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Meta-reference
Meta-reference (or metareference) is a category of self-references occurring in many media or media artifacts like published texts/documents, films, paintings, TV series, comic strips, or video games. It includes all references to, or comments on, a specific medium, medial artifact, or the media in general. These references and comments originate from a logically higher level (a "meta-level") within any given artifact, and draw attention to—or invite reflection about—media-related issues (e.g. the production, performance, or reception) of said artifact, specific other artifacts (as in parody), or to parts, or the entirety, of the medial system. It is, therefore, the recipient's awareness of an artifact's medial quality that distinguishes meta-reference from more general forms of self-reference. Thus, meta-reference triggers media-awareness within the recipient, who, in turn "becomes conscious of both the medial (or "fictional" in the sense of artificial and, sometimes in addit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mise En Abyme (in Literature And Other Media)
''Mise en abyme'' (also mise-en-abîme, French "put in the abyss", [miːz ɒn əˈbɪːm]) is a transgeneric and transmedial technique that can occur in any literary genre, in comics, film, painting or other media. It is a form of similarity and/or repetition, and hence a variant of self-reference. ''Mise en abyme'' presupposes at least two hierarchically different levels. A subordinate level 'mirrors' content or formal elements of a primary level. 'Mirroring' can mean repetition, similarity or even, to a certain extent, contrast. The elements thus ‘mirrored’ can refer to form (e.g. a painting within a painting) or content (e.g. a theme occurring on different levels). ''Mise en abyme'' can be differentiated according to its quantitative, qualitative and functional features. For instance, ‘mirroring’ can occur once, several times (on a lower and yet on a lower and so on level) or (theoretically) an infinite number of times (as in the reflection of an object between two Mi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Self-reference
Self-reference is a concept that involves referring to oneself or one's own attributes, characteristics, or actions. It can occur in language, logic, mathematics, philosophy, and other fields. In natural or formal languages, self-reference occurs when a sentence, idea or formula refers to itself. The reference may be expressed either directly—through some intermediate sentence or formula—or by means of some encoding. In philosophy, self-reference also refers to the ability of a subject to speak of or refer to itself, that is, to have the kind of thought expressed by the first person nominative singular pronoun "I" in English. Self-reference is studied and has applications in mathematics, philosophy, computer programming, second-order cybernetics, and linguistics, as well as in humor. Self-referential statements are sometimes paradoxical, and can also be considered recursive. In logic, mathematics and computing In classical philosophy, paradoxes were created b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Muppet Movie
''The Muppet Movie'' is a 1979 musical road comedy film directed by James Frawley and produced by Jim Henson, and the first theatrical film to feature the Muppets. A co-production between the United Kingdom and the United States, the film was written by ''The Muppet Show'' writers Jerry Juhl and Jack Burns. Produced during the third season of ''The Muppet Show'', the film tells the origin story of the Muppets, as Kermit the Frog embarks on a cross-country trip to Los Angeles, encountering several of the Muppets—who all share the same ambition of finding success in professional show business—along the way while being pursued by Doc Hopper, a greedy restaurateur with intentions of employing Kermit as a spokesperson for his frog legs business. The film stars Muppet performers Henson, Frank Oz, Jerry Nelson, Richard Hunt, and Dave Goelz, as well as Charles Durning and Austin Pendleton, and it features cameo appearances by Bob Hope, Dom DeLuise, James Coburn, Cloris Leachman, R ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Blazing Saddles
