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Matriz Church Of Póvoa De Varzim
280px, Façade of Matriz church. Matriz Church of Póvoa de Varzim (, literally Mother Church of Póvoa de Varzim), also Nossa Senhora da Conceição Parish Church is the Mother Roman Catholic church in Póvoa de Varzim, Portugal. The temple is located in Praça Velha square, in Bairro da Matriz quarter. The church is dedicated to the Our Lady of the Immaculate Conception, ''Nossa Senhora da Conceição'' in Portuguese, the main patron saint of Póvoa de Varzim. Of Baroque architecture and of high artistic value, the temple was built in the 18th century siding the old Póvoa de Varzim town hall, a proof of the alliance of Póvoa de Varzim Town Hall with the Archdiocese of Braga, important for the territorial disputes that the town had with the House of Braganza. History Early temples There was a chapel around Praça Velha square, known as Madre de Deus chapel, built before 1521 by the nobleman João Gomes Gaio, father of the knight João Martins Gaio, the later was related w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Igreja Matriz Da Póvoa De Varzim
"Igreja" ("Church") is a single by Brazilian rock band Titãs, released in 1986, part of their ''Cabeça Dinossauro'' album. Lyrics and composition According to songwriter and then bassist and vocalist Nando Reis, the song was written on the acoustic guitar at his mother's house in the district of Butantã, São Paulo: By the time of the album's release, Reis said: Reception within the band It was one of the last songs to be selected for the album and it stirred controversy among the members themselves - vocalist Arnaldo Antunes, at first, didn't want to record it and would even leave the stage sometimes when the song was performed live. When the members had a meeting at vocalist Branco Mello's apartment to discuss the album's repertoire, vocalist, bassist and saxophonist Paulo Miklos also opposed the song's inclusion, but soon changed his mind as the band performed it live. Antunes, on the other hand, said "the song is against the Church as the institution, but at the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Argivai
Argivai is an urban area in Póvoa de Varzim, Portugal. It is an ancient ecclesiastical parish and former civil parish located in the city of Póvoa de Varzim. In the census of 2001, it had a population of 2,187 inhabitants and a total area of 2.32 km. A 2012 law merged the parish with neighbouring Póvoa de Varzim (parish) and Beiriz, becoming the southern parish of the city of Póvoa de Varzim, with a population of 34,266 inhabitants and a total area of 11.88 km. The name of the parish is of Germanic origin, from ''Argivadi'', despite that, it is popularly known as ''Anjo'' (angel). History The parish of Argivai is, like many parishes of Póvoa de Varzim, very ancient and its founding date is not known. it is known that it already existed in the 11th century. In its territory, a pre-Roman Castro settlement known by the default name of Castro de Argivai. This settlement was probably a Castro Culture farmhouse, as the main settlement per se, was located in Civida ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Composite Order
The Composite order is a mixed order, combining the volutes of the Ionic order capital with the acanthus leaves of the Corinthian order.Henig, Martin (ed.), ''A Handbook of Roman Art'', p. 50, Phaidon, 1983, In many versions the composite order volutes are larger, however, and there is generally some ornament placed centrally between the volutes. The column of the composite order is typically ten diameters high, though as with all the orders these details may be adjusted by the architect for particular buildings. The Composite order is essentially treated as Corinthian except for the capital, with no consistent differences to that above or below the capital. The Composite order is not found in ancient Greek architecture and until the Renaissance was not ranked as a separate order. Instead it was considered as an imperial Roman form of the Corinthian order. Though the Arch of Titus, in the forum in Rome and built in 82 AD, is sometimes cited as the first prominent survivi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chancel
In church architecture, the chancel is the space around the altar, including the choir and the sanctuary (sometimes called the presbytery), at the liturgical east end of a traditional Christian church building. It may terminate in an apse. Overview The chancel is generally the area used by the clergy and choir during worship, while the congregation is in the nave. Direct access may be provided by a priest's door, usually on the south side of the church. This is one definition, sometimes called the "strict" one; in practice in churches where the eastern end contains other elements such as an ambulatory and side chapels, these are also often counted as part of the chancel, especially when discussing architecture. In smaller churches, where the altar is backed by the outside east wall and there is no distinct choir, the chancel and sanctuary may be the same area. In churches with a retroquire area behind the altar, this may only be included in the broader definition of chance ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Retable
A retable is a structure or element placed either on or immediately behind and above the altar or communion table of a church. At the minimum it may be a simple shelf for candles behind an altar, but it can also be a large and elaborate structure. A retable which incorporates sculptures or painting is often referred to as an altarpiece. According to the Getty ''Art & Architecture Thesaurus Online'', "A 'retable' is distinct from a 'reredos'; while the reredos typically rises from ground level behind the altar, the retable is smaller, standing either on the back of the altar itself or on a pedestal behind it. Many altars have both a reredos and a retable." 'Retable' This distinction is not always upheld in common use, and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gilded Woodcarving
