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Meddah (film)
''Meddah'' is the name given to a traditional Turkish story teller, who played in front of a small group of viewers, such as a coffeehouse audience. This form of performance was especially popular in the Ottoman Empire from the 16th century onwards. The play was generally about a single topic, the ''meddah'' playing different characters, and was usually introduced by drawing attention to the moral contained in the story. The ''meddah'' would use props such as an umbrella, a handkerchief, or different headwear, to signal a change of character, and was skilled at manipulating his voice and imitating different dialects. There was no time limitation on the shows; a good ''meddah'' had the skill to adjust the story depending on interaction with the audience. Overview ''Meddah''s were generally traveling artists whose route took them from one large city to another, such along the towns of the spice road; the tradition supposedly goes back to Homer's time. The methods of ''meddah'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Turkish Folk Literature
Turkish folk literature is an oral tradition deeply rooted, in its form, in Anatolian traditions. However, in its themes, Turkish folk literature reflects the problems peculiar to a settling (or settled) people who have abandoned the nomadic lifestyle. One example of this is the series of folktales surrounding the figure of Keloğlan, a young boy beset with the difficulties of finding a wife, helping his mother to keep the family house intact, and dealing with the problems caused by his neighbors. Another example is the rather mysterious figure of Nasreddin, a trickster figure who often plays jokes, of a sort, on his neighbors. Nasreddin also reflects another significant change that had occurred between the days when the Turkish people were nomadic and the days when they had largely become settled in Anatolia; namely, Nasreddin is a Muslim imam. The Turkish people had first become an Islamic people sometime around the 9th or 10th century CE, and the religion henceforth came t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ashik
An ashik (; ) or ashugh (; ka, :ka:აშუღი, აშუღი) is traditionally a List of oral repositories, singer-poet and bard who accompanies his song—be it a dastan (traditional epic story, also known as ''Azeri hikaye, hikaye'') or a shorter original composition—with a long-necked lute (usually a bağlama or bağlama, saz) in Music of Azerbaijan, Azerbaijani culture, including Music of Turkey, Turkish and Iranian Azeri, South Azerbaijani and non-Turkic cultures of Transcaucasia, South Caucasus (primarily Music of Armenia, Armenian and Music of Georgia (country), Georgian). In Azerbaijan, the Ashiqs of Azerbaijan, modern ashik is a professional musician who usually serves an apprenticeship, masters playing the bağlama, and builds up a varied but individual repertoire of Turkic peoples, Turkic folk songs.Colin P. Mitchell (Editor), New Perspectives on Safavid Iran: Empire and Society, 2011, Routledge, 90–92 Etymology The word ''ashiq'' (, meaning "in love" ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Satire
Satire is a genre of the visual, literary, and performing arts, usually in the form of fiction and less frequently non-fiction, in which vices, follies, abuses, and shortcomings are held up to ridicule, often with the intent of exposing or shaming the perceived flaws of individuals, corporations, government, or society itself into improvement. Although satire is usually meant to be humorous, its greater purpose is often constructive social criticism, using wit to draw attention to both particular and wider issues in society. Satire may also poke fun at popular themes in art and film. A prominent feature of satire is strong irony or sarcasm—"in satire, irony is militant", according to literary critic Northrop Frye— but parody, burlesque, exaggeration, juxtaposition, comparison, analogy, and double entendre are all frequently used in satirical speech and writing. This "militant" irony or sarcasm often professes to approve of (or at least accept as natural) th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Innuendo
An innuendo is a wikt:hint, hint, wikt:insinuation, insinuation or wikt:intimation, intimation about a person or thing, especially of a denigrating or derogatory nature. It can also be a remark or question, typically disparaging (also called insinuation), that works obliquely by allusion. In the latter sense, the intention is often to insult or accuse someone in such a way that one's words, taken literally, are innocent. According to the ''Advanced Oxford Learner's Dictionary'', an innuendo is "an indirect remark about somebody or something, usually suggesting something bad, mean or rude", such as:'' "innuendos about her private life" ''or'' "The song is full of sexual innuendo".'' Sexual innuendo The term sexual innuendo has acquired a specific meaning, namely that of a "risqué" double entendre by playing on a possibly sexual interpretation of an otherwise innocent uttering. For example: "We need to go deeper" can be seen as either a request for further inquiry or allude to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mehmed II
