Money (Pink Floyd Song)
"Money" is a song by English rock band Pink Floyd from their 1973 album ''The Dark Side of the Moon''. Written by Roger Waters, it opened side two of the original album. Released as a single, it became the band's first hit in the United States, reaching number 10 in ''Cash Box'' magazine and number 13 on the ''Billboard'' Hot 100. Distinctive elements of the song include its unusual time signature, and the tape loop of money-related sound effects (such as a ringing cash register and a jingle of coins). These effects are timed right on the beats, and act as a count-in at the beginning to set the tempo and are heard periodically throughout the song. The song was regularly performed by Pink Floyd and played on most tours since 1972, and has since been performed by David Gilmour and Waters on their respective solo tours. Gilmour re-recorded the song in 1981, while Waters released a re-recording of the song in 2023. Composition "Money" has been described as a progressive rock, ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Pink Floyd
Pink Floyd are an English Rock music, rock band formed in London in 1965. Gaining an early following as one of the first British psychedelic music, psychedelic groups, they were distinguished by their extended compositions, sonic experiments, philosophical lyrics, and elaborate Pink Floyd live performances, live performances, and became a leading progressive rock band. Pink Floyd were founded in 1965 by Syd Barrett (guitar, lead vocals), Nick Mason (drums), Roger Waters (bass guitar, vocals) and Richard Wright (musician), Richard Wright (keyboards, vocals). With Barrett as their main songwriter, they released two hit singles, "Arnold Layne" and "See Emily Play", and the successful debut studio album ''The Piper at the Gates of Dawn'' (all 1967). David Gilmour (guitar, vocals) joined in 1967; Barrett left in 1968 due to deteriorating mental health. Following Barrett's departure, all four remaining members contributed compositions, though Waters became the primary lyricist an ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Sound Effect
A sound effect (or audio effect) is an artificially created or enhanced sound, or sound process used to emphasize artistic or other content of films, television shows, live performance, animation, video games, music, or other media. In motion picture and television production, a sound effect is a sound recorded and presented to make a specific storytelling or creative point ''without'' the use of dialogue or music. Traditionally, in the twentieth century, they were created with Foley (filmmaking), Foley. The term often refers to a process applied to a recording, without necessarily referring to the recording itself. In professional motion picture and television production, dialogue, music, and sound effects recordings are treated as separate elements. Dialogue and music recordings are never referred to as sound effects, even though the processes applied to such as reverberation or flanging effects, often are called ''sound effects''. This area and sound design have been s ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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British Rock Music
British rock describes a wide variety of forms of music made in the United Kingdom. Since around 1964, with the "British Invasion" of the United States spearheaded by the Beatles, British rock music has had a considerable impact on the development of Music of the United States, American music and rock music across the world.V. Bogdanov, C. Woodstra and S. T. Èrlewine, ''All music guide to rock: the definitive guide to rock, pop, and soul'' (Backbeat Books, 3rd edn., 2002), pp. 1316–7. Initial attempts to emulate American rock and roll took place in Britain in the mid-1950s, but the terms "rock music" and "rock" usually refer to the music derived from the blues rock and other genres that emerged during the 1960s. The term is often used in combination with other terms to describe a variety of hybrids or subgenres, and is often contrasted with pop music, with which it shares many structures and instrumentation. Rock music has tended to be more orientated toward the albums marke ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Irony
Irony, in its broadest sense, is the juxtaposition of what, on the surface, appears to be the case with what is actually or expected to be the case. Originally a rhetorical device and literary technique, in modernity, modern times irony has also come to assume a metaphysical significance with implications for the correct human attitude towards life. The concept originated in ancient Greece, where it described a dramatic character who pretended to be less intelligent than he actually was in order to outwit boastful opponents. Over time, ''irony'' evolved from denoting a form of deception to, more liberally, describing the deliberate use of language to mean the opposite of what it says for a rhetorical effect intended to be recognized by the audience. Due to its double-sided nature, irony is a powerful tool for social bonding among those who share an understanding. For the same reason, it is also a source of division, sorting people into insiders and outsiders depending upon w ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Dick Parry
Richard Parry (born 22 December 1942) is an English saxophonist. He has appeared as a session musician on various albums, most notably in solo parts on the Pink Floyd songs "Money", " Us and Them", " Shine On You Crazy Diamond" and " Wearing the Inside Out". He also played on the Bloodstone album ''Riddle of the Sphinx''. Career Born in Kentford, Suffolk, Parry started his career as a saxophonist in The Soul Committee, a mid-1960s band in Cambridge. He was a friend of Pink Floyd guitarist David Gilmour who played in Jokers Wild, another band in Cambridge. Contrary to some reports, Parry did not play in Jokers Wild. Some years later, Gilmour asked him to play on Pink Floyd studio albums, including ''The Dark Side of the Moon'', ''Wish You Were Here'', and '' The Division Bell'', as well as in every Pink Floyd live performance between 1973 and 1977, and the 1994 world tour. Parry also played additional keyboards during Shine On You Crazy Diamond Parts I, VI and IX on Pink Fl ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Tenor Saxophone
