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Meyrianne Héglon
Marie-Antoinette Willemsen called Meyrianne Héglon (21 June 1867 – 11 January 1942) was a Belgian opera singer. After her marriage to the composer Xavier Leroux, she was known as Madame Héglon-Leroux. Life Born in Brussels, Héglon studied with Marie Sax and Barthot, Tequi and Louis-Henri Obin and continued her studies with Rosine Laborde. Richard T. Soper, ''Belgian Opera Houses and Singers'' (Reprint Company 1999), p.265-266. She made her debut at the Paris Opera in November 1890, as Maddalena in ''Rigoletto''. She sang at La Monnaie in 1894-1895 and later in 1901-1902. She performed as a guest artist in Ghent in 1898-1899. Héglon frequently appeared at the Paris Opera from 1897 to 1907. On 7 April 1898, at the Paris Opera, she sang at the world premiere of '' Tre pezzi sacri''at the time composed of three parts by Verdi, with her and Marie Delna as mezzo-sopranos and Aino Ackté and Louise Grandjean as sopranos, as part of the concerts of the Orchestre de la Soc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paul Taffanel
Claude-Paul Taffanel (16 September 1844 – 22 November 1908) was a French flautist, conductor and instructor, regarded as the founder of the French Flute School that dominated much of flute composition and performance during the mid-20th century. Early years Born in Bordeaux, Taffanel received his first lessons on the flute from his father at the age of nine. After giving his first concert at the age of ten, he studied with Vincent Dorus at the Paris Conservatoire. Once he graduated in 1860, he won his first of several awards for flute performance at age sixteen. Taffanel built a substantial career as both soloist and orchestral player over 30 years, becoming known as the foremost flautist of his time and reestablishing the instrument in the mainstream of music. Professorship In 1893, Taffanel became Professor of Flute at the Conservatoire. As Professor, he revised the institute's repertoire and teaching methods, restructuring the traditional masterclass format to give students ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opéra-Comique
The Opéra-Comique is a Paris opera company which was founded around 1714 by some of the popular theatres of the Parisian fairs. In 1762 the company was merged with – and for a time took the name of – its chief rival, the Comédie-Italienne at the Hôtel de Bourgogne. It was also called the Théâtre-Italien up to about 1793, when it again became most commonly known as the Opéra-Comique. Today the company's official name is Théâtre national de l'Opéra-Comique, and its theatre, with a capacity of around 1,248 seats, sometimes referred to as the Salle Favart (the third on this site), is located at Place Boïeldieu in the 2nd arrondissement of Paris, not far from the Palais Garnier, one of the theatres of the Paris Opéra. The musicians and others associated with the Opéra-Comique have made important contributions to operatic history and tradition in France and to French opera. Its current mission is to reconnect with its history and discover its unique repertoire to e ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maurice Renaud
Maurice Arnold Renaud (24 July 1861 – 16 October 1933) was a cultured French operatic baritone. He enjoyed an international reputation for the superlative quality of his singing and the brilliance of his acting. Early years Renaud was born in Bordeaux, as Arnaud Maurice Croneau.Bordeaux, Act No. 863, Son of Joseph Croneau, cooper and Adelaide Angèle Laubart. He studied for a year at the Paris Conservatoire, and then at the Brussels Conservatoire under Joseph Cornelis and Henri Warnots. He made his début at the Théâtre Royal de la Monnaie, Brussels, in 1883 and remained with that company until 1890, singing in the premières of Ernest Reyer's '' Sigurd'' in 1884 and in his '' Salammbô'' in 1890, opposite Rose Caron in both. He would re-appear at the Monnaie also in the period 1908-14. In October 1890 he joined the Opéra-Comique, making his debut as Karnak in Lalo's '' Le roi d'Ys'', and also singing title roles in ''Don Giovanni'' and '' Der fliegende Holländer ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Covent Garden
Covent Garden is a district in London, on the eastern fringes of the West End, between St Martin's Lane and Drury Lane. It is associated with the former fruit-and-vegetable market in the central square, now a popular shopping and tourist site, and with the Royal Opera House, itself known as "Covent Garden". The district is divided by the main thoroughfare of Long Acre, north of which is given over to independent shops centred on Neal's Yard and Seven Dials, while the south contains the central square with its street performers and most of the historical buildings, theatres and entertainment facilities, including the London Transport Museum and the Theatre Royal, Drury Lane. The area was fields until briefly settled in the 7th century when it became the heart of the Anglo-Saxon trading town of Lundenwic, then abandoned at the end of the 9th century after which it returned to fields. By 1200 part of it had been walled off by the Abbot of Westminster Abbey for use as arable ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Henry VIII (opera)
''Henry VIII'' is an opera in four acts by Camille Saint-Saëns, from a libretto by Léonce Détroyat and Armand Silvestre, based on ''El cisma en Inglaterra'' (''The Schism in England'') (1627) by Pedro Calderón de la Barca. Composition history The action covers the period in Henry VIII's life when the king was attempting to divorce Queen Catherine of Aragon in favour of marrying Anne Boleyn, a move rejected by the Church. In an effort to evoke the historical context, Saint-Saëns researched English music from the period and incorporated several English, Scottish, and Irish folk melodies into his score, as well as two airs by William Byrd (c. 1540–1623), contained in ''The Will Forster Virginal Book'' (1624), the "Carman's Whistle" and a section of a tune called "The New Medley". He also sampled from the Benjamin Cosyn's ''Virginal Book'' (1620), using the opening from the tune "Mr Beauins Service", along with "Te Deum". Henry VIII died in 1547, about 70 years before these ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Samson And Delilah (opera)
