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Michel Graillier
Michel Graillier (18 October 1946, Lens, Pas-de-Calais, February 2003, Paris) was a French jazz pianist. Biography From the ages of four to eighteen, Graillier studied classical piano in Lens, France. During adolescence, he worked as a drummer with the amateur yéyé group, Les Chaps ("The Guys"). After some preparatory classes, he enrolled in the engineering school at the ISEN in Lille, where he met the bassist Didier Levallet through whom he discovered jazz. In 1968, with a diploma in electrical engineering, he moved to Paris. He played in clubs, most notably at the Caméléon, in a trio with Aldo Romano and Jean-François Jenny-Clark. He made his first recording in 1969 with Steve Lacy. For three years, he accompanied violinist Jean-Luc Ponty. His first album for Agartha Records appeared in 1970, on which he was accompanied by Alby Cullaz and Bernard Lubat. During the same year, he recorded ''Pianos Puzzle'' with Georges Arvanitas, René Urtreger, and Maurice Vander. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lens, Pas-de-Calais
Lens (; ) is a city in the Pas-de-Calais department in northern France. It is one of the main towns of Hauts-de-France along with Lille, Valenciennes, Amiens, Roubaix, Tourcoing, Arras and Douai. The inhabitants are called ''Lensois'' (). Metropolitan area Lens belongs to the intercommunality of Lens-Liévin, which consists of 36 communes, with a total population of 242,000. Lens, along with Douai and 65 other communes, forms the agglomeration ('' unité urbaine'') of Douai-Lens, whose population as of 2018 was 504,281.Comparateur de territoire INSEE, retrieved 20 June 2022. History Lens was initially a fortification from the Norman invasions. In 1180, it was owned by the |
Georges Arvanitas
Georges Arvanitas (June 13, 1931 – September 25, 2005) was a French jazz pianist and organist. Life and career He was born in Marseille, a child of Greek immigrants from Constantinople. At the age of four he began studying piano and initially trained as a classical pianist, switching to jazz during his teens. His influences included Bud Powell and Bill Evans. In the late 1950s, he featured on albums by Art Farmer and Louis Hayes, and played with Dexter Gordon and Johnny Griffin. He also worked with Yusef Lateef.Yusef Lateef and Herb Boyd''The Gentle Giant: The autobiography of Yusef Lateef'' Morton Books, 2006, p. 99. Discography * ''3 am'' (Pretoria, 1958) * ''Cocktail for Three'' (Pretoria, 1959) * ''Soul Jazz'' (Columbia, 1960) * ''Pianos Puzzle'' (Saravah, 1970) * ''In Concert'' (Futura, 1970) * ''Les Classiques Du Jazz'' (AFA, 1970) * ''Orgue Hammond'' (Neuilly, 1971) * ''Douce Ambiance'' (Neuilly, 1972) * ''Live Again'' (Futura, 1973) * ''Porgy and Bess'' (AFA, 1973) * ' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chet Baker
Chesney Henry "Chet" Baker Jr. (December 23, 1929 – May 13, 1988) was an American jazz trumpeter and vocalist. He is known for major innovations in cool jazz that led him to be nicknamed the "Prince of Cool". Baker earned much attention and critical praise through the 1950s, particularly for albums featuring his vocals: '' Chet Baker Sings'' (1954) and '' It Could Happen to You'' (1958). Jazz historian Dave Gelly described the promise of Baker's early career as " James Dean, Sinatra, and Bix, rolled into one". His well-publicized drug habit also drove his notoriety and fame. Baker was in and out of jail frequently before enjoying a career resurgence in the late 1970s and 1980s. Biography Early years Baker was born December 23, 1929, in Yale, Oklahoma, and raised in a musical household. His father, Chesney Baker Sr., was a professional Western swing guitarist, and his mother, Vera Moser, was a pianist who worked in a perfume factory. His maternal grandmother was Norwegi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jacques Pelzer
Jacques Pelzer (24 June 1924 – 6 August 1994) was a Belgium, Belgian musician. He played alto saxophone and flute. Notably, his performance with Chet Baker was included on Baker's quintet's ''Brussels 1964'' album. He made his debut in 1947 the jazz band the "Bob Shots", which also featured René Thomas (guitarist), René Thomas and Bobby Jaspar. Over the years, he played with most of the great Belgian jazzmen (Toots Thielemans, Francy Boland, Benoît Quersin, Philip Catherine...) but also with many American jazzmen (Dexter Gordon, Stan Getz, Lee Konitz, Philly Joe Jones, Bill Evans, Chet Baker …). His music was impregnated by bebop but also by cool jazz and the music of Lennie Tristano. However, in the 1960s he sometimes played free jazz (with Don Cherry (trumpeter), Don Cherry, Gato Barbieri, Archie Shepp…) and, in the 1970s, jazz fusion (with the group “Open Sky Unit”). Beginning in the 1980s, he returned to more “classical” aesthetics and “acoustic” jazz ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Barney Wilen
Bernard "Barney" Jean Wilen (4 March 1937 – 25 May 1996) was a French jazz tenor and soprano saxophonist and composer. Biography Wilen was born in Nice, France; his father was an American dentist turned inventor, and his mother was French. His father's American citizenship allowed the family to take refuge in the United States during World War II, where Wilen started learning the saxophone. After the family's return to France, he began performing in clubs in Nice after being encouraged by Blaise Cendrars, who was a friend of his mother. After moving to Paris in 1953, Wilen regularly appeared at the club Le Tabou together with musicians such as Jimmy Gourley, Bobby Jaspar and Henri Renaud, as well as American jazzmen passing through. In 1955 he made his first recordings, accompanying Jay Cameron and Roy Haynes. Wilen's career was boosted in 1957, when he worked with Miles Davis on the soundtrack for the Louis Malle film '' Ascenseur pour l'échafaud''. The same year, he rele ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Steve Grossman (saxophonist)