Mehmed II (; , ; 30 March 14323 May 1481), commonly known as Mehmed the Conqueror (; ), was twice the sultan of the Ottoman Empire from August 1444 to September 1446 and then later from February 1451 to May 1481. In Mehmed II's first reign, he defeated the crusade led by John Hunyadi after the Hungarian incursions into his country broke the conditions of the truce per the Peace of Szeged, Treaties of Edirne and Szeged. When Mehmed II ascended the throne again in 1451, he strengthened the Ottoman Navy and made preparations to attack Constantinople. At the age of 21, he Fall of Constantinople, conquered Constantinople and brought an end to the Byzantine Empire. After the conquest, Mehmed claimed the title Caesar (title), caesar of Roman Empire, Rome (), based on the fact that Constantinople had been the seat and capital of the surviving Byzantine Empire, Eastern Roman Empire since its consecration in 330 AD by Constantine the Great, Emperor Constantine I. The claim was soon reco ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Battal Gazi
Seyyid Battal Ghazi is a Turkish warrior based in Anatolia (associated primarily with Malatya, where his father, Hüseyin Gazi, was the ruler) based on the real-life exploits of the 8th-century Umayyad military leader Abdallah al-Battal. His attributed legends, which also form the bulk of the information available on the historic personality, later became an important part of Turkish folk literature. His title Seyyid, as well as being an Arabic honorific, may refer, in the form "Seyyid", to family ties to Muhammad. The legends Sources available on the historical personality of Abdallah al-Battal consist of legends often written in the mesnevi style, and which may comport historically correct elements or points that support each other, as well as contradictions. For example, he is cited as having participated in his twenties to the Second Arab Siege of Constantinople in 718, and the legends name his Byzantine enemy as ''Leon'', which could be no other than Leo III the Isaurian, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
One Thousand And One Nights
''One Thousand and One Nights'' (, ), is a collection of Middle Eastern folktales compiled in the Arabic language during the Islamic Golden Age. It is often known in English as ''The Arabian Nights'', from the first English-language edition (), which rendered the title as ''The Arabian Nights' Entertainments''. The work was collected over many centuries by various authors, translators, and scholars across West Asia, Central Asia, South Asia, and North Africa. Some tales trace their roots back to ancient and medieval Arabic, Persian, and Mesopotamian literature. Most tales, however, were originally folk stories from the Abbasid and Mamluk eras, while others, especially the frame story, are probably drawn from the Pahlavi Persian work (, ), which in turn may be translations of older Indian texts. Common to all the editions of the ''Nights'' is the framing device of the story of the ruler Shahryar being narrated the tales by his wife Scheherazade, with one tale told ov ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hamza Ibn Abdul-Muttalib
Ḥamza ibn ʿAbd al-Muṭṭalib ibn Hāshim ibn ʿAbd Manāf al-Qurashī (; )Muhammad ibn Saad. ''Kitab al-Tabaqat al-Kabir'' vol. 3. Translated by Bewley, A. (2013). ''The Companions of Badr''. London: Ta-Ha Publishers. was a foster brother, paternal uncle, maternal second-cousin, and companion of the Islamic prophet Muhammad. He was martyred in the Battle of Uhud on 23 March 625 (7 Shawwal 3 hijri). His '' kunyas'' were "Abū ʿUmāra" () and "Abū Yaʿlā" (). He had the by-names '' Asad Allāh'' (, "Lion of God") and '' " Asad of His Messenger''" , and Muhammad gave him the posthumous title ''Sayyid al- Shuhadāʾ'' (, "Master of Martyrs"). Early life Ibn Sa'd basing his claim on al-Waqidi states that Hamza was reportedly four years older than Muhammad. He could also be two years older as said in other hadith. This is disputed by Ibn Sayyid, who said: " Zubayr narrated that Hamza was four years older than the Prophet. Ibn Hajar wrote of Ibn Sayyid's hadiths: "Hamz ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Seljuk Dynasty
The Seljuk dynasty, or Seljukids ( ; , ''Saljuqian'',) alternatively spelled as Saljuqids or Seljuk Turks, was an Oghuz Turkic, Sunni Muslim dynasty that gradually became Persianate and contributed to Turco-Persian culture. The founder of the Seljuk dynasty, Seljuk Beg, was a descendant of a royal Khazar chief Tuqaq who served as advisor to the King of the Khazars. in West Asia and Central Asia. The Seljuks established the Seljuk Empire (1037–1194), the Sultanate of Kermân (1041–1186) and the Sultanate of Rum (1074–1308), which stretched from Iran to Anatolia and were the prime targets of the First Crusade. Early history The Seljuks originated from the Kinik branch of the Oghuz Turks, who in the 8th century lived on the periphery of the Muslim world; north of the Caspian Sea and Aral Sea in their Oghuz Yabgu State in the Kazakh Steppe of Turkestan. During the 10th century, Oghuz had come into close contact with Muslim cities. When Seljuk, the leader of the S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
