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Maret Building
The Maret Building (french: Immeuble Maret) is located at 128 Muhammad V Boulevard in downtown Casablanca, Morocco. It was designed by Hippolyte Joseph Delaporte and built in 1932, during the French protectorate. Its architecture is a prominent example of the fusion of Neo-Mauresque and Neoclassical architecture with Art Deco touches. The Maret Building features a colorful ''zellij''-covered dome. Architecture The Maret Building has 7 floors including a ground floor. Its architectural style is a fusion of Neo Mauresque (Moorish Revival), Neoclassical, and Modern architecture. A series of horizontal wavelike concrete curves spread out across the main façade from the rounded corner of the building. On the 6th floor, there is an arcade that gives contrastive emphasis to the floor below, which is partly covered with Moroccan ''zellij'' ceramic tiles. The tiles are multicolored, but the predominant color is turquoise; it is reminiscent of Antoni Gaudí Antoni Gaud� ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Moorish Revival Architecture
Moorish Revival or Neo-Moorish is one of the exotic revival architectural styles that were adopted by architects of Europe and the Americas in the wake of Romanticist Orientalism. It reached the height of its popularity after the mid-19th century, part of a widening vocabulary of articulated decorative ornament drawn from historical sources beyond familiar classical and Gothic modes. Neo-Moorish architecture drew on elements from classic Moorish architecture and, as a result, from the wider Islamic architecture. In Europe The "Moorish" garden structures built at Sheringham Hall, Norfolk, ca. 1812, were an unusual touch at the time, a parallel to chinoiserie, as a dream vision of fanciful whimsy, not meant to be taken seriously; however, as early as 1826, Edward Blore used Islamic arches, domes of various size and shapes and other details of Near Eastern Islamic architecture to great effect in his design for Alupka Palace in Crimea, a cultural setting that had already ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Neoclassical Architecture
Neoclassical architecture is an architectural style produced by the Neoclassical movement that began in the mid-18th century in Italy and France. It became one of the most prominent architectural styles in the Western world. The prevailing styles of architecture in most of Europe for the previous two centuries, Renaissance architecture and Baroque architecture, already represented partial revivals of the Classical architecture of ancient Rome and (much less) ancient Greek architecture, but the Neoclassical movement aimed to strip away the excesses of Late Baroque and return to a purer and more authentic classical style, adapted to modern purposes. The development of archaeology and published accurate records of surviving classical buildings was crucial in the emergence of Neoclassical architecture. In many countries, there was an initial wave essentially drawing on Roman architecture, followed, from about the start of the 19th century, by a second wave of Greek Revival archi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Modern Architecture
Modern architecture, or modernist architecture, was an architectural movement or architectural style based upon new and innovative technologies of construction, particularly the use of glass, steel, and reinforced concrete; the idea that form should follow function ( functionalism); an embrace of minimalism; and a rejection of ornament. It emerged in the first half of the 20th century and became dominant after World War II until the 1980s, when it was gradually replaced as the principal style for institutional and corporate buildings by postmodern architecture. Origins File:Crystal Palace.PNG, The Crystal Palace (1851) was one of the first buildings to have cast plate glass windows supported by a cast-iron frame File:Maison François Coignet 2.jpg, The first house built of reinforced concrete, designed by François Coignet (1853) in Saint-Denis near Paris File:Home Insurance Building.JPG, The Home Insurance Building in Chicago, by William Le Baron Jenney (1884) Fi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Casablanca
Casablanca, also known in Arabic as Dar al-Bayda ( ar, الدَّار الْبَيْضَاء, al-Dār al-Bayḍāʾ, ; ber, ⴹⴹⴰⵕⵍⴱⵉⴹⴰ, ḍḍaṛlbiḍa, : "White House") is the largest city in Morocco and the country's economic and business center. Located on the Atlantic coast of the Chaouia plain in the central-western part of Morocco, the city has a population of about 3.71 million in the urban area, and over 4.27 million in the Greater Casablanca, making it the most populous city in the Maghreb region, and the eighth-largest in the Arab world. Casablanca is Morocco's chief port, with the Port of Casablanca being one of the largest artificial ports in the world, and the second largest port in North Africa, after Tanger-Med ( east of Tangier). Casablanca also hosts the primary naval base for the Royal Moroccan Navy. Casablanca is considered a Global Financial Centre, ranking 54th globally in the Global Financial Centres Index rankings for the ye ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Morocco
Morocco (),, ) officially the Kingdom of Morocco, is the westernmost country in the Maghreb region of North Africa. It overlooks the Mediterranean Sea to the north and the Atlantic Ocean to the west, and has land borders with Algeria to the east, and the disputed territory of Western Sahara to the south. Mauritania lies to the south of Western Sahara. Morocco also claims the Spanish exclaves of Ceuta, Melilla and Peñón de Vélez de la Gomera, and several small Spanish-controlled islands off its coast. It spans an area of or , with a population of roughly 37 million. Its official and predominant religion is Islam, and the official languages are Arabic and Berber; the Moroccan dialect of Arabic and French are also widely spoken. Moroccan identity and culture is a mix of Arab, Berber, and European cultures. Its capital is Rabat, while its largest city is Casablanca. In a region inhabited since the Paleolithic Era over 300,000 years ago, the first Moroccan st ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hippolyte Delaporte
