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Messa Di Voce
''Messa di voce'' (Italian: ''placing of the voice'') is a singing technique and musical ornament most idiomatically on a single pitch while executing a crescendo and diminuendo. It requires sustained control and masterly singing technique. It should not be confused with '' mezza voce'', meaning to sing at half voice or half strength. Messa di voce can also be used as a voice therapy technique. Technique The ''messa di voce'' is widely considered an advanced vocal technique. To be properly executed, the only feature of the note being sung that should change is the volume, not the pitch, intonation, timbre, or vibrato. This requires an extremely high level of vocal coordination, particularly in the diminuendo. Thus the technique is not often explicitly indicated and is heard infrequently outside classical music. Currently the only known use case outside of classical music is in relation to trans voice work. History In Western art music, the ''messa di voce'' was historical ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musical Ornament
In music, ornaments or embellishments are musical flourishes—typically, added notes—that are not essential to carry the overall line of the melody (or harmony), but serve instead to decorate or "ornament" that line (or harmony), provide added interest and variety, and give the performer the opportunity to add expressiveness to a song or piece. Many ornaments are performed as "fast notes" around a central, main note. There are many types of ornaments, ranging from the addition of a single, short grace note before a main note to the performance of a virtuosic and flamboyant trill. The amount of ornamentation in a piece of music can vary from quite extensive (it was often extensive in the Baroque period, from 1600 to 1750) to relatively little or even none. The word ''agrément'' is used specifically to indicate the French Baroque style of ornamentation. Improvised vs. written In the Baroque period, it was common for performers to improvise ornamentation on a given melodi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Religious Conversion
Religious conversion is the adoption of a set of beliefs identified with one particular religious denomination to the exclusion of others. Thus "religious conversion" would describe the abandoning of adherence to one denomination and affiliating with another. This might be from one to another denomination within the same religion, for example, from Protestant Christianity to Roman Catholicism or from Shia Islam, Shi'a Islam to Sunni Islam. In some cases, religious conversion "marks a transformation of religious identity and is symbolized by special rituals". People convert to a different religion for various reasons, including active conversion by free choice due to a change in beliefs, secondary conversion, deathbed conversion, conversion for convenience, marital conversion, and forced conversion. Religious conversion can also be driven by practical considerations. Historically, people have converted to evade taxes, to escape military service or to gain political representation ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mary Magdalene
Mary Magdalene (sometimes called Mary of Magdala, or simply the Magdalene or the Madeleine) was a woman who, according to the four canonical gospels, traveled with Jesus as one of his followers and was a witness to crucifixion of Jesus, his crucifixion and Resurrection of Jesus, resurrection. In Gnosticism, Gnostic writings, Mary Magdalene is depicted as Jesus’s closest disciple who uniquely understood his teachings, causing tension with Saint Peter, Peter, and is honored as the “apostle to the apostles.” Mary Magdalene was a historical figure, possibly from Magdala. She was a prominent follower of Jesus who was believed to have been healed by him, supported his ministry financially, and was present at his Crucifixion of Jesus, crucifixion and burial. She played a key role among his female disciples. Overall, there is limited information about her life. Speculations about Mary Magdalene range from scholarly theories that she was the “disciple whom Jesus loved” in the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sonnet
A sonnet is a fixed poetic form with a structure traditionally consisting of fourteen lines adhering to a set Rhyme scheme, rhyming scheme. The term derives from the Italian word ''sonetto'' (, from the Latin word ''sonus'', ). Originating in 13th-century Sicily, the sonnet was in time taken up in many European-language areas, mainly to express romantic love at first, although eventually any subject was considered acceptable. Many formal variations were also introduced, including abandonment of the quatorzain limit – and even of rhyme altogether in modern times. Romance languages Sicilian Giacomo da Lentini is credited with the sonnet's invention at the Court of Frederick II, Holy Roman Emperor, Frederick II in the Sicilian city of Palermo. The Sicilian School of poets who surrounded Lentini then spread the form to the mainland. Those earliest sonnets no longer survive in the original Sicilian language, however, but only after being translated into Tuscan dialect. The form c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dialogue
Dialogue (sometimes spelled dialog in American and British English spelling differences, American English) is a written or spoken conversational exchange between two or more people, and a literature, literary and theatrical form that depicts such an exchange. As a philosophy, philosophical or didactic device, it is chiefly associated in the West with the Socratic dialogue as developed by Plato, but antecedents are also found in other traditions including Indian literature. Etymology The term ''dialogue'' stems from the Greek language, Greek (, ); its roots are (, ) and (, ). The first extant author who uses the term is Plato, in whose works it is closely associated with the art of dialectic. Latin took over the word as . As genre Antiquity Dialogue as a genre in the Middle East and Asia dates back to ancient works, such as Sumerian disputations preserved in copies from the late third millennium BC, Rigvedic dialogue hymns, and the ''Mahabharata''. In the West, Plato ( BC ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sheet Music
