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Marie Mattfeld
Marie Mattfeld (1870 — September 18, 1927) was a German opera singer who performed repertoire from the mezzo-soprano and soprano canon of performance literature during the last decade of the 19th century and the first three decades of the 20th century. Beginning her career performing in concerts and operas in Munich in the early 1890s, she joined Walter Damrosch's newly created American opera company in 1896. After performing for several years in operas in the United States, she returned to Germany where she was committed to Theater Bremen from 1901 to 1905. In 1906 she returned to the United States to join the roster of resident artists at the Metropolitan Opera ("The Met"); having previously made her debut with that company in 1901. She remained committed to the Met up until her death in 1927; giving a total of 900 performances in more than forty different operas. She was particularly admired for her portrayal of Hänsel in Engelbert Humperdinck's ''Hansel and Gretel''. Mattf ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opera
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, singers employ two styles o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bavarian Court
The Kingdom of Bavaria (german: Königreich Bayern; ; spelled ''Baiern'' until 1825) was a German state that succeeded the former Electorate of Bavaria in 1805 and continued to exist until 1918. With the unification of Germany into the German Empire in 1871, the kingdom became a federated state of the new empire and was second in size, power, and wealth only to the leading state, the Kingdom of Prussia. The polity's foundation dates back to the ascension of prince-elector Maximilian IV Joseph of the House of Wittelsbach as King of Bavaria in 1805. The crown would go on being held by the Wittelsbachs until the kingdom came to an end in 1918. Most of the border of modern Germany's Free State of Bavaria were established after 1814 with the Treaty of Paris, in which the Kingdom of Bavaria ceded Tyrol and Vorarlberg to the Austrian Empire while receiving Aschaffenburg and Würzburg. In 1918, Bavaria became a republic after the German Revolution, and the kingdom was thus succeeded b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The New York Times
''The New York Times'' (''the Times'', ''NYT'', or the Gray Lady) is a daily newspaper based in New York City with a worldwide readership reported in 2020 to comprise a declining 840,000 paid print subscribers, and a growing 6 million paid digital subscribers. It also is a producer of popular podcasts such as '' The Daily''. Founded in 1851 by Henry Jarvis Raymond and George Jones, it was initially published by Raymond, Jones & Company. The ''Times'' has won 132 Pulitzer Prizes, the most of any newspaper, and has long been regarded as a national "newspaper of record". For print it is ranked 18th in the world by circulation and 3rd in the U.S. The paper is owned by the New York Times Company, which is publicly traded. It has been governed by the Sulzberger family since 1896, through a dual-class share structure after its shares became publicly traded. A. G. Sulzberger, the paper's publisher and the company's chairman, is the fifth generation of the family to head the p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Max Alvary
Max Alvary (3 May 1856 – 7 November 1898), born as Maximilian Achenbach, was a German operatic tenor. Born in Düsseldorf, Germany, he was the son of the painter Andreas Achenbach, over whose initial objections he pursued his singing career. He studied in Frankfurt with Julius Stockhausen, and in Milan with Francesco Lamperti. He had a fine dramatic voice and a handsome stage presence, and speedily made a reputation in Germany in the leading roles in Wagnerian opera. From 1885 onwards he also appeared in America and England. On 9 November 1887 Alvary appeared as the title character in the United States premiere of Wagner's ''Siegfried'' at the Metropolitan Opera in New York. Vividly embodying Siegfried's youth and fiery individualism, the tenor created a sensation and became an idol of New York opera goers until his departure in 1889. In 1892, his performances as Tristan and Siegfried at the Royal Opera House, Covent Garden, aroused great enthusiasm. In October 1894, he wa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Milka Ternina
Milka Ternina (born Katarina Milka Trnina, pronounced ; 19 December 1863 – 18 May 1941) was a Croatian dramatic soprano who enjoyed a high reputation in major American and European opera houses. Praised by audiences and music critics alike for the electrifying force of her acting and the excellence of her singing in both German and Italian works, her career was curtailed at its peak in 1906 by a medical condition which paralyzed a nerve in her face. Early life and education A native of Vezišće (part of Križ), the young Trnina (usually referred to as Milka Ternina in English-speaking countries) studied singing privately with Ida Winterberg in Zagreb and then with Joseph Gänsbacher at the conservatory in Vienna, graduating from his class in 1883 with a gold medal. She had made her operatic debut while still a student in Zagreb, singing Amelia in an 1882 production of Giuseppe Verdi's ''Un ballo in maschera''. Career Ternina sang initially as a full-time professional perf ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Riza Eibenschütz
Riza Eibenschütz, married name Riza Malata, (17 February 1870 – 16 January 1947),See also the OeML (Weblinks), the year of birth and death varies in some sources (1868/1870/1971/1873 respectively 1946/1947/1948) was an Austrian operatic soprano and contralto. Life Born in Budapest, Eibenschütz was the daughter of a merchant. She studied singing at the Konservatorium Wien Privatuniversität with Josef Gänsbacher and Marianne Brandt. Her large vocal range allowed her to sing both soprano and alto parts during her subsequent career as an opera singer.K. J. Kutsch, Leo Riemens: ''Ehnn, Bertha'' In ''Großes Sängerlexikon'' vol. 2, K.G. Saur, Munich 2003, . Eibenschütz received her first engagement at the Opernhaus Leipzig, where she made her debut as Selica (''L'Africaine'') in 1894. After that she sang for two years at the Stadttheater Strasbourg. In 1897 she went on a two-year North American tour with the Damrosch Opera Company. Afterwards she returned to the Leipzig Ope ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tannhäuser (opera)
