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Matters (album)
''Matters'' is an album by the punk rock band Pulley. It was released on April 6, 2004, via Epitaph Records Epitaph Records is an American independent record label owned by Bad Religion guitarist Brett Gurewitz. A large portion of the record label, known as Hellcat Records, is owned by Tim Armstrong, frontman of the punk rock band Rancid. Several .... Track listing # "A Bad Reputation" – 2:54 # "Blindfold" – 2:43 # "Huber Breeze" – 2:25 # "Insects Destroy" – 3:20 # "Looking Back" – 2:48 # "Poltergeist" – 2:16 # "Immune" – 4:24 # "YSC" – 3:09 # "Stomach Aches" – 2:51 # "I Remember" – 2:20 # "Suitcase" – 3:13 # "Thanks" – 1:12 * Track 7 is two songs. "Immune" ends at 3:24. At the 3:26 mark begins a cover of the theme song to the 1970s children's television show '' Land of the Lost''. * In Track 8 the sound clip at 2:12-2:32 is from the song "The Master's Call," by Marty Robbins References Pulley (band) albums 2004 albu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pulley (band)
Pulley is an American, California-based punk rock band, formed in 1994. The band is known for straightforward, hard-edged melodic punk rock. Band history The band was formed upon vocalist Scott Radinsky's departure from Ten Foot Pole, brought about by that band's desire for a singer with a full-time focus on music (Radinsky was also a major-league relief pitcher and has played for the Los Angeles Dodgers, among others). Pulley's initial lineup included Strung Out drummer Jordan Burns, guitarist Jim Cherry (former bassist of Strung Out and, later, Zero Down), guitarist Mike Harder, and former Face to Face bassist Matt Riddle. Pulley's debut album, ''Esteem Driven Engine'', was released in 1996 by Epitaph Records. Riddle later joined No Use for a Name full-time and was replaced by Tyler Rebbe. Follow-ups included ''60 Cycle Hum'' (1997), ''@ !*'' (1999), '' Together Again for the First Time'' (2001), and '' Matters'' (2004). In August 2008, the band announced their departure ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Punk Rock
Punk rock (also known as simply punk) is a rock music genre that emerged in the mid-1970s. Rooted in 1950s rock and roll and 1960s garage rock, punk bands rejected the corporate nature of mainstream 1970s rock music. They typically produced short, fast-paced songs with hard-edged melodies and singing styles with stripped-down instrumentation. Punk rock lyrics often explore anti-establishment and Anti-authoritarianism, anti-authoritarian themes. Punk embraces a DIY ethic; many bands self-produce recordings and distribute them through independent record label, independent labels. The term "punk rock" was previously used by American Music criticism, rock critics in the early 1970s to describe the mid-1960s garage bands. Certain late 1960s and early 1970s Detroit acts, such as MC5 and Iggy and the Stooges, and other bands from elsewhere created out-of-the-mainstream music that became highly influential on what was to come. Glam rock in the UK and the New York Dolls from New York ha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Skate Punk
Skate punk (also known as skatecore and skate rock) is a skateboarding, skater subculture and punk rock Music genre, subgenre that developed in the 1980s. Originally a form of hardcore punk that had been closely associated with skate culture, skate punk evolved into a more melodic genre of punk rock in the 1990s similar to pop punk. Since then, it has predominately featured fast tempos, lead guitar playing (including guitar riffs and guitar solos), fast drumming, and singing (sometimes including vocal harmonies). Occasionally, skate punk also combines the fast tempos of hardcore punk and melodic hardcore with the catchy hooks of pop-punk. 1970s and early 1980s punk rock bands like Buzzcocks, Descendents, Adolescents (band), Adolescents, Black Flag (band), Black Flag, and Circle Jerks paved the way for skate punk. Skate punk was pioneered in the 1980s by bands such as the Big Boys (band), Big Boys, Suicidal Tendencies, JFA (band), JFA, T.S.O.L., Drunk Injuns and Love Canal. Many e ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Melodic Hardcore
Melodic hardcore is a broadly defined subgenre of hardcore punk with a strong emphasis on melody in its guitar work. The style often includes guitar harmonies, riffs using octave chords, as well as broken chords. Additionally, lyrics tend towards intellectualism, often being politically conscious or narrative, with concept albums sometimes being prominent. Bands in the genre also have a tendency to take influence from a range of genres including emo, post-punk, screamo, pop-punk, metalcore, post-rock and gothic rock. In the early and mid–1980s, bands including the Faith, Descendents, Dag Nasty, Gorilla Biscuits and 7 Seconds were amongst the first hardcore bands to put an emphasis on their melodies. In 1988, Bad Religion incorporated more melodic elements into their music with their third album '' Suffer'', which was widely influential, and reshaped the skate punk genre from its purely hardcore origins into a subgenre of melodic hardcore. During the 1990s, this melodic s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pop-punk
Pop-punk (also punk-pop, alternatively spelled without the hyphen) is a rock music fusion genre that combines elements of punk rock with power pop or pop music, pop. It is defined by its fast-paced, energetic tempos, and emphasis on classic pop songcraft, as well as Adolescence, adolescent and anti-suburbia themes. It is distinguished from other punk-variant genres by drawing more heavily from 1960s bands such as the Beatles, the Kinks, and the Beach Boys. The genre has evolved throughout its history, absorbing elements from new wave music, new wave, college rock, ska, Hip-hop, hip hop, emo, boy band pop and even hardcore punk and metalcore. It is sometimes considered interchangeable with power pop and skate punk. Pop-punk emerged in the late 1970s with groups such as the Ramones, the Undertones, and the Buzzcocks setting the genre's groundwork. 1980s punk bands like Bad Religion, Descendents and the Misfits (band), the Misfits, while not necessarily pop-punk in and of themselves, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Epitaph Records
