|
Minnie Byron
Louisa Elizabeth Babb (1861–1901), known professionally as Minnie Byron, was an English mezzo-soprano and actress best known for her character performances of Opéra bouffe in the 1880s. However successful, Byron was not a career performer, using her brief public visibility to secure a more stable and prosperous future for herself and her children, an important footnote in social history or specifically, Social history#Women's history, women's history. Biography Byron was born in Woolwich in 1861 to Louisa Frances (''née'' Young) and Henry Babb, a shipwright from Devon. It is unknown where or how she had acquired her education, vocal training or acting skills, but at the age of nineteen, Byron made her West End theatre, West End debut at the Globe Theatre (Newcastle Street) in the chorus of ''Les mousquetaires au couvent, Les Mousquetaires'' in 1880. For the next 5 months, she honed her skills playing minor opéra bouffe roles at The Globe opposite Henry Bracy with no Billi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard D'Oyly Carte
Richard D'Oyly Carte (; 3 May 1844 – 3 April 1901) was an English talent agent, theatrical impresario, composer, and hotelier during the latter half of the Victorian era. He built two of London's theatres and a hotel empire, while also establishing an opera company that ran continuously for over a hundred years and a management agency representing some of the most important artists of the day. Carte started his career working for his father, Richard Carte, in the music publishing and musical instrument manufacturing business. As a young man he conducted and composed music, but he soon turned to promoting the entertainment careers of others through his management agency. Carte believed that a school of wholesome, well-crafted, family-friendly, English comic opera could be as popular as the risqué French works dominating the London musical stage in the 1870s. To that end he brought together the dramatist W. S. Gilbert and composer Arthur Sullivan and nurtured their collaboration ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kate Santley
Evangeline Estelle Gazina (c. 1837Culme, John ''Footlight Notes'', No. 361, 14 August 2004, accessed 7 September 2012; an"Kate Santley by Sarony Cabinet Card" ''Remains to Be Seen'', accessed 7 September 2012 – 18 January 1923), better known under her stage name, Kate Santley, was a German-born British actress, singer and comedian. After spending her childhood in the US, she came to England in 1861, where she had a successful career, later also becoming a theatre manager. Early life Santley's parents emigrated from Germany to Charleston, South Carolina, where she was educated. At the outbreak of the American Civil War in 1861, she came to England as a practising musician, but soon afterwards went on the stage as "Eva Stella", later becoming "Kate Santley". Musical theatre career Santley made a name in the 1860s in British music halls and Drury Lane Theatre pantomimes. Early in her career, she was popular for singing the song "The Bell goes a-ringing for Sarah." At the Oxfo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harold Pinter Theatre
The Harold Pinter Theatre, known as the Comedy Theatre until 2011,"Harold Pinter has London theatre named after him" ''BBC News'', 7 September 2011, accessed 8 September 2011. is a , and opened on Panton Street in the , on 15 October 1881, as the Royal Comedy Theatre. It was designed by Thomas Verity and built in just six months in painted ( |
Preview (theatre)
Previews are a set of public performances of a Theatre, theatrical presentation that precede its Premiere, official opening, known as the press night. The purpose of previews is to allow the Theatre director, director and Stagehand, crew to identify problems and opportunities for improvement that were not found during rehearsals and to make adjustments before Theatre criticism, critics are invited to attend. The duration of the preview period varies, and ticket prices may be reduced. The term can also be used to describe an exhibition of a film to evaluate an audience's reaction and make possible changes before its official release. (This is different from a "Trailer (promotion), trailer", a short advertisement for a finished film.) References * Stage terminology Types of polling {{Theatre-stub de:Vorschau ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Premiere
A premiere, also spelled première, (from , ) is the debut (first public presentation) of a work, i.e. play, film, dance, musical composition, or even a performer in that work. History Raymond F. Betts attributes the introduction of the film premiere to showman Sid Grauman, who founded Grauman's Chinese Theatre. The first ever Hollywood premiere was for the 1922 film ''Robin Hood'', starring Douglas Fairbanks, in front of the Egyptian Theatre. By the late 1920s the red carpet had become synonymous with film premieres. Classification There are a number of different types: A single work will often have many premieres. For example, in film, the 2019 United States movie '' Aladdin'' held its world premiere at the Grand Rex in Paris, France, on 8 May 2019, its first regional premiere in Jordan on 13 May 2019, and its United States premiere on 24 May 2019. Likewise, in music, Beethoven's Symphony No. 9 received its world premiere in the Theater am Kärntnertor in Vi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Minnie Byron 1882 ISD News
As a first name, Minnie is a feminine given name. It can be a diminutive (hypocorism) of Minerva, Winifred, Wilhelmina, Willemina, Winona, Margaret, Hermione, Jasmine, Mary, Miriam, Maria, Marie, Naomi, Miranda, Clementine, Dominique, Dominic, or Amelia. It may refer to: People with the given name * Minnie Tittell Brune (1875–1974), American stage actress * Minnie Campbell (1862–1952), Canadian clubwoman, lecturer, and editor * Minnie D. Craig (1883–1966), American legislator and the first female speaker of a state House of Representatives (North Dakota) in the United States * Minnie Fisher Cunningham (1882–1964), suffrage politician and first executive secretary of the League of Women Voters * Minnie Devereaux (1891–1984), Canadian Cheyenne silent film actress * Minnie Dupree (1873–1947), American stage and film actress * Minnie Egener (1881–1938), American operatic mezzo-soprano * Minnie Evans (1892–1987), African-American folk artist * Minnie Maddern Fiske ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robert Reece
Robert Reece (2 May 1838 – 8 July 1891) was a British comic playwright and librettist active in the Victorian era. He wrote many successful musical burlesques, comic operas, farces and adaptations from the French, including the English-language adaptation of the operetta '' Les cloches de Corneville'', which became the longest-running piece of musical theatre in history up to that time. He sometimes collaborated with Henry Brougham Farnie or others. Early life and career Reece was born in the island of Barbados, West Indies. His father, Robert Reece (1808–1874), was a barrister of the Inner Temple. Reece matriculated from Balliol College, Oxford in 1857 and received his B.A. in 1860 and his M.A. in 1864. He was admitted a student at the Inner Temple in 1860 but was not called to the bar. For a short time he was a medical student. Between 1861 and 1863, he was an extra clerk in the office of the ecclesiastical commissioners, and from 1864 to 1868 an extra temporary cle ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Mascotte
''La mascotte'' (''The Mascot'') is a three-act opéra comique with music by Edmond Audran and words by Alfred Duru and Henri Chivot. The story concerns a farm girl who is a "mascotte": someone with the mystic power to bring good luck to all around her, so long as she remains a virgin. The opera opened at the Théâtre des Bouffes Parisiens, Paris, on 28 December 1880, and had an initial run of 301 performances. Productions followed in other continental European countries, the Americas, Britain and Australia. The title of the piece introduced the word "mascotte" into standard French usage, "mascot" into English, and other variants of it into several more languages. Background and first production In 1880 "mascotte" was a fairly new French slang word derived from the Provençal language, Provençal term ''mascoto'', meaning "spell" or "bewitchment". At the time it was as unknown to standard French dictionaries as to English. According to Audran's son, the inspiration for ''La masc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opéra Comique
''Opéra comique'' (; plural: ''opéras comiques'') is a genre of French opera that contains spoken dialogue and arias. It emerged from the popular ''opéras comiques en vaudevilles'' of the Théâtre de la foire, Fair Theatres of St Germain and St Laurent (and to a lesser extent the Comédie-Italienne),M. Elizabeth C. Bartlet and Richard Langham Smith"Opéra comique" ''Grove Music Online''. Oxford Music Online. 19 November 2009 which combined existing popular tunes with spoken sections. Associated with the Paris theatre Opéra-Comique, of the same name, ''opéra comique'' is not necessarily comical or shallow; ''Carmen'', perhaps the most famous ''opéra comique'', is a tragedy. Use of the term The term ''opéra comique'' is complex in meaning and cannot simply be translated as "comic opera". The genre originated in the early 18th century with humorous and satirical plays performed at the theatres of the Paris fairs which contained songs (''Vaudeville (song), vaudevilles''), with ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edmond Audran
Achille Edmond Audran (12 April 184017 August 1901) was a French composer best known for several internationally successful comic operas and operettas. After beginning his career in Marseille as an organist, Audran composed religious music and began to write works for the stage in the 1860s and 1870s. Among these, ''Le grand mogol'' (1877) was the most popular and was later revived in Paris, London and New York. In 1879 he moved to Paris, where some of his pieces achieved considerable success both in France and abroad, including ''Les noces d'Olivette'' (1879), ''La mascotte'' (1880), ''Gillette de Narbonne'' (1882), ''La cigale et la fourmi'' (1886), ''Miss Helyett (opera), Miss Helyett'' (1890) and ''La poupée'' (1896). Most of his works are now neglected, but ''La mascotte'' has been revived occasionally and has been recorded for the gramophone. Early life and career Audran was born in Lyon, the son of Marius-Pierre Audran (1816–87), who had a career as a tenor at the Opé ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Royal Strand Theatre
The Royal Strand Theatre was located in the Strand in the City of Westminster. The theatre was built on the site of a panorama in 1832, and in 1882 was rebuilt by the prolific theatre architect Charles J. Phipps. It was demolished in 1905 to make way for Aldwych tube station. History From 1801, Thomas Edward Barker set up a rival panorama to his father's in Leicester Square, at 168/169 Strand. On the death of Robert Barker, in 1806, his younger brother, Henry Aston Barker took over management of the Leicester Square rotunda. In 1816, Henry bought the panorama in the Strand, which was then known as Reinagle and Barker's Panorama,Sherson, Erroll, ‘Lost London Playhouses’, ''The Stage'', 28 June 1923, p. 21. One of a series of articles later published in a book of same name in 1925. and the two panoramas were then run jointly until 1831. Their building was then used as a dissenting chapel and was purchased by Benjamin Lionel Rayner, a noted actor, in 1832.''From Stage to P ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