Hippolyte-Joseph Delaporte was a French architect active in Morocco during the French Protectorate. He designed several buildings from the 1920s up to the 1950s, mainly in Casablanca. In 1952, he was in charge of architectural planning of the city. Biography Delaporte was born in Versailles and, after having spent most of his life in colonial Morocco, died in Marseille. In 1895, he was admitted to the École nationale supérieure des beaux-arts (ENSBA) and studied under Victor Laloux in his . He received his diploma in 1902. From 1913 on, he worked as architect in Casablanca and Rabat. Several of his buildings were since destroyed, but a large number also have survived and have been restored as part of the architectural heritage of Morocco. His 1920 building in Rabat on the Al Joulan Square next to the city's Saint Peter's Cathedral, known as the Gourmet Building first occupied apartments and a bakery with an adjoining café on the ground floor. During World War II, it was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
French Protectorate In Morocco
The French protectorate in Morocco (french: Protectorat français au Maroc; ar, الحماية الفرنسية في المغرب), also known as French Morocco, was the period of French colonial rule in Morocco between 1912 to 1956. The protectorate was officially established 30 March 1912, when Sultan Abd al-Hafid signed the Treaty of Fez, though the French military occupation of Morocco had begun with the invasion of Oujda and the bombardment of Casablanca in 1907. The French protectorate lasted until the dissolution of the Treaty of Fez on 2 March 1956, with the Franco-Moroccan Joint Declaration. Morocco's independence movement, described in Moroccan historiography as the Revolution of the King and the People, restored the exiled Mohammed V but it did not end French presence in Morocco. France preserved its influence in the country, including a right to station French troops and to have a say in Morocco's foreign policy. French settlers also maintained their rights a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Art Deco
Art Deco, short for the French ''Arts Décoratifs'', and sometimes just called Deco, is a style of visual arts, architecture, and product design, that first appeared in France in the 1910s (just before World War I), and flourished in the United States and Europe during the 1920s and 1930s. Through styling and design of the exterior and interior of anything from large structures to small objects, including how people look (clothing, fashion and jewelry), Art Deco has influenced bridges, buildings (from skyscrapers to cinemas), ships, ocean liners, trains, cars, trucks, buses, furniture, and everyday objects like radios and vacuum cleaners. It got its name after the 1925 Exposition internationale des arts décoratifs et industriels modernes (International Exhibition of Modern Decorative and Industrial Arts) held in Paris. Art Deco combined modern styles with fine craftsmanship and rich materials. During its heyday, it represented luxury, glamour, exuberance, and faith in socia ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zellij
''Zellij'' ( ar, الزليج, translit=zillīj; also spelled zillij or zellige) is a style of mosaic tilework made from individually hand-chiseled tile pieces. The pieces were typically of different colours and fitted together to form various patterns on the basis of tessellations, most notably elaborate Islamic geometric motifs such as radiating star patterns. This form of Islamic art is one of the main characteristics of architecture in the western Islamic world. It is found in the architecture of Morocco, the architecture of Algeria, early Islamic sites in Tunisia, and in the historic monuments of al-Andalus (in the Iberian Peninsula). From the 14th century onwards, ''zellij'' became a standard decorative element along lower walls, in fountains and pools, on minarets, and for the paving of floors. After the 15th century the traditional mosaic ''zellij'' fell out of fashion in most countries except for Morocco, where it continues to be produced today. ''Zellij'' is found in m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Façade
A façade () (also written facade) is generally the front part or exterior of a building. It is a loan word from the French (), which means 'frontage' or ' face'. In architecture, the façade of a building is often the most important aspect from a design standpoint, as it sets the tone for the rest of the building. From the engineering perspective, the façade is also of great importance due to its impact on energy efficiency. For historical façades, many local zoning regulations or other laws greatly restrict or even forbid their alteration. Etymology The word is a loanword from the French , which in turn comes from the Italian , from meaning 'face', ultimately from post-classical Latin . The earliest usage recorded by the '' Oxford English Dictionary'' is 1656. Façades added to earlier buildings It was quite common in the Georgian period for existing houses in English towns to be given a fashionable new façade. For example, in the city of Bath, The Bunch of Grapes ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antoni Gaudí
Antoni Gaudí i Cornet (; ; 25 June 1852 – 10 June 1926) was a Catalan architect from Spain known as the greatest exponent of Catalan Modernism. Gaudí's works have a highly individualized, '' sui generis'' style. Most are located in Barcelona, including his main work, the church of the Sagrada Família. Gaudí's work was influenced by his passions in life: architecture, nature, and religion. He considered every detail of his creations and integrated into his architecture such crafts as ceramics, stained glass, wrought ironwork forging and carpentry. He also introduced new techniques in the treatment of materials, such as '' trencadís'' which used waste ceramic pieces. Under the influence of neo-Gothic art and Oriental techniques, Gaudí became part of the ''Modernista'' movement which was reaching its peak in the late 19th and early 20th centuries. His work transcended mainstream ''Modernisme'', culminating in an organic style inspired by natural forms. Gaudí rarely ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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