Marjatta (Sibelius)
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Marjatta (Sibelius)
(in English: ''The Virgin Mary'') was a projected three-movement (music), movement oratorio for soloists, choir, and orchestra that occupied the Finnish composer Jean Sibelius from 27 June to late-October 1905, at which point he abandoned the project. The libretto, a collaboration with the Finnish author , freely adapted the story of Jesus, Kiesus's miraculous birth to Virgin Mary, Marjatta from Cantos of the Kalevala#Canto 50: Marjatta, Runo L of the ''Kalevala'', Finland's national epic. Although Sibelius initially worked on the oratorio with alacrity, he soon soured on the project, perhaps finding Finne's text an unwelcome constraint on his "absolute music". Sibelius never again attempted an oratorio, making it one of the few major genres of classical music in which he did not produce a viable work. As with other aborted projects—for example, the Gesamtkunstwerk#Wagner's ideas, Wagnerian opera ''The Building of the Boat'' (, 1893–1894) and the orchestral song ''T ...
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Oratorio
An oratorio () is a musical composition with dramatic or narrative text for choir, soloists and orchestra or other ensemble. Similar to opera, an oratorio includes the use of a choir, soloists, an instrumental ensemble, various distinguishable characters (e.g. soloists), and arias. However, opera is musical theatre, and typically involves significant theatrical spectacle, including sets, props, and costuming, as well as staged interactions between characters. In oratorio, there is generally minimal staging, with the chorus often assuming a more central dramatic role, and the work is typically presented as a concert piece – though oratorios are sometimes staged as operas, and operas are not infrequently presented in concert form. A particularly important difference between opera and oratorio is in the typical subject matter of the text. An opera libretto may deal with any conceivable dramatic subject (e.g. history, mythology, Richard Nixon, Anna Nicole Smith an ...
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