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Marianna Martines
Marianna Martines, also Marianne von Martinez (4 May 1744 – 13 December 1812), was a composer, pianist, and singer of the Classical period, based in Vienna, Austria. Early life Marianna Martines's paternal grandfather was a Spanish soldier who had settled in Naples. Her father, Nicolo Martines, grew up there and for a time pursued a career as a soldier. He later changed careers, serving in Vienna as Maestro di Camera (major-domo) at the papal nuncio; that is, the Pope's embassy to the Austrian Empire. For service to the Empire, Marianna's brother Joseph in 1774 acquired a patent of nobility, hence the "von" in the family surname. In his youth in Italy, Nicolo had befriended the poet Pietro Trapassi, who wrote under the name Metastasio. The latter had risen in eminence, to the point that in 1730 he was called to Vienna to serve as the Poet Laureate of the Empire. Metastasio resided with the Martines family for the entire rest of his life (from about 1734 to 1782). Hi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marianna Martines, Pupil Of P
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Marianna may refer to: * Marianna, Arkansas, USA * Marianna, Florida, USA * Marianna, Pennsylvania, USA * An English spelling for Mariana, Minas Gerais, Brazil * 602 Marianna, an asteroid, number 602 in the minor planet catalog * Marianna (given name), with a list of people of this name See also *Mariana (other) *Marianne (other) *Maria Anna (other) *Mariano (other) *Marian (other) Marian may refer to: People * Marian (given name), a list of people with the given name * Marian (surname), a list of people so named Places * Marian, Iran (other) * Marian, Queensland, a town in Australia * Marian, a village in toe c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Associated Board Of The Royal Schools Of Music
The ABRSM (Associated Board of the Royal Schools of Music) is an examination board and registered charity based in the United Kingdom. ABRSM is one of five examination boards accredited by Ofqual to award graded exams and diploma qualifications in music within the UK's National Qualifications Framework (along with the London College of Music, RSL Awards (Rockschool Ltd), Trinity College London, and the Music Teachers' Board). 'The Associated Board of the Royal Schools of Music' was established in 1889 and rebranded as ABRSM in 2009. The clarifying strapline "the exam board of the Royal Schools of Music" was introduced in 2012. More than 600,000 candidates take ABRSM exams each year in over 90 countries. ABRSM also provides a publishing house for music which produces syllabus booklets, sheet music and exam papers and runs professional development courses and seminars for teachers. ABRSM is one of the UK's 200 largest charitable organisations ranked by annual expenditure. His ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Michael Kelly (musician)
Michael Kelly (25 December 1762 – 9 October 1826) was an Irish tenor, composer and theatrical manager who made an international career of importance in musical history. One of the leading figures in British musical theatre around the turn of the nineteenth century, he was a close associate of playwright and poet Richard Brinsley Sheridan. He also became friends with musicians such as Mozart, Stephen Storace, Storace, and Paisiello, and created roles for the operas of all three composers. With his friend and fellow singer Nancy Storace, he was one of the first tenors of that era from Britain and Ireland to become famous in Italy and Austria. In Italy he was also known as O'Kelly or even Signor Ochelli. Although the primary source for his life is his ''Reminiscences'', doubt has been cast on the reliability of his own account, and it has been said that '[a]ny statement of Kelly's is immediately suspect.' Dublin beginnings Michael Kelly's father Thomas, a Roman Catholic wine merc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ludwig Fischer (bass)
Johann Ignaz Ludwig Fischer (c. 18 August 1745 – 10 July 1825), commonly called Ludwig Fischer, was a German opera singer, a notable bass of his time. Life Ludwig Fischer was born in Mainz on 18 or 19 August 1745. Fischer began his musical studies not as a singer but with the violin and cello. When he was heard singing in a church choir and in student operetta productions, his voice was noticed and he took up singing seriously. He was then made a supernumerary singer in the Electoral court of Mainz. Starting in 1770, he studied voice with the tenor Anton Raaff in Mannheim, where he had first sung professionally on stage in 1767. He continued to rise to prominence in Mannheim. In 1772 he was appointed at the Mannheim court, and Prince-elector Karl Theodor gave him a scholarship to enable him to continue his studies with Raaff. In 1775 he became responsible for singing instruction in the Mannheim . By 1778 he was the highest-paid of the Mannheim court singers. In 1778, Karl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Caterina Cavalieri
Caterina Magdalena Giuseppa Cavalieri (18 March 1755 – 30 June 1801) was an Austrian soprano. Born as Katharina Magdalena Josepha Cavalier in Lichtental, Vienna, Cavalieri studied voice with composer Antonio Salieri. Her stage debut was in 1775 in Pasquale Anfossi's opera ''La finta giardiniera (Anfossi), La finta giardiniera''. This was followed by Ignaz Umlauf's Singspiel ''Die Bergknappen'' in 1778 and the role of Nannette in Salieri's ''Der Rauchfangkehrer'' on 30 April 1781, a role specifically written for her to display her virtuosity. Similarly, Wolfgang Amadeus Mozart wrote the role of Konstanze in his Singspiel ''Die Entführung aus dem Serail'' for her, which she premiered on 16 July 1782. On 1 June 1785 she sang the role of Enrichetta in the première of Stephen Storace's ''Gli sposi malcontenti''. On 7 May 1788, Cavalieri sang the role of Donna Elvira in the Vienna première of Mozart's ''Don Giovanni''. Other works by Mozart written for her are ''Davide penitente'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tonkünstler-Societät
The Tonkünstler-Societät ("Society of Musicians") was a benevolent society for musicians in Vienna, which lasted from the mid-18th century to the mid-20th. Its purpose was "to support retired musicians and their families". Beginning in 1772, the Society mounted a series of benefit concerts, often with large forces of performers, at which were performed works by leading Classical-period composers, including Joseph Haydn, Wolfgang Amadeus Mozart, and Ludwig van Beethoven. History The Society was founded by Florian Gassmann in 1771. It was also known as the "Gesellschaft der Wiener Tonkünstler zum Unterhalte ihrer Witwen und Waisen"; i.e. "Society of Viennese Musicians for the Support of their Widows and Orphans."http://www.wien.gv.at/kultur/archiv/geschichte/zeugnisse/haydnverein.html(in German) Until 1811 (the year that the Gesellschaft der Musikfreunde was founded), it was the only private organization offering concerts in Vienna. The Society was strongly supported by the a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carl Philipp Emanuel Bach
Carl Philipp Emanuel Bach (8 March 1714 – 14 December 1788), also formerly spelled Karl Philipp Emmanuel Bach, and commonly abbreviated C. P. E. Bach, was a German composer and musician of the Baroque and Classical period. He was the fifth child and second surviving son of Johann Sebastian Bach and Maria Barbara Bach. Bach was an influential composer working at a time of transition between his father's Baroque style and the Classical style that followed it. He was the principal representative of the ' or 'sensitive style'. The qualities of his keyboard music are forerunners of the expressiveness of Romantic music, in deliberate contrast to the statuesque forms of Baroque music. His organ sonatas mainly come from the galant style. To distinguish him from his brother Johann Christian, the "London Bach", who at this time was music master to Queen Charlotte of Great Britain,Hubeart Jr., T. L. (14 July 2006"A Tribute to Carl Philipp Emanuel Bach" Bach was known as the "Berlin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Classical Music Era
The Classical period was an era of classical music between roughly 1750 and 1820. The classical period falls between the Baroque and Romantic periods. It is mainly homophonic, using a clear melody line over a subordinate chordal accompaniment, Blume, Friedrich. ''Classic and Romantic Music: A Comprehensive Survey''. New York: W. W. Norton, 1970 but counterpoint was by no means forgotten, especially in liturgical vocal music and, later in the period, secular instrumental music. It also makes use of '' style galant'' which emphasizes light elegance in place of the Baroque's dignified seriousness and impressive grandeur. Variety and contrast within a piece became more pronounced than before, and the orchestra increased in size, range, and power. The harpsichord declined as the main keyboard instrument and superseded by the piano (or fortepiano). Unlike the harpsichord, which plucks strings with quills, pianos strike the strings with leather-covered hammers when the keys are pre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Motet
In Western classical music, a motet is mainly a vocal musical composition, of highly diverse form and style, from high medieval music to the present. The motet was one of the preeminent polyphonic forms of Renaissance music. According to the English musicologist Margaret Bent, "a piece of music in several parts with words" is as precise a definition of the motet as will serve from the 13th to the late 16th century and beyond.Margaret Bent,The Late-Medieval Motet in ''Companion to Medieval & Renaissance Music'', edited by Tess Knighton and David Fallows, 114–19 (Berkeley, California: University of California Press, 1992): 114. . The late 13th-century theorist Johannes de Grocheo believed that the motet was "not to be celebrated in the presence of common people, because they do not notice its subtlety, nor are they delighted in hearing it, but in the presence of the educated and of those who are seeking out subtleties in the arts". Etymology In the early 20th century, it was ge ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mass (music)
The Mass () is a form of sacred musical composition that sets the invariable portions of the Christian Eucharistic liturgy (principally that of the Catholic Church, the Anglican Communion, and Lutheranism), known as the Mass. Most Masses are settings of the liturgy in Latin, the sacred language of the Catholic Church's Roman Rite, but there are a significant number written in the languages of non-Catholic countries where vernacular worship has long been the norm. For example, there have been many Masses written in English for a United States context since the Second Vatican Council, and others (often called "communion services") for the Church of England. Masses can be ''a cappella'', that is, without an independent accompaniment, or they can be accompanied by instrumental '' obbligatos'' up to and including a full orchestra. Many masses, especially later ones, were never intended to be performed during the celebration of an actual mass. History Middle Ages The earliest ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maria Theresa
Maria Theresa (Maria Theresia Walburga Amalia Christina; 13 May 1717 – 29 November 1780) was the ruler of the Habsburg monarchy from 1740 until her death in 1780, and the only woman to hold the position suo jure, in her own right. She was the sovereign of Archduchy of Austria, Austria, Kingdom of Hungary, Hungary, Kingdom of Croatia (Habsburg), Croatia, Crown of Bohemia, Bohemia, Principality of Transylvania (1711–1867), Transylvania, Slavonia, Duchy of Mantua, Mantua, Duchy of Milan, Milan, Moravia, Galicia and Lodomeria, Dalmatia, Austrian Netherlands, Carinthia, Carniola, Gorizia and Gradisca, Austrian Silesia, Tyrol (state), Tyrol, Styria and Duchy of Parma, Parma. By marriage, she was List of Lorrainian royal consorts#House of Vaudemont, 1473–1737, Duchess of Lorraine, List of Tuscan consorts#House of Lorraine, 1737–1765, Grand Duchess of Tuscany, and List of Holy Roman empresses#House of Lorraine, Holy Roman Empress. Through her aunt, Charlotte Christine of Brunswi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles Burney
Charles Burney (7 April 1726 – 12 April 1814) was an English music historian, composer and musician. He was the father of the writers Frances Burney and Sarah Burney, of the explorer James Burney, and of Charles Burney, a classicist and book donor to the British Museum. He was a close friend and supporter of Joseph Haydn and other composers. Early life and career Charles Burney was born at Raven Street, Shrewsbury, the fourth of six children of James Macburney (1678–1749), a musician, dancer and portrait painter, and his second wife Ann (''née'' Cooper, –1775). In childhood he and a brother Richard (1723–1792) were for unknown reasons sent to the care of a "Nurse Ball" at nearby Condover, where they lived until 1739. He began formal education at Shrewsbury School in 1737 and was later sent in 1739 to The King's School, Chester, where his father then lived and worked. His first music master was a Mr Baker, the cathedral organist, and a pupil of John Blow. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
