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Merzbow Albums
is a Japanese noise music, noise project started in 1979 by Masami Akita, best known for a style of harsh noise music. Since 1980, Akita has released over 500 recordings and collaborated with numerous artists. The name Merzbow comes from the German dada artist Kurt Schwitters' artwork ''Kurt Schwitters#The Merzbau, Merzbau'', in which Schwitters transformed the interior of his house using found objects. The name was chosen to reflect Akita's dada influence and junk art aesthetic. In addition to this, Akita has cited a wide range of musical influences from progressive rock, Heavy metal music, heavy metal, free jazz, and early electronic music to non-musical influences like dadaism, surrealism and fetish culture. Since the early 2000s, he has been inspired by animal rights and environmentalism, and began to follow a Veganism, vegan, straight edge lifestyle. In addition to being a prolific musician, he has been a writer and editor for several books and magazines in Japan, and has ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
ISSUE Project Room
ISSUE Project Room (often shortened to ISSUE) is a music venue in Brooklyn, New York, founded in 2003 by Suzanne Fiol. ISSUE Project room owns a theatre in 110 Livingston Street in Downtown Brooklyn. The venue supports a wide variety of contemporary performance, specializing in presenting experimental music, experimental and avant-garde music. History and programming ISSUE Project Room began in 2003 with a special concert curated by ISSUE's late founder Suzanne Fiol and musician Marc Ribot honoring the work of Frantz Casseus, the father of Haitian Classical music. The venue started in a garage space in the East Village, Manhattan, East Village of Manhattan, as a "project room" to feature experimental performances presented by Fiol's photography agency, Issue Management. Performances by Debbie Harry and the Jazz Passengers, Elliott Sharp, Anthony Coleman and dozens of others soon followed. By 2005, ISSUE was presenting 100 arts events annually featuring artists from several d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mats Gustafsson
Mats Olof Gustafsson (born 29 October 1964) is a Swedish free jazz saxophone player. Career Gustafsson came to the attention of lovers of improvised music as part of a duo with Christian Munthe (started in 1986), as member of Gunter Christmann's Vario project and the band Gush (started in 1988). He later played widely with Peter Brötzmann, Joe McPhee, Paul Lovens, Barry Guy, Yoshimi P-We, Derek Bailey (guitarist), Derek Bailey, Magnus Broo, Otomo Yoshihide, Pat Thomas (pianist), Pat Thomas, Jim O'Rourke (musician), Jim O'Rourke, Thomas Lehn, Evan Parker, Misha Mengelberg, Oren Ambarchi, Zu (band), Zu, The Ex (band), The Ex and Sonic Youth. Since the early 1990s Gustafsson has been a regular visitor to the United States, forming a particular affinity with Chicago musicians Hamid Drake, Michael Zerang, and Ken Vandermark and recording for Okka Disk. He was awarded the 2011 Nordic Council Music Prize. Gustafsson has worked extensively with artists from the worlds of dance, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Heavy Metal Music
Heavy metal (or simply metal) is a Music genre, genre of rock music that developed in the late 1960s and early 1970s, largely in the United Kingdom and United States. With roots in blues rock, psychedelic rock and acid rock, heavy metal bands developed a thick, monumental sound characterized by distortion (music), distorted guitars, extended guitar solos, emphatic Beat (music), beats and loudness. In 1968, three of the genre's most famous pioneers – British bands Led Zeppelin, Black Sabbath and Deep Purple – were founded. Though they came to attract wide audiences, they were often derided by critics. Several American bands modified heavy metal into more accessible forms during the 1970s: the raw, sleazy sound and shock rock of Alice Cooper and Kiss (band), Kiss; the blues-rooted rock of Aerosmith; and the flashy guitar leads and party rock of Van Halen. During the mid-1970s, Judas Priest helped spur the genre's evolution by discarding much of its blues influence,Walser (1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Progressive Rock
