
was one of the most important postwar Japanese artists. Takamatsu used photography, sculpture, painting, drawing, and performance to fundamentally investigate the philosophical and material conditions of art. Takamatsu's practice was dedicated to the critique of cognition and perception, through the rendering and variation of morphological devices, such as shadow, tautology, appropriation, perceptual and perspective distortion and representation. Takamatsu's conceptual work can be understood through his notions of the Zero Dimension, which renders an object or form to observe its fundamental geometrical components. Takamatsu isolated these smallest constituent elements, asserting that these elements produce reality, or existence. For Takamatsu the elementary particle represents “the ultimate of division” and also “emptiness itself,” like the a line within a painting—there appears to be nothing more beyond the line itself. Yet, Takamatsu's end goal was not to just prove the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Koji Enokura
was a Japanese painter and installation artist. He was one of the key members of Mono-ha, a group of artists who became prominent in the late 1960s and 1970s. The Mono-ha artists explored the encounter between natural and industrial materials, such as stone, steel plates, glass, light bulbs, cotton, sponge, paper, wood, wire, rope, leather, oil, and water, arranging them in mostly unaltered, ephemeral states. The works focus as much on the interdependency of these various elements and the surrounding space as on the materials themselves. Career Kōji Enokura was born in Tokyo. In 1966, he graduated from the painting department at the Tokyo National University of Fine Arts and Music. Enokura received an MFA in painting at the same university in 1968, and taught there from 1975 until his death in 1995. Site Specific Installations From the beginning of the 1970s, Enokura stained paper, cloth, felt, and leather with oil and grease. He also discolored the floors and walls of galleri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kishio Suga
(born 1944), is a Japanese sculptor and installation artist currently living in Itō, Shizuoka, Japan. He is one of the key members of Mono-ha, a group of artists who became prominent in the late 1960s and 1970s. The Mono-ha artists explored the encounter between natural and industrial materials, such as stone, steel plates, glass, light bulbs, cotton, sponge, paper, wood, wire, rope, leather, oil, and water, arranging them in mostly unaltered, ephemeral states. The works focus as much on the interdependency of these various elements and the surrounding space as on the materials themselves. Career Kishio Suga was born in Morioka, Iwate Prefecture. From 1964 to 1968, he was a student in the painting department at Tama Art University in Tokyo. While at Tama, Suga read the writings of Jean Baudrillard, Gilles Deleuze, Kitarō Nishida, Kei Nishitani, Nāgārjuna, and Vasubandhu. During this period, two artists who taught at the university were important influences on Suga. Y ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lee Ufan
Lee Ufan ( Korean: 이우환, Hanja: 李禹煥, born 1936 in Haman County, in South Kyongsang province in Korea) is a Korean minimalist painter and sculptor artist and academic, honored by the government of Japan for having "contributed to the development of contemporary art in Japan." Japanese Ministry of Foreign Affairs "2009 Autumn Conferment of Decorations on Foreign Nationals," p. 9./ref> The art of this artist, who has long been based in Japan, is rooted in an Eastern appreciation of the nature of materials and also in modern European phenomenology. The origin of Mono-ha may be found in Lee's article "Sonzai to mu wo koete Sekine Nobuo ron (Beyond Being and Nothingness – A Thesis on Sekine Nobuo." Once this initial impetus given, Mono-ha congealed with the participation of the students of the sculptor Yoshishige Saitō, who was teaching at Tama University of Art at the time. One evidence may be found in the book a, so, toki(場 相 時, place phase time) (Spring, 19 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Blum & Poe
Blum & Poe is a contemporary art gallery located in Los Angeles, New York, and Tokyo. Development Blum & Poe was founded by Tim Blum and Jeff Poe in Santa Monica, California, in September 1994. The inaugural exhibition in Santa Monica featured Stroke, an installation by British artist Anya Gallaccio, consisting of chocolate smeared onto the gallery walls. In 2003, Blum & Poe relocated to a 5,000-square-foot warehouse on the edge of Culver City,Vogel, Carol.Inside Art: Impressionists Head South" The New York Times. 01 Nov. 2007. Web. 06 Aug. 2014. an area of industrial warehouses. Several other galleries subsequently opened on the same stretch of La Cienega Boulevard, resulting in the formation of the Culver City Art District. On its 15th anniversary in 2009, the gallery purchased a 22,000-square-foot building across the street on La Cienega Boulevard and renovated it into a series of exhibition spaces on two floors. Japanese artists Prior to returning to Los Angeles in 1994 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Susumu Koshimizu
