|
Method Acting
Method acting, known as the Method, is a range of rehearsal techniques, as formulated by a number of different theatre practitioners, that seeks to encourage sincere and expressive performances through identifying with, understanding, and experiencing a character's inner motivation and emotions. These techniques are built on Stanislavski's system, developed by the Russian and Soviet actor and director Konstantin Stanislavski and captured in his books '' An Actor Prepares'', '' Building a Character'', and '' Creating a Role''. Among those who have contributed to the development of the Method, three teachers are associated with "having set the standard of its success", each emphasizing different aspects of the approach: Lee Strasberg (the psychological aspects), Stella Adler (the sociological aspects), and Sanford Meisner (the behavioral aspects).Krasner (2000b, 129). The approach was first developed when the three of them worked together at the Group Theatre (New York City), ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
|
|
Marlon Brando In 'Streetcar Named Desire' Trailer
Marlon is a masculine given name. According to the ''Oxford Dictionary of First Names'', the popularity of Marlon Brando led to general awareness of the name (his father was also named Marlon), though the origin of the name is not known. Speculation places the name's origin in France as a derivative of Marc (given name), Marc. The name may refer to: Given name or nickname Arts and entertainment *Marlon Brando (1924–2004), American actor *Marlon Jackson (born 1957), American singer, a member of ''The Jackson 5'' *Marlon Klein (born 1957), German music producer *Marlon Riggs (1957–1994), American filmmaker, educator, poet and gay rights activist *Marley Marl (born 1962), American rapper *Marlon Mullen (born 1964), American painter *Marlon James (novelist) (born 1970), Jamaican writer, winner of the 2015 Man Booker Prize *Marlon Jordan (born 1970), American jazz trumpeter, composer and bandleader * Marlon Fletcher (1971–2003), American rapper and hip hopper known by his sta ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
|
 |
Ensemble Cast
In a dramatic production, an ensemble cast is one that comprises many principal actors and performers who are typically assigned roughly equal amounts of screen time.Random House: ensemble acting Linked 2013-07-17 Structure In contrast to the popular model, which gives precedence to a sole protagonist, an ensemble cast leans more towards a sense of "collectivity and community". Cinema Ensemble casts in film were introduced as early as September 1916, with D. W. Griffith's silent epic film '' Intolerance'', featuring four separate though parallel plots. The film follows the lives of several characters over hundreds of years, across different cultures and time periods. The unification of different plot lines and character arcs is a key characteristic of ensemble casting in film; whether it is a location, event, or an overarching theme that ties the film and characters together. Films that feature ensembles tend to emphasize the interconnectivity of the characters, even when the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
 |
Improvisation
Improvisation, often shortened to improv, is the activity of making or doing something not planned beforehand, using whatever can be found. The origin of the word itself is in the Latin "improvisus", which literally means un-foreseen. Improvisation in the performing arts is a very spontaneous performance without specific or scripted preparation. The skills of improvisation can apply to many different faculties across all artistic, scientific, physical, cognitive, academic, and non-academic disciplines; see Applied improvisation. Skills and techniques The skills of improvisation can apply to many different abilities or forms of communication and expression across all artistic, scientific, physical, cognitive, academic, and non-academic disciplines. For example, improvisation can make a significant contribution in music, dance, cooking, presenting a speech, sales, personal or romantic relationships, sports, flower arranging, martial arts, psychotherapy, and much more. Technique ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
 |
Method Of Physical Action
Stanislavski's system is a systematic approach to training actors that the Russian theatre practitioner Konstantin Stanislavski developed in the first half of the twentieth century. His system cultivates what he calls the "art of experiencing" (with which he contrasts the " art of representation").Benedetti (1999a, 201), Carnicke (2000, 17), and Stanislavski (1938, 16—36 " art of representation" corresponds to Mikhail Shchepkin's "actor of reason" and his "art of experiencing" corresponds to Shchepkin's "actor of feeling"; see Benedetti (1999a, 202). It mobilises the actor's conscious thought and will in order to activate other, less-controllable psychological processes—such as emotional experience and subconscious behaviour—sympathetically and indirectly. In rehearsal, the actor searches for inner motives to justify action and the definition of what the character seeks to achieve at any given moment (a "task"). Later, Stanislavski further elaborated what he called 'th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
|
Subconscious
In psychology, the subconscious is the part of the mind that is not currently of focal awareness. The term was already popularized in the early 20th century in areas ranging from psychology, religion and spirituality. The concept was heavily popularized by Joseph Murphy's 1963 self-help book ''The Power of Your Subconscious Mind''. Scholarly use of the term The word ''subconscious'' represents an anglicized version of the French ''subconscient'' as coined by John Norris, in "An Essay Towards the Theory of the Ideal or Intelligible World” (1708): "The immediate objects of Sense, are not the objects of Intellection, they being of a Subconscient ubconsciousnature." A more recent use was in 1889 by the psychologist Pierre Janet (1859–1947), in his doctorate of letters thesis, ''Of Psychological Automatism'' (. Janet argued that underneath the layers of critical-thought functions of the conscious mind lay a powerful awareness that he called the subconscious mind.Henri F. Ellenb ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
|
 |
Will (philosophy)
