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Merry Trio
''The Merry Trio'' is an oil painting created in 1629 by the Dutch Golden Age painter Judith Leyster. It is now in a private collection.Judith Leyster: A Woman Painter in Holland's Golden Age, by Frima Fox Hofrichter, Doornspijk, 1989, Davaco Publishers, , catalog #9 It was considered a work by Frans Hals until 1903. Provenance The painting was together with Leyster's ''The Last Drop by Leyster, The Last Drop'' in the collection of the British dealer/auction house Sir George Donaldson (1845–1925) where it was documented in 1903. The two may be pendants, as they were then reported to have the same measurements. According to Hofrichter, the scene shows the popular ''Merry company'' theme common in 17th-century ''commedia dell'arte'' plays. This daylight scene serves as a contrast to its candlelit pendant which warns of the dangers of drinking and smoking. Clearly, Leyster preferred the sober yet festive daytime scene, because she selected the musician on the right to illustrate h ...
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Judith Leyster
Judith Jans Leyster (also Leijster; baptised July 28, 1609Molenaer, JudithNational Gallery of Art website. Accessed February 1, 2014. – February 10, 1660) was a Dutch Golden Age painter of genre works, portraits, and still lifes. Her work was highly regarded by her contemporaries, but largely forgotten after her death. Her entire ''oeuvre'' came to be attributed to Frans Hals or to her husband, Jan Miense Molenaer. In 1893, she was rediscovered and scholars began to attribute her works properly. Biography Leyster was born in Haarlem to a local brewer. She was the eighth child of Jan Willemsz Leyster. While the details of her training are uncertain, she was mentioned by contemporary Haarlem poet Samuel Ampzing in his book ''Beschrijvinge ende lof der stadt Haerlem'' (1628). Some scholars speculate that Leyster pursued a career in painting to help support her family after her father's bankruptcy. She may have learned painting from Frans Pietersz de Grebber, who was running a r ...
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Oil Painting
Oil painting is the process of painting with pigments with a medium of drying oil as the binder. It has been the most common technique for artistic painting on wood panel or canvas for several centuries, spreading from Europe to the rest of the world. The advantages of oil for painting images include "greater flexibility, richer and denser colour, the use of layers, and a wider range from light to dark". But the process is slower, especially when one layer of paint needs to be allowed to dry before another is applied. The oldest known oil paintings were created by Buddhist artists in Afghanistan and date back to the 7th century AD. The technique of binding pigments in oil was later brought to Europe in the 15th century, about 900 years later. The adoption of oil paint by Europeans began with Early Netherlandish painting in Northern Europe, and by the height of the Renaissance, oil painting techniques had almost completely replaced the use of tempera paints in the majority ...
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Dutch Golden Age
The Dutch Golden Age ( nl, Gouden Eeuw ) was a period in the history of the Netherlands, roughly spanning the era from 1588 (the birth of the Dutch Republic) to 1672 (the Rampjaar, "Disaster Year"), in which Dutch trade, science, and art and the Dutch military were among the most acclaimed in Europe. The first section is characterized by the Eighty Years' War, which ended in 1648. The Golden Age continued in peacetime during the Dutch Republic until the end of the century, when costly conflicts, including the Franco-Dutch War and War of the Spanish Succession fuelled economic decline. The transition by the Netherlands to becoming the foremost maritime and economic power in the world has been called the "Dutch Miracle" by historian K. W. Swart. Causes of the Golden Age In 1568, the Seven Provinces that later signed the Union of Utrecht ( nl, Unie van Utrecht) started a rebellion against Philip II of Spain that led to the Eighty Years' War. Before the Low Co ...
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Frans Hals
Frans Hals the Elder (, , ; – 26 August 1666) was a Dutch Golden Age painter, chiefly of individual and group portraits and of genre works, who lived and worked in Haarlem. Hals played an important role in the evolution of 17th-century group portraiture. He is known for his loose painterly brushwork. Biography Hals was born in 1582 or 1583 in Antwerp, then in the Spanish Netherlands, as the son of cloth merchant Franchois Fransz Hals van Mechelen ( 1542–1610) and his second wife Adriaentje van Geertenryck.Frans Hals
iat the
Like many, Hals's parents fled during the
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The Last Drop By Leyster
''The Last Drop'' is a c. 1629 oil painting by Judith Leyster in the John G. Johnson collection of the Philadelphia Museum of Art.Judith Leyster: A Woman Painter in Holland's Golden Age, by Frima Fox Hofrichter, Doornspijk, 1989, Davaco Publishers, , catalog #10 It was regarded as a work by Frans Hals until 1903, when it was noticed that it is signed 'JL*' on the tankard. Background The artist Judith Leyster was a well-known artist during the seventeenth century; however, her reputation was forgotten soon after her death. There were no mentions of her name to be found in sales records and no prints made of her artwork. However, early in her career, she was recognized as the very first woman artist in the Haarlem Guild of St. Luke. It was not until 1893 that Judith Leyster was rediscovered and was given recognition as a leading woman in Dutch Golden Age painting. Provenance Judith Leyster's ''The Last Drop'' was in the collection of Sir George Donaldson in London around 1903. ...
