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Mauro Squillante
Mauro Squillante is a plucked-instruments researcher, a mandolinist and president of the Accademia Mandolinistica Napoletana (Neapolitan Mandolin Academy) in Naples, Italy, teaching classical-music mandolin. He also teaches at the Conservatory "Piccinni" of Bari and the "Martucci" of Salerno. He is important in the movement to revive the Neapolitan mandolin in its native city, where the instrument went out of style and its history became hard to access. His specialty is "ancient plucked string instruments" including the mandolin, mandola, mandolone, colascione and zither. As part of rebuilding the presence of the Neapolitan mandolin in Naples, he and the Neapolitan Mandolin Academy take part in the Mandolin House, a performance venue but also a place for international students to take classes. The house works as a place where tourists can be exposed to the mandolin. The academy is recognized as having contributed to the revival of the mandolin in Naples. Squillante is a gradua ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hopkinson Smith
Hopkinson Smith (born December 7, 1946) is an American lutenist and pedagogue, longtime resident in Basel, Switzerland. Smith was born in New York City, the son of architectural writer and photographer G. E. Kidder Smith. He graduated from Harvard University with Honors in Music (Thesis on ''"The Pavans of Daniel Bacheler"''). He moved to Europe in 1973 to study lute and vihuela with the renowned Catalan classical guitarist Emilio Pujol, as well as Eugen Mueller-Dombois. In the mid-1970s, Hopkinson Smith was involved in the founding of the ensemble Hespèrion XX, which led to his ten-year collaboration with Jordi Savall. Since the mid-1980s, Hopkinson Smith has focused principally on solo music for early plucked instruments. These include the vihuela, Renaissance lute, theorbo, Renaissance and Baroque guitars and the baroque lute. His 2000 recording of the J.S. Bach sonatas and partitas for solo violin adapted for baroque lute has been called 'arguably the best you ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Living People
Related categories * :Year of birth missing (living people) / :Year of birth unknown * :Date of birth missing (living people) / :Date of birth unknown * :Place of birth missing (living people) / :Place of birth unknown * :Year of death missing / :Year of death unknown * :Date of death missing / :Date of death unknown * :Place of death missing / :Place of death unknown * :Missing middle or first names See also * :Dead people * :Template:L, which generates this category or death years, and birth year and sort keys. : {{DEFAULTSORT:Living people 21st-century people People by status ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Year Of Birth Missing (living People)
A year or annus is the orbital period of a planetary body, for example, the Earth, moving in its orbit around the Sun. Due to the Earth's axial tilt, the course of a year sees the passing of the seasons, marked by change in weather, the hours of daylight, and, consequently, vegetation and soil fertility. In temperate and subpolar regions around the planet, four seasons are generally recognized: spring, summer, autumn and winter. In tropical and subtropical regions, several geographical sectors do not present defined seasons; but in the seasonal tropics, the annual wet and dry seasons are recognized and tracked. A calendar year is an approximation of the number of days of the Earth's orbital period, as counted in a given calendar. The Gregorian calendar, or modern calendar, presents its calendar year to be either a common year of 365 days or a leap year of 366 days, as do the Julian calendars. For the Gregorian calendar, the average length of the calendar yea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eduardo Egüez
Eduardo Egüez (born in Buenos Aires, Argentina in 1959) is a lutenist, theorbist, and guitarist acclaimed for his interpretations of music by J.S.Bach. Egüez began by first studying guitar with Miguel Angel Girollet and Eduardo Fernández. He then studied composition at the Catholic Argentine University. In 1995 he obtained his diploma in lute performance from the Schola Cantorum Basiliensis under the tutelage of Hopkinson Smith. Eduardo Egüez teaches lute and basso continuo at the Zürich Conservatory (Switzerland). Performances Eduardo Egüez has given many solo recitals in South America, Europe, Australia, and Japan. He received awards from Promociones Musicales in Buenos Aires, 1984; Círculo Guitarrístico Argentino in Buenos Aires, 1984; Concours International de Guitare in Paris (Radio France), 1986; V Concurso Internacional de Guitarra (Jacinto and Inocencio Guerrero Foundation) in Madrid, 1989. He has also performed as a basso continuo player, as a member of such ense ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Enrico Baiano
Enrico Baiano (Naples, 1960) is an Italian harpsichordist and fortepianist, known on the international stage as a virtuoso and strict interpreter of early music. Baiano has earned a number of international awards including the Deutsche Schallplattenpreis, Diapason d'Or, Choc de la Musique and Platte des Monats.FIMA - Fondazione Italiana per la Musika Antica - Enrico Baiano (in Italian) He has written ''Method for Harpsichord: A practical guide for Pianists, Organists and Harpsichordists'' published by Ut Orpheus and translated into five languages. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Schola Cantorum Basiliensis
The Schola Cantorum Basiliensis (SCB) is a music academy and research institution located in Basel, Switzerland, that focuses on early music and historically informed performance. Faculty at the school have organized performing ensembles that have made notable recordings of early music. One of the more popular of these is the 1994 album ''Chill to the Chant''. History Paul Sacher founded the school in 1933. Influential faculty included August Wenzinger (cello and viola da gamba), Ina Lohr (violin), and Max Meili (vocal music). In 1954 the Schola merged with two other Basel music schools to form the City of Basel Music Academy. Faculty Among the school's other notable faculty members, past and present, are musicians from many countries. By nationality, they include: * Australia: keyboardist and conductor Geoffrey Lancaster * Belgium: countertenor and conductor René Jacobs * England: lutenist and ensemble leader Anthony Rooley; soprano Evelyn Tubb; viola da gambist Alison ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Crawford Young
Crawford Young is an American lutenist and musicologist residing in Basel, Switzerland. He is the director of the Ferrara Ensemble, Ensemble Project Ars Nova, Shield of Harmony, and is a long time accompanist of Andreas Scholl. Life and career Robert Crawford Young graduated in 1976 from New England Conservatory in Boston, where he played classical guitar, lute, and tenor banjo. At Stanford University, he came in 1977 into contact with Thomas Binkley from 1978-1981 was active with Sequentia of Benjamin Bagby and Barbara Thornton in Cologne as performer on the lute and gittern. Since 1982, Young has taught medieval lute and medieval music performance practice at the Schola Cantorum Basiliensis, where he also performs. In 1982, Young was a founding member of Ensemble P.A.N. (Project Ars Nova), along with Laurie Monahan (mezzo-soprano), Michael Collver (countertenor and corno muto) and first performed in Paris in 1982. For their American debut in Boston in 1984, Shira Kamme ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zither
Zithers (; , from the Greek word ''cithara'') are a class of stringed instruments. Historically, the name has been applied to any instrument of the psaltery family, or to an instrument consisting of many strings stretched across a thin, flat body. This article describes the latter variety. Zithers are typically played by strumming or plucking the strings with the fingers or a plectrum. In the Hornbostel–Sachs classification system, the term refers to a larger family of similarly shaped instruments that also includes the hammered dulcimer family and piano and a few rare bowed instruments like the bowed psaltery, bowed dulcimer, and streichmelodion. Like an acoustic guitar or lute, a zither's body serves as a resonating chamber ( sound box), but, unlike guitars and lutes, a zither lacks a distinctly separate neck assembly. The number of strings varies, from one to more than fifty. In modern common usage the term "zither" refers to three specific instruments: the concert ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Plucked String Instrument
Plucked string instruments are a subcategory of string instruments that are played by plucking the strings. Plucking is a way of pulling and releasing the string in such a way as to give it an impulse that causes the string to vibrate. Plucking can be done with either a finger or a plectrum. Most plucked string instruments belong to the lute family (such as guitar, bass guitar, mandolin, banjo, balalaika, sitar, pipa, etc.), which generally consist of a resonating body, and a neck; the strings run along the neck and can be stopped at different pitches. The zither family (including the Qanún/kanun, autoharp, kantele, gusli, kannel, kankles, kokles, koto, guqin, gu zheng and many others) does not have a neck, and the strings are stretched across the soundboard. In the harp family (including the lyre), the strings are perpendicular to the soundboard and do not run across it. The harpsichord does not fit any of these categories but is also a plucked string instrument, as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Colascione
The colascione (or calascione, Italian: [], French: ''colachon'' [], also sometimes known as liuto della giraffa meaning giraffe-lute, a reference to its long neck) is a plucked string instrument from the late Renaissance and early Baroque periods,Anthony Baines: Lexikon der Musikinstrumente. J.B. Metzler'sche Verlagsbuchhandlung, Stuttgart 2005, S. 66 with a lute-like resonant body and a very long neck. It was mainly used in southern Italy. It has two or three strings tuned in fifths. Noteworthy are the great similarities of the colascione with instruments such as the dutar or the saz. Nevertheless, there are important differences, such as the bridge being on the top of the body. Fotothek df tg 0008352 Akustik ^ Saiteninstrument ^ Zupfinstrument ^ Colachon ^ Ordensliteratur.jpg, Image of Colascione from woodcut from Deutsche Fotothek File:Colascione.jpg, A modern reconstruction File:Domenico Colla and his brother.jpg, Domenico Colla and his brother, who toured Europe in the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mandolone
A mandolone is a member of the mandolin family, created in the 18th century. It is a bass range version of the Neapolitan mandolin.Sterling Publishing Company, New York, ''Musical Instruments of the World'', page 188 Its range was not as good as the mandocello, which replaced it in mandolin orchestras, and had largely disappeared in the 19th century. Besides the lesser range, compared to the mandocello, the mandolone was also a quieter instrument. This was a problem, because the other instruments making up the mandolin orchestras were getting louder. In regular orchestras, it had to be heard with violins, violas and cellos, which were getting louder as well. Experts unclear over definition Donald Gill pointed out that there is some uncertainty as to the exact nature of the instruments or what they were tuned to. He wrote about the 1989 book that James Tyler and Paul Sparks wrote together, ''The Early Mandolin: the Mandolino and the Neapolitan mandolin.'' He quoted Paul Sparks as s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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