Progressive rock (shortened as prog rock or simply prog) is a broad genre of rock music that primarily developed in the United Kingdom through the mid- to late 1960s, peaking in the early-to-mid-1970s. Initially termed " progressive pop", the style emerged from psychedelic bands who abandoned standard pop or rock traditions in favour of instrumental and compositional techniques more commonly associated with jazz, folk, or classical music, while retaining the instrumentation typical of rock music. Additional elements contributed to its " progressive" label: lyrics were more poetic, technology was harnessed for new sounds, music approached the condition of " art", and the studio, rather than the stage, became the focus of musical activity, which often involved creating music for listening rather than dancing. Progressive rock includes a fusion of styles, approaches and genres, and tends to be diverse and eclectic. Progressive rock is often associated with long solos, exte ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Found Object
A found object (a calque from the French ''objet trouvé''), or found art, is art created from undisguised, but often modified, items or products that are not normally considered materials from which art is made, often because they already have a non-art function. Pablo Picasso first publicly utilized the idea when he pasted a printed image of chair caning onto his painting titled '' Still Life with Chair Caning'' (1912). Marcel Duchamp is thought to have perfected the concept several years later when he made a series of readymades, consisting of completely unaltered everyday objects selected by Duchamp and designated as art. The most famous example is '' Fountain'' (1917), a standard urinal purchased from a hardware store and displayed on a pedestal, resting on its back. In its strictest sense the term "readymade" is applied exclusively to works produced by Marcel Duchamp, who borrowed the term from the clothing industry () while living in New York, and especially to works d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kurt Schwitters
Kurt Hermann Eduard Karl Julius Schwitters (20 June 1887 – 8 January 1948) was a German artist. He was born in Hanover, Germany, but lived in exile from 1937. Schwitters worked in several genres and media, including Dadaism, Constructivism (art), constructivism, surrealism, poetry, sound, painting, sculpture, graphic design, typography, and what came to be known as installation art. He is most famous for his collages, called "Merz (art style), Merz Pictures". Early influences and the beginnings of Merz, 1887–1922 Hanover Kurt Schwitters was born on 20 June 1887 in Hanover, at Rumannstraße No.2, now No.8, the only child of Eduard Schwitters and his wife Henriette (née Beckemeyer). His father was (co-)proprietor of a ladies' clothes shop. The business was sold in 1898, and the family used the money to buy some properties in Hanover, which they rented out, allowing the family to live off the income for the rest of Schwitters' life in Germany. In 1893, the family moved to Wa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dada
Dada () or Dadaism was an anti-establishment art movement that developed in 1915 in the context of the Great War and the earlier anti-art movement. Early centers for dadaism included Zürich and Berlin. Within a few years, the movement had spread to New York City and a variety of artistic centers in Europe and Asia. Within the umbrella of the movement, people used a wide variety of artistic forms to protest the logic, reason, and aestheticism of modern capitalism and modern war. To develop their protest, artists tended to make use of nonsense, irrationality, and an anti-bourgeois sensibility. The art of the movement began primarily as performance art, but eventually spanned visual, literary, and sound media, including collage, sound poetry, cut-up technique, cut-up writing, and sculpture. Dadaist artists expressed their discontent toward violence, war, and nationalism and maintained political affinities with radical politics on the left-wing and far-left politics. The movem ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Noise Music