Wood carving is one of the oldest arts of humankind. Wooden spears from the Middle Paleolithic, such as the Clacton Spear, reveal how humans have engaged in utilitarian woodwork for millennia. However, given the relatively rapid rate at which wood decays in most environments, there are only isolated ancient artefacts remaining. North American Indian carving has been found in everyday objects such as wooden fish-hooks and pipe stems. Similarly Polynesian carving can be found on paddles and the tools of their trade. The natives of Guyana decorated their cassava grater with a well-conceived scheme of incised scrolls, while the native of Loango Bay embellished his spoon with a design of figures standing up in full relief carrying a hammock. Wood carving is also present in architecture. Figure-work seems to have been universal. To carve a figure/design out of wood may be not only more difficult but the results less satisfactory than sculpting with marble, owing to the tendenc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Barrel Vault
A barrel vault, also known as a tunnel vault, wagon vault or wagonhead vault, is an architectural element formed by the extrusion of a single curve (or pair of curves, in the case of a pointed barrel vault) along a given distance. The curves are typically circular in shape, lending a semi-cylindrical appearance to the total design. The barrel vault is the simplest form of a vault: effectively a series of arches placed side by side (i.e., one after another). It is a form of barrel roof. As with all arch-based constructions, there is an outward thrust generated against the walls underneath a barrel vault. There are several mechanisms for absorbing this thrust. One is to make the walls exceedingly thick and strong – this is a primitive and sometimes unacceptable method. A more elegant method is to build two or more vaults parallel to each other; the forces of their outward thrusts will thus negate each other. This method was most often used in construction of churches, where sev ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rocaille
Rocaille ( , ) was a French style of exuberant decoration, with an abundance of curves, counter-curves, undulations and elements modeled on nature, that appeared in furniture and interior decoration during the early reign of Louis XV of France. It was a reaction against the heaviness and formality of the Louis XIV style. It began in about 1710, reached its peak in the 1730s, and came to an end in the late 1750s, replaced by Neoclassicism. It was the beginning of the French Baroque movement in furniture and design, and also marked the beginning of the Rococo movement, which spread to Italy, Bavaria and Austria by the mid-18th century. Overview Rocaille was exuberant and inspired by nature like Rococo, but, unlike Rococo, it was usually symmetrical and not overloaded with decoration. It took its name from the mixture of rock, seashell and plaster that was used to create a picturesque effect in grottos during the Renaissance, and from the name of a seashell-shaped ornament whi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Altarpiece
An altarpiece is an artwork such as a painting, sculpture or relief representing a religious subject made for placing at the back of or behind the altar of a Christian church. Though most commonly used for a single work of art such as a painting or sculpture, or a set of them, the word can also be used of the whole ensemble behind an altar, otherwise known as a reredos, including what is often an elaborate frame for the central image or images. Altarpieces were one of the most important products of Christian art especially from the late Middle Ages to the era of the Counter-Reformation. Many altarpieces have been removed from their church settings, and often from their elaborate sculpted frameworks, and are displayed as more simply framed paintings in museums and elsewhere. History Origins and early development Altarpieces seem to have begun to be used during the 11th century, with the possible exception of a few earlier examples. The reasons and forces that led to the develo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rococo
Rococo (, also ), less commonly Roccoco or Late Baroque, is an exceptionally ornamental and theatrical style of architecture, art and decoration which combines asymmetry, scrolling curves, gilding, white and pastel colours, sculpted moulding, and '' trompe-l'œil'' frescoes to create surprise and the illusion of motion and drama. It is often described as the final expression of the Baroque movement. The Rococo style began in France in the 1730s as a reaction against the more formal and geometric Louis XIV style. It was known as the "style Rocaille", or "Rocaille style". It soon spread to other parts of Europe, particularly northern Italy, Austria, southern Germany, Central Europe and Russia. It also came to influence the other arts, particularly sculpture, furniture, silverware, glassware, painting, music, and theatre. Although originally a secular style primarily used for interiors of private residences, the Rococo had a spiritual aspect to it which led to its widespread us ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Barcelos, Portugal
Barcelos () is a city and a municipality in Braga District in the Minho Province, in the north of Portugal. The population in 2011 was 120,391, in an area of 378.90 km2. With 60 parishes, it is the municipality with the highest number of parishes in the country. It is one of the growing municipalities in the country, and is well known by its textile and adobe industries, as well as its horseback riding events and "figurado" style of pottery, which are comical figurines with accentuated features of farmers, folk musicians, and nativity scene characters. Barcelos is part of the UNESCO Creative Cities Network as a Crafts and Folk Art City. History Originally a Roman settlement, it expanded and became the seat of the First Duke of Bragança in the 15th century. The palace of the Dukes of Bragança was destroyed by an earthquake in 1755 and is now an open-air museum. The town is on the Portuguese Way, a Christian pilgrimage route connecting the Camino de Santiago. Construc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Portuguese Real
The ''real'' (, meaning "royal", plural: ''réis'' or rchaic''reais'') was the unit of currency of Portugal and the Portuguese Empire from around 1430 until 1911. It replaced the ''dinheiro'' at the rate of 1 real = 840 dinheiros and was itself replaced by the '' escudo'' (as a result of the Republican revolution of 1910) at a rate of 1 escudo = 1000 réis. The ''escudo'' was further replaced by the euro at a rate of 1 euro = 200.482 ''escudos'' in 2002. History The first ''real'' was introduced by King Fernando I around 1380.Numária nacional Tesouros Numismáticos Portugueses It was a silver coin and had a value of 120 '' dinheiros'' (10 ''soldos'' or ''libra''). In the reign of [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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