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Martin Travers
Howard Martin Otho Travers (19 February 1886 – 25 July 1948) was a leading English church artist and designer. Travers was born in Margate, Kent, educated at Tonbridge School, entered the Royal College of Art in 1904, and was awarded its Diploma in Architecture in 1908. At the RCA his teachers included Edward Johnston (calligraphy), William Lethaby (design), Arthur Beresford Pite (architecture), and Christopher Whall (stained glass). He worked for a time as an assistant to Ninian Comper. As a graphic artist Travers is best known for his illustrations for publications by the Society of SS. Peter and Paul (SSPP). Perhaps his most celebrated work for SSPP''Pictures of the English Liturgy'' was published in two volumes: ''Low Mass'' in 1916 and ''High Mass'' in 1922. The original drawings are displayed in St George's, Headstone, Harrow. Illustrations he produced for the Anglican Missal are included in the 2015 Roman Catholic personal ordinariates' Divine Worship: The Missal, ...
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All Saints, Hove Glass 27
All or ALL may refer to: عرص Biology and medicine * Acute lymphoblastic leukemia, a cancer * Anterolateral ligament, a ligament in the knee * ''All.'', taxonomic author abbreviation for Carlo Allioni (1728–1804), Italian physician and professor of botany Language * All, an indefinite pronoun in English * All, one of the English determiners * Allar language of Kerala, India (ISO 639-3 code) * Allative case (abbreviated ALL) Music * All (band), an American punk rock band ** ''All'' (All album), 1999 * ''All'' (Descendents album) or the title song, 1987 * ''All'' (Horace Silver album) or the title song, 1972 * ''All'' (Yann Tiersen album), 2019 * "All" (song), by Patricia Bredin, representing the UK at Eurovision 1957 * "All (I Ever Want)", a song by Alexander Klaws, 2005 * "All", a song by Collective Soul from ''Hints Allegations and Things Left Unsaid'', 1994 Sports * All (tennis) * American Lacrosse League (1988) * Arena Lacrosse League, Canada * Australian Lacrosse L ...
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International Exposition Of Modern Industrial And Decorative Arts
The International Exhibition of Modern Decorative and Industrial Arts () was a specialized exhibition held in Paris, France, from April 29 (the day after it was inaugurated in a private ceremony by the President of France) to November 8, 1925 (Originally the event was scheduled to end on October 25, but since it was visited by over 16 million people by the end of October, it was extended for two more weeks). It was designed by the French government to highlight the new ''modern style'' of architecture, interior decoration, furniture, glass, jewelry and other decorative arts in Europe and throughout the world. Many ideas of the international avant-garde in the fields of architecture and applied arts were presented for the first time at the exposition. The event took place between the esplanade of Les Invalides and the entrances of the Grand Palais and , and on both banks of the Seine. There were 15,000 exhibitors from twenty different countries, and it was visited by over sixteen m ...
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John Betjeman
Sir John Betjeman, (; 28 August 190619 May 1984) was an English poet, writer, and broadcaster. He was Poet Laureate from 1972 until his death. He was a founding member of The Victorian Society and a passionate defender of Victorian architecture, helping to save St Pancras railway station from demolition. He began his career as a journalist and ended it as one of the most popular British Poets Laureate and a much-loved figure on British television. Life Early life and education Betjeman was born in London to a prosperous silverware maker of Dutch descent. His parents, Mabel () and Ernest Betjemann, had a family firm at 34–42 Pentonville Road which manufactured the kind of ornamental household furniture and gadgets distinctive to Victorians. During the First World War the family name was changed to the less German-looking Betjeman. His father's forebears had actually come from the present day Netherlands more than a century earlier, setting up their home and business in ...
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Altarpiece
An altarpiece is a painting or sculpture, including relief, of religious subject matter made for placing at the back of or behind the altar of a Christian church. Though most commonly used for a single work of art such as a painting or sculpture, or a set of them, the word can also be used of the whole ensemble behind an altar, otherwise known as a reredos, including what is often an elaborate frame for the central image or images. Altarpieces were one of the most important products of Christian art especially from the late Middle Ages to the era of Baroque painting. The word altarpiece, used for paintings, usually means a framed work of panel painting on wood, or later on canvas. In the Middle Ages they were generally the largest genre for these formats. Murals in fresco tend to cover larger surfaces. The largest painted altarpieces developed complicated structures, especially winged altarpieces with hinged side wings that folded in to cover the main image, and were painted o ...
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Churrigueresque
Churrigueresque (; Spanish: ''Churrigueresco''), also but less commonly "Ultra Baroque", refers to a Spanish Baroque style of elaborate sculptural architectural ornament which emerged as a manner of stucco decoration in Spain in the late 17th century and was used until about 1750, marked by extreme, expressive and florid decorative detailing, normally found above the entrance on the main façade of a building. Origins Named after the architect and sculptor, José Benito de Churriguera (1665–1725), who was born in Madrid and who worked primarily in Madrid and Salamanca, the origins of the style are said to go back to an architect and sculptor named Alonso Cano, who designed the façade of the cathedral at Granada, in 1667. A distant, early 15th century precursor of the highly elaborate Churrigueresque style can be found in the Lombard Charterhouse of Pavia. Development The development of the style passed through three phases. Between 1680 and 1720, the Churriguera popula ...
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Foil (metal)
A foil is a very thin sheet of metal, typically made by hammering or rolling. Foils are most easily made with malleable metal, such as aluminium, copper, tin, and gold. Foils usually bend under their own weight and can be torn easily. For example, aluminium foil is usually about , whereas gold (more malleable than aluminium) can be made into foil only a few atoms Atoms are the basic particles of the chemical elements. An atom consists of a nucleus of protons and generally neutrons, surrounded by an electromagnetically bound swarm of electrons. The chemical elements are distinguished from each other ... thick, called gold leaf. Extremely thin foil is called metal leaf. Leaf tears very easily and must be picked up with special brushes. See also * Aluminium foil * Copper foil * Tin foil * Gold leaf * Metal leaf References Metalworking {{Metalworking-stub ...
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Wallpaper
Wallpaper is used in interior decoration to cover the interior walls of domestic and public buildings. It is usually sold in rolls and is applied onto a wall using wallpaper paste. Wallpapers can come plain as "lining paper" to help cover uneven surfaces and minor wall defects, "textured", plain with a regular repeating pattern design, or with a single non-repeating large design carried over a set of sheets. The smallest wallpaper rectangle that can be tiled to form the whole pattern is known as the pattern repeat. Wallpaper printing techniques include surface printing, rotogravure, screen-printing, rotary printing press, and digital printing. Modern wallpaper Modern wallpaper is made in long rolls which are hung vertically on a wall. Patterned wallpapers are designed so that the pattern "repeats", and thus pieces cut from the same roll can be hung next to each other so as to continue the pattern without it being easy to see where the join between two pieces occurs. In the ca ...
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Papier Mache
Papier may refer to : *paper in French, Dutch, Afrikaans, Polish or German, word that can be found in the following expressions: **Papier-mâché, a construction material made of pieces of paper stuck together using a wet paste **Papier collé ''Papier collé'' (French: ''pasted paper'' or ''paper cut outs'') is a type of collage and collaging technique in which paper is adhered to a flat mount. The difference between collage and papier collé is that the latter refers exclusively to th ..., a painting technique and type of collage ** Papier d'Arménie, a perfume coated paper **'' Le papier ne peut pas envelopper la braise'', a 2007 French-Cambodian documentary film directed by Rithy Panh ** sans papiers, a term for Illegal immigrants in French * Hans-Jürgen Papier (born 1943), a German scholar in Laws, Ex-President of the Federal Constitutional Court of Germany * Papier (company), British company {{Disambiguation ...
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Spruce
A spruce is a tree of the genus ''Picea'' ( ), a genus of about 40 species of coniferous evergreen trees in the family Pinaceae, found in the northern temperate and boreal ecosystem, boreal (taiga) regions of the Northern hemisphere. ''Picea'' is the sole genus in the subfamily Piceoideae. Spruces are large trees, from about 20 to 60 m (about 60–200 ft) tall when mature, and have Whorl (botany), whorled branches and cone (geometry), conical form. Spruces can be distinguished from other Genus, genera of the family Pinaceae by their pine needle, needles (leaves), which are four-sided and attached singly to small persistent peg-like structures (pulvini or sterigmata) on the branches, and by their seed cone, cones (without any protruding bracts), which hang downwards after they are pollinated. The needles are shed when 4–10 years old, leaving the branches rough with the retained pegs. In other similar genera, the branches are fairly smooth. Spruce are used as food pla ...
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Plywood
Plywood is a composite material manufactured from thin layers, or "plies", of wood veneer that have been stacked and glued together. It is an engineered wood from the family of manufactured boards, which include plywood, medium-density fibreboard (MDF), oriented strand board (OSB), and particle board (or chipboard). All plywoods bind resin and wood fibre sheets (cellulose cells are long, strong and thin) to form a composite material. The sheets of wood are stacked such that each layer has its grain set typically (see below) perpendicular to its adjacent layers. This alternation of the grain is called ''cross-graining'' and has several important benefits: it reduces the tendency of wood to split when nailed at the edges; it reduces thickness swelling and shrinkage, providing improved dimensional stability; and it makes the strength of the panel consistent across all directions. There is usually an odd number of plies, so that the sheet is balanced, that is, the surface layers ha ...
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Reredos
A reredos ( , , ) is a large altarpiece, a screen, or decoration placed behind the altar in a Church (building), church. It often includes religious images. The term ''reredos'' may also be used for similar structures, if elaborate, in secular architecture, for example very grand carved chimneypieces. It also refers to a simple, low stone wall placed behind a hearth. Description A reredos can be made of stone, wood, metal, ivory, or a combination of materials. The images may be painted, carved, gilded, composed of mosaics, and/or embedded with Niche (architecture), niches for statues. Sometimes a tapestry or another fabric such as silk or velvet is used. Derivation and history of the term ''Reredos'' is Etymology, derived through Middle English from the 14th-century Anglo-Norman ''areredos'', which in turn is from''arere'' 'behind' +''dos'' 'back', from Latin . (Despite its appearance, the first part of the word is not formed by doubling the prefix "re-", but by an archaic spell ...
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Baroque
The Baroque ( , , ) is a Western Style (visual arts), style of Baroque architecture, architecture, Baroque music, music, Baroque dance, dance, Baroque painting, painting, Baroque sculpture, sculpture, poetry, and other arts that flourished from the early 17th century until the 1750s. It followed Renaissance art and Mannerism and preceded the Rococo (in the past often referred to as "late Baroque") and Neoclassicism, Neoclassical styles. It was encouraged by the Catholic Church as a means to counter the simplicity and austerity of Protestant architecture, art, and music, though Lutheran art#Baroque period, Lutheran Baroque art developed in parts of Europe as well. The Baroque style used contrast, movement, exuberant detail, deep color, grandeur, and surprise to achieve a sense of awe. The style began at the start of the 17th century in Rome, then spread rapidly to the rest of Italy, France, Spain, and Portugal, then to Austria, southern Germany, Poland and Russia. By the 1730s, i ...
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