Matthew Rose (bass)
Matthew Rose (born 4 May 1978 in Seaford, UK) is an English operatic bass. Biography Matthew Rose studied at Seaford College and the Curtis Institute of Music, Philadelphia. In 2003, Rose joined the Young Artists Programme at the Royal Opera House, Covent Garden. Rose was awarded the John Christie Prize at Glyndebourne in 2006. Rose received the Independent Opera/Wigmore Hall Fellowship in 2007. In June 2012 Rose was awarded the Critics Circle Award for Exceptional Young Talent. Operatic repertoire *Doctor in ''Vanessa'' by Barber *Don Fernando in ''Fidelio'' by Beethoven *Zuniga in ''Carmen'' by Bizet *Claggart, Lieutenant Ratcliffe & Mr Flintin ''Billy Budd'' by Britten *Abbott in ''Curlew River'' by Britten *Bottom in ''A Midsummer Night's Dream'' by Britten *Noye in ''Noye's Fludde'' by Britten *Swallow in ''Peter Grimes'' by Britten *Collatinus in ''The Rape of Lucretia'' by Britten *Raimondo in ''Lucia di Lammermoor'' by Donizetti *Talbot in ''Maria Stuarda'' by Doni ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Seaford, East Sussex
Seaford is a town in East Sussex, England, east of Newhaven, East Sussex, Newhaven and west of Eastbourne.OS Explorer map Eastbourne and Beachy Head Scale: 1:25 000. Publisher:Ordnance Survey – Southampton B2 edition. Publishing Date:2009. In the Middle Ages, Seaford was one of the main ports serving Southern England, but the town's fortunes declined due to coastal sedimentation silting up its harbour and persistent raids by French pirates. The coastal confederation of Cinque Ports in the mediaeval period consisted of forty-two towns and villages; Seaford was included under the "Limb" of Hastings. Between 1350 and 1550, the French burned down the town several times. In the 16th century, the people of Seaford were known as the "Great cormorant, cormorants" or "Common shag, shags" because of their enthusiasm for looting ships wrecked in the bay. Local legend has it that Seaford residents would, on occasion, cause ships to run aground by placing fake harbour lights on the cliffs. ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Britten
Edward Benjamin Britten, Baron Britten of Aldeburgh (22 November 1913 – 4 December 1976) was an English composer, conductor, and pianist. He was a central figure of 20th-century British music, with a range of works including opera, other vocal music, orchestral and chamber pieces. His best-known works include the opera '' Peter Grimes'' (1945), the '' War Requiem'' (1962) and the orchestral showpiece '' The Young Person's Guide to the Orchestra'' (1945). Britten was born in Lowestoft, Suffolk, the son of a dentist. He showed talent from an early age. He studied at the Royal College of Music in London and privately with the composer Frank Bridge. Britten first came to public attention with the ''a cappella'' choral work '' A Boy Was Born'' in 1934. With the premiere of ''Peter Grimes'' in 1945, he leapt to international fame. Over the next 28 years, he wrote 14 more operas, establishing himself as one of the leading 20th-century composers in the genre. In addition to l ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
L'incoronazione Di Poppea
''L'incoronazione di Poppea'' (Stattkus-Verzeichnis, SV 308, ''The Coronation of Poppaea'') is an Italian List of operas by Claudio Monteverdi, opera by Claudio Monteverdi. It was Monteverdi's last opera, with a libretto by Giovanni Francesco Busenello, and was first performed at the Teatro Santi Giovanni e Paolo in Venice during the 1643 Carnival of Venice, carnival season. One of the first operas to use historical events and people, it describes how Poppaea, mistress of the Roman emperor Nero, is able to achieve her ambition and be crowned empress. The opera was revived in Naples in 1651, but was then neglected until the rediscovery of the score in 1888, after which it became the subject of scholarly attention in the late 19th and early 20th centuries. Since the 1960s, the opera has been performed and recorded many times. The original manuscript of the score does not exist; two surviving copies from the 1650s show significant differences from each other, and each differs to some ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Leoš Janáček