Will, within philosophy, is a faculty of the mind. Will is important as one of the parts of the mind, along with reason and understanding. It is considered central to the field of ethics because of its role in enabling deliberate action. A recurring question in Western philosophical tradition is about free willand the related, but more general notion of fatewhich asks how the will can truly be free if a person's actions have either natural or divine causes determining them. In turn, this is directly connected to discussions on the nature of freedom and to the problem of evil. Classical philosophy The classical treatment of the ethical importance of will is to be found in the ''Nicomachean Ethics'' of Aristotle, in Books III (chapters 1–5), and Book VII (chapters 1–10). These discussions have been a major influence in the development of ethical and legal thinking in Western civilization. In Book III Aristotle divided actions into three categories instead of two: * Volunta ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
 |
Consciousness
Consciousness, at its simplest, is awareness of a state or object, either internal to oneself or in one's external environment. However, its nature has led to millennia of analyses, explanations, and debate among philosophers, scientists, and theologians. Opinions differ about what exactly needs to be studied or even considered consciousness. In some explanations, it is synonymous with the mind, and at other times, an aspect of it. In the past, it was one's "inner life", the world of introspection, of private thought, imagination, and volition (psychology), volition. Today, it often includes any kind of cognition, experience, feeling, or perception. It may be awareness, awareness of awareness, metacognition, or self-awareness, either continuously changing or not. The disparate range of research, notions, and speculations raises a curiosity about whether the right questions are being asked. Examples of the range of descriptions, definitions or explanations are: ordered distinc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
|
Mikhail Shchepkin
Mikhail Semyonovich Shchepkin (; — ) was the most famous Russian actor of the 19th century. He is considered the "father" of realist acting in Russia and, via the influence of his student, Glikeriya Fedotova, a major influence on the development of the 'system' of Konstantin Stanislavski (who was born in the year in which Shchepkin died). Shchepkin's significance to the Theatre of Russia is comparable to that of David Garrick to the English theatre. He distinguished between two kinds of actors, both of whom are dedicated to the art of acting: (1) those who have developed the art of pretense based on intelligence and reason; (2) those who express feelings experienced by the actor in performance and work based on "a flaming-soul, heavenly spark." Shchepkin considered the effect of the latter approach superior to that of the former. He was opposed to the principles advanced by the French playwright and philosopher Denis Diderot in his '' Paradox of the Actor'' (published pos ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
|
 |
Art Of Representation
The "art of representation" () is a critical term used by the seminal Russians, Russian theatre practitioner Konstantin Stanislavski to describe a method of acting. It comes from his acting manual ''An Actor Prepares'' (1936). Stanislavski defines his own approach to acting as "experiencing the role" and contrasts it with the "art of representation". It is on the basis of this formulation that the United States, American Method acting teacher Uta Hagen defines her recommended Stanislavskian approach as 'Presentational acting and Representational acting#Uta's confusion, presentational' acting, as opposed to 'Presentational acting and Representational acting#Uta's confusion, representational' acting. This use, however, directly contradicts Presentational acting and Representational acting, mainstream critical use of these terms. Despite the distinction, Stanislavskian theatre, in which actors 'experience' their roles, remains 'Representation (arts), representational' in the broader cri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
|
Diagram Of Stanislavski's 'system'
A diagram is a symbolic representation of information using visualization techniques. Diagrams have been used since prehistoric times on walls of caves, but became more prevalent during the Enlightenment. Sometimes, the technique uses a three-dimensional visualization which is then projected onto a two-dimensional surface. The word ''graph'' is sometimes used as a synonym for diagram. Overview The term "diagram" in its commonly used sense can have a general or specific meaning: * ''visual information device'' : Like the term "illustration", "diagram" is used as a collective term standing for the whole class of technical genres, including graphs, technical drawings and tables. * ''specific kind of visual display'' : This is the genre that shows qualitative data with shapes that are connected by lines, arrows, or other visual links. In science the term is used in both ways. For example, Anderson (1997) stated more generally: "diagrams are pictorial, yet abstract, representat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
|
|
André Antoine
André Antoine (; 31 January 185823 October 1943) was a French actor, theatre manager, film director, author, and critic who is considered the father of modern mise en scène in France. Biography André Antoine was a clerk at the Paris Gas Utility and worked in the Archer Theatre when he asked to produce a dramatization of a novel by Émile Zola. The amateur group refused it, so he decided to create his own theatre to realize his vision of the proper development of dramatic art. Antoine founded the Théâtre Libre in Paris in 1887. This was a ''théâtre d'essai'', a workshop theatre, where plays were produced whether they would perform at the box office or not. It was also a stage for new writing whose subject matter or form had been rejected in other theatres. Over a seven-year period, until 1894, the Théâtre Libre staged some 111 plays. His work had enormous influence on the French stage, as well as on similar companies elsewhere in Europe, such as the Independent Theatr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
|
 |
Naturalism (theatre)
Naturalism is a movement in European drama and theatre that developed in the late 19th and early 20th centuries. It refers to theatre that attempts to create an illusion of reality through a range of dramatic and theatrical strategies. Interest in naturalism especially flourished with the French playwrights of the time, but the most successful example is Strindberg's play '' Miss Julie'', which was written with the intention to abide by both his own particular version of naturalism, and also the version described by the French novelist and literary theoretician, Emile Zola. Zola's term for naturalism is ''la nouvelle formule''. The three primary principles of naturalism (''faire vrai, faire grand'' and ''faire simple'') are first, that the play should be realistic, and the result of a careful study of human behaviour and psychology. The characters should be flesh and blood; their motivations and actions should be grounded in their heredity and environment. The presentation o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |