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Mohammad Mohsen Emami
Mohammad Mohsen Emami was a famous Persian calligrapher of the Thuluth script in the Safavid era. He was Mohammad Reza Emami's son and Ali Naghi Emami's father, who were also the famous calligrapher of the Thuluth script. Many inscriptions of Mohammad Mohsen Emami still exist on the historical buildings of Isfahan. Although Emami was very skillful in Nastaliq and Naskh, but he is mostly famous for his Thuluth works. He lived in the era of Suleiman I and Sultan Husayn Soltan Hoseyn ( fa, شاه سلطان حسین, Soltān-Hoseyn; 1668 – 9 September 1727) was the Safavid shah of Iran from 1694 to 1722. He was the son and successor of Shah Solayman (). Born and raised in the royal harem, Soltan Hoseyn asce .... References {{DEFAULTSORT:Emami, Mohammad Mohsen 1700s births 1800s deaths Iranian calligraphers 17th-century Iranian painters Artists from Isfahan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Persian People
The Persians are an Iranian ethnic group who comprise over half of the population of Iran. They share a common cultural system and are native speakers of the Persian language as well as of the languages that are closely related to Persian. The ancient Persians were originally an ancient Iranian people who had migrated to the region of Persis (corresponding to the modern-day Iranian province of Fars) by the 9th century BCE. Together with their compatriot allies, they established and ruled some of the world's most powerful empires that are well-recognized for their massive cultural, political, and social influence, which covered much of the territory and population of the ancient world.. Throughout history, the Persian people have contributed greatly to art and science. Persian literature is one of the world's most prominent literary traditions. In contemporary terminology, people from Afghanistan, Tajikistan, and Uzbekistan who natively speak the Persian language are ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Calligrapher
Calligraphy (from el, link=y, καλλιγραφία) is a visual art related to writing. It is the design and execution of lettering with a pen, ink brush, or other writing instrument. Contemporary calligraphic practice can be defined as "the art of giving form to signs in an expressive, harmonious, and skillful manner". Modern calligraphy ranges from functional inscriptions and designs to fine-art pieces where the letters may or may not be readable. Classical calligraphy differs from type design and non-classical hand-lettering, though a calligrapher may practice both. CD-ROM Calligraphy continues to flourish in the forms of wedding invitations and event invitations, font design and typography, original hand-lettered logo design, religious art, announcements, graphic design and commissioned calligraphic art, cut stone inscriptions, and memorial documents. It is also used for props and moving images for film and television, and also for testimonials, birth and death c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thuluth
''Thuluth'' ( ar, ثُلُث, ' or ar, خَطُّ الثُّلُثِ, '; fa, ثلث, ''Sols''; Turkish: ''Sülüs'', from ' "one-third") is a script variety of Islamic calligraphy. The straight angular forms of Kufic were replaced in the new script by curved and oblique lines. In ''Thuluth'', one-third of each letter slopes, from which the name (meaning "a third" in Arabic) comes. An alternative theory to the meaning is that the smallest width of the letter is one third of the widest part. It is an elegant, cursive script, used in medieval times on mosque decorations. Various calligraphic styles evolved from ''Thuluth'' through slight changes of form. History The greatest contributions to the evolution of the ''Thuluth'' script occurred in the Ottoman Empire in three successive steps that Ottoman art historians call "calligraphical revolutions": *The first revolution occurred in the 15th century and was initiated by the master calligrapher Sheikh Hamdullah. *The second revoluti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Safavid