Sheet music is a handwritten or printed form of musical notation that uses musical symbols to indicate the pitches, rhythms, or chords of a song or instrumental musical piece. Like its analogs – printed Book, books or Pamphlet, pamphlets in English, Arabic, or other languages – the medium of sheet music typically is paper (or, in earlier centuries, papyrus or parchment). However, access to musical notation since the 1980s has included the presentation of musical notation on computer screens and the development of scorewriter Computer program, computer programs that can notate a song or piece electronically, and, in some cases, "play back" the notated music using a synthesizer or virtual instrumentation, virtual instruments. The use of the term "sheet" is intended to differentiate written or printed forms of music from sound recordings (on vinyl record, compact cassette, cassette, Compact disc, CD), radio or Television broadcasting, TV broadcasts or recorded live perfor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Domenico Mazzocchi
Domenico Mazzocchi (baptised 1592 in Civita Castellana21 January 1665 in Veja) was an Italian Baroque composer of only vocal music, of the generation after Claudio Monteverdi. He was a learned Roman lawyer, studied music with Giovanni Maria Nanino (or Nanini), also in Rome, and entered the service of cardinal Ippolito Aldobrandini in 1621. He is associated with providing music for the popes, particularly Cardinal Maffeo Barberini, later Pope Urban VIII, until Mazzocchi's death in Rome on 21 January 1665. His younger brother, Virgilio Mazzocchi, was a less notable Roman composer and had a similar career as a Vatican music provider. Works Operas *'' La catena d'Adone'' (1626) *''L'innocenza difesa'' Other * ''Madrigali a 5 voci in partitura'' (1638), madrigals which have Basso continuo, similar to the late Monteverdi; these contain the first notations, as explained in the preface, of the persisting conventional musical symbols 'decrescendo', p(iano), f(orte) and tr(illo) * Or ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Virtuoso
A virtuoso (from Italian ''virtuoso'', or ; Late Latin ''virtuosus''; Latin ''virtus''; 'virtue', 'excellence' or 'skill') is an individual who possesses outstanding talent and technical ability in a particular art or field such as fine arts, music, singing, playing a musical instrument, or composition. Meaning This word also refers to a person who has cultivated appreciation of artistic excellence, either as a connoisseur or Collecting, collector. The plural of ''virtuoso'' is either ''virtuosi'' or the Anglicisation ''virtuosos'', and the feminine forms are ''virtuosa'' and ''virtuose''. According to ''Music in the Western World'' by Piero Weiss and Richard Taruskin: ..."A virtuoso was, originally, a highly accomplished musician, but by the nineteenth century the term had become restricted to performers, both vocal and instrumental, whose technical accomplishments were so pronounced as to dazzle the public." The defining element of virtuosity is the performance ability of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musical Expression
Musical expression is the art of playing or singing with a personal response to the music. At a practical level, this means making appropriate use of dynamics, phrasing, timbre and articulation to bring the music to life. Composers may specify these aspects of expression to a greater or lesser extent in the notation of their musical score. The nature of musical expression has also been discussed at a theoretical level throughout of the history of classical music. One common view is that music both expresses and evokes emotion, forming a conduit for emotional communication between the musician and the audience. This view has been present through most of musical history, though it was most clearly expressed in musical romanticism. However, emotion's role in music has been challenged on occasion by those like Igor Stravinsky who see music as a pure art form and expression as an irrelevant distraction. Mimesis and rhetoric In the Baroque and Classical periods of music, music (a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vocal Pedagogy
Vocal pedagogy is the study of the art and science of voice instruction. It is used in the teaching of singing and assists in defining what singing is, how singing works, and how singing technique is accomplished. Vocal pedagogy covers a broad range of aspects of singing, ranging from the physiological process of vocal production to the artistic aspects of interpretation of songs from different genres or historical eras. Typical areas of study include: : * Human anatomy and Human physiology, physiology as it relates to the physical process of singing. * Breathing and air support for singing * Human position, Posture for singing * Phonation * Vocal resonation or voice projection * Diction, vowels and articulation * Vocal registration * Sostenuto and legato for singing * Other singing elements, such as range extension, tone quality, vibrato, coloratura * Vocal health and voice disorders related to singing * Vocal styles, such as learning to sing opera, belt (music), belt, or art son ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giulio Caccini
Giulio Romolo Caccini (also Giulio Romano) (8 October 1551 – buried 10 December 1618) was an Italian composer, teacher, singer, instrumentalist and writer of the late Renaissance and early Baroque eras. He was one of the founders of the genre of opera, and one of the most influential creators of the new Baroque style. He was also the father of the composer Francesca Caccini and the singer Settimia Caccini. Life Little is known about his early life, but he is thought to have been born in Rome, the son of the carpenter Michelangelo Caccini; he was the older brother of the Florentine sculptor Giovanni Caccini. In Rome he studied the lute, the viol and the harp, and began to acquire a reputation as a singer. In the 1560s, Francesco de' Medici, Grand Duke of Tuscany, was so impressed with his talent that he took the young Caccini to Florence for further study. By 1579, Caccini was singing at the Medici court. He was a tenor, and he was able to accompany himself on the viol or t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Le Nuove Musiche
''Le nuove musiche'' ("The New Musics") is a collection of monodies and songs for solo voice and basso continuo by the composer Giulio Caccini, published in Florence in July 1602. It is one of the earliest and most significant examples of music written in the early baroque style of the '' seconda pratica''. It contains 12 madrigals and 10 arias. The volume was dedicated to Lorenzo Salviati and is dated February 1601, '' stile fiorentino'' (1602, ''stile comune''); it was to be published early in 1602 but the printer, Giulio Marescotti, died before publication was completed, and its release was delayed until July 1602. The introduction to this volume is probably the most clearly written description of the purpose, intent and correct performance of monody from the time. It includes musical examples of ornaments—for example, how a specific passage can be ornamented in several different ways, according to the precise emotion that the singer wishes to convey. Caccini expressed dis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
