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Mawwāl
In Arabic Music, the ''mawwāl'' (; plural: ''mawāwīl'', ) is a traditional and popular Arabic genre of vocal music that is very slow in beat and sentimental in nature, and is characterised by prolonging vowel syllables, emotional vocals, and is usually presented before the actual song begins. The singer performing a mawwal would usually lament and long for something, such as a past lover, a departed family member or a place, in a wailing manner. Etymology Mawwal is an Arabic word that means "affiliated with", "associated with," or "connected to". The verb is ''waala'' (). It is measure 3 of the root verb "Walia" (), which means to follow, ''be affiliated with'', ''support'', or ''sponsor''. Originally the verbal noun has a ''Yaa'' in the definite form but it loses it when the word is indefinite. History There are many preferences regarding the origin of the mawwal, one of these is the one al-Suyuti attributes it in the book Sharh al-Muwashah to the era of Harun al-Rashid. W ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sabah (singer)
Sabah, (, , ) born Jeanette Georges Feghali, (, ) was a Lebanese singer and actress. She specialised in the Mawwāl, a popular genre of traditional music in the Arabsphere, and performed in many Egyptian films and songs. Over the course of her career, she earned many nicknames; the most popular being 'Al-Shahrura' (, , ), in reference to her her strong and rhythmic voice. Early life Sabah was born to a Maronite family in Wadi Chahrour, Aley District as the youngest of three daughters. During her childhood, she was harassed by her father who had hoped for a son. Her brother eventually killed their mother, suspecting her of having an affair. Sabah was the sister of famous Lebanese actress Lamia Feghali and a maternal first cousin of famous Lebanese singer and actress Alexandra Nicholas Badran, known as Nour Al Hoda. She grew up in the nearby town of Bdadoun. Sabah was the paternal aunt of Brazilian congresswoman Jandira Feghali and her brother Ricardo Feghali, a member of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arabic Music
Arabic music () is the music of the Arab world with all its diverse List of music styles, music styles and genres. Arabic countries have many rich and varied styles of music and also many linguistic Varieties of Arabic, dialects, with each country and region having their own Folk music, traditional music. Arabic music has a long history of interaction with many other regional Music genre, musical styles and genres. It represents the music of all the Member states of the Arab League, peoples that make up the Arab world today. History Pre-Islamic period Pre-Islamic Arabia was the cradle of many intellectual achievements, including music, Music theory, musical theory and the development of musical instruments. In Yemen, the main center of pre-Islamic Arab sciences, literature and arts, musicians benefited from the patronage of the Kings of Sabaeans, Sabaʾ who encouraged the development of music. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ancient Egypt
Ancient Egypt () was a cradle of civilization concentrated along the lower reaches of the Nile River in Northeast Africa. It emerged from prehistoric Egypt around 3150BC (according to conventional Egyptian chronology), when Upper and Lower Egypt were amalgamated by Menes, who is believed by the majority of List of Egyptologists, Egyptologists to have been the same person as Narmer. The history of ancient Egypt unfolded as a series of stable kingdoms interspersed by the "Periodization of ancient Egypt, Intermediate Periods" of relative instability. These stable kingdoms existed in one of three periods: the Old Kingdom of Egypt, Old Kingdom of the Early Bronze Age; the Middle Kingdom of Egypt, Middle Kingdom of the Middle Bronze Age; or the New Kingdom of Egypt, New Kingdom of the Late Bronze Age. The pinnacle of ancient Egyptian power was achieved during the New Kingdom, which extended its rule to much of Nubia and a considerable portion of the Levant. After this period, Egypt ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wadih El Safi
