Midnight Man (TV Serial)
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Midnight Man (TV Serial)
''Midnight Man'' is a 2008 British television serial produced by Carnival Films for the ITV network. The three-part serial stars James Nesbitt as Max Raban, a former investigative journalist who discovers an international conspiracy involving government policy groups and death squads. It co-stars Catherine McCormack as Alice Ross, a policy advisor who helps Raban, and Reece Dinsdale as Blake, the head of the death squad. The serial was written by David Kane in response to national paranoia in the wake of the War on Terror. Kane was inspired by the way the films ''Three Days of the Condor'', ''The Parallax View'' and ''The Conversation'' reflected a post-Vietnam paranoia in the United States. The director David Drury had the predominantly nighttime-set serial filmed in the winter, to maximise the use of darkness and keep down production costs. His inspiration for the look of the serial came from ''The Godfather'', which featured rich colours. Reaction to the serial was generall ...
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Thriller (genre)
Thriller is a genre of fiction with numerous, often overlapping, subgenres, including crime fiction, crime, horror fiction, horror, and detective fiction. Thrillers are characterized and defined by the mood (psychology), moods they elicit, giving their audiences heightened feelings of suspense, Psychomotor agitation, excitement, Surprise (emotion), surprise, anticipation (emotion), anticipation and anxiety. This genre is well suited to Thriller film, film and television. A thriller generally keeps its audience on the "edge of their seats" as the plot builds towards a climax (narrative), climax. The cover-up of important information is a common element. Literary devices such as red herrings, plot twists, unreliable narrators, and cliffhangers are used extensively. A thriller is often a villain-driven plot, whereby they present obstacles that the protagonist or hero must overcome. Roots of the genre date back hundreds of years, but it began to develop as a distinct style in the ...
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