''Samson and Delilah'' (french: Samson et Dalila, links=no), Op. 47, is a grand opera in three acts and four scenes by Camille Saint-Saëns to a French libretto by Ferdinand Lemaire. It was first performed in Weimar at the (Grand Ducal) Theater (now the Staatskapelle Weimar) on 2 December 1877 in a German translation. The opera is based on the Biblical tale of Samson and Delilah found in Chapter 16 of the Book of Judges in the Old Testament. It is the only opera by Saint-Saëns that is regularly performed. The second act love scene in Delilah's tent is one of the set pieces that define French opera. Two of Delilah's arias are particularly well known: "" ("Spring begins") and "" ("My heart opens itself to your voice", also known as "Softly awakes my heart"), the latter of which is one of the most popular recital pieces in the mezzo-soprano/contralto repertoire. Composition history In the middle of the 19th century, a revival of interest in choral music swept France, and Saint ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Camille Saint-Saëns
Charles-Camille Saint-Saëns (; 9 October 183516 December 1921) was a French composer, organist, conductor and pianist of the Romantic era. His best-known works include Introduction and Rondo Capriccioso (1863), the Second Piano Concerto (1868), the First Cello Concerto (1872), ''Danse macabre'' (1874), the opera ''Samson and Delilah'' (1877), the Third Violin Concerto (1880), the Third ("Organ") Symphony (1886) and ''The Carnival of the Animals'' (1886). Saint-Saëns was a musical prodigy; he made his concert debut at the age of ten. After studying at the Paris Conservatoire he followed a conventional career as a church organist, first at Saint-Merri, Paris and, from 1858, La Madeleine, the official church of the French Empire. After leaving the post twenty years later, he was a successful freelance pianist and composer, in demand in Europe and the Americas. As a young man, Saint-Saëns was enthusiastic for the most modern music of the day, particularly that of Schum ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Messaline
''Messaline'' (''Messalina'') is an operatic tragédie lyrique in four acts by Isidore de Lara. The librettists were Paul Armand Silvestre and Eugène Morand. The opera premiered at the Opéra de Monte-Carlo on 21 March 1899 where it was received enthusiastically. ''Messaline'' was de Lara's most successful opera and subsequent productions were performed throughout Europe, including the first opera by an Englishman to be mounted at La Scala in 1901. Other notable performances include Covent Garden in 1899, Paris Opéra in 1903, Warsaw in 1904, and Cairo in 1907. The opera made its United States premiere at the Metropolitan Opera The Metropolitan Opera (commonly known as the Met) is an American opera company based in New York City, resident at the Metropolitan Opera House at Lincoln Center, currently situated on the Upper West Side of Manhattan. The company is operat ... on 22 January 1902. The opera remained a regular part of the repertory, particularly in France, until ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Isidore De Lara
Isidore de Lara, born Isidore Cohen (9 August 18582 September 1935), was an English composer and singer. After studying in Italy and France, he returned to England, where he taught for several years at the Guildhall School of Music and Drama and became a well known singer and composer of art songs. In the early 1880s he began to compose music for the stage, eventually achieving his greatest successes with opera in Monte Carlo from the late 1890s through the outbreak of World War I. His most popular opera, '' Messaline'' (1899), enjoyed frequent revivals throughout Europe and in the United States during the first quarter of the 20th century. He returned to London and spent much of the 1920s trying to create a permanent National opera company in England, without much success. Biography Born in London, de Lara went to Milan in 1874 to study composition with Alberto Mazzucato and singing with Francesco Lamperti at the Milan Conservatory. In 1876 he went to Paris to study w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aida
''Aida'' (or ''Aïda'', ) is an opera in four acts by Giuseppe Verdi to an Italian libretto by Antonio Ghislanzoni. Set in the Old Kingdom of Egypt, it was commissioned by Cairo's Khedivial Opera House and had its première there on 24 December 1871, in a performance conducted by Giovanni Bottesini. Today the work holds a central place in the operatic canon, receiving performances every year around the world; at New York's Metropolitan Opera alone, ''Aida'' has been sung more than 1,100 times since 1886. Ghislanzoni's scheme follows a scenario often attributed to the French Egyptologist Auguste Mariette, but Verdi biographer Mary Jane Phillips-Matz argues that the source is actually Temistocle Solera. Elements of the opera's genesis and sources Isma'il Pasha, Khedive of Egypt, commissioned Verdi to write an opera to celebrate the opening of the Suez Canal, but Verdi declined. However, Auguste Mariette, a French Egyptologist, proposed to Khedive Pasha a plot for a celebrato ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opéra De Monte-Carlo
The Opéra de Monte-Carlo is an opera house which is part of the Monte Carlo Casino located in the Principality of Monaco. With the lack of cultural diversions available in Monaco in the 1870s, Prince Charles III, along with the Société des bains de mer, decided to include a concert hall as part of the casino. The main public entrance to the hall was from the casino, while Charles III's private entrance was on the western side. It opened in 1879 and became known as the Salle Garnier, after the architect Charles Garnier, who designed it. During the renovation of the Salle Garnier in 2004–05, the company presented operas at the ''Salle des Princes'' in the local Grimaldi Forum, a modern conference and performance facility where Les Ballets de Monte Carlo and the Monte-Carlo Philharmonic Orchestra regularly perform. Salle Garnier The architect Charles Garnier also designed the Paris opera house now known as the Palais Garnier. The Salle Garnier is much smaller, seating ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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