Wadih El Safi (, born Wadih Francis; November 1, 1921 – October 11, 2013) was a Lebanese singer and composer. Born in Niha, Lebanon, Wadih El Safi started his artistic journey at the age of sixteen when he took part in a singing contest held by Lebanese Radio and was chosen the winner of all categories among 40 other competitors. Style and career Wadih El Safi being a classically trained tenor is not a verified fact since none of his known works provide proof of classical singing techniques. He has been known for singing in the belting school class, and his phonation is a testimonial of this practice. This is further confirmed in what arguably is his most famous song "Lebnan Ya Ote'et Sama" ("لبنان يا قطعة سما" in Arabic, specifically Lebanese dialect) in which his voice shifts to the so-called Falsetto or more widely recognized today as the "Voce Piena Testa" or the full head register on the second transition "Secondo passagio" around "EB4" note above middle ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Assyrian Folk Dance
Assyrian folk dances are sets of dances that are performed throughout the world by Assyrians, mostly on occasions such as weddings, community parties and other jubilant events. Assyrian folk dances are mainly made up of circle dances like ballet that are performed in a line, which may be straight, curved, or both. Most of the dances allow unlimited number of participants, with the exception of the ''Sabre Dance'', which require three at most. Assyrian dances would vary from weak to strong, depending on the mood and tempo of a song. Assyrian folk dances belong to five metric groups: (10 dances), (6 dances), (13 dances), (1 dance), (1 dance). The tempo would usually range from slow (70 beats per minute) to very fast (140 beats). Technique All Assyrian dances, with the exception of the ''Sabre Dance'', are done in a connected circle. Most Assyrian circle dances are lateral, vining and open-ended, where more and more participants can join the dance. In an open floor space, t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Assyrian/Syriac Folk Music
Assyrian folk/pop music, also known as Assyrian folk-pop, is the musical style of the Assyrian people derived from traditional music that includes a broad range of stylistic varieties, which would also encompass fusions of Western genres such as pop, electronic, Latin, jazz and/or classical music, with a melodic basis of Assyrian folk. Background Assyrian folk music claims to be the descendant of the music of their ancient Upper Mesopotamian ancestors that has survived in the liturgical music of the Syriac Churches. Assyrian songs are generally sung in Iraqi Koine, a standard variety of Assyrian Neo-Aramaic. However, older songs mostly had an Urmian dialect and tribal-folk music tend to contain Tyari dialects. Themes tend to focus on longing, melancholy, strife and love issues. Assyrian songs are usually lengthy, tending to be around 5 minutes long on average. Composition Assyrian folk can also be found in traditional Middle Eastern makams, and it has similarities to othe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Adwar Mousa
Adwar Mousa (; , born 10 April 1950), also known as Edwar Mousa and Edward Mousa, is an Assyrian singer-songwriter and poet who mainly writes folk dance music. Biography Mousa is originally from Syria, before he immigrated to Sweden and later resettled in Chicago with his family in the 2010s. His son Shady Mousa is a keyboardist, and his daughter, Nagham Adwar Mousa, is also a singer. Mousa is famed for writing a dozen notable songs in the late 1980s and early 1990s for prolific and popular Assyrian singers such as Sargon Gabriel, Ashur Bet Sargis, Janan Sawa Janan Sawa (born March 18, 1956) () is an Assyrian musician who is noted for making Assyrian folk dance. Janan started singing in 1972, at the age of 17. Janan has performed throughout the world, and has visited his hometown of Duhok in Iraq o ..., Linda George and Juliana Jendo, among others. Legacy Adwar Mousa's dance songs "Narineh" and "Wye Wye Minakh", which were written for Sargon Gabriel, still remain widel ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Assyrian People
Assyrians (, ) are an ethnic group Indigenous peoples, indigenous to Mesopotamia, a geographical region in West Asia. Modern Assyrians Assyrian continuity, share descent directly from the ancient Assyrians, one of the key civilizations of Mesopotamia. While they are distinct from other Mesopotamian groups, such as the Babylonians, they share in the broader cultural heritage of the Mesopotamian region. Modern Assyrians may culturally self-identify as Terms for Syriac Christians#Syriac identity, Syriacs, Chaldean Catholics, Chaldeans, or Terms for Syriac Christians#Aramean identity, Arameans for religious, geographic, and tribal identification. Assyrians speak various dialects of Neo-Aramaic, specifically those known as Suret and Turoyo, which are among the oldest continuously spoken and written languages in the world. Aramaic was the lingua franca of West Asia for centuries and was the language spoken by historical Jesus, Jesus. It has influenced other languages such as Hebrew an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arab World
The Arab world ( '), formally the Arab homeland ( '), also known as the Arab nation ( '), the Arabsphere, or the Arab states, comprises a large group of countries, mainly located in West Asia and North Africa. While the majority of people in the Arab world are ethnically Arabs, Arab, there are also significant populations of other ethnic groups such as Berbers, Kurds, Somalis and Nubians, among other Demographics of the Arab world, groups. Arabic is used as the lingua franca throughout the Arab world. The Arab world is at its minimum defined as the 19 states where Arabs form at least a wiktionary:plurality, plurality of the population. At its maximum it consists of the 22 member states of the Arab League, members of the Arab League, an international organization, which on top of the 19 plurality Arab states also includes the Bantu peoples, Bantu-speaking Comoros, and the Cushitic-speaking peoples, Cushitic-speaking Djibouti and Somalia. The region stretches from the Atlantic O ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Munir Bashir
Munir Bashir (; ; 1930 – September 28, 1997) was an Iraqi-Assyrian oudist. Bashir is considered one of the foremost virtuosos of the Arabic oud, and is widely renowned as one of the most important figures in 20th century Middle Eastern music. Bashir is widely regarded both for his extensive mastery of the Arabic modal system of maqam and his virtuosity in the improvisational tradition of Arabic taqsim. He is credited as being the first major figure to elevate the Arabic oud to the realm of solo concert performance, and was among the first Middle Eastern instrumentalists to gain recognition in the United States and Europe. His music is characterized by a unique style of improvisation that sometimes saw his native traditional Arabic music fused with Indian and European musical influences.Colors of Enchantment: Theater, Music and the Visual Arts of the Middle East, by Sherifa Zuhur, 2001 Bashir also pioneered many techniques on the oud which have since become standard practice. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Santur
The santur ( ; ) is a hammered dulcimer of Iranian origin.--- Rashid, Subhi Anwar (1989). ''Al-ʼĀlāt al-musīqīyya al-muṣāhiba lil-Maqām al-ʻIrāqī''. Baghdad: Matbaʻat al-ʻUmmāl al-Markazīyya. History The santur was invented and developed in the area of Iran. "The earliest sign of it comes from Assyrian and Babylonian stone carvings (669 B.C.); it shows the instrument being played while hanging from the player's neck" (35). This instrument was traded and traveled to different parts of the Middle East. Musicians modified the original design over the centuries, yielding a wide array of musical scales and tunings. The original santur was likely made with wood and stone and strung with goat intestines. According to Habib Hasan Touma, the Babylonian santur was the ancestor of the harp, the yangqin, the harpsichord, the qanun, the cimbalom, and the hammered dulcimers. Name The name 'santur' may come from Persian ''sanṭīr'', a borrowing of the Greek ψαλ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Qanun (instrument)
The qanun, kanun, ganoun or kanoon (; ; ; , ''qanun''; , ''qānūn''; ; ; ) is a Middle Eastern string instrument played either solo, or more often as part of an ensemble, in much of Iran, Arab East, and Arab Maghreb region of North Africa, later it reached West Africa, Central Asia due to Arab migration. It was also common in ancient (and modern-day) Armenia, and Greece. The name derives ultimately from Ancient Greek: κανών kanōn, meaning "rule, law, norm, principle". The qanun traces one of its origins to a stringed Assyrian instrument from the Old Assyrian Empire, specifically from the nineteenth century BC in Mesopotamia. This instrument came inscribed on a box of elephant ivory found in the old Assyrian capital Nimrud (ancient name: ''Caleh''). The instrument is a type of large zither with a thin trapezoidal soundboard that is famous for its unique melodramatic sound. Etymology The name derives ultimately . The qanun traces one of its origins to a stringed As ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