Noise music is a genre of music that is characterised by the expressive use of noise. This type of music tends to challenge the distinction that is made in conventional musical practices between musical and non-musical sound. Noise music includes a wide range of music genre, musical styles and sound art, sound-based creative practices that feature noise as a primary aspect of music, aspect. Noise music can feature acoustically or electronically generated noise, and both traditional and unconventional musical instruments. It may incorporate live machine sounds, non-musical Vocals#Vocal technique, vocal techniques, physically manipulated audio media, Sound effect, processed sound recordings, field recording, Computer music, computer-generated noise, stochastic process, and other randomly produced electronic signals such as Distortion (music), distortion, Audio feedback, feedback, Noise (radio), static, hiss and hum. There may also be emphasis on high volume levels and lengthy, cont ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Pinhas
Heldon was a French electronic rock band originally active between 1974 and 1978, and led by guitarist Richard Pinhas. Other members included synthesizer player Patrick Gauthier and drummer François Auger. The name of the band was taken from the 1972 novel '' The Iron Dream'' by Norman Spinrad. Influenced by the work of Robert Fripp (and sometimes evoking his work with Brian Eno), the music of Heldon blended electronic and rock forms. The first releases under the name Schizo, and later Heldon, were self-produced and self-distributed.Richard Pinhas , Biography AllMusic. Retrieved on 2014-04-24. Jim Dorsch from '''' would later describe Heldon's seven albums as "groundbreakin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Balázs Pándi
Balázs Pándi (born 6 August 1983) is a Hungarian drummer and journalist. He has worked and toured with various acts from all around the world including Venetian Snares, Otto von Schirach, To Live and Shave in L.A., The Kilimanjaro Darkjazz Ensemble and Zu. He also played drums for the Blood of Heroes project. Since 2009 he has frequently played drums live with Merzbow, and they have released three live records together. They headlined the experimental stage at the Scion Rock Fest in Tampa, Florida in 2012. More recently, he and Merzbow have performed as a trio with Mats Gustafsson. They released '' Cuts'' in 2013 on RareNoise. For the follow-up ''Cuts of Guilt, Cuts Deeper'' (2015), they were joined by Thurston Moore of Sonic Youth. Balázs started an electronica-metal-breakcore project with Bong-Ra called Wormskull in 2010 (their first album "Sound of Hell" was released in 2011). Most recently he joined the Italian experimental instrumental band Zu. His current projects ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jim O'Rourke (musician)
Jim O'Rourke (born January 18, 1969) is an American musician, instrumentalist, composer, singer-songwriter and record producer. He is best known for his numerous solo and collaborative music projects, many of which are instrumental, and has been acclaimed for his music that spans varied genres, including avant-garde styles such as ambient, noise and minimalism, and styles of rock like indie rock and post-rock. He has been associated with the Chicago experimental and improv scene, as well as with New York City when he relocated there in 2000 for his tenure as a member of American indie rock band Sonic Youth. Biography O'Rourke was born on January 18, 1969, in Chicago, Illinois. He is an alumnus of DePaul University. O'Rourke has collaborated with Thurston Moore, Lee Ranaldo, Kim Gordon, Steve Shelley, Derek Bailey, Mats Gustafsson, Mayo Thompson, Brigitte Fontaine, Loren Mazzacane Connors, Merzbow, Nurse with Wound, Phill Niblock, Fennesz, Organum, Phew, Henry Kaise ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
KK Null
, known by his stage name KK Null, is a Japanese experimental multi-instrumentalist active since the early 1980s. He began as a guitarist but learned how to compose, sing, play drums, and create electronic music. He also studied Butoh dance at Min Tanaka's workshop. KK Null joined the noise music, noise / progressive rock band YBO2 in 1984, issuing several albums and Extended play, EPs throughout the remainder of the decade. Later he founded bands, such as Absolut Null Punkt (a.k.a. ANP) and the most well known, a self-described "progressive hardcore trio", Zeni Geva. From that point he also produced albums for other artists, created his own record label (Nux Organization), played live and collaborated on albums with many other musicians, including John Zorn, Yona-Kit, Steve Albini, Boredoms, Seiichi Yamamoto, Jim O'Rourke (musician), Jim O'Rourke, Merzbow, Fred Frith, James Plotkin, Keiji Haino, Otomo Yoshihide, Jon Rose, Damian Catera, OvO (band), OvO, Atau Tanaka, Zbigniew Kar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