''Blazing Saddles'' is a 1974 American satirical postmodernist Western black comedy film directed by Mel Brooks, who co-wrote the screenplay with Andrew Bergman, Richard Pryor, Norman Steinberg and Alan Uger, based on a story treatment by Bergman. The film stars Cleavon Little and Gene Wilder. Brooks appears in two supporting roles: Governor William J. Le Petomane, and a Yiddish-speaking Native American chief; he also dubs lines for one of Lili Von Shtupp's backing troupe and a cranky moviegoer. The supporting cast includes Slim Pickens, Alex Karras and David Huddleston, as well as Brooks regulars Dom DeLuise, Madeline Kahn and Harvey Korman. Bandleader Count Basie has a cameo as himself, appearing with his orchestra. The film is full of deliberate anachronisms, from the Count Basie Orchestra playing " April in Paris" in the Wild West, to Pickens' character mentioning the '' Wide World of Sports''. The film received generally positive reviews from critics and audiences ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Drama
Drama is the specific Mode (literature), mode of fiction Mimesis, represented in performance: a Play (theatre), play, opera, mime, ballet, etc., performed in a theatre, or on Radio drama, radio or television.Elam (1980, 98). Considered as a genre of poetry in general, the dramatic mode has been contrasted with the Epic poetry, epic and the Lyric poetry, lyrical modes ever since Aristotle's ''Poetics (Aristotle), Poetics'' ()—the earliest work of dramatic theory. The term "drama" comes from a Ancient Greek, Greek word meaning "deed" or "Action (philosophy), act" (Classical Greek: , ''drâma''), which is derived from "I do" (Classical Greek: , ''dráō''). The two masks associated with drama represent the traditional Genre, generic division between Comedy (drama), comedy and tragedy. In English (as was the analogous case in many other European languages), the word ''Play (theatre), play'' or ''game'' (translating the Old English, Anglo-Saxon ''pleġan'' or Latin ''ludus'') wa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Massey University
Massey University () is a Public university, public research university in New Zealand that provides internal and distance education. The university has campuses in Auckland, Palmerston North, and Wellington. Data from Universities New Zealand shows that in 2024 the university had approximately 26,505 students enrolled, making it the country's second-largest university. Research is undertaken on all three campuses and people from over 130 countries study at the university. According to the university's annual report, in 2023, around 17.8% of students were based at the Auckland campus, 19.2% at the Manawatū (Palmerston North) campus, and 13.9% at the Wellington campus. Distance learning accounted for 45.4% of the student body, while the remaining 3.7% studied at other locations. History University of New Zealand The New Zealand Agricultural College Act of 1926 laid the foundation for the sixth college of the University of New Zealand (UNZ). It allowed for the amalgamation of t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hermann Danuser
Hermann Danuser (born 3 October 1946) is a Swiss-German musicologist. Life Born in Frauenfeld, Danuser studied piano, oboe, musicology, philosophy and German language and literature at the Musikhochschule and the University of Zurich from 1965; he received his doctorate with a dissertation on musical prose. From 1973 he studied in Berlin with Carl Dahlhaus (musicology) and Gerhard Puchelt (piano). After working as a research assistant, he habilitated in 1982 at Technische Universität Berlin with a thesis on ''the music of the 20th century'' (published in 1984). From 1982 to 1988, Danuser taught as professor for musicology at the Hochschule für Musik, Theater und Medien Hannover, then from 1988 to 1993 as professor for musicology at the Albert-Ludwigs-University Freiburg. From 1993 until his retirement in 2014, he held the chair for Historical Musicology at the Institute for Musicology and Media Studies of the Humboldt University of Berlin. Danuser also coordinates research a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Winfried Nöth
Winfried Nöth (born September 12, 1944 in Gerolzhofen) is a German linguist and semiotician. After graduating from high school in 1963 in Brunswick, from 1965 to 1969 Nöth studied English, French and Portuguese in Münster, Geneva, Lisbon and Bochum, and in 1971 acquired his doctoral degrees at the Ruhr University Bochum. In Bochum he also habilitated in 1976 and became assistant to Walter A. Koch. After teaching in Bochum and Aachen, in 1978 he was appointed full professor in English Linguistics at the University of Kassel. In 1985, Nöth was visiting professor at the University of Wisconsin–Green Bay in Green Bay, Wisconsin, United States, and in 1994 at the Pontifícia Universidade Católica de São Paulo in Brazil. Since 1999 he has been Director of the Scientific Centre for Cultural Research, University of Kassel, and President of the German Society for Semiotics. His ''Handbook of Semiotics'' (first published 1985) gives a comprehensive overview of the history and v ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Impressionism