Leoš Janáček (, 3 July 1854 – 12 August 1928) was a Czech composer, Music theory, music theorist, Folkloristics, folklorist, publicist, and teacher. He was inspired by Moravian folk music, Moravian and other Slavs, Slavic music, including Eastern European folk music, to create an original, modern musical style. Born in Hukvaldy, Janáček demonstrated musical talent at an early age and was educated in Brno, Prague, Leipzig, and Vienna. He then returned to live in Brno, where he married his pupil Zdenka Schulzová and devoted himself mainly to folkloristic research. His earlier musical output was influenced by contemporaries such as Antonín Dvořák, but around the turn of the century he began to incorporate his earlier studies of national folk music, as well as his transcriptions of "speech melodies" of spoken language, to create a modern, highly original synthesis. The death of his daughter Olga in 1903 had a profound effect on his musical output; these notable transfor ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
The Cunning Little Vixen
''The Cunning Little Vixen'' (original title ''Příhody lišky Bystroušky'' or ''Tales of Vixen Sharp-Ears'' in English), is a three-act Czech-language opera by Leoš Janáček completed in 1923 to a libretto the composer himself adapted from a novella by Rudolf Těsnohlídek. Name The opera's libretto was adapted by the composer from a 1920 serialized novella, ''Liška Bystrouška'', by Rudolf Těsnohlídek, which was first published in the newspaper ''Lidové noviny'' (with illustrations by Stanislav Lolek). For the title of the opera, ''Příhody'' means ''tales''; ''lišky'' is the genitive of ''vixen''. ''Bystroušky'', still genitive, is the pun ''sharp'', having the double meaning of ''pointed'', like fox ears, and ''clever''. The opera first became familiar outside Czechoslovakia in a 1927 German adaptation by Max Brod who provided the new name ''Das schlaue Füchslein'', by which Germans still know it and which in English means ''The Cunning Little Vixen''. Compositi ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Fromental Halévy
Jacques-François-Fromental-Élie Halévy, usually known as Fromental Halévy (; 27 May 179917 March 1862), was a French composer. He is known today largely for his opera ''La Juive''. Early career Halévy was born in Paris, son of the cantor Élie Halfon Halévy, who was the secretary of the Jewish community of Paris and a writer and teacher of Hebrew, and a French Jewish mother. The name Fromental (meaning 'oat grass'), by which he was generally known, reflects his birth on the day dedicated to that plant: 7 Prairial in the French Revolutionary calendar, which was still operative at that time. He entered the Conservatoire de Paris at the age of nine or ten (accounts differ), in 1809, becoming a pupil and later protégé of Cherubini. After two second-place attempts, he won the Prix de Rome in 1819: his cantata subject was ''Herminie''. As he had to delay his departure to Rome because of the death of his mother, he was able to accept the first commission that brought him t ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
La Juive
''La Juive'' (, ) is a grand opera in five acts by Fromental Halévy to an original French libretto by Eugène Scribe; it was first performed at the Opéra National de Paris, Opéra de Paris, on 23 February 1835. Composition history ''La Juive'' was one of the most popular and admired operas of the 19th century. Its libretto was the work of Eugène Scribe, the prolific dramatic author. Scribe was writing to the tastes of the Opéra national de Paris, Opéra de Paris, where the work was first performed – a work in five acts presenting spectacular situations (here the Council of Constance of 1414), which would allow a flamboyant staging in a setting which brought out a dramatic situation which was also underlined by a powerful historical subject. In addition to this, there could be choral interludes, ballet and scenic effects which took advantage of the entire range of possibilities available at the Paris Opera. Because of the story of an impossible love between a Christian man a ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Maria Stuarda
''Maria Stuarda'' (Mary Stuart) is a tragic opera (''tragedia lirica''), in two acts, by Gaetano Donizetti, to a libretto by Giuseppe Bardari, based on Andrea Maffei's translation of Friedrich Schiller's 1800 play '' Maria Stuart''. The opera is one of a number of operas by Donizetti which deal with the Tudor period in English history, including '' Anna Bolena'' (named for Henry VIII's second wife, Anne Boleyn), '' Roberto Devereux'' (named for a putative lover of Queen Elizabeth I of England) and '' Il castello di Kenilworth''. The lead female characters of the operas ''Anna Bolena'', ''Maria Stuarda'', and ''Roberto Devereux'' are often referred to as the "Three Donizetti Queens". The story is loosely based on the lives of Mary, Queen of Scots (Mary Stuart) and her cousin Queen Elizabeth I. Schiller had invented the confrontation of the two Queens, who in fact never met.Ashbrook 1972, pp. 17 to 30. After a series of problems surrounding its presentation in Naples after the ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Donizetti