The tenor saxophone is a medium-sized member of the saxophone family, a group of instruments invented by Adolphe Sax in the 1840s. The tenor and the alto are the two most commonly used saxophones. The tenor is pitched in the key of B (while the alto is pitched in the key of E), and is a transposing instrument in the treble clef, sounding an octave and a major second lower than the written pitch. Modern tenor saxophones which have a high F key have a range from A2 to E5 (concert) and are therefore pitched one octave below the soprano saxophone. People who play the tenor saxophone are known as "tenor saxophonists", "tenor sax players", or "saxophonists". The tenor saxophone uses a larger mouthpiece, reed and ligature than the alto and soprano saxophones. Visually, it is easily distinguished by the curve in its neck, or its crook, near the mouthpiece. The alto saxophone lacks this and its neck goes straight to the mouthpiece. The tenor saxophone is most recognized for ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Blues Scale
The term blues scale refers to several different scales with differing numbers of pitches and related characteristics. A blues scale is often formed by the addition of an out-of-key " blue note" to an existing scale, notably the flat fifth addition to the minor pentatonic scale or the addition of the minor third to a major pentatonic scale. However, the heptatonic blues scale can be considered a major scale with altered intervals. Types Hexatonic The hexatonic, or six-note, blues scale consists of the minor pentatonic scale plus the 5th degree of the original heptatonic scale.Arnold, Bruce (2002). ''The Essentials: Chord Charts, Scales and Lead Patterns for Guitar'', p. 8. . This added note can be spelled as either a 5 or a 4. The first known published instance of this scale is Jamey Aebersold's ''How to Play Jazz and Improvise Volume 1'' (1970 revision, p. 26), and Jerry Coker claims that David Baker may have been the first educator to organise this particular collection o ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Pentatonic Scale
A pentatonic scale is a musical scale with five notes per octave, in contrast to heptatonic scales, which have seven notes per octave (such as the major scale and minor scale). Pentatonic scales were developed independently by many ancient civilizations and are still used in various musical styles to this day. As Leonard Bernstein put it: "The universality of this scale is so well known that I'm sure you could give me examples of it, from all corners of the earth, as from Scotland, or from China, or from Africa, and from American Indian cultures, from East Indian cultures, from Central and South America, Australia, Finland ...now, that is a true musico-linguistic universal." There are two types of pentatonic scales: Those with semitones (hemitonic) and those without (anhemitonic). Types Hemitonic and anhemitonic Musicology commonly classifies pentatonic scales as either ''hemitonic'' or ''anhemitonic''. Hemitonic scales contain one or more semitones and anhemitonic s ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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B Minor
B minor is a minor scale based on B, consisting of the pitches B, C, D, E, F, G, and A. Its key signature has two sharps. Its relative major is D major and its parallel major is B major. The B natural minor scale is: Changes needed for the melodic and harmonic versions of the scale are written in with accidentals as necessary. The B harmonic minor and melodic minor scales are: Christian Friedrich Daniel Schubart (1739–1791) regarded B minor as a key expressing a quiet acceptance of fate and very gentle complaint, something commentators find to be in line with Bach's use of the key in his '' St John Passion''. By the end of the Baroque era, however, conventional academic views of B minor had shifted: Composer-theorist Francesco Galeazzi (1758–1819) opined that B minor was not suitable for music in good taste. Beethoven labelled a B-minor melodic idea in one of his sketchbooks as a "black key". Scale degree chords The scale degree chords of B minor are: * ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Twelve-bar Blues
The twelve-bar blues (or blues changes) is one of the most prominent chord progressions in popular music. The blues progression has a distinctive form in lyrics, phrase, chord structure, and duration. In its basic form, it is predominantly based on the I, IV, and V chords of a key. Mastery of the blues and rhythm changes are "critical elements for building a jazz repertoire". Background The blues originated from a combination of work songs, spirituals, and early southern country music. The music was passed down through oral tradition. It was first written down by W. C. Handy, an African American composer and band leader. Its popularity led to the creation of " race records" and the popularity of blues singers like Bessie Smith and Ma Rainey. The style of music heard on race records was later called "rhythm and blues" (R & B). As the music became more popular, more people wanted to perform it. General patterns that existed in the blues were formalized, one of these bein ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Chord Progression
In a musical composition, a chord progression or harmonic progression (informally chord changes, used as a plural, or simply changes) is a succession of chords. Chord progressions are the foundation of harmony in Western musical tradition from the common practice era of Classical music to the 21st century. Chord progressions are the foundation of popular music styles (e.g., pop music, rock music), traditional music, as well as genres such as blues and jazz. In these genres, chord progressions are the defining feature on which melody and rhythm are built. In tonal music, chord progressions have the function of either establishing or otherwise contradicting a tonality, the technical name for what is commonly understood as the " key" of a song or piece. Chord progressions, such as the extremely common chord progression I-V-vi-IV, are usually expressed by Roman numerals in Classical music theory. In many styles of popular and traditional music, chord progressions are expressed ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Richard Wright (musician)
Richard William Wright (28 July 1943 – 15 September 2008) was an English keyboardist and songwriter who co-founded the progressive rock band Pink Floyd. He appeared on almost every Pink Floyd album and performed on all of their tours. He was inducted into the Rock and Roll Hall of Fame in 1996 as a member of Pink Floyd. Wright grew up in Hatch End, Middlesex, and met his future Pink Floyd bandmates Roger Waters and Nick Mason while studying architecture at the Regent Street Polytechnic, London. After being joined by frontman and songwriter Syd Barrett, Pink Floyd achieved commercial success in 1967. Barrett was replaced by David Gilmour in 1968, who, along with Waters and Wright, took over songwriting. Wright initially contributed significantly to the band as a singer-songwriter, writing and providing lead vocals on songs including " Remember a Day" and the single " It Would Be So Nice" (both 1968). Later, Wright acted mainly as an arranger on compositions by Waters and ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |