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Master With The Parrot
The Master with the Parrot or Master of the Parrot (''fl''. between 1520 and 1540) is the notname given to a group of Flemish painters who likely worked in a workshop in Antwerp in the first half of the 16th century. They produced devotional pictures for the local bourgeoisie in a style reminiscent of contemporary Flemish painters working in an Italianate style.Thérèse Poilvache-Lambert, ''Une vierge et enfant dans un paysage, attribution à un artiste de l’entourage de Pieter Coeck, le Maître au Perroquet,'' in: Revue des Archéologues et Historiens d’art de Louvain, 17, 1984, p. 118–142 Discovery and background The scholar of Flemish painting Max Jakob Friedländer, Max Friedländer was the first to group a set of 15 homogenous works and attribute them to an unknown artist whom he gave the notname 'Der Meister mit dem Papagei' ('Master with the Parrot') in an article, which appeared in 1948-49.Max J. Friedländer, ''Der Meister mit dem Papagei''. In: Phoebus, 2.1948/49 ...
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Master With The Parrot - Virgin And Child
Master or masters may refer to: Ranks or titles * Ascended master, a term used in the Theosophical religious tradition to refer to spiritually enlightened beings who in past incarnations were ordinary humans *Grandmaster (chess), National Master, International Master, FIDE Master, Candidate Master, all ranks of chess player * Grandmaster (martial arts) or Master, an honorary title * Grand master (order), a title denoting the head of an order or knighthood * Grand Master (Freemasonry), the head of a Grand Lodge and the highest rank of a Masonic organization * Maestro, an orchestral conductor, or the master within some other musical discipline *Master, a title of Jesus in the New Testament *Master or shipmaster, the sea captain of a merchant vessel *Master (college), head of a college *Master (form of address), an English honorific for boys and young men * Master (judiciary), a judicial official in the courts of common law jurisdictions * Master mariner, a licensed mariner who is q ...
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Guild Of Saint Luke
The Guild of Saint Luke was the most common name for a city guild for painters and other artists in early modern Europe, especially in the Low Countries. They were named in honor of the Evangelist Luke, the patron saint of artists, who was identified by John of Damascus as having painted the Virgin's portrait. One of the most famous such organizations was founded in Antwerp. It continued to function until 1795, although by then it had lost its monopoly and therefore most of its power. In most cities, including Antwerp, the local government had given the Guild the power to regulate defined types of trade within the city. Guild membership, as a master, was therefore required for an artist to take on apprentices or to sell paintings to the public. Similar rules existed in Delft, where only members could sell paintings in the city or have a shop. The early guilds in Antwerp and Bruges, setting a model that would be followed in other cities, even had their own showroom or mark ...
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Painters From Antwerp
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, narra ...
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Flemish Renaissance Painters
Flemish (''Vlaams'') is a Low Franconian dialect cluster of the Dutch language. It is sometimes referred to as Flemish Dutch (), Belgian Dutch ( ), or Southern Dutch (). Flemish is native to Flanders, a historical region in northern Belgium; it is spoken by Flemings, the dominant ethnic group of the region. Outside of Flanders, it is also spoken to some extent in French Flanders and the Dutch Zeelandic Flanders. Terminology The term ''Flemish'' itself has become ambiguous. Nowadays, it is used in at least five ways, depending on the context. These include: # An indication of Dutch written and spoken in Flanders including the Dutch standard language as well as the non-standardized dialects, including intermediate forms between vernacular dialects and the standard. Some linguists avoid the term ''Flemish'' in this context and prefer the designation ''Belgian-Dutch'' or ''South-Dutch'' # A synonym for the so-called intermediate language in Flanders region, the # An indicat ...
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Bilbao Fine Arts Museum
The Bilbao Fine Arts Museum (Spanish: ''Museo de Bellas Artes de Bilbao'', Basque language, Basque: ''Bilboko Arte Ederren Museoa'') is an art museum located in the city of Bilbao, Spain. The building of the museum is located entirely inside the city's Doña Casilda Iturrizar park. It is the second largest and most visited museum in the Basque Country (autonomous community), Basque Country, after the Bilbao Guggenheim Museum and one of the richest Spanish museums outside Madrid. It houses a valuable and quite comprehensive collection of Basque, Spanish and European art from the Middle Ages to contemporary, including paintings by old masters like El Greco, Lucas Cranach the Elder, Cranach, Sofonisba Anguissola, Bartolomé Esteban Murillo, Murillo, Francisco de Goya, Goya, Luis Paret, Anthony van Dyck, Van Dyck, Jacob van Ruisdael, Ruisdael and Bernardo Bellotto, Bellotto, together with 19th century and modern: Gustave Doré, Sorolla, Mary Cassatt, Paul Gauguin, Henri Le Sidaner, Jame ...
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Museum Of Fine Arts Of Seville
The Museum of Fine Arts of Seville ( es, Museo de Bellas Artes de Sevilla) is a museum in Seville, Spain, a collection of mainly Spanish visual arts from the medieval period to the early 20th century, including a choice selection of works by artists from the so-called Golden Age of Sevillian painting during the 17th century, such as Murillo, Zurbarán, Francisco de Herrera the younger, and Valdés Leal. The building itself was built in 1594. The institution of the provincial museum of Seville was created in September 1835. Items were moved to the museum in the ensuing years. The building it is housed in was originally home to the convent of the Order of the ''Merced Calzada de la Asunción'', founded by St. Peter Nolasco during the reign of Ferdinand III. Extensive remodeling in the early 17th century was led by the architect Juan de Oviedo y de la Bandera. Painters and sculptors of Museum Gallery References ;Citations ;Bibliography * External linksMuseum Websi ...
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Prado
The Prado Museum ( ; ), officially known as Museo Nacional del Prado, is the main Spanish national art museum, located in central Madrid. It is widely considered to house one of the world's finest collections of European art, dating from the 12th century to the early 20th century, based on the former Spanish royal collection, and the single best collection of Spanish art. Founded as a museum of paintings and sculpture in 1819, it also contains important collections of other types of works. The Prado Museum is one of the most visited sites in the world, and is considered one of the greatest art museums in the world. The numerous works by Francisco Goya, the single most extensively represented artist, as well as by Hieronymus Bosch, El Greco, Peter Paul Rubens, Titian, and Diego Velázquez, are some of the highlights of the collection. Velázquez and his keen eye and sensibility were also responsible for bringing much of the museum's fine collection of Italian masters to Spain, ...
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The Master Of The Parrot, Saint Mary Magdalene Before A Curtain Supported By Angels In An Architectural Niche
''The'' () is a grammatical article in English, denoting persons or things that are already or about to be mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with nouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of the archaic pro ...
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Master Of The Female Half-Lengths
The Master of the Female Half-Lengths (sometimes referred to as Master of the Half-Lengths)Martha Wolff, ''Master of the Half-Lengths'', in: Fifteenth- to eighteenth-century European paintings: France, Central Europe, the Netherlands, Spain, and Great Britain
(cat. no. 23), p. 115-116
is the given to a painter, or more likely a group of painters of a workshop, active in the in the early sixt ...
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Sfumato
Sfumato (, ) is a painting technique for softening the transition between colours, mimicking an area beyond what the human eye is focusing on, or the out-of-focus plane. It is one of the canonical painting modes of the Renaissance. Leonardo da Vinci was the most prominent practitioner of sfumato, based on his research in optics and human vision, and his experimentation with the camera obscura. He introduced it and implemented it in many of his works, including the '' Virgin of the Rocks'' and in his famous painting of the ''Mona Lisa''. He described sfumato as "without lines or borders, in the manner of smoke". According to the theory of the art historian Marcia B. Hall, which has gained considerable acceptance, ''sfumato'' is one of four modes of painting colours available to Italian High Renaissance painters, along with cangiante, chiaroscuro, and unione. Etymology The word ''sfumato'' comes from the Italian language and is derived from ''fumo'' ("smoke", "fume"). Sfumat ...
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Jan Gossaert
Jan Gossaert (c. 1478 – 1 October 1532) was a French-speaking painter from the Low Countries also known as Jan Mabuse (the name he adopted from his birthplace, Maubeuge) or Jennyn van Hennegouwe (County of Hainaut, Hainaut), as he called himself when he matriculated in the Guild of Saint Luke, at Antwerp, in 1503. He was one of the first painters of Dutch and Flemish Renaissance painting to visit Italy and Rome, which he did in 1508–09, and a leader of the style known as Romanism (painting), Romanism, which brought elements of Italian Renaissance painting to the north, sometimes with a rather awkward effect. He achieved fame across at least northern Europe, and painted religious subjects, including large altarpieces, but also portraits and mythological subjects, including some nudity. From at least 1508 he was apparently continuously employed, or at least retained, by quasi-royal patrons, mostly members of the extended Habsburg family, heirs to the House of Valois, Valois ...
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