is a Japanese sculptor and an installation artist. He is one of the key members of Mono-ha, a group of artists who became prominent in the late 1960s and 1970s. Mono-ha was the name given to a loosely associated group of artists whose work was stridently anti-modernist—consisting primarily of sculptures and installations that incorporated basic materials such as rocks, sand, wood, cotton, glass and metal, often in simple arrangements with minimal artistic intervention. From early on, Susumu Koshimizu's investigation of material and space resulted in some of Mono-ha's most definitive artworks. Koshimizu's installations and sculptures during the 1960s and 1970s focused on the qualities inherent to but not visible in an object. Yet, he shows concern for the materiality of objects—a desire to expose the fundamentals of sculpture, often revealed through juxtaposition. ''In Paper (formerly Paper 2)'' (1969), he placed a large stone inside an even larger envelope of Japanese pape ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Noriyuki Haraguchi
Noriyuki Haraguchi (1946-2020) was a Japanese artist who is known as a leading figure of Mono-ha and Post-mono-ha, with a precise attention paid to the materials used (often industrial), their spatial arrangement, the relationship with the exhibition space and the processual reach of the artistic practice. His first works reference the aesthetics and materials of militarism and heavy industry. From the 1970s onwards, his work turned to issues related to perception and representation by creating complex conversation between raw and manufactured materials exploring notions of modernity, industrialization, and nature in works with a beguiling formal beauty. Early life Haraguchi was born in Yokosuka, Japan in 1946. The port of Yokosuka had an illustrious history, whether in terms of openness to the world (in the Edo era) or a naval base in times of war (in the Meiji era). When Haraguchi was born, the port was already used by the American army. He spent his childhood in Hokkaido, wh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yoshishige Saitō
Yoshishige Saitō (斎藤義重, Saitō Yoshishige, also Saitō Gijū or Saito Ghiju, born May 4, 1904, in Hirosaki, died June 13, 2001 in Yokohama) was a Japanese visual artist and art educator. Saitō was a seminal figure in Japanese art of the 20th century and a crucial link between the prewar avant-garde and postwar abstract art in Japan. From early on, he was exposed to Post-Impressionism and the avant-garde movements, including Russian constructivism and European Dada, as well as Western literature and Marxism. In the 1930s, he became active in the avant-garde art circles, while pursuing abstraction in paintings and wood reliefs, most notably the relief series of ''Kara kara'' and ''Toro Wood''. All of his prewar works and related materials were lost to an air-raid fire in 1945, some of them were reconstructed in the 1970s. In the immediate postwar years, Saitō’s return to art was slow, but by 1957, he established himself again in the art world as a prominent abstract arti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tama Art University
or is a private art university located in Tokyo, Japan. It is known as one of the top art schools in Japan. History The forerunner of Tamabi was Tama Imperial Art School (多摩帝国美術学校, Tama Teikoku Bijutsu Gakkō) founded in 1935. It was chartered as a junior college in 1950 and became a four-year college in 1953. Campus * Hachioji Campus (Hachioji city, Tokyo) *: Faculty of Art and Design and Graduate School of Art and Design (most of the departments are located on this campus) * Kaminoge Campus (Kaminoge, Setagaya-ward, Tokyo) *: Headquarters office, Faculty of Art and Design, and Graduate School of Art and Design (Department of Integrated Design and Department of Scenography Design, Drama, and Dance) * Seminar House ** Mt. Fuji Foothills Seminar House (Yamanakako, Minamitsuru District, Yamanashi) ** Nara Antiquities Seminar House (Nara city, Nara) Academics Faculty of Art and Design * Department of Painting ** Japanese Painting Course ** Oil Painting Cour ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Japanese Sculptors
Japanese may refer to: * Something from or related to Japan, an island country in East Asia * Japanese language, spoken mainly in Japan * Japanese people, the ethnic group that identifies with Japan through ancestry or culture ** Japanese diaspora, Japanese emigrants and their descendants around the world * Japanese citizens, nationals of Japan under Japanese nationality law ** Foreign-born Japanese, naturalized citizens of Japan * Japanese writing system, consisting of kanji and kana * Japanese cuisine, the food and food culture of Japan See also * List of Japanese people * * Japonica (other) * Japonicum * Japonicus * Japanese studies Japanese studies ( Japanese: ) or Japan studies (sometimes Japanology in Europe), is a sub-field of area studies or East Asian studies involved in social sciences and humanities research on Japan. It incorporates fields such as the study of Japane ... {{disambiguation Language and nationality disambiguation pages ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