Impressionism was a 19th-century art movement characterized by visible brush strokes, open Composition (visual arts), composition, emphasis on accurate depiction of light in its changing qualities (often accentuating the effects of the passage of time), ordinary subject matter, unusual visual angles, and inclusion of movement as a crucial element of human perception and experience. Impressionism originated with a group of Paris-based artists whose independent exhibitions brought them to prominence during the 1870s and 1880s. The Impressionists faced harsh opposition from the conventional art community in France. The name of the style derives from the title of a Claude Monet work, ''Impression, soleil levant'' (''Impression, Sunrise''), which provoked the critic Louis Leroy to coin the term in a Satire, satirical 1874 review of the First Impressionist Exhibition published in the Parisian newspaper ''Le Charivari''. The development of Impressionism in the visual arts was soon foll ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Édouard Manet
Édouard Manet (, ; ; 23 January 1832 – 30 April 1883) was a French Modernism, modernist painter. He was one of the first 19th-century artists to paint modern life, as well as a pivotal figure in the transition from Realism (art movement), Realism to Impressionism. Born into an upper-class household with strong political connections, Manet rejected the naval career originally envisioned for him; he became engrossed in the world of painting. His early masterworks, Le Déjeuner sur l'herbe, ''The Luncheon on the Grass'' (''Le déjeuner sur l'herbe'') and ''Olympia (Manet), Olympia'', premiering in 1863 and '65, respectively, caused great controversy with both critics and the Academy of Fine Arts, but soon were praised by progressive artists as the breakthrough acts to the new style, Impressionism. These works, along with others, are considered watershed paintings that mark the start of modern art. The last 20 years of Manet's life saw him form bonds with other great artists of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Balcony (painting)
''The Balcony'' (''French: Le balcon'') is an 1868–69 oil painting by the French painter Édouard Manet. It depicts four figures on a balcony, one of whom is sitting: the painter Berthe Morisot, who married Manet's brother Eugène in 1874. In the centre is the painter Jean Baptiste Antoine Guillemet. On the right is Fanny Claus, a violinist. The fourth figure, partially obscured in the interior's background, is possibly Léon Leenhoff, Manet's son. It was exhibited at the 1869 Paris Salon, and then kept by Manet until his death in 1883. It was sold to the painter Gustave Caillebotte in 1884, who left it to the French state in 1894. It is currently held at the Musée d'Orsay, Paris. Inspiration and description The painting, inspired by '' Majas on the Balcony'' by Francisco Goya, was created at the same time and with the same purpose as '' Luncheon in the Studio''. The three characters, who were all friends of Manet, seem to be disconnected from each other: while Berthe M ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
René Magritte
René François Ghislain Magritte (; 21 November 1898 – 15 August 1967) was a Belgium, Belgian surrealist artist known for his depictions of familiar objects in unfamiliar, unexpected contexts, which often provoked questions about the nature and boundaries of reality and representation. His imagery has influenced pop art, minimalist art, and conceptual art. Early life René Magritte was born in Lessines, in the province of Hainaut (province), Hainaut in Belgium, in 1898. He was the oldest son of Léopold Magritte, a tailor and textile merchant,Meuris 1991, p 216. and Régina (née Bertinchamps), who was a Hatmaking, milliner before she got married. Little is known about Magritte's early life. He began lessons in drawing in 1910. On 24 February 1912, his mother died by suicide by drowning herself in the River Sambre at Châtelet, Belgium, Châtelet. It was not her first suicide attempt. Her body was not discovered until 12 March.Abadie 2003, p. 274. According to a legend, 13-y ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