Steven Mark Grossman (January 18, 1951August 13, 2020) was an American jazz fusion and hard bop saxophonist. Grossman was Wayne Shorter's replacement in Miles Davis's jazz-fusion band. He played with Chick Corea on the album "The Sun" in 1970, then, from 1971 to 1973, he was in Elvin Jones's band. In the late 1970s, he was part of the Stone Alliance trio with percussionist Don Alias and bassist Gene Perla. The group released four albums during this period, including one featuring Brazilian trumpeter Márcio Montarroyos. The albums also feature an array of other musicians. They went on to release three live reunion albums during the 2000s. Personal life Grossman was born in Brooklyn, New York, United States, on January 18, 1951, to Rosalind, an amateur pianist, and Irving, an RCA salesman and later president of KLH Research and Development Corporation. He died of cardiac arrest in Glen Cove, New York, on August 13, 2020, at the age of 69. Discography As leader *1974: '' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Philly Joe Jones
Joseph Rudolph "Philly Joe" Jones (July 15, 1923 – August 30, 1985) was an American Jazz drumming, jazz drummer. Biography Early career As a child, Jones appeared as a featured tap dancer on ''The Kiddie Show'' on the Philadelphia radio station WIP-FM, WIP. He was in the US Army during World War II. In 1947 he became the house drummer at Café Society in New York City, where he played with the leading bebop players of the day, including Tadd Dameron. From 1955 to 1958, Jones toured and recorded with the Miles Davis Quintet – a band that became known as "the Quintet" (along with Red Garland on piano, John Coltrane on sax, and Paul Chambers on bass). Davis acknowledged that Jones was his favorite drummer, and stated in his autobiography that he would always listen for Jones in other drummers. From 1958, Jones worked as a leader, but continued to work as a sideman with other musicians, including Bill Evans and Hank Mobley. Evans, like Davis, also openly stated that Jones was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
François Jeanneau
François Jeanneau (born June 15, 1935, Paris) is a French jazz saxophonist, flautist, and composer. Jeanneau studied flute under René Leroy at the Paris Conservatory, but was an autodidact on saxophone.Michel Laplace, "Francois Jeanneau". '' The New Grove Dictionary of Jazz''. 2nd edition, ed. Barry Kernfeld. He began playing professionally in 1960 at the Club Saint Germain, then worked in the big band of Jef Gilson and in a sextet with François Tusques. In the late 1960s and early 1970s he was a member of the band Triangle A triangle is a polygon with three corners and three sides, one of the basic shapes in geometry. The corners, also called ''vertices'', are zero-dimensional points while the sides connecting them, also called ''edges'', are one-dimension ... ( fr). He won the Prix Django Reinhardt in 1980 and was the first leader of the Orchestre National de Jazz in 1986. Discography * ''Triangle'', Pathé 1970 * ''The Paris Quartet'', François Jeanneau, Mich ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Christian Escoudé
Christian Escoudé (23 September 1947 – 13 May 2024) was a French Gypsy jazz guitarist. Escoudé grew up in Angoulême and was of Romani descent on his father's side. His father was also a guitarist who was influenced by Django Reinhardt. When Escoudé was ten, his father began teaching him the guitar, and he became a professional musician at age fifteen. His style was a mix of bebop and gypsy jazz influences, featuring the use of vibrato, portamento, and fast runs. In 1972, he started work in a trio with Aldo Romano. By the 1980s, he was in John Lewis's quartet. He also played with Philip Catherine for a time. In his forties, he signed with the French division of Verve Records. Career 1970s–1980s From 1969 to 1971, he was a member of the Aimé Barelli band. In Paris, he joined the trio of Eddy Louiss Bernard Lubat, and Aldo Romano. Later, he joined Didier Levallet's Swing String System and the Michel Portal Unit. In 1976, l' Académie du Jazz awarded him the Prix Dja ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
40 Ans D'Evolution
4 (four) is a number, numeral and digit. It is the natural number following 3 and preceding 5. It is a square number, the smallest semiprime and composite number, and is considered unlucky in many East Asian cultures. Evolution of the Hindu-Arabic digit Brahmic numerals represented 1, 2, and 3 with as many lines. 4 was simplified by joining its four lines into a cross that looks like the modern plus sign. The Shunga would add a horizontal line on top of the digit, and the Kshatrapa and Pallava evolved the digit to a point where the speed of writing was a secondary concern. The Arabs' 4 still had the early concept of the cross, but for the sake of efficiency, was made in one stroke by connecting the "western" end to the "northern" end; the "eastern" end was finished off with a curve. The Europeans dropped the finishing curve and gradually made the digit less cursive, ending up with a digit very close to the original Brahmin cross. While the shape of the character for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kobaian
Magma is a French progressive rock band founded in Paris in 1969 by self-taught drummer Christian Vander, who claimed as his inspiration a "vision of humanity's spiritual and ecological future" that profoundly disturbed him. The style of progressive rock that Vander developed with Magma is termed "Zeuhl", and has been applied to other bands in France operating in the same period, and to some recent Japanese bands. Vander created a fictional language, Kobaïan, in which most lyrics are sung. In a 1977 interview with Vander and long-time Magma vocalist Klaus Blasquiz, Blasquiz said that Kobaïan is a "phonetic language made by elements of the Slavonic and Germanic languages to be able to express some things musically. The language has of course a content, but not word by word." Vander himself has said, "When I wrote, the sounds f Kobaïancame naturally with it—I didn't intellectualise the process by saying 'Ok, now I'm going to write some words in a particular language', it wa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