Safavid Iran or Safavid Persia (), also referred to as the Safavid Empire, '. was one of the greatest Iranian empires after the 7th-century Muslim conquest of Persia, which was ruled from 1501 to 1736 by the Safavid dynasty. It is often considered the beginning of modern Iranian history, as well as one of the gunpowder empires. The Safavid Shāh Ismā'īl I established the Twelver denomination of Shīʿa Islam as the official religion of the empire, marking one of the most important turning points in the history of Islam. An Iranian dynasty rooted in the Sufi Safavid order founded by Kurdish sheikhs, it heavily intermarried with Turkoman, Georgian, Circassian, and Pontic GreekAnthony Bryer. "Greeks and Türkmens: The Pontic Exception", ''Dumbarton Oaks Papers, Vol. 29'' (1975), Appendix II "Genealogy of the Muslim Marriages of the Princesses of Trebizond" dignitaries and was Turkish-speaking and Turkified. From their base in Ardabil, the Safavids established control ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mohammad Reza Emami
Mohammad Reza Emami was a Persian calligrapher in the 17th century. He lived from the era of Abbas I until the era of Suleiman I. He was Ali Reza Abbassi's student and was known as the ''Imam of calligraphers''. Mohammad Reza Emami was Mohammad Mohsen Emami's father and Ali Naghi Emami's grandfather. All of the three calligraphers were famous for their Thuluth works in the Safavid era. Many inscriptions of the historical buildings in Isfahan, Mashhad, Qom and Qazvin have been created by them. When Ali Reza Abbassi started to work for Abbas I and became his close friend, Abbas I appointed him as the Thuluth script teacher of some other calligraphers like Mohammad Saleh Esfahani and Abdolbaghi Tabrizi. He died probably in Mashhad after 50 years working in the field of calligraphy. Works Most of Emami's inscriptions are in Isfahan, but some of his works are also in Qom, Qazvin and Mashhad. His first inscription in Isfahan dates back to 1629 and his last inscription in Isfahan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ali Naghi Emami
ʿAlī ibn Abī Ṭālib ( ar, عَلِيّ بْن أَبِي طَالِب; 600 – 661 CE) was the last of four Rightly Guided Caliphs to rule Islam (r. 656 – 661) immediately after the death of Muhammad, and he was the first Shia Imam. The issue of his succession caused a major rift between Muslims and divided them into Shia and Sunni groups. Ali was assassinated in the Grand Mosque of Kufa in 661 by the forces of Mu'awiya, who went on to found the Umayyad Caliphate. The Imam Ali Shrine and the city of Najaf were built around Ali's tomb and it is visited yearly by millions of devotees. Ali was a cousin and son-in-law of Muhammad, raised by him from the age of 5, and accepted his claim of divine revelation by age 11, being among the first to do so. Ali played a pivotal role in the early years of Islam while Muhammad was in Mecca and under severe persecution. After Muhammad's relocation to Medina in 622, Ali married his daughter Fatima and, among others, fathered ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Inscription
Epigraphy () is the study of inscriptions, or epigraphs, as writing; it is the science of identifying graphemes, clarifying their meanings, classifying their uses according to dates and cultural contexts, and drawing conclusions about the writing and the writers. Specifically excluded from epigraphy are the historical significance of an epigraph as a document and the artistic value of a literary composition. A person using the methods of epigraphy is called an ''epigrapher'' or ''epigraphist''. For example, the Behistun inscription is an official document of the Achaemenid Empire engraved on native rock at a location in Iran. Epigraphists are responsible for reconstructing, translating, and dating the trilingual inscription and finding any relevant circumstances. It is the work of historians, however, to determine and interpret the events recorded by the inscription as document. Often, epigraphy and history are competences practised by the same person. Epigraphy is a primar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Isfahan
Isfahan ( fa, اصفهان, Esfahân ), from its ancient designation ''Aspadana'' and, later, ''Spahan'' in middle Persian, rendered in English as ''Ispahan'', is a major city in the Greater Isfahan Region, Isfahan Province, Iran. It is located south of Tehran and is the capital of Isfahan Province. The city has a population of approximately 2,220,000, making it the third-largest city in Iran, after Tehran and Mashhad, and the second-largest metropolitan area. Isfahan is located at the intersection of the two principal routes that traverse Iran, north–south and east–west. Isfahan flourished between the 9th and 18th centuries. Under the Safavid dynasty, Isfahan became the capital of Persia, for the second time in its history, under Shah Abbas the Great. The city retains much of its history. It is famous for its Perso–Islamic architecture, grand boulevards, covered bridges, palaces, tiled mosques, and minarets. Isfahan also has many historical buildings, monuments, pa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nastaliq
''Nastaliq'' (; fa, , ), also romanized as ''Nastaʿlīq'', is one of the main calligraphic hands used to write the Perso-Arabic script in the Persian language, Persian and Urdu languages, often used also for Ottoman Turkish poetry, rarely for Arabic language, Arabic. ''Nastaliq'' developed in Iran from ''Naskh (script), naskh'' beginning in the 13th century and remains very widely used in Pakistan, Iran, Afghanistan and as a minority script in India and other countries for written poetry and as a form of art. History The name ''nastaliq'' "is a contraction of the Persian , meaning a hanging or suspended ''Naskh (script), naskh''". Virtually all Safavid Iran, Safavid authors (like Dust Muhammad or Ahmad Monshi Ghomi, Qadi Ahmad) attributed the invention of to Mir Ali Tabrizi, who lived at the end of the 14th and the beginning of the 15th century. That tradition was questioned by Elaine Wright, who traced evolution of ''nastaliq'' in 14th century Iran and showed how it de ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Naskh (script)
Naskh ( ar, , qalam an-naskh, from the verb , , 'to copy', from n-s-kh root (ن-س-خ)) is a smaller, round script of Islamic calligraphy. Naskh is one of the first scripts of Islamic calligraphy to develop, commonly used in writing administrative documents and for transcribing books, including the Qur’an, because of its easy legibility. In his 1617 ''Grammatica Arabica'', Thomas van Erpe defined naskhī characters as the "noblest and true writing style". Origin Naskh style of writing can be found as early as within the first century of the Islamic calendar. Round scripts became the most popular in the eleventh, twelfth and thirteenth centuries, due to their use by scribes. Ibn Muqla is credited with standardizing the "Six Pens" of Islamic calligraphy, also including , , , , and . These are known as "the proportioned scripts" () or "the six scripts" (). Kufic is commonly believed to predate naskh, but historians have traced the two scripts as coexisting long before th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Suleiman I Of Persia
Suleiman I (; born Sam Mirza, February or March 1648 – 29 July 1694) was the eighth and the penultimate Shah of Safavid Iran from 1666 to 1694. He was the eldest son of Abbas II and his concubine, Nakihat Khanum. Born as Sam Mirza, Suleiman spent his childhood in the harem among women and eunuchs and his existence was hidden from the public. When Abbas II died in 1666, his grand vizier, Mirza Mohammad Karaki, did not know that the shah had a son. The nineteen-years-old Sam Mirza was crowned king under the regnal name, Safi II, after his grandfather, Safi I. His reign as Safi II undergone troublesome events which led to a second coronation being held for him in 20 March 1668, simultaneously with Nowruz, in which he was crowned king as Suleiman I. After his second coronation, Suleiman retreated into his harem to enjoy sexual activities and excessive drinking. He was indifferent to the state affairs, and often would not appear in the public for months. As a result for his idlen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sultan Husayn
Soltan Hoseyn ( fa, شاه سلطان حسین, Soltān-Hoseyn; 1668 – 9 September 1727) was the Safavid shah of Iran from 1694 to 1722. He was the son and successor of Shah Solayman (). Born and raised in the royal harem, Soltan Hoseyn ascended the throne with limited life experience and more or less no expertise in the affairs of the country. He was installed on the throne through the efforts of powerful great-aunt, Maryam Begum, as well as the court eunuchs, who wanted to increase their authority by taking advantage of a weak and impressionable ruler. Throughout his reign, Soltan Hoseyn became known for his extreme devotion, which had blended in with his superstition, impressionable personality, excessive pursuit of pleasure, debauchery, and wastefulness, all of which have been considered by both contemporary and later writers as elements that played a part in the decline of the country. The last decade of Soltan Hoseyn's reign was marked by urban dissension, tribal uprisi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