Epitaph Records is an American independent record label owned by Bad Religion guitarist Brett Gurewitz. A large portion of the record label, known as Hellcat Records, is owned by Tim Armstrong, frontman of the punk rock band Rancid. Several sister labels also exist, such as ANTI-, Burning Heart Records, Hellcat Records, and Heart & Skull Records that have signed other types of bands. History Early years (1980s) Brett Gurewitz formed Epitaph Records as a vehicle for releases by his band Bad Religion.Larkin, Colin (1999) "Epitaph Records" in ''The Virgin Encyclopedia of Heavy Rock'', Virgin Books, , p. 150 The name had been taken from the King Crimson Cold War protest song "Epitaph" from which the lyrics "Confusion will be my epitaph." had struck a chord with Brett and Greg when they were young. Its first release for the label was Bad Religion's 1981 self-titled EP, followed by their debut ''How Could Hell Be Any Worse?'', which was also the label's first full-length re ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Matt Hyde
Matt Hyde (born June 19, 1964) is an American record producer, engineer and mixer. He has been credited as engineer, producer, mixer and/or mastering engineer on notable albums such as No Doubt's '' Tragic Kingdom'', Monster Magnet's '' Powertrip'', Slayer's ''God Hates Us All'', Hatebreed's '' Perseverance'', Parkway Drive's ''Atlas'', and Deftones' ''Gore''. Biography From 1982 to 1985, Hyde attended Berklee College of Music in Boston. While still at Berklee in 1984, he obtained an internship at Pyramid Recording Studio in Boston. After two semesters at Berklee, Hyde took a break from classes to tour for the Department of Defense overseas entertainment program, playing guitar and keyboards in several top 40 cover bands that played shows at U.S. military bases in foreign countries throughout Europe and the Pacific. When he returned to the U.S., he began working at recording studios, first in Boston and from 1989 in Los Angeles. While working as a staff engineer at Paramo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Together Again For The First Time
''Together Again for the First Time'' is a 2001 album by the punk rock band Pulley. It was the band's first album to be released after Scott Radinsky Scott David Radinsky (born March 3, 1968) is an American left-handed former relief pitcher in Major League Baseball, who had an 11-year career from – and –. Radinsky is also the lead singer of the punk rock band Pulley, former lead singer of ...'s pitching career ended. Track listing # "In Search" – 2:11 # "Hooray For Me" – 2:18 # "History Repeats Itself" – 2:28 # "Fuel" – 2:12 # "Empty" – 2:42 # "Lost Trip" – 2:29 # "Touched" – 2:57 # "Runaway" – 2:50 # "The Ocean Song" – 2:56 # "Destiny" – 0:19 # "Leather Face" – 1:40 # "Same Sick Feeling" – 2:01 # "Silenced" – 2:51 References Pulley (band) albums 2001 albums Albums produced by Ryan Greene {{2000s-punk-album-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Time-Insensitive Material
Pulley is an American, California-based punk rock band, formed in 1994. The band is known for straightforward, hard-edged melodic punk rock. Band history The band was formed upon vocalist Scott Radinsky's departure from Ten Foot Pole, brought about by that band's desire for a singer with a full-time focus on music (Radinsky was also a major-league relief pitcher and has played for the Los Angeles Dodgers, among others). Pulley's initial lineup included Strung Out drummer Jordan Burns, guitarist Jim Cherry (former bassist of Strung Out and, later, Zero Down), guitarist Mike Harder, and former Face to Face bassist Matt Riddle. Pulley's debut album, ''Esteem Driven Engine'', was released in 1996 by Epitaph Records. Riddle later joined No Use for a Name full-time and was replaced by Tyler Rebbe. Follow-ups included ''60 Cycle Hum'' (1997), ''@ !*'' (1999), ''Together Again for the First Time'' (2001), and ''Matters'' (2004). In August 2008, the band announced their departure from ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
AllMusic
AllMusic (previously known as All-Music Guide and AMG) is an American online database, online music database. It catalogs more than three million album entries and 30 million tracks, as well as information on Musical artist, musicians and Musical ensemble, bands. Initiated in 1991, the database was first made available on the Internet in 1994. AllMusic is owned by RhythmOne. History AllMusic was launched as ''All-Music Guide'' by Michael Erlewine, a "compulsive archivist, noted astrologer, Buddhist scholar, and musician". He became interested in using computers for his astrological work in the mid-1970s and founded a software company, Matrix, in 1977. In the early 1990s, as compact discs (CDs) replaced LP record, LPs and cassette (format), cassettes as the dominant format for recorded music, Erlewine purchased what he thought was a CD of early recordings by Little Richard. After buying it, he discovered it was a "flaccid latter-day rehash". Frustrated with the labeling, he res ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alternative Press (magazine)
''Alternative Press'' is an American entertainment magazine primarily focused on music and culture. It generally provides readers with band interviews, photos, and relevant news. It was founded in 1985 by Mike Shea in Cleveland, OH. The company is now managed by MDDN, and based in Los Angeles, CA. History The first issue of ''Alternative Press'' was distributed at concerts in Cleveland, Ohio beginning in June 1985 by ''APs founder, Mike Shea to advocate for bands playing underground music. The name of the magazine, ''Alternative Press'', was not a reference to the alternative rock genre, but referred to this fanzine being an alternative to the local press. Shea began working on his first issue in his mother's house in Aurora, Ohio. Shea and a friend, Jimmy Kosicki, targeted the Cleveland neighborhood of Coventry. Financial problems plagued ''AP'' in its early years, and by the end of 1986, publication had paused due to its financial problems, only resuming until the spring of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