''Tannhäuser'' (; full title , "Tannhäuser and the Minnesängers' Contest at Wartburg") is an 1845 opera in three acts, with music and text by Richard Wagner ( WWV 70 in the catalogue of the composer's works). It is based on two German legends: Tannhäuser, the mythologized medieval German Minnesänger and poet, and the tale of the Wartburg Song Contest. The story centres on the struggle between sacred and profane love, as well as redemption through love, a theme running through most of Wagner's work. The opera remains a staple of major opera house repertoire in the 21st century. Composition history Sources The libretto of ''Tannhäuser'' combines mythological elements characteristic of German '' Romantische Oper'' (Romantic opera) and the medieval setting typical of many French Grand Operas. Wagner brings these two together by constructing a plot involving the 14th-century Minnesingers and the myth of Venus and her subterranean realm of Venusberg. Both the historical an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Wagner
Wilhelm Richard Wagner ( ; ; 22 May 181313 February 1883) was a German composer, theatre director, polemicist, and conductor who is chiefly known for his operas (or, as some of his mature works were later known, "music dramas"). Unlike most opera composers, Wagner wrote both the libretto and the music for each of his stage works. Initially establishing his reputation as a composer of works in the romantic vein of Carl Maria von Weber and Giacomo Meyerbeer, Wagner revolutionised opera through his concept of the '' Gesamtkunstwerk'' ("total work of art"), by which he sought to synthesise the poetic, visual, musical and dramatic arts, with music subsidiary to drama. He described this vision in a series of essays published between 1849 and 1852. Wagner realised these ideas most fully in the first half of the four-opera cycle '' Der Ring des Nibelungen'' (''The Ring of the Nibelung''). His compositions, particularly those of his later period, are notable for their complex textur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Academy Of Music (New York City)
The Academy of Music was a New York City opera house, located on the northeast corner of East 14th Street and Irving Place in Manhattan. The 4,000-seat hall opened on October 2, 1854. The review in ''The New York Times'' declared it to be an acoustical "triumph", but "In every other aspect ... a decided failure," complaining about the architecture, interior design and the closeness of the seating; although a follow-up several days later relented a bit, saying that the theater "looked more cheerful, and in every way more effective" than it had on opening night. The Academy's opera season became the center of social life for New York's elite, with the oldest and most prominent families owning seats in the theater's boxes. The opera house was destroyed by fire in 1866 and subsequently rebuilt, but it was supplanted as the city's premier opera venue in 1883 by the new Metropolitan Opera House – created by the ''nouveaux riches'' who had been frozen out of the Academy – and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ludwig Thuille
Ludwig Wilhelm Andreas Maria Thuille (Bozen, 30 November 1861 – 5 February 1907) was an Austrian composer and teacher, numbered for a while among the leading operatic composers of the so-called Munich School of composers, whose most famous representative was Richard Strauss.Thuille, Ludwig (preface). Repertoire & Opera Explorer. Musikproduktion Höflich. Biography Thuille was born in , then part of , now in Italy. He lost both his parents in 1872 when he was 11, and moved in with his step-uncle in |
University Of Music And Performing Arts Munich
The University of Music and Performing Arts Munich (german: Hochschule für Musik und Theater München), also known as the Munich Conservatory, is a performing arts conservatory in Munich, Germany. The main building it currently occupies is the former ''Führerbau'' of the NSDAP, located at Arcisstraße 12, on the eastern side of the Königsplatz. Teaching and other events also take place at Luisenstraße 37a, Gasteig, the Prinzregententheater (theatre studies), and in Wilhelmstraße (ballet). Since 2008, the Richard Strauss Conservatory ( de), until then independent, has formed part of the university. History In 1846, a private institution called the Royal Conservatory of Music (''Königliches Conservatorium für Musik'') was founded, and in 1867, at the suggestion of Richard Wagner, this was transformed by King Ludwig II into the Royal Bavarian Music School (''Königliche bayerische Musikschule''), financed privately by Ludwig II until gaining the status of a state inst ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Musical Courier
The ''Musical Courier'' was a weekly 19th- and 20th-century American music trade magazine that began publication in 1880. The publication included editorials, obituaries, announcements, scholarly articles and investigatory writing about musical instruments and music in general. These included "construction practices, descriptions, tools, exhibitions and collections, new technologies, and laws and legal actions" relating to the music industry. There were articles on "companies and manufacturers of instruments, . . . entries on patents, trade marks, and designs for new or improved instruments", as well as reporting on "African-American music and culture, women's rights, John Philip Sousa, Antonín Dvořák and the influence of the rise of Nazi Germany on music in Europe." In 1897, Marc A. Blumenberg, the publisher, "separated the musical and industrial departments" of the magazine and began publishing the ''Musical Courier Extra'' "strictly as a trade edition." In the 1890s, a s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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