Domenico Gaetano Maria Donizetti (29 November 1797 – 8 April 1848) was an Italian Romantic composer, best known for his almost 70 operas. Along with Gioachino Rossini and Vincenzo Bellini, he was a leading composer of the ''bel canto'' opera style during the first half of the nineteenth century and a probable influence on other composers such as Giuseppe Verdi. Donizetti was born in Bergamo in Lombardy. At an early age he was taken up by Simon Mayr who enrolled him with a full scholarship in a school which he had set up. There he received detailed musical training. Mayr was instrumental in obtaining a place for Donizetti at the Bologna Academy, where, at the age of 19, he wrote his first one-act opera, the comedy '' Il Pigmalione'', which may never have been performed during his lifetime. An offer in 1822 from Domenico Barbaja, the impresario of the Teatro di San Carlo in Naples, which followed the composer's ninth opera, led to his move to Naples and his residency there un ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Lucia Di Lammermoor
''Lucia di Lammermoor'' () is a (tragic opera) in three acts by Italian composer Gaetano Donizetti. Salvadore Cammarano wrote the Italian-language libretto loosely based upon Sir Walter Scott's 1819 historical novel '' The Bride of Lammermoor''. Donizetti wrote ''Lucia di Lammermoor'' in 1835, when he was reaching the peak of his reputation as an opera composer. Gioachino Rossini had recently retired and Vincenzo Bellini had died shortly before the premiere of ''Lucia'' leaving Donizetti as "the sole reigning genius of Italian opera".Mackerras, p. 29 Not only were conditions ripe for Donizetti's success as a composer, but there was also a widespread interest in the history and culture of Scotland. The perceived romance of its violent wars and feuds, as well as its folklore and mythology, intrigued 19th century readers and audiences. Walter Scott dramatized these elements in his novel ''The Bride of Lammermoor'', which inspired several musical works including ''Lucia''.Mackerras, ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
The Rape Of Lucretia
''The Rape of Lucretia'' (Op. 37) is an opera in two acts by Benjamin Britten, written for Kathleen Ferrier, who performed the title role. Ronald Duncan based his English libretto on André Obey's play '. Performance history The opera was first performed at Glyndebourne in England on 12 July 1946. It is the first work to which Britten applied his term "chamber opera." The opera debuted in the United States on Broadway at the Ziegfeld Theatre in a production staged by Agnes de Mille which opened on 29 December 1948 and closed on 15 January 1949 after 23 performances. The cast notably included Giorgio Tozzi as Tarquinius, Kitty Carlisle as Lucretia, Lidija Franklin as Bianca, Brenda Lewis Brenda Lewis (March 2, 1921 – September 16, 2017) was an American operatic soprano, musical theatre actress, opera director, and music educator. She enjoyed a 20-year-long collaboration with the New York City Opera (NYCO) with whom she notably ... as the Female Chorus, and Ade ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Peter Grimes
''Peter Grimes'', Op. 33, is an opera in three acts by Benjamin Britten, with a libretto by Montagu Slater based on the section "Peter Grimes", in George Crabbe's long narrative poem '' The Borough''. The "borough" of the opera is a fictional small town that bears some resemblance to Crabbe's – and later Britten's – home of Aldeburgh, Suffolk, on England's east coast. The work was conceived while Britten was living in the US in the early years of the Second World War and completed when he returned to Britain in 1943. It was first performed at Sadler's Wells in London on 7 June 1945, conducted by Reginald Goodall, and was a critical and popular success. It is still widely performed, both in Britain and internationally, and has become part of the standard repertoire. Among the tenors who have performed the title role in the opera house, or on record, or both are Britten's partner Peter Pears, who sang the part at the premiere, and Allan Clayton, Ben Heppner, Anthony Ro ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |