Mark McCullough (lighting Designer)
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Mark McCullough (lighting Designer)
Mark McCullough is an American lighting designer. He is an alumnus of the University of North Carolina School of the Arts, North Carolina School of the Arts and holds a Master of Fine Arts degree from the David Geffen School of Drama at Yale University, Yale School of Drama. Career While specializing in opera lighting, McCullough also designed in other areas. Broadway productions include After Miss Julie, The American Plan, and Jesus Christ Superstar (revival, Broadway and U.K. tour). His creations have also been seen Off-Broadway and in regional theater companies worldwide: Whistle Down the Wind (1996 musical), Whistle Down the Wind (Aldwych Theatre, London); Webster's The White Devil and Schiller's Don Carlos (Royal Shakespeare Company); Wendy Wasserstein’s Old Money at Vivian Beaumont Theater, Lincoln Center Theatre; How I Learned to Drive and The Long Christmas Ride Home by Paula Vogel. McCullough's work in regional theater has been seen at the La Jolla Playhouse; Mark ...
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University Of North Carolina School Of The Arts
The University of North Carolina School of the Arts (UNCSA) is a public art school in Winston-Salem, North Carolina. It grants a high school diploma, in addition to both undergraduate and graduate degrees. Founded in 1963 as the North Carolina School of the Arts by then-Governor Terry Sanford, it was the first public arts conservatory in the United States. The school owns and operates the Stevens Center in Downtown Winston-Salem and is accredited by the Southern Association of Colleges and Schools. The school consists of five professional schools: School of Dance, School of Design & Production (including a High School Visual Arts Program), School of Drama, School of Filmmaking, and School of Music. History The idea of the University of North Carolina School of the Arts was initiated in 1962 by Vittorio Giannini, a leading American Composer and teacher of Composition at Juilliard, the Curtis Institute of Music, and the Manhattan School of Music, who approached then-governor Terry ...
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Man Of La Mancha
''Man of La Mancha'' is a 1965 musical with a book by Dale Wasserman, music by Mitch Leigh, and lyrics by Joe Darion. It is adapted from Wasserman's non-musical 1959 teleplay '' I, Don Quixote'', which was in turn inspired by Miguel de Cervantes and his 17th-century novel ''Don Quixote''. It tells the story of the "mad" knight Don Quixote as a play within a play, performed by Cervantes and his fellow prisoners as he awaits a hearing with the Spanish Inquisition. The work is not and does not pretend to be a faithful rendition of either Cervantes' life or ''Don Quixote''. Wasserman complained repeatedly about people taking the work as a musical version of ''Don Quixote''. The original 1965 Broadway production ran for 2,328 performances and won five Tony Awards, including Best Musical. The musical has been revived four times on Broadway, becoming one of the most enduring works of musical theatre.
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Anna Bolena
''Anna Bolena'' is a tragic opera (''tragedia lirica'') in two acts composed by Gaetano Donizetti. Felice Romani wrote the Italian libretto after Ippolito Pindemonte's ''Enrico VIII ossia Anna Bolena'' and Alessandro Pepoli's ''Anna Bolena'', both recounting the life of Anne Boleyn, the second wife of England's King Henry VIII. It is one of four operas by Donizetti dealing with the Tudor period in English history—in composition order, '' Il castello di Kenilworth'' (1829), ''Anna Bolena'' (1830), '' Maria Stuarda'' (named for Mary, Queen of Scots, it appeared in different forms in 1834 and 1835), and '' Roberto Devereux'' (1837, named for a putative lover of Queen Elizabeth I of England). The leading female characters of the latter three operas are often referred to as "the Three Donizetti Queens." ''Anna Bolena'' premiered on 26 December 1830 at the Teatro Carcano in Milan, to "overwhelming success." Weinstock notes that only after this success did Donizetti's teacher, ...
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Nabucco
''Nabucco'' (; short for ''Nabucodonosor'' , i.e. "Nebuchadnezzar II, Nebuchadnezzar") is an Italian-language opera in four acts composed in 1841 by Giuseppe Verdi to an Italian libretto by Temistocle Solera. The libretto is based on the biblical books of Books of Kings, 2 Kings, Book of Jeremiah, Jeremiah, Book of Lamentations, Lamentations, and Book of Daniel, Daniel, and on the 1836 play by Auguste Anicet-Bourgeois and Francis Cornu. However, Antonio Cortese's ballet adaptation of the play (with its necessary simplifications), given at La Scala in 1836, was a more important source for Solera than the play itself. Under its original name of ''Nabucodonosor'', the opera was first performed at La Scala in Milan on 9 March 1842. ''Nabucco'' is the opera that is considered to have permanently established Verdi's reputation as a composer. He commented that "this is the opera with which my artistic career really begins. And though I had many difficulties to fight against, it is cert ...
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Don Pasquale
''Don Pasquale'' () is a Gaetano Donizetti opera buffa, or comic opera, in three acts, with an Italian libretto completed largely by Giovanni Ruffini as well as the composer. It was based on a libretto by Angelo Anelli for Stefano Pavesi's opera ''Ser Marcantonio'' written in 1810 but, on the published libretto, the author appears as "M.A." Donizetti so dominated the preparation of the libretto that Ruffini refused to allow his name to be put on the score. This resulted in confusion over the identity of the librettist for more than half a century, but as Herbert Weinstock establishes, it was largely Ruffini's work and, in withholding his name from it as librettist, "Donizetti or [his assistant] Michele Accursi may have thought that, lacking Ruffini's name, the authorship might as well be assigned to Accursi's initials as to a pseudonym". The opera was first performed on 3 January 1843 by the Théâtre-Italien at the Salle Ventadour in Paris with great success and it is general ...
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Hamlet (Thomas)
''Hamlet'' is a grand opera in five acts of 1868 by the French composer Ambroise Thomas, with a libretto by Michel Carré and Jules Barbier based on a French adaptation by Alexandre Dumas, Alexandre Dumas, père, and Paul Meurice of William Shakespeare's play ''Hamlet''.Fauser, Annegret. "Hamlet. Ophélie: Shakespeare in Paris" in #HamletCD1993, ''Hamlet'' CD Booklet (1993), pp. 33–41. Background Ophelia mania in Paris The Parisian public's fascination with Ophelia, prototype of the ''femme fragile'', began in the fall of 1827, when an English company directed by William Abbot (actor), William Abbot came to Paris to give a season of Shakespeare in English at the Odéon Theatre, Odéon. On 11 September 1827 the Irish actress Harriet Smithson played the part of Ophelia in ''Hamlet''.#Cairns1969, Cairns, David (1969), p. 70. Her mad scene appeared to owe little to tradition and seemed almost like an improvisation, with several contemporary accounts remarking on her astonish ...
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Salome
Salome (; , related to , "peace"; ), also known as Salome III, was a Jews, Jewish princess, the daughter of Herod II and princess Herodias. She was granddaughter of Herod the Great and stepdaughter of Herod Antipas. She is known from the New Testament, where she is not named, and from an account by Josephus. In the New Testament, the stepdaughter of Herod Antipas demands and receives the head of John the Baptist. According to Josephus, she was first married to her uncle Philip the Tetrarch, after whose death in AD 34 she married her cousin Aristobulus of Chalcis, thus becoming queen of Lesser Armenia, Armenia Minor. The gospel story of her dance at the birthday celebration of her stepfather, who had Beheading of John the Baptist, John the Baptist beheaded at her mother's request, inspired art, literature and music over an extended period of time. Among the paintings are those by Titian and Gustave Moreau. Oscar Wilde's 1891 Salome (play), eponymous play and its Salome (ope ...
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Siegfried
Siegfried is a German-language male given name, composed from the Germanic elements ''sig'' "victory" and ''frithu'' "protection, peace". The German name has the Old Norse cognate ''Sigfriðr, Sigfrøðr'', which gives rise to Swedish ''Sigfrid'' (hypocorisms ''Sigge, Siffer''), Danish/Norwegian ''Sigfred''. In Norway, ''Sigfrid'' is given as a feminine name.nordicnames.de
official statistics at Statistisk Sentralbyrå, National statistics office of Norway, https://www.ssb.no; Statistiska Centralbyrån, National statistics office of Sweden, https://www.scb.se/ The name is medieval and was borne by the legendary dragon-slayer also known as Sigurd. It did survive in marginal use into the modern period, but after 1876 it enjoyed renewed popularity due to
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Rigoletto
''Rigoletto'' is an opera in three acts by Giuseppe Verdi. The Italian libretto was written by Francesco Maria Piave based on the 1832 play '' Le roi s'amuse'' by Victor Hugo. Despite serious initial problems with the Austrian censors who had control over northern Italian theatres at the time, the opera had a triumphant premiere at La Fenice in Venice on 11 March 1851. The work, Verdi's sixteenth in the genre, is widely considered to be the first of the operatic masterpieces of Verdi's middle-to-late career. Its tragic story revolves around the licentious Duke of Mantua, his hunch-backed court jester Rigoletto, and Rigoletto's daughter Gilda. The opera's original title, ''La maledizione'' (The Curse), refers to a curse placed on both the Duke and Rigoletto by the Count Monterone, whose daughter the Duke has seduced with Rigoletto's encouragement. The curse comes to fruition when Gilda falls in love with the Duke and sacrifices her life to save him from the assassin hired by he ...
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Das Rheingold
''Das Rheingold'' (; ''The Rhinegold''), Wagner-Werk-Verzeichnis, WWV 86A, is the first of the four epic poetry, epic music dramas that constitute Richard Wagner's Literary cycle, cycle ''Der Ring des Nibelungen'' (English: ''The Ring of the Nibelung''). It premiered as a single opera at the National Theatre (Munich), National Theatre of Munich on 22 September 1869, and received its first performance as part of the ''Ring'' cycle at the Bayreuth Festspielhaus on 13 August 1876. Wagner wrote the ''Ring'' librettos in reverse order, so that ''Das Rheingold'' was the last of the texts to be written; it was, however, the first to be set to music. The score was completed in 1854, but Wagner was unwilling to sanction its performance until the whole cycle was complete; he worked intermittently on this music until 1874. The 1869 Munich premiere of ''Das Rheingold'' was staged, against Wagner's wishes, on the orders of King Ludwig II of Bavaria, his patron. Following its 1876 Bayreuth pre ...
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Porgy And Bess
''Porgy and Bess'' ( ) is an English-language opera by American composer George Gershwin, with a libretto written by author DuBose Heyward and lyricist Ira Gershwin. It was adapted from Dorothy Heyward and DuBose Heyward's play ''Porgy (play), Porgy'', itself an adaptation of DuBose Heyward's 1925 novel ''Porgy (novel), Porgy''. ''Porgy and Bess'' was first performed in Boston on September 30, 1935, before it moved to Broadway theatre, Broadway in New York City. It featured a cast of classically trained African-American singers—a daring artistic choice at the time. A 1976 #1976 Houston Grand Opera production, Houston Grand Opera production gained it a renewed popularity, and it is now one of the best known and most frequently performed operas. The libretto of ''Porgy and Bess'' tells the story of Porgy, a disabled black street beggar living in the slums of Charleston, South Carolina, Charleston. It deals with his attempts to rescue Bess from the clutches of Crown, her violent ...
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Die Walküre
(; ''The Valkyrie''), Wagner-Werk-Verzeichnis, WWV 86B, is the second of the four epic poetry, epic music dramas that constitute Richard Wagner's Literary cycle, cycle ''Der Ring des Nibelungen'' (English: ''The Ring of the Nibelung''). It was performed, as a single opera, at the National Theatre Munich on 26 June 1870, and received its first performance as part of the ''Ring'' cycle at the Bayreuth Festspielhaus on 14 August 1876. As the ''Ring'' cycle was conceived by Wagner in reverse order of performance, ''Die Walküre'' was the third of the four texts to be written, although Wagner composed the music in performance sequence. The text was completed by July 1852, and the music by March 1856. Wagner largely followed the principles related to the form of musical drama, which he had set out in his 1851 essay ''Opera and Drama'' under which the music would interpret the text emotionally, reflecting the feelings and moods behind the work, using a system of recurring leitmotifs ...
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