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Modello
A modello (plural modelli), from Italian, is a preparatory study or model, usually at a smaller scale, for a work of art or architecture, especially one produced for the approval of the commissioning patron. The term gained currency in art circles in Tuscany in the fourteenth century. Modern definitions in reference works vary somewhat. Alternative and overlapping terms are " oil sketch" (''schizzo'') and "cartoon" for paintings, tapestry, or stained glass, maquette, plastico or bozzetto for sculpture or architecture, or architectural model. Background Though in Gothic figural arts bishops and abbots are often represented carrying small simulacra of buildings they had constructed – "models" in the familiar modern sense – ''modello'' is only used of pieces which pre-date the finished work, and were at least in part produced by the main artist involved. The less frequently found term ricordo (Italian for "record" or "memory") means a similar piece produced as a small co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Battista Tiepolo
Giovanni Battista Tiepolo ( , ; March 5, 1696 – March 27, 1770), also known as Giambattista (or Gianbattista) Tiepolo, was an Italian painter and printmaker from the Republic of Venice who painted in the Rococo style, considered an important member of the 18th-century Venetian school. He was prolific, and worked not only in Italy, but also in Germany and Spain. Giovan Battista Tiepolo, together with Giambattista Pittoni, Canaletto, Giovan Battista Piazzetta, Giuseppe Maria Crespi, and Francesco Guardi are considered the traditional Old Masters of that period. Successful from the beginning of his career, he has been described by Michael Levey as "the greatest decorative painter of eighteenth-century Europe, as well as its most able craftsman." Biography ''The Glory of St. Dominic'', 1723 Early life (1696–1726) Born in Venice, he was the youngest of six children of Domenico and Orsetta Tiepolo. His father was a small shipping merchant who belonged to a family ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Raphael Cartoons
The Raphael Cartoons are seven large cartoons for tapestries, belonging to the British Royal Collection but since 1865 on loan to the Victoria and Albert Museum in London, designed by the High Renaissance painter Raphael in 1515–16 and showing scenes from the Gospels and Acts of the Apostles. They are the only surviving members of a set of ten cartoons commissioned by Pope Leo X for the Sistine Chapel tapestries for the Sistine Chapel in the Vatican Palace, which are still (on special occasions) hung below Michelangelo's famous ceiling. Reproduced in the form of prints, the tapestries rivalled Michelangelo's ceiling as the most famous and influential designs of the Renaissance, and were well known to all artists of the Renaissance and Baroque. Admiration of them reached its highest pitch in the 18th and 19th centuries; they were described as "the Parthenon sculptures of modern art". Commission and the tapestries Raphael – whom Michelangelo greatly disliked – was h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maquette
A ''maquette'' (French word for scale model, sometimes referred to by the Italian names ''plastico'' or ''modello'') is a scale model or rough draft of an unfinished sculpture. An equivalent term is ''bozzetto'', from the Italian word for "sketch". Sculpture A maquette is used to visualize and test forms and ideas without incurring the expense and effort of producing a full-scale piece. It is the analogue of the painter's cartoon, ''modello'', oil sketch, or drawn sketch. For commissioned works, especially monumental public sculptures, a maquette may be used to show the client how the finished work will relate to its proposed site. The term may also refer to a prototype for a video game, film, or other media. ''Modello'', unlike the other terms, is also used for sketches for two-dimensional works such as paintings. Like oil sketches, these models by highly regarded artists can become as desirable as their completed works, as they show the process of developing an idea. For ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tommaso De' Cavallieri
Tommaso is an Italian given name. It has also been used as a surname. Notable people with the name include: Given name A * Tommaso Acquaviva d'Aragona (1600–1672), Roman Catholic prelate * Tommaso Aldrovandini (1653–1736), Italian painter of the Baroque period * Tommaso de Aleni (16th century), Italian painter of the Renaissance period * Tommaso Allan, Italian rugby union player * Tommaso Amantini (1625–1675), Italian sculptor and painter of the Baroque period * Tommaso Ammirato (died 1438), Roman Catholic prelate * Tommaso d'Ancora (1583–1656), Roman Catholic prelate * Tommaso d'Aquino (other), multiple people * Tommaso Arrigoni (born 1994), Italian football midfielder * Tommaso Audisio (1789–1845), Italian priest and architect * Tommaso D'Avalos (1610–1642) was a Roman Catholic prelate B * Tommaso Badia (1483–1547), Italian Dominican cardinal * Tommaso Balestrieri (18th century), Italian luthier * Tommaso Barnabei (c. 1500–1559), Italian painte ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Burlington Magazine
''The Burlington Magazine'' is a monthly publication that covers the fine and decorative arts of all periods. Established in 1903, it is the longest running art journal in the English language. It has been published by a charitable organisation since 1986. History The magazine was established in 1903 by a group of art historians and connoisseurs which included Roger Fry, Herbert Horne, Bernard Berenson, and Charles Holmes. Its most esteemed editors have been Roger Fry (1909–1919), Herbert Read (1933–1939), and Benedict Nicolson (1948–1978). The journal's structure was loosely based on its contemporary British publication '' The Connoisseur'', which was mainly aimed at collectors and had firm connections with the art trade. ''The Burlington Magazine'', however, added to this late Victorian tradition of market-based criticism new elements of historical research inspired by the leading academic German periodicals and thus created a formula that has remained almost intact to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Courtauld Institute
The Courtauld Institute of Art (), commonly referred to as The Courtauld, is a self-governing college of the University of London specialising in the study of the history of art and conservation. It is among the most prestigious specialist colleges for the study of the history of art in the world and is known for the disproportionate number of directors of major museums drawn from its small body of alumni. The art collection is known particularly for its French Impressionist and Post-Impressionist paintings and is housed in the Courtauld Gallery. The Courtauld is based in Somerset House, in the Strand in London. In 2019, The Courtauld's teaching and research activities temporarily relocated to Vernon Square, London, while its Somerset House site underwent a major regeneration project. History The Courtauld was founded in 1932 through the philanthropic efforts of the industrialist and art collector Samuel Courtauld, the diplomat and collector Lord Lee of Fareham, and the a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Underpainting
In art, an underpainting is an initial layer of paint applied to a ground, which serves as a base for subsequent layers of paint. Underpaintings are often monochromatic and help to define color values for later painting. Underpainting gets its name because it is painting that is intended to be painted over (see overpainting) in a system of working in layers. There are several different types of underpainting, such as veneda, verdaccio, morellone, imprimatura and grisaille.''Underpaint.'' In: The different types have different colourings. Grisaille is plain grey. Verdaccio is a grey tending towards yellow or green that brings out more luminous tones. While imprimatura uses earth tones. Underpainting has several advantages over working from a plain canvass. The neutral colours of the underpaint will not distract if they are not completely covered. It also aids the painter in getting a correct tone. Comparing colours to a white background is very different from the colouring of t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
X-ray
X-rays (or rarely, ''X-radiation'') are a form of high-energy electromagnetic radiation. In many languages, it is referred to as Röntgen radiation, after the German scientist Wilhelm Conrad Röntgen, who discovered it in 1895 and named it ''X-radiation'' to signify an unknown type of radiation.Novelline, Robert (1997). ''Squire's Fundamentals of Radiology''. Harvard University Press. 5th edition. . X-ray wavelengths are shorter than those of ultraviolet rays and longer than those of gamma rays. There is no universally accepted, strict definition of the bounds of the X-ray band. Roughly, X-rays have a wavelength ranging from 10 nanometers to 10 picometers, corresponding to frequencies in the range of 30 petahertz to 30 exahertz ( to ) and photon energies in the range of 100 eV to 100 keV, respectively. X-rays can penetrate many solid substances such as construction materials and living tissue, so X-ray radiography is widely used in medi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Michael Levey
Sir Michael Vincent Levey, LVO, FBA, FRSL (8 June 1927 – 28 December 2008) was a British art historian and was the director of the National Gallery from 1973 to 1986. Biography Levey was born in Wimbledon, London, and grew up in Leigh-on-Sea, Essex. He attended The Oratory School, a Catholic boarding school near Reading. He was called up for National Service in 1945 and served it largely in Egypt. After demobilisation in 1948 Levey went to Exeter College, Oxford to read English; he graduated with first class honours after only two years' study. In 1951 Levey joined the National Gallery as assistant to the Keeper, Sir Martin Davies. He combined administrative duties with scholarly work, producing his first catalogue, on the Gallery's 18th-century Italian paintings, in 1956. In the 1960s, affordable art books with colour reproductions for the general reader began to appear, and Levey was commissioned to write an overview of Western painting for Thames & Hudson's ''World of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
El Greco
Domḗnikos Theotokópoulos ( el, Δομήνικος Θεοτοκόπουλος ; 1 October 1541 7 April 1614), most widely known as El Greco ("The Greek"), was a Greek painter, sculptor and architect of the Spanish Renaissance. "El Greco" was a nickname, and the artist normally signed his paintings with his full birth name in Greek letters, (), often adding the word (), which means Cretan. El Greco was born in the Kingdom of Candia (modern Crete), which was at that time part of the Republic of Venice, Italy, and the center of Post-Byzantine art. He trained and became a master within that tradition before traveling at age 26 to Venice, as other Greek artists had done.J. Brown, ''El Greco of Toledo'', 75–77 In 1570, he moved to Rome, where he opened a workshop and executed a series of works. During his stay in Italy, El Greco enriched his style with elements of Mannerism and of the Venetian Renaissance taken from a number of great artists of the time, notabl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