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Self-portrait By Judith Leyster
''Self-portrait by Judith Leyster'' is a Dutch Golden Age painting in oils now in the collection of the National Gallery of Art in Washington DC. It was offered in 1633 as a masterpiece to the Haarlem Guild of St. Luke. It was attributed for centuries to Frans Hals and was only properly attributed to Judith Leyster upon acquisition by the museum in 1949.''Judith Leyster: A Woman Painter in Holland's Golden Age'', by Frima Fox Hofrichter, Doornspijk, 1989, Davaco Publishers, , catalog #21 The style is indeed comparable to that of Hals, Haarlem's most famous portraitist. In 2016 a second self-portrait was found, dating from around 1653. Though Leyster looks very relaxed, the composition is to some extent an artificial confection. She is dressed in what must have been her best clothes, which in reality she is unlikely to have risked near wet oil paint. The figure she is painting is borrowed from a different work and was perhaps never actually painted as a single figure. Critics ...
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The Last Drop (Leyster)
''The Last Drop'' is a c. 1629 oil painting by Judith Leyster in the John G. Johnson collection of the Philadelphia Museum of Art.Judith Leyster: A Woman Painter in Holland's Golden Age, by Frima Fox Hofrichter, Doornspijk, 1989, Davaco Publishers, , catalog #10 It was regarded as a work by Frans Hals until 1903, when it was noticed that it is signed 'JL*' on the tankard. Background The artist Judith Leyster was a well-known artist during the seventeenth century; however, her reputation was forgotten soon after her death. There were no mentions of her name to be found in sales records and no prints made of her artwork. However, early in her career, she was recognized as the very first woman artist in the Haarlem Guild of St. Luke. It was not until 1893 that Judith Leyster was rediscovered and was given recognition as a leading woman in Dutch Golden Age painting. Provenance Judith Leyster's ''The Last Drop'' was in the collection of Sir George Donaldson in London around 190 ...
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List Of Paintings By Judith Leyster
The following is a list of paintings by Judith Leyster that are generally accepted as autographed by the Frima Fox Hofrichter catalog and other sources. Sources *'' Judith Leyster: A Woman Painter in Holland's Golden Age'', by Frima Fox Hofrichter, Doornspijk, 1989, Davaco Publishers, Judith Leysterpaintings in the RKD The Netherlands Institute for Art History or RKD (Dutch: RKD-Nederlands Instituut voor Kunstgeschiedenis), previously Rijksbureau voor Kunsthistorische Documentatie (RKD), is located in The Hague and is home to the largest art history center i ... References {{Lists of paintings Leyster ...
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1629 Paintings
Sixteen or 16 may refer to: *16 (number), the natural number following 15 and preceding 17 *one of the years 16 BC, AD 16, 1916, 2016 Films * ''Pathinaaru'' or ''Sixteen'', a 2010 Tamil film * ''Sixteen'' (1943 film), a 1943 Argentine film directed by Carlos Hugo Christensen * ''Sixteen'' (2013 Indian film), a 2013 Hindi film * ''Sixteen'' (2013 British film), a 2013 British film by director Rob Brown Music * The Sixteen, an English choir *16 (band), a sludge metal band *Sixteen (Polish band), a Polish band Albums * ''16'' (Robin album), a 2014 album by Robin * 16 (Madhouse album), a 1987 album by Madhouse * ''Sixteen'' (album), a 1983 album by Stacy Lattisaw *''Sixteen'' , a 2005 album by Shook Ones * ''16'', a 2020 album by Wejdene Songs * "16" (Sneaky Sound System song), 2009 * "Sixteen" (Thomas Rhett song), 2017 * "Sixteen" (Ellie Goulding song), 2019 *"16", by Craig David from '' Following My Intuition'', 2016 *"16", by Green Day from ''39/Smooth'', 1990 *"16", by Hig ...
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Paintings By Judith Leyster
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, narrative